Khatia Buniatishvili -《李斯特：爱之梦、梅菲斯托圆舞曲&B小调钢琴奏鸣曲》(Liszt )[24bits 48KHz][FLAC]

专辑英文名: Liszt
专辑中文名: 李斯特：爱之梦、梅菲斯托圆舞曲&B小调钢琴奏鸣曲
艺术家: Khatia Buniatishvili
古典类型: 全集作品
资源格式: FLAC
版本: [24bits 48KHz]
发行时间: 2011年07月05日
地区: 美国
语言: 英语
简介: 
专辑介绍:
「钢琴女王」阿格丽希讚誉新生代来自乔治亚的女钢琴家－卡蒂雅
获选为BBC电台2009-2011的「New Generation Artis」、维也纳爱乐协会评选为2011/2012乐季的「Rising Star」。
加入索尼音乐首张专辑选录李斯特以『浮士德』主题的作品：「梅菲斯托圆舞曲」、「爱之梦」等。
【媒体评论】
她令人嘆为观止的活力展现出生命源源不绝的热情 ─by 「Classica」
令人瞠目结舌的音乐活力 ─by 「The Time」
　　卡蒂雅（Khatia Buniatishvili）是一位非凡的艺术家，也是当今最受好评的青年钢琴家，更是被视为明日的钢琴巨星。拥有令全世界乐迷与乐评印象深刻的浑厚且成熟音乐知性，以及超凡的技巧：无与伦比的弹奏技术，及独特的活力与态度，让她的演奏充满了无可取代的迷人魅力。
　　一九八七年出生於苏联乔治亚的提比利斯（Tbilisi）。钢琴教育的啟蒙得自母亲的教导，六岁时首度与乐团合作协奏曲，巡迴欧美各地演出。崇敬的钢琴家包括了拉赫曼尼诺夫、李希特与顾尔德，而最喜爱的钢琴家则为阿格丽希，然而她并不想成为阿格丽希第二，也不希望被视为天才儿童。
　　在提比利斯的国立音乐院（Tbilisi’s State Conservatoire）求学期间便获得多项比赛的肯定，而后转往维也纳深造，更进一步拓展音乐视野。2008年首度登上卡内基音乐厅的舞台，接著被BBC广播电台选为2009-2011年度「新生代艺术家」（New Generation Artist），更被维也纳爱乐协会评选为2011/2012乐季的「闪耀之星」（Rising Star）。如今她的身影已经登上了世界各大音乐厅的舞台，巨星的风采已然成形。获得「钢琴女王」阿格丽希的讚誉：「卡提雅是一个十分杰出的青年钢琴家。我对她不凡的钢琴天分、自然流露的音乐性、想像力，以及光辉灿烂的技巧，印象深刻。」
　　在她为索尼音乐公司所录制的个人首张专辑中，选择了李斯特的作品作为初试啼声的试金石。她表示：「一直以来我都了然於胸，我的第一张专辑将会是李斯特的作品集。只有他能够将我灵魂中的许多面向整合呈现。」
专辑选录的曲目重点在於「浮士德」的主题：《爱之梦》第三号的创作意念来自德国文豪歌德（Goethe）作品《浮士德》。《梅菲斯托圆舞曲》的灵感则是来自雷瑙（Nikolaus Lenau）有关於浮士德的诗作。此外，卡蒂雅将浮士德、玛格丽特与梅菲斯托视为录音的核心，而B小调钢琴奏鸣曲，就技术上而言，是有史以来最严苛的钢琴作品之一。
　　卡蒂雅的演奏，从细微处寻找伟大的灵魂，更从小地方寻找大宇宙。在李斯特的音乐中，她找到了对於音乐完整性，以及完善演奏技巧的自我见解。也因而成就了这一份足以视之为杰作的录音。
Franz Liszt / Khatia Buniatishvili, piano
李斯特：爱之梦、梅菲斯托圆舞曲&B小调钢琴奏鸣曲 / 卡蒂雅(钢琴)
发行公司：SONY MUSIC
产品编号：88697766042
发行日期：2011/06/07
进口版别
张数：1 张 - 1CD
【曲目】
1. 爱之梦，第三号，S 541/3
2-4 B小调奏鸣曲，S S178
5. 梅菲斯托圆舞曲，第一号，S 514
6. 阴鬱的贡多拉船，S 200/2
7-8 前奏曲与赋格（改编自巴哈作品BWV543），S 462/1
引用Release Date 2011
Duration 01:07:25
Genre Classical
Styles Keyboard
Recording DateOctober 10, 2010 - October 15, 2010
AllMusic Review by Blair Sanderson
Because Khatia Buniatishvili always wanted her debut recording to be a portrait of Franz Liszt, it is fortuitous that this album was released in time for the 200th anniversary of the composer's birth. This CD/DVD combo introduces the Georgian pianist in a manner that seems half a fulfillment of a fantasy and half a kitschy marketing ploy for Sony, overdone in its packaging, photography, and booklet. But the window-dressing should take nothing away from Buniatishvili's playing, which is wholly convincing in its power, incisiveness, fluidity, and clarity. It is evident that she is committed to Liszt with passionate intensity, and her playing lacks nothing in the necessary expressive range, from the dreamy delicacy of the Liebesträum in A flat major to the towering grandeur of the Sonata in B minor, with every nuanced possibility in between. The program is quite accessible, with these famous pieces and others, such as the Mephisto Waltz No. 1, La lugubre gondola, and the Prelude & Fugue in A minor (after Bach). Buniatishvili clearly understands that Liszt's music was about a lot more than flashy runs and clangorous octaves, and that there is a subtle creative aspect of his work that influenced a century of Romantic music and is still being felt today. Having Buniatishvili as an interpreter is certainly good for the Liszt revival, and it, in turn, should be quite helpful for her career, despite the label's gilding of the lily.
Audio CD (July 5, 2011)
Limited Edition edition
SPARS Code: DDD
Number of Discs: 2
Format: Limited Edition
Label: Sony Classical
Run Time: 72 minutes
ASIN: B004UPLPD2
Average Customer Review: 4.4 out of 5 stars
Andrew Clements
Thursday 2 April 2015 12.28 BST
There’s no doubting Khatia Buniatishvili’s talent. The Georgian pianist has an imposing technique at her disposal and, when she puts her mind to it, the ability to produce moments of insight and refined sensibility. She is in her late 20s now, at a time in her life when most pianists are turning early promise into real achievement, but to judge by the rash, immature playing in her latest London appearance, Buniatishvili is still some way from doing that.
Her programme – Mussorgsky’s Pictures at an Exhibition and a sequence of Liszt – was clearly designed for effect, and to have her fans on their feet and cheering at the end; predictably, they obliged. Pictures, though, had no shape at all, with the slower movements ponderously slow – Il Vecchio Castello was interminable – and faster ones lightning fast, so that they became trivialised, and Buniatishvili kicked up such a storm in The Hut on Fowl’s Legs that the dramatic effect of the segue into the final Great Gate of Kiev, one of the clinching moments in the whole work, was fatally undermined.
That tendency to extremes – the thinking that ever faster, ever louder, is automatically the best way to go – ran through the Liszt pieces too. Three studies from different sets, La Leggierezza, Feux Follets and La Campanella, at least allowed everyone to admire the pearly evenness of Buniatishvili’s fingering, but apart from a rather unconvincing Liebesträume to begin, around them were pieces that encouraged her to be as noisy as possible: the first Mephisto Waltz (not insidious, just rowdy), the Grand Galop Chromatique (turned into a low-grade circus act) and the second Hungarian Rhapsody – played, of course, in Vladimir Horowitz’s version, which adds tweaks and further elaborations to Liszt’s original. The good news is that the piano survived it all intact; the bad is that on the question of whether Buniatishvili can ever be a serious artist, the jury is very much still out.
专辑曲目: 
1. Liebestraum No. 3 in A-Flat Major, Op. 62 (S. 541)
2. I. Lento assai - Allegro energico
3. II. Andante sostenuto
4. III. Allegro energico
5. Mephisto Waltz No. 1, The Dance in the Village Inn, S 514
6. La lugubre gondola No. 2, S 200/2
7. Prelude
8. Fugue
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