Alison Balsom -《浪漫巴黎》(Paris)[24bits 44.1KHz][FLAC]

专辑英文名: Paris
专辑中文名: 浪漫巴黎
艺术家: Alison Balsom
古典类型: 全集作品
资源格式: FLAC
版本: [24bits 44.1KHz]
发行时间: 2014年10月02日
地区: 美国
语言: 英语
简介: 
专辑介绍:
一点古典 一点爵士 一点跨界
从拉威尔的钢琴协奏曲
到皮亚佐拉的探戈音乐
艾莉森鲍尔珊突破对小号的想像
呈现浪漫 深情 优雅的小号世界
★2013留声机古典唱片大奖(Gramophone Classical Music Awards 2013)年度艺人奖(Artists Of The Year)得主，曾两度获得「全英经典音乐奖」(Classic BRIT Award)年度女音乐家大奖！
艾莉森鲍尔珊是当前最受欢迎的古典音乐明星之一。十岁在巴比肯中心听过瑞典小号演奏家哈登伯格的音乐会后，艾莉森鲍尔珊马上立志要成为小号独奏家。从市政厅音乐学校毕业后，她到巴黎音乐学院师从哈登伯格。2004年以后，艾莉森鲍尔珊开始在全球各个重要音乐厅露面，唱片也得到重要媒体，如《留声机》杂誌的好评。而在不违背自己对音乐的理念前题下，她也勇於突破主流以吸引更多听眾。
在这张个人专辑里，艾莉森鲍尔珊以巴黎为主题，挑选出与这个浪漫城市有关联的音乐。「当我在寻找自己喜爱的音乐时，『巴黎』这个概念就愈来愈清晰……但是，这张专辑没有一般对於『巴黎音乐』的刻版印象，而是直接或间接与巴黎有所联繫的音乐。」专辑的曲目广从二十世纪的法国作曲家（如：拉威尔、萨替、梅湘）到爵士音乐家强哥‧莱因哈特，还有流行歌曲作曲家科斯马的著名作品，以及虽然身为阿根廷人，但是在巴黎求学的时候，成功打破传统探戈音乐的窠臼，把现代化的古典、爵士等音乐技法融入探戈中的皮亚佐拉两首名作，全部改编成以小号来詮释，并且与蒙特内哥罗吉他演奏家米洛许合作皮亚佐拉《1930年代咖啡馆》。
艾莉森鲍尔珊展现出她灵活多变的技巧与音乐表现力，让音乐同时具有内涵与光辉耀眼的技巧。
§ 曲 目 §
1. 萨替：第三号金诺佩第（裸体歌舞）
2. 皮亚佐拉：1930年代咖啡馆 〈吉他：米洛许〉
3. 皮亚佐拉：遗忘
4. 米榭．列格杭：那年夏天
5-7 梅湘： 圣婴耶穌之吻
8. 拉威尔：哈巴奈拉
9. 拉威尔：G大调钢琴协奏曲第二乐章
10. 萨替：第三号玄祕曲
11. 科斯马：秋天的落叶
12. 强哥‧莱茵哈特：云
Paris - SD
艺人 Alison Balsom
发行月份 2014-Sep
类型 古典音乐
产品条码： 0825646327898
产品编号： 0825646327898
发行公司： WARNER [发行商品]
发行日期： 2014年10月02日
产品制造地： 欧美 .
发行类型： CD . 古典 . 管弦乐 . 室内乐 . 小号 . 乐团 .
内装片数： 1片
商品条码 : 0825646327898
商品编号 : 2564632789
演奏者 : 艾莉森鲍尔珊 Alison Balsom - 查看所有专辑
指挥家 :
乐团 :
作曲家 :
专辑名称 : 浪漫巴黎
Paris
音乐类型 : 古典音乐 [CD 小号(小喇叭)]
发行公司/日期 : 华纳　2014/10/2
制作公司 :
内含片数 : 1
浪漫巴黎
艾莉森．鲍尔珊，小号
Paris - Alison Balsom, Trumpet
Wanner 0825646327898．华纳
不得不佩服艾莉森‧鲍尔珊的勇气，大胆做出这样的尝试。鲍尔珊之前的专辑合并巴洛克与现代曲目已不足为奇，此专辑曲风涵盖极简、当代、爵士乃至於流行。第一首选录萨替的《第三号吉诺佩第》（Gymnopédie, No.3），著实令人诧异，因为既不能展现鲍尔珊的炫技演奏，改编版本也如坊间的新瓶旧酒，而鲍尔珊以连音句法詮释萨替的作品，笔者认为反而失去作曲家原有的精简与神祕感。
不过好戏其实躲在后头。若您试听第一首曲子后旋即放弃购买，则将错过后面精彩的曲目。
引用An ‘astonishing virtuosa’ (The Times) with ‘limitless potential’ (The Guardian), Alison Balsom is a multi-faceted trumpet player involved in a broad range of musical projects. The pieces on this collection inhabit a common Parisian musical world, but the voices that emerge from them are incredibly varied. From Ravel to Reinhardt, Balsom illustrates the flexibility and expressiveness of her instrument, supported by the orchestra of jazz composer and trumpeter Guy Barker.
One of today’s most in-demand classical music personalities, English trumpeter and BBC Proms darling Alison Balsom shares her love of Paris on this new solo album. After becoming the first British woman to win Gramophone Magazine’s prestigious Artist of the Year award, Alison brings her glamour, poise and dazzling virtuosity to Paris with a selection of music written in and inspired by the most romantic city in the world.
This album marks a major departure for Alison Balsom from the core classical repertoire, with which she has established her distinguished recording and performing career to date, to a crossover album, taking inspiration from a number of different artists and influences. The concept of the album is Paris as seen by artists and composers as diverse as Olivier Messiaen, Astor Piazzolla, Django Rheinardt and Cole Porter. In collaboration with Guy Barker – a trumpeter who has worked with the biggest names in the business, and with a solid reputation in the jazz world – Alison reinterprets the greatest music written about in and about Paris. With guest artists Miloš Karadaglić, and Julian Ovenden on a bonus track available on iTunes, this album is sure to position Alison amongst the top-selling classical artists with mainstream appeal and broad recognition.
British trumpeter Alison Balsom, with a distinctive clear sound and as photogenic as one could ask, has moved to the front of the pack of young trumpeters vying to succeed the giants of the late 20th century. With Paris, she reaches a transcendent new level. There is nothing so original about a program of light Parisian music, but the way in which Balsom carries it off is unique. For one thing, the music isn’t so light: it ranges from elegant (the Satie and Ravel pieces) to moody (Piazzolla), to profound (the selections from Messiaen’s Le Baiser de l’Enfant Jésus). Only at the end does the mood relax with a pair of popular and jazz selections. The tempo is in the middle range and doesn’t vary much from piece to piece, and the trumpet is kept in quiet mode throughout. It’s a sequence that would have defeated a lesser player, but in Balsom’s hands it becomes hypnotic. She had a hand in the arrangements herself, and the selection of works, like Satie’s Gymnopédie No. 3 and Gnossiene No. 3, that you would never guess could find a home on the trumpet, is extremely ingenious. Mostly Balsom has worked with major symphony orchestras, but here she takes the daring step of teaming with the small Guy Barker & His Orchestra, an ensemble oriented toward jazz that is itself led by a trumpeter. The feel of the album is unique: it is not jazzed-up classical music (although the program does end with Django Reinhardt), but a texture with a uniquely flexible relationship between soloist and ensemble. A superior recital in every way. –James Manheim
专辑曲目: 
Erik Alfred Leslie Satie (1866-1925)
01. 3 Gymnopedies: III. Lent et grave 02:32
Astor Piazzólla (1921-1992)
Histoire du Tango: Café 1930
02. II. Café 1930 07:09
03. Oblivion 04:08
Michel Legrand (1932-), Eddy Marnay (1920-2003), Eddie Barclay (1921-2005)
04. La valse des lilas 03:33
Olivier Eugène Prosper Charles Messiaen (1908-1992)
Vingt regards sur l’enfant Jesus- XV. La baiser de l’enfant Jesus
05. Très lent, calme 05:45
06. Modéré I 02:03
07. Modéré II 02:60
Maurice Ravel (1875-1937)
Piano Concerto in G major
08. Adagio assai 02:47
09. Ravel / Arr Barker & Balsom: Piano Concerto in G Major:… 08:26
Erik Alfred Leslie Satie (1866-1925)
10. 3 Gnossiennes: III. Lent 03:25
Joseph Kosma (1905-1969)
11. Les feuilles mortes (Autumn Leaves) 05:01
Django Rheinardt (1910-1953)
12. Nuages 04:16
Personnel:
Alison Balsom, trumpet
Miloš Karadaglić, guitar (#2)
The Guy Barker Orchestra
Guy Barker, conductor
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