Maria Callas -《卡拉丝演唱罗西尼与董尼采第咏叹调(1963 - 1964)》(Sings Rossini & Donizetti Arias (1963-64))[24 bits 96 KHz][FLAC]

专辑英文名: Sings Rossini & Donizetti Arias (1963-64)
专辑中文名: 卡拉丝演唱罗西尼与董尼采第咏叹调(1963 - 1964)
艺术家: Maria Callas
古典类型: 全集作品
资源格式: FLAC
版本: [24 bits 96 KHz]
发行时间: 2014年10月20日
地区: 美国
语言: 英语
简介: 
专辑介绍:
卡拉丝 Maria Callas / 女高音
雷斯奇尼欧 Nicola Rescigno/ 指挥
巴黎音乐院音乐会协会管弦乐团 Paris Conservatoire Orchestra
卡拉丝为义大利美声歌剧塑立了一种全新典范，那就是美声唱法不仅只有优美柔润的歌声，而是在兼具声乐技巧的同时，还要为音乐注入生命力，於是乎她的《诺玛》、《拉美默的露琪亚》都成为无可取代的伟大绝唱。在这张1963年底录制的「罗西尼与董尼采第咏嘆调」专辑中，卡拉丝以美声歌剧的经典曲目为重心，即使不是整齣歌剧的全曲演绎，但乐迷也能从这些咏嘆调中，萃取出卡拉丝对於美声艺术的独到詮释。
在结识希腊船王欧纳西斯之后，歌唱事业已逐渐退出卡拉丝的生活重心，不过当欧纳西斯将目光转移至甘迺迪遗孀贾桂琳之后，无法从男人获得保证的卡拉丝力图振作。1963年底，在巴黎过完四十岁生日的她开始与EMI录制三张咏嘆调专辑，由於声音状况时好时坏，於是录音断断续续在进行，尤其中间有段时间与导演柴菲雷利合作，在伦敦皇家歌剧院上演《托丝卡》，导致这张专辑直到1964年4月才完工，所幸歌剧演出与录音表现俱佳，声势再起，证明卡拉丝依旧宝刀未老。
这张「罗西尼与董尼采第咏嘆调专辑」，收录都是卡拉丝未曾在舞台上演出的美声剧目，包括罗西尼喜歌剧《灰姑娘》的「在眼泪与焦虑中长大」，这首成为她晚期经常於音乐会上的表演曲目；而罗西尼的法式大歌剧《威廉泰尔》与庄歌剧《赛蜜拉米德》，特别能够展现出卡拉丝声音里尊贵庄严的气度。而董尼采第的三齣作品，无论是喜剧《联队之花》及《爱情灵药》，或者是悲剧《露克雷吉亚．波吉亚》，她也能依照角色的定位，唱得完美无瑕。藉由这张美声专辑，我们见证了卡拉丝用歌唱燃烧她自己的小宇宙，进而改变歌剧大宇宙的无上贡献。
（1963年12月4, 9, 23, 30日、1964年1月6日, 2月21日, 4月13, 24日录音於巴黎沙利瓦格兰剧院 Salle Wagram, Paris）
商品条码 : 0825646340095
商品编号 : 2564634009
演奏者 : 卡拉丝 Maria Callas - 查看所有专辑
指挥家 : 雷斯奇尼欧 Nicola Rescigno - 查看所有专辑
乐团 :
作曲家 : 罗西尼&董尼采第 Rossini & Donizetti - 查看所有专辑
专辑名称 : 卡拉丝2014复刻系列─卡拉丝演唱罗西尼与董尼采第咏叹调(1963 - 1964)
Rossini & Donizetti Arias (1963 - 1964)
音乐类型 : 古典音乐 [CD 女高音]
发行公司/日期 : 华纳　2014/10/31
制作公司 :
内含片数 : 1
1. La Cenerentola, Act 2: Nacqui All`Affanno E Al Pianto Non Piu Mesta (Angelina)
2. Guglielmo Tell, Act 2: S`Allontanano Alfin... (Matilde)
3. La Figlia Del Reggimento, Act 1: Convien Partir (Maria)
4. Semiramide, Act 1: Bel Raggio Lusinghier (Semiramide)
5. Lucrezia Borgia, Act 1: Tranquillo Di Posa Com`e Bello(Lucrezia Borgia)
6. L`Elisir D`Amore, Act 2: Prendi, Per Me Sei Libero (Adina)
引用Although the bel canto repertoire was crucial to Callas's career, and she played a significant part in reviving its fortunes, she never sang any of the roles - from both serious and comic operas - that are represented in this recital. Gramophone said: 'It is extraordinary how the whole quality and colour of Callas' voice changes as she moves from one character to another - for example, from the grand manner appropriate to the Babylonian queen [Semiramide] to the passion of the spoiled Italian duchess [Lucrezia Borgia] and thence to the simple charm of the countrywoman Adina [L'elisir d'amore].'
Audio CD (20 Oct. 2014)
Number of Discs: 1
Label: Warner Classics
ASIN: B00KTQD8W2
Other Editions: MP3 Download
Average Customer Review: 5.0 out of 5 stars
5.0 out of 5 stars "Uttering Lamentations" 22 October 2014
By Brian Morgan - Published on Amazon.com
Format: Audio CD Verified Purchase
Maria Callas, the Prima Donna of the Century, recorded this album in 1963-64, for EMI, and was published in 1965. Many critics have regarded it as the "nadir" (in the word of the defunct High Fidelity magazine, in 1974) of her legendary discography. It consists entirely of excerpts from scores she never undertook on stage.
This writer, however, has long found these twilight recordings of Callas rather touching and underestimated. Along with Bellini, Rossini and Donizetti were her greatest composers, and they suited her recalcitrant voice far better than the later scores she undertook.
While, in "La cenerentola," La Callas will not make anyone forget Susanne Marsee's Cinderella, the senior artist's agility is, as always, breathtaking. She also reveals the sadness inherent in Angelina's character. "Guillaume Tell" and "La fille du régiment," though sung in Italian rather than French, are also touching. The anti-heroine of "Semiramide" is the rôle this reviewer, above all other operas, wished she had undertook complete. This singing-actress, with her "bitter" voice and fantastical plastique, would have been ideal in the exotic part.
In our day, only Leyla Gencer and Beverly Sills have been great interpreters of the villainess Lucrezia Borgia, and at least we have this extraordinary excerpt of Callas in this music. To conclude the Disc, we have the diva in a brief excerpt from "L'elisir d'amore."
Other writers have noted a lack of scintillation in these interpretations, and the lugubrious conducting may be at fault. The acuti are consistently shrill, but these high notes are not to be found in the scores composed by the bel canto masters. Callas would have done very well to omit these interpolations, which in any event displace the climaxes carefully notated by the composers. In fact, her 1961 recording of the "Semiramide" cavatina (unreleased until 1992), conducted by Antonino Tonini, is "come scritto," and greatly benefits from such an approach.
› Go to Amazon.com to see both reviews 5.0 out of 5 stars
Callas Sings Rossini and Donizetti Arias
Rossini / Donizetti / Callas
Release Date: 10/21/2014
Label: Warner Classics Catalog #: 634009 Spars Code: DDD
Composer: Gaetano Donizetti, Gioachino Rossini
Performer: Maria Callas
Conductor: Nicola Rescigno
Orchestra/Ensemble: Orchestre de la Société du Conservatoire Paris
Number of Discs: 1
专辑曲目: 
Gioachino Rossini (1792-1868)
La Cenerentola
01. Act 2: "Nacqui allaffanno e al pianto.....Non più mesta" (Angelina) (6:20)
Guglielmo Tell
02. Act 2: "Sallontanano alfin..." (Matilde) (8:39)
Gaetano Donizetti (1797-1848)
La figlia del reggimento
03. Act 1: "Convien partir" (Maria) (4:08)
Gioachino Rossini
Sémiramide
04. Act 1: "Bel raggio lusinghier" (Semiramide) (8:42)
Gaetano Donizetti
Lucrezia Borgia
05. Act 1: "Tranquillo di posa...Comè bello" (Lucrezia Borgia) (8:24)
Lelisir damore
06. Act 2: "Prendi, per me sei libero" (Adina) (3:39)
Maria Callas, soprano
Orchestre de la Société des Concerts du Conservatoire
Nicola Rescigno, conductor
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