Paul Lewis -《贝多芬：钢琴协奏曲全集》(Beethoven: Complete Piano Concertos)[3 CD][24bits 44.1KHz][FLAC]

专辑英文名: Beethoven: Complete Piano Concertos
专辑中文名: 贝多芬：钢琴协奏曲全集
艺术家: Paul Lewis
古典类型: 协奏曲
资源格式: FLAC
版本: [3 CD][24bits 44.1KHz]
发行时间: 2016年05月01日
地区: 美国
语言: 英语
简介: 
专辑介绍:
贝多芬：钢琴协奏曲全集 Beethoven: Piano Concertos Nos. 1-5 (complete)
2000年，年仅28岁便获聘为英国皇家音乐院钢琴教授的保罗.路易斯，出生於英国利物浦，多年来灌录过莫札特、舒伯特与李斯特钢琴与室内乐作品的他，除了活要的音乐会演奏之外，近年来将录音演奏中心全然移到贝多芬作品身上：2009年由Harmonia Mundi出版的贝多芬32首钢琴奏鸣曲10 CD全集，音色绝佳的触键与速度掌握，坚定明确的詮释与全系列32首奏鸣曲一致连贯的风格，让他的每张贝多芬钢琴奏鸣曲唱片都获得 Gramophone 古典音乐杂誌的主编推荐，在美国亚马逊网路书局也获得五颗星满分的读者一致推荐荣耀！ 2010年，继钢琴奏鸣曲全集之后，保罗.路易斯再深入探究贝多芬五首钢琴协奏曲的音乐世界，由Harmonia Mundi发行，这套保罗.路易斯与英国BBC交响乐团的完美合作，将再度演绎贝多芬钢琴协奏曲的各种美感，从充满古典形式美感的第一号与第二号钢琴协奏曲开始；到富有戏剧张力的第三号；最优雅的第四号与气势磅礡的第五号「皇帝」，钢琴家保罗.路易斯展现出绝佳的企图心与音乐表现力，在这套与交响乐团合奏录音极度优异的3CD套装录音中，我们听见一位年轻艺术家对音乐大师的崇敬之心与他超凡的技艺！
专辑编号： HMC902053.55
专辑类型： 三CD
发行年份： 2010
国际条码： 79488196622
音乐家：
Lewis, Paul (piano)　保罗．路易斯 (钢琴)
音乐厂牌： Harmonia Mundi
harmonia mundi 路易斯(Paul Lewis)/贝多芬:钢琴协奏曲全集[Beethoven:Complete Piano Concertos]【3CDs】
harmonia mundi HMC902053.55(3CDs)794881966226
贝多芬:钢琴协奏曲全集【3CDs】
Beethoven:Complete Piano Concertos
路易斯, 钢琴 / 贝洛拉维克指挥英国国家广播公司交响乐团
Paul Lewis, Piano / BBC Symphony Orchestra, Jiří Bělohlávek
曲目:
Ludwig van Beethoven (1770 - 1827)
CD 1
Concerto for Piano no 1 in C major, Op. 15
Concerto for Piano no 4 in G major, Op. 58
CD 2
Concerto for Piano no 2 in B flat major, Op. 19
Concerto for Piano no 3 in C minor, Op. 37
CD 3
Concerto for Piano no 5 "Emperor"
引用Credits
Composed By – Ludwig van Beethoven
Conductor – Jiří Bělohlávek
Orchestra – BBC Symphony Orchestra
Piano [Steinway] – Paul Lewis (7)
Producer – Martin Sauer
Notes
A BBC Recording. Recorded between July 2009 and March 2010.
Barcode and Other Identifiers
Barcode: 7 94881 96622 6
Orchestra: BBC Symphony Orchestra
Conductor: Jiri Belohlavek
Composer: Beethoven
Audio CD (May 1, 2016)
SPARS Code: DDD
Number of Discs: 1
Format: Box set, Import
With this three-disc album of Beethoven’s piano concertos Paul Lewis complements his earlier set of the 32 sonatas and also his appearances at the Proms this summer where for the first time all five concertos will be played by a single artist. So may I say at once that Harmonia Mundi’s eagerly awaited set is a superlative achievement and that Lewis’s partnership with Jirí Belohlávek is an ideal match of musical feeling, vigour and refinement.
True, for aficionados of eccentricity – even of brilliant eccentricity – from the likes of Gould, Pletnev and Mustonen, Lewis may at times seem overly restrained but the rewards of such civilised, musically responsible and vital playing seem to me infinite. Above all there is no sense of an artist looking over his shoulder to see what other pianists have come up with. Throughout the cycle Lewis is enviably and naturally true to his own distinctive lights, his unassuming but shining musicianship always paramount. His stylistic consistency can make the singling-out of this or that detail irrelevant, yet how could I fail to mention Lewis’s and Belohlávek’s true sense of the Allegro con brio in the First Concerto, in music-making that is vital but never driven? Less rugged than, say, Serkin, such playing is no less personal and committed. In the central Largo Lewis achieves a quiet, hauntingly sustained poise and eloquence, while in the finale his crisp articulation sends Beethoven’s early ebullience dancing into captivating life.
The same virtues characterise the Second Concerto; but when it comes to the Third, Lewis and Belohlávek (and one is always aware of a true partnership) hit a more controversial note. The first movement is less con brio than from most, as if to emphasise Beethoven’s step towards a darker region of the imagination (what EM Forster memorably called “Beethoven’s C minor of life”), while the finale is thought-provoking in its restraint. Yet once again Lewis’s comprehensive mastery is devoid of all overt display, and in the Fourth Concerto his playing achieves a rare nimbleness, affection and transparency. And if there are those who, again, wish for a higher degree of drama and assertion, others will recognise an artist who, in Charles Rosen’s words, achieves so much while appearing to do so little (pianists such as Lipatti, Solomon and Clara Haskil come to mind). At the same time the Fourth Concerto contains some delightful surprises. Lewis’s ad libitum flourish at 6'12" in the finale provides an exuberant touch, as do his deft and witty arpeggiations of the chords just before the concerto’s homecoming. Here in particular is an engaging and playful rejoinder to the Andante con moto’s introspection, the entire performance delectably animated and light-fingered. Nor is there a hint of strain or strenuous characterisation in the Fifth Concerto. Lewis’s first entry in the Adagio has a slight catch in the voice, as it were, to register the music’s sublimity, and his overall approach is devoid of the tub-thumping rhetoric familiar from too many Emperors.
And so, all in all, these records take their place among the finest Beethoven piano concerto performances so that even when you recall beloved issues by Wilhelm Kempff, Emil Gilels, Radu Lupu and Murray Perahia (to name but four), Lewis ensures that you return refreshed and with a renewed sense of Beethoven’s range and beauty. Personally I would never want to be without any of those previous discs, nor without Argerich’s never-to-be-completed recordings (sadly she considers the Fourth Concerto outside her scope; can her friends and musical partners Nelson Freire and Stephen Kovacevich persuade her otherwise?). Balance and sound are natural and exemplary, leaving us to look forward to Lewis’s forthcoming CD of the Diabelli Variations, for Brendel the greatest of all keyboard works. This is a cycle to live with and revisit.
Release Date August 10, 2010
Duration 02:56:00
Genre Classical
Styles Concerto
Recording Date
Recording Location AIR Studios London, Maida Vale Studios
AllMusic Review by Patsy Morita [-]
Paul Lewis and Jirí Belohlávek have produced a set of the Beethoven piano concertos that puts them closer to their Classical-era roots while conveying a sense of excitement in Beethoven's daring and innovative writing. This is not a boldly stated and theatrically dramatic reading of these works; one might say it's conservative, but not so much so that the listener can't help being moved by the rousing ending of the Emperor Concerto or caught up in the energy of the opening movement of the Concerto No. 3. Lewis gives the slow movements elegance and gracefulness with a touch that is wonderfully legato. Yet he knows how to change his articulation to help change the character and shape of each phrase throughout the concertos, adding interest to the music without overdoing any drama. He and Belohlávek work well together in this, neither one being indulgent, and with Belohlávek keeping the orchestral colors very much in line with the piano. Their interpretation sounds completely natural to Beethoven's style, from the first to the last concerto. Harmonia Mundi's sound is very clear and present, and equally balanced between the orchestra and piano.
专辑曲目: 
CD1
Piano Concerto No. 1 in C Major, Op.15
1 I. Allegro con brio 17:44
2 II. Largo 11:41
3 III. Rondo. Allegro scherzando 8:53
Piano Concerto No. 2 in B-Flat Major, Op. 19
4 I. Allegro con brio 14:26
5 II. Adagio 8:49
6 III. Rondo. Molto Allegro 6:10
CD2
Piano Concerto No. 3 in C Minor, Op. 37
1 I. Allegro con brio 17:03
2 II. Largo 9:30
3 III. Rondo. Allegro 9:31
Piano Concerto No. 4 in G Major, Op.58
4 I. Allegro moderato 18:33
5 II. Andante con moto 4:50
6 III. Rondo vivace 10:00
CD3
Piano Concerto No. 5 in E-Flat Major, Op. 73
1 I. Allegro 20:17
2 II. Adagio un poco mosso 8:08
3 III. Allegro ma non troppo 10:25
Digital Booklet
Total Playing Time 2:56:00
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