![Sol Gabetta -《艾尔加&马替奴:大提琴协奏曲》(Elgar & Martinu Cello Concertos (Live))[FLAC]](http://i-7.vcimg.com/crop/ced9a346fb656118d0a3fbbda7ce612c59271(280x)/thumb.jpg)
专辑中文名: 艾尔加&马替奴:大提琴协奏曲
艺术家: Sol Gabetta
古典类型: 协奏曲
资源格式: FLAC
发行时间: 2017年02月05日
地区: 美国
语言: 英语
简介:
专辑介绍:
艾尔加&马替奴:大提琴协奏曲
索尔・嘉贝塔,大提琴
拉图&乌尔班斯基 指挥 柏林爱乐管弦乐团
◎ 索尔・嘉贝塔以往多在古乐领域发展,此次跨足现代音乐,十分令人期待
◎ 专辑收录两首当代重要大提琴协奏曲之现场演奏录音
◎ 柏林「晨报」表示索尔・嘉贝塔之演出是一个「神奇的时刻」(magic moments)
专辑由大提琴家索尔・嘉贝塔(Sol Gabetta) 主奏,并由指挥大师赛门・拉图(Sir Simon Rattle)及波兰新秀指挥乌尔班斯基(Krzysztof Urbański, 1982 - )联手指挥柏林爱乐管弦乐团,收录两首重量级的大提琴协奏曲:英国作曲家艾尔加的e小调大提琴协奏曲是他唯一的同类型作品,更是20世纪最受欢迎的大提琴协奏曲,是每位知名大提琴家必须挑战的作品。而捷克作曲家马替奴(Bohuslav Martinů, 1890-1959)的第1号大提琴协奏曲则是一首充满慧黠的幽默,却被忽视的杰作。
索尔・嘉贝塔出生於阿根廷,曾在莫斯科的柴可夫斯基大赛与 ARD慕尼黑国际音乐大赛(Internationaler Musikwettbewerb der ARD)获奖,并於2004年获得瑞士信贷青年艺术家的肯定。2010年获得留声机杂誌青年艺术家奖,2012年获得伍尔特奖(Würth-Preis) 青年音乐家奖。
乌尔班斯基(Krzysztof Urbański, 1982 - ) 1982 年 10 月 17 日出生於波兰的帕比亚尼采( Pabianice),25岁获得布拉格之春指挥首奖的肯定。现为美国印地安那波里斯管弦乐团(Indianapolis Symphony Orchestra)首席指挥。他表示对於所有自己选的曲子都相当熟悉,花了很多时间研读且清楚自己想要听到甚么声音。由於具有波兰出身背景,也因此致力於推广20世纪波兰作曲家的作品。
索尔・嘉贝塔以往多在古乐领域发展,此次跨足现代音乐,十分令人期待。本集是她首次与当今世上最优秀的乐团之一柏林爱乐合作,且为现场演奏之录音。其中,艾尔加的大提琴协奏曲由赛门・拉图指挥,於2014年录制,而马替奴的第一号大提琴协奏曲则由乌尔班斯基指挥,於2016年完成录音。两首作品的演出均获得媒体的好评,而柏林「晨报」表示马替奴作品之演出是一个「神奇的时刻」(magic moments)。
Elgar & Martinu: Cello Concertos (Live)
Sol Gabetta, Sir Simon Rattle, Krzysztof Urbanski
Released on November 4, 2016 by Sony Classical
Main artist: Sol Gabetta
Genre: Classical
DISTINCTIONS: 5 de Diapason (February 2017)
引用Edward Elgar (1857-1934)Cello Concerto in E Minor, Op. 85
I. Adagio – Moderato
II. Lento - Allegro molto
III. Adagio
IV. Allegro - Moderato - Allegro ma non troppo
Bohuslav Martinů (1890-1959)Cello Concerto No. 1, H. 196
I. Allegro moderato
II. Andante moderato
III. Allegro - Andantino - Tempo I
Elgar: Cello Concerto; Martinů: Cello Concerto No 1 CD review – epic scale and real depth
4 / 5 stars
Sol Gabetta’s first recording of the Elgar Cello Concerto, with the Danish National Symphony, was much admired when it appeared six years ago. This one, taken from a concert in the Baden-Baden Festspielhaus in 2014, is a far glossier affair orchestrally. Simon Rattle’s tendency to overmould the phrasing is sometimes too obvious, but Gabetta’s playing is intense and searching, less introspective than some performances in the Adagio, perhaps, but epic in scale in the outer movements, and always keenly responsive. Those who possess her earlier disc might not think they need to invest in this one, but would then miss Gabetta’s vivid, pulsating account of the Martinů concerto, which went through a quarter of a century of revisions before the definitive 1955 version she plays here, with Krysztof Urbański conducting. She finds real depth and intensity in it, both in the slow movement and in the introspective episode that interrupts the finale’s headlong rush.
专辑曲目:
01. Cello Concerto in E Minor, Op. 85 : Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato (Live)
02. Cello Concerto in E Minor, Op. 85 : Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto (Live)
03. Cello Concerto in E Minor, Op. 85 : Cello Concerto in E Minor, Op. 85: III. Adagio (Live)
04. Cello Concerto in E Minor, Op. 85 : Cello Concerto in E Minor, Op. 85: IV. Allegro - Moderato - Allegro ma non troppo (Live)
05. Cello Concerto No. 1, H. 196 : Cello Concerto No. 1, H. 196: I. Allegro moderato (Live)
06. Cello Concerto No. 1, H. 196 : Cello Concerto No. 1, H. 196: II. Andante moderato (Live)
07. Cello Concerto No. 1, H. 196 : Cello Concerto No. 1, H. 196: III. Allegro - Andantino - Tempo I (Live)
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