Isabelle Faust -《舒曼 小提琴协奏曲、第3钢琴三重奏》(Schumann - Violin Concerto & Piano Trio)[24bits 96KHz][FLAC]

专辑英文名: Schumann - Violin Concerto & Piano Trio
专辑中文名: 舒曼 小提琴协奏曲、第3钢琴三重奏
艺术家: Isabelle Faust
古典类型: 全集作品
资源格式: FLAC
版本: [24bits 96KHz]
发行时间: 2015年03月10日
地区: 美国
语言: 英语
简介: 
专辑介绍:
现今德国最受瞩目的女小提琴家佛斯特(Isabelle Faust)15岁时勇夺“里奥波德.莫扎特音乐大赛(Leopold Mozart International Violin Competition)”的首奖后不断绽放光芒，及后於1993年赢得“第40界帕格尼尼国际小提琴大赛(The 40th Paganini Competition in Genoa)”的首奖，1997年推出首张专辑，获得<留声机杂誌(Gramophone)>颁发“年度青年音乐家大奖”，国际媒体推崇她「演奏风格属於德奥学派的那种带有贵族气质的“冷漠”特徵，客观、精确，忠实於原作，不过分甜美，表现出理智的分句、安排得很讲究的色彩变化….」，其演出深受国际乐迷的推崇，因而经常获邀到世界各地演出，足迹遍及亚洲、欧美等地。佛斯特与钢琴家梅尼可夫(Alexander Melnikov)、和大提琴家奎拉斯(Jean-Guihen Queyras)所组成的三重奏是极度和谐的室乐伙伴，充满默契的合作，优雅的古乐韵味令人一听难忘。当中所合作的<贝多芬小提琴奏鸣曲全集>获得「德国回声唱片(Echo Klassik)」以及<留声机杂誌(Gramophone)>专业评定为“年度最佳室乐专辑(Best Chamber Recording)”、<格林美(Grammy)>的提名等等，实力非凡并获音乐权威所肯定的室乐拍档。
此专辑是他们演绎舒曼的<小提琴协奏曲选,第1辑>，带来[G小调第3钢琴三重奏,作品110(Piano Trio No. 3 in G minor, Op. 110)]，另外还收录由佛斯特联同由海拉斯—卡萨多(Pablo Heras-Casado)指挥的“佛莱堡巴洛克管弦乐团(Freiburger Barockorchester)”所演绎的[D小调小提琴协奏曲,wOo23(Violin Concerto in D minor, WoO 23)]，除碟附送佛斯特与“柏林爱乐乐团(Berliner Philharmoniker)”的现场实况录影DVD，获得<BBC音乐杂誌(BBC Music Magazine)>、<卫报(The The Guardian)>、<留声机杂誌(Gramophone)>、<每日电讯报(The Daily Telegraph)>等专业音乐媒体一致好评，岂能错过！
舒曼 [小提琴协奏曲、第3钢琴三重奏]
Schumann [Violin Concerto]
Isabelle Faust (小提琴)
Alexander Melnikov (钢琴)
Jean-Guihen Queyras (大提琴)
HMC902196 (2 discs)
如果说有什么音乐是被同时期的人所诅咒的话，舒曼的小提琴协奏曲应该可以算的上一例。第三方团体的误解导致这部艺术作品被完全隔离。乐曲完成於1853年的9月11日和10月3日之间，是舒曼晚期的重要作品，当时他的精神状况逐渐恶化，却爆发出人意料的惊人创作力。这首作品的诞生和当时名闻遐邇的小提琴家姚阿幸有关，在他的央求下，舒曼先是写了给小提琴和管弦乐团的单乐章幻想曲并且获得好评，之后他趁胜追击写了小提琴协奏曲希望姚阿幸能演出。但这回姚阿幸的态度似乎有所保留，最后甚至放弃计画。此刻开始宣告这首作品的波折命运。舒曼过世后遗孀克拉拉坚持不将此曲纳入他的作品全集，并将手稿交给姚阿幸。姚阿幸也就这么搁著没有任何动作，据信是因为他发现乐曲有足以透露曼精神疾病的作曲弱点，出於保护好友艺术地位的心情，他甚至指示在舒曼过世百年内这首作品都不能演出及出版。不过1937年7月德国的Schott出版社发行了姚阿幸继承人所找到的合法改编版才终於打破这项束缚。
1850年舒曼前往杜塞道夫担任乐团指挥，不过以指挥而言他并未有如作曲般的惊人才华，最后在团员的反弹下提早下台。然而这段时期除了第三号交响曲首演之外，他也有不少室内乐作品产出，包含本辑的《第三号钢琴三重奏作品110》前后也仅花一个星期就完成。舒曼作曲时向来习惯独处，远离所有外界纷扰，即便是太太克拉拉也一样。「罗伯特正在埋首创作一首给钢琴、小提琴和大提琴的三重奏，但是除非几近完成，否则他不会让我知道任何细节，我知道的就只有乐曲是G小调这样而已」克拉拉在日记上如此写道。
这张录音计画是我们（佛斯特、梅尼可夫、奎拉斯）在巡迴演奏舒曼的三重奏作品80时所讨论而诞生，身为舒曼的热情拥护者，我们一直很希望能将他写给钢琴、小提琴和大提琴的作品放置在更宽广的曲目中，让它们彼此之间能够互相闪耀映衬，进而让听眾能对舒曼的音乐有更深一层的瞭解。我们很快就决定要使用古钢琴和搭配羊肠弦的弦乐器，同时连管弦乐团也一并使用好让效果更合。多亏这一点，我们期待演出会取得更好的平衡、更佳的发声，同时也让我们打开心胸看到更多。 帕布罗．艾拉斯-卡萨多和佛莱堡巴洛克管弦乐团发自内心的演出更让他们成为这次录音的理想伙伴。当然了，他们对我们的想法无不感到兴趣昂然，摩拳擦掌跃跃欲试，也是在舒曼的音乐世界中最不可或缺的好伙伴。这趟一探舒曼魔幻世界的共享旅程，将会留给我们异常强烈、快乐并且充实的体验。
乐团音準採用440Hz。
佛斯特、梅尼可夫、奎拉斯目前已经儼然是HM公司旗下的王牌，最近的贝多芬钢琴三重奏专辑拿下BBC音乐杂誌大奖的最佳室内乐专辑，这张专辑预料又会成为乐迷最津津乐道的讨论话题。
Robert Schumann
Violin Concerto WoO 1in D minor / re mineur / d-Moll
1 I. In kraftigem, nicht zu schnellem Tempo 15'11
2 II. Langsam 5'23
3 III. Lebhaft, doch nicht schnell 11'38
Piano Trio no.3 op.110in G minor / sol mineur / g-Moll
4 I. Bewegt, doch nicht zu rasch 11'11
5 II. Ziemlich langsam 5'56
6 III. Rasch 4'33
7 IV. Kraftig, mit Humor 7'33
引用This first volume in a trilogy comprising the complete concertos and piano trios of Schumann brings together two late and unjustly neglected works. The instigators of the project, Isabelle Faust, Alexandre Melnikov and Jean-Guihen Queyras, champion their cause with a force of conviction and a choice of instruments that restore the delicate transparency and subtlety of their textures. From start to finish of this recording, the poet speaks . . .
Robert SCHUMANN (Compositeur)
Isabelle FAUST (Interprete Principal)
Jean-Guihen QUEYRAS (Interprete Secondaire)
Alexander MELNIKOV (Interprete Secondaire)
Freiburger Barockorchester (Interprete Principal)
Pablo HERAS-CASADO (Interprete Principal)
In the autumn of 1851 Schumann composed, in rapid succession, the two violin sonatas and, in the space of just seven days from 2 to 9 October, the Piano Trio no.3, Op.110. As always during his work, Schumann was oblivious to everything around him, neglected social obligations, and isolated himself – even from Clara. ‘Robert is working very assiduously on a trio for piano, violin, and cello,’ she confided to her diary, ‘but he won’t let me hear anything of it until he has quite finished it – all I know is that it’s in G minor.’
This trio, like all his other chamber works with piano, was tailor-made for Clara to play and right from the first rehearsal session in the domestic circle she went into a veritable frenzy of delight: ‘It is original, absolutely full of passion, especially the scherzo, which sweeps one away to the wildest depths’, Just a little bit of that same enthusiasm would probably have spared the Violin Concerto a great deal of opprobrium: Clara witheld the score, as did the dedicatee, Joachim. It was finally premiered in Berlin on 26 November 1937, more than 80 years after it was composed, with the Berlin Philharmonic conducted by Karl Böhm and the violinist Georg Kulenkampff. Yehudi Menuhin had the privilege of making the first commercial recording, produced in the following year, 1938, with the New York Philharmonic under its British principal conductor John Barbirolli.
This first volume in a trilogy comprising the complete concertos and piano trios of Schumann brings together two late and unjustly neglected works. The instigators of the project, Isabelle Faust, Alexandre Melnikov and Jean-Guihen Queyras, champion their cause with a force of conviction and a choice of instruments that restore the delicate transparency and subtlety of their textures. The next release will be of the Piano Concerto and Piano Trio No. 2.
"The idea for this CD project arose during a tour on which we performed Robert Schumann’s Trio Op.80. As passionate admirers of the composer, we conceived the desire to place his works for piano, violin and cello in a broader context and to illuminate them mutually in order to allow listeners to gain a deeper understanding of his music. We soon agreed to play the pieces for this recording on a historical piano and stringed instruments with gut strings, using orchestral forces to match. Pablo Heras-Casado and the Freiburger Barockorchester sprang spontaneously to mind as the ideal partners for a project of this kind. Our shared journey into the magical world of this incomparable composer will remain with us as an exceptionally intense, happy, and fulfilling experience." Isabelle Faust, Alexander Melnikov, Jean-Guihen Queyras.
Performer: Isabelle Faust, Jean-Guihen Queyras, Alexander Melnikov
Orchestra: Freiburger Barockorchester
Conductor: Pablo Heras-Casado
Composer: Robert Schumann
Audio CD (March 10, 2015)
Number of Discs: 1
Format: Import
Label: HARMONIA MUNDI
ASIN: B00QMTDBFY
5.0 out of 5 starsRevelatory Schumann Violin Concerto
By J. F. Laurson on May 24, 2016
Format: Audio CD
As mentioned above; this CD was part of the (admittedly very personal, 1-person-committee) Forbes Best Classical Recordings of 2015 list, titled "Ghosts of Greatness": Here's an excerpt from it:
...the faint, otherworldly touches of Isabelle Faust in the middle movement of the Violin Concerto. They are breathtaking as the theme of Schumann’s Ghost-Variations flits through the picture. And just as stunning is the emergence out of this gorgeous but troubled netherworld of Schumann’s mind when the main theme comes back and is all the more invigorating and sunny-optimistic.
And that of a concerto that Clara Schumann, following violinist Joseph Joachim’s advice, suppressed. “Unplayable. Drab. Tiresomely repetitive. Awkward.” was their judgment. It’s half a miracle she didn’t burn it. Still performances remain rare. This disc might be the concerto’s best chance to change this! ...
专辑曲目: 
01. Robert Schumann: Violin Concerto in D Minor - In kräftigem, nicht zu schnellem Tempo 15:11
02. Robert Schumann: Violin Concerto in D Minor - Langsam 5:24
03. Robert Schumann: Violin Concerto in D Minor - Lebhaft, doch nicht schnell 11:46
04. Robert Schumann: Piano Trio No. 3 in G Minor, Op. 110 - Bewegt, doch nicht zu rasch 11:12
05. Robert Schumann: Piano Trio No. 3 in G Minor, Op. 110 - Ziemlich langsam 5:57
06. Robert Schumann: Piano Trio No. 3 in G Minor, Op. 110 - Rasch 4:33
07. Robert Schumann: Piano Trio No. 3 in G Minor, Op. 110 - Kräftig, mit Humor 7:34
评论(3)   收藏(0)   查看完整资源页