Patrik Kleemola -《柳暗花明》(Through Green Glass)[FLAC]

March 15, 2017, 3:32 am

≫ Next: Alina Ibragimova -《易沙意：无伴奏小提琴奏鸣曲》(Ysaÿe - 6 Sonatas for Solo Violin)[24 bits 96 KHz][FLAC]

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Patrik Kleemola -《柳暗花明》(Through Green Glass)[FLAC]

专辑英文名: Through Green Glass
专辑中文名: 柳暗花明
艺术家: Patrik Kleemola
古典类型: 全集作品
资源格式: FLAC
发行时间: 2015年
地区: 美国
语言: 英语
简介:
专辑介绍:
Patrik Kleemola（于1981年3月13日在Valkeakoski出生）是一位芬兰吉他艺术家。他在12岁开始在Valkeakoski Musiikkipistossa接受吉他课程。2004年在芬兰，图尔库，击败Toru Takemitsu 而赢得意大利的Gargnano国际吉他比赛，之后活跃在欧洲和南美洲的表演。
Patrik Kleemola (b. March 13, 1981 Valkeakoski ) is a Finnish guitar artist . He began taking guitar lessons Valkeakoski Musiikkipistossa the age of 12. After defeating Toru Takemitsu dedicated to international II Guitaristival -competition in 2004 in Turku, Finland and reaching the podium finishes, inter alia, Gargnano International Guitar Competition in Italy , he has performed extensively throughout Europe and South America.
https://fi.wikipedia.org/wiki/Patrik_Kleemola
引用Solo recital in London at Queen Elisabeth Hall´s Purcell Room in 2015
Kleemola has been invited by the Latin American and Caribbean Cultural society (Laccs-UK) to give a concert at London´s prestigious Queen Elisabeth Hall´s Purcell Room in 23rd of March in 2015. Kleemola´s debyt concert in London will include the works by Bach, Aguado, Granados, Ponce, Villa-Lobos and two world premieres by Finnish composers Mikko Heiniö and Harri Suilamo. More info on the concert and the tickets, please visit www.laccs.com
Before the London concert in March Kleemola will give a series of concerts in Finland early 2015. Please see the concert section for updates.
Artist: Patrik Kleemola
Title: Through Green Glass
Year Of Release: 2015
Label: Pilfink Records
Genre: Classical
WebSite: Album Preview
专辑曲目:
01. Through Green Glass 6:37
02. Taizokai 3:45
03. Biographie des Schmerzes- Bernhard-Fragmente 8:35
04. Brief Conversations on Nocturnal Roofs 9:03
05. Preludi (Quadri Morandi) 2:57
06. Quasi cadenza (Quadri Morandi) 2:37
07. Paesaggio (Quadri Morandi) 2:33
08. Ritratto (Quadri Morandi) 5:20
09. Prelude nr.1, Energico (Five Preludes for guitar) 3:24
10. Prelude nr.2, Andante (Five Preludes for guitar) 3:10
11. Prelude nr.3, Allegretto robusto (Five Preludes for guitar) 2:46
12. Prelude nr.4, Largo (Five Preludes for guitar) 2:16
13. Prelude nr.5, Con moto (Five Preludes for guitar) 3:13
评论(25) 收藏(13) 查看完整资源页

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Alina Ibragimova -《易沙意：无伴奏小提琴奏鸣曲》(Ysaÿe - 6 Sonatas for Solo Violin)[24 bits 96 KHz][FLAC]

March 15, 2017, 3:33 am

≫ Next: Charlotte Church -《魅力》(Enchantment )[SACD-r]

≪ Previous: Patrik Kleemola -《柳暗花明》(Through Green Glass)[FLAC]

Alina Ibragimova -《易沙意：无伴奏小提琴奏鸣曲》(Ysaÿe - 6 Sonatas for Solo Violin)[24 bits 96 KHz][FLAC]

专辑英文名: Ysaÿe - 6 Sonatas for Solo Violin
专辑中文名: 易沙意：无伴奏小提琴奏鸣曲
艺术家: Alina Ibragimova
古典类型: 全集作品
资源格式: FLAC
版本: [24 bits 96 KHz]
发行时间: 2015年07月09日
地区: 美国
语言: 英语
简介:
专辑介绍:
易沙意：无伴奏小提琴奏鸣曲 (伊布拉吉莫娃)　Ysaye：Sonatas for solo violin (Alina Ibragimova)
易沙意少数流传至今的录音都展现出纯粹甜美的音调，没有任何让人惊艳的绚烂火花或是刻意的凿痕，1912年之后的专辑，常见的滑音风格几乎消失无踪，却有种让你无法抵挡的魅力。此外，当中还显示了另一种自由度：当时外界普遍认为易沙意成功的让小提琴演奏跳脱框架束缚，而且对照萨拉沙泰浮华空洞的炫技更多了鲜明的严肃感（易沙意和提博[Jacques Thibaud]两人都曾对萨拉沙泰的演出风格提出强烈批判）。上述这些元素在他1923年为小提琴好友所写的六首奏鸣曲内都可以清楚验证。
1858年易沙意生於比利时列日，就读当地音乐院时随魏欧当与维尼亚夫斯基学习小提琴，1886-1897年担任布鲁塞尔音乐院教授，之后他的国际演奏生涯日渐辉煌。早在1884年他就开始尝试以弦乐器为主角作曲，但现今只有少数还有机会演出，大部分都未出版。本辑的六首奏鸣曲是他最知名的作品，跳脱上述提到的旧有框架，表现张力过人，每个乐章都带给我们某些预期之外同时引人入胜的体验，无论是技巧或情感。
创作灵感来自有次易沙意听到西格替演奏巴哈的G小调无伴奏小提琴奏鸣曲后大为激赏。两人都不禁疑惑为何没有后人愿意追随巴哈的脚步－当然，要超越巴哈这道高墙实在是过於艰难，毕竟自从1720年以来，小提琴的音乐与演奏技巧只有些许进展。於是易沙意在1923年7月的某一天内立刻将六首奏鸣曲的轮廓大纲全部勾勒出来，并於隔年出版乐谱。
六首奏鸣曲分别献给：西格替、提博、安奈斯可、克莱斯勒、克里克波姆(Mathieu Crickboom,易沙意的得意门生)、齐洛加(Manuel Quiroga)。
伊布拉吉莫娃，这位1985年生来自俄国的美女小提琴家，已经是Hyperion厂牌目前最耀眼的新生代小提琴家。她曾获选皇家爱乐协会青年音乐家大奖BB信託以及全英古典音乐奖，本辑荣获留声机杂誌主编推荐、史特拉德弦乐杂誌推荐录音。若您尚未接触过伊布拉吉莫娃，她的巴哈无伴奏小提琴组曲专辑相当值得推荐，也是与本辑互相辉映的最佳写照。若您已是她的粉丝，这张专辑也不用笔者劝败了...
专辑编号： CDA67993
专辑类型：单CD
发行年份： 2015
国际条码： 0034571179933
音乐家：
Ibragimova, Alina (violin)　艾莉娜．伊布拉吉莫娃 (小提琴)
音乐厂牌： Hyperion
引用Performer: Alina Ibragimova
Conductor: Alina Ibragimova
Composer: Eugene Ysaye
Audio CD (June 9, 2015)
Number of Discs: 1
Format: Import
Label: HYPERION
ASIN: B00UKNOI8M
Average Customer Review: 4.7 out of 5 stars
AllMusic Review by Blair Sanderson
The six Sonatas for solo violin of Eugène Ysaÿe are essential works in his catalog, inspired by the sonatas and partitas of J.S. Bach, and composed as a tribute to the violinists Joseph Szigeti, Jacques Thibaud, George Enescu, Fritz Kreisler, Mathieu Crickboom, and Manuel Quiroga. These pieces suggest a Janus-like combination of retrospection and the avant-garde, hearkening to the past through allusive figurations and direct quotations (e.g., references in the Sonata No. 2 to Bach's Partita No. 3 and the Dies Irae), but looking to the future in the use of extended violin techniques and novel sonorities. Alina Ibragimova's 2015 release on Hyperion is an absorbing performance, concentrated in tone and accomplished in technique, yet wonderfully ambiguous in expression, in keeping with Ysaÿe's quirky mix of playfulness and high-minded seriousness. Recorded in the concert hall of Wyastone Estate, Monmouth, in May 2014, Ibragimova has great clarity and presence, and the acoustics provide enough resonance to soften the violin's sometimes overly rosinous sound.
Release Date June 9, 2015
Duration 01:07:36
Genre Classical
Styles Chamber Music
YSAŸE Six Sonatas for Solo Violin
Alina Ibragimova has made many fine recordings in recent years, but this solo Ysaÿe disc must count as one of her most memorable achievements. She gives full value to the sonatas’ varied expressive character, their virtuosity, and the imaginative and poetic way Ysaÿe wrote for his instrument. And she makes the music sound quite beautiful: we never feel the medium of unaccompanied violin is at all limiting; the sonatas speak to us unimpeded, without any sense of strain.
Ysaÿe composed the set in 1924, when his illustrious performing career was almost over. He dedicated each of the six to a different colleague among the fraternity of violinists, and we can follow their characteristics through the set – the First Sonata for Joseph Szigeti substantial and serious, and reflecting his prowess as a Bach interpreter; the Third Sonata commemorating the free, romantic style of Enescu, the Sixth Manuel Quiroga’s Spanish heritage, and so on. Ysaÿe sought in all six works to merge the Baroque tradition of solo violin-writing exemplified by Bach with the virtuoso styles of Paganini and Ernst, plus newer ways of writing of his own, leaning towards Impressionism.
At the start of the First Sonata (track 1) we notice Ibragimova’s deliberate, serious approach, characterised by strong dynamic contrasts and a powerful sense of line. The playing here communicates deep emotional involvement; and she’s equally successful in putting over the graceful, amabile character of the contrasting third movement (tr 3).
The Second Sonata, dedicated to Ysaÿe’s close friend Jacques Thibaud, might appear to contradict what we know of the latter’s easy-going nature and graceful playing, suggesting a darker side. The initial skittish quotation from Bach’s Third Partita for Solo Violin is set against obsessive repetitions of the ‘Dies irae’ chant, which continue throughout the sonata. Ibragimova is equally at home in the gentle, muted, melancholic second movement (tr 6) and the finale, ‘Les Furies’, which she attacks with extraordinary gusto (tr 8). Especially memorable here is the reintroduction of ‘Dies irae’ as a barely audible sul ponticello whisper (1'10"), contrasting with fiercely dissonant arpeggios.
With the single-movement Third Sonata, she draws a convincing distinction between the opening in recitative style, done very freely and as though improvised, and the main theme, held at a firm tempo. As the sonata nears its final climax (tr 9, 7'01"), there’s a sense of throwing caution to the wind, accomplished without any loss of tonal quality.
The Fourth Sonata is dedicated to Fritz Kreisler, with more Bachian echoes, as well as a nod to Kreisler’s interest in reviving – or composing in imitation of – more obscure 18th-century composers, with movements entitled Allemande and Sarabande. The first of these has an extremely slow tempo marking, which Ibragimova treats with freedom, allowing the movement’s different facets to come together to make a satisfying narrative. And in the moto perpetuo finale she makes full use of the varied bow strokes indicated (a tribute to Kreisler?), building up once more a cumulative sense of excitement towards the conclusion.
The Fifth Sonata is dedicated to Ysaÿe’s longtime friend and colleague Mathieu Crickboom. Its opening movement, ‘L’aurore’, is an Impressionistic depiction of dawn breaking, which allows Ibragimova to display a fantastic array of the quietest tone colours. She brings infectious rhythmic vitality to the ‘Danse rustique’ that follows.
As well as its Spanish idiom, the Sixth Sonata most clearly shows Ysaÿe as the heir to the great 19th-century virtuoso tradition – he had, after all, been a pupil of Wieniawski and Vieuxtemps. If we think of Ibragimova as a thoughtful, even scholarly player, here she proves herself adept at all the frequent showy tricks. Ysaÿe had a deeper purpose, of course: this piece’s sparkling surface is designed to portray an ardent character, full of extravagant gestures. And not only do the difficulties hold no terrors for Ibragimova, she also, as throughout the disc, gives a strong impression of having fun playing the music.
It seems very sad that none of the dedicatees of the Ysaÿe Sonatas made recordings of them. It may be that though Ysaÿe the great performer and teacher was revered, his compositions were not considered to be significant – it’s only in recent years that a handful of remarkable late chamber works have been unearthed and played. Whatever the reason, the Op 27 sonatas were virtually ignored until the LP era, and then it was individual works, most commonly No 3, that appeared on disc – with fine accounts by Oistrakh, Grumiaux, Rabin and Odnoposoff. Then came the first recordings of the whole set, by Ruggiero Ricci and Oscar Shumsky (whose 1982 performance is particularly commanding).
Since then, dozens of versions have appeared, giving the works the status of classics. Among them, I’ve always admired Leonidas Kavakos’s exceptionally clear, poised account from 1999. Then there’s Thomas Zehetmair, in 2004, playing with magnificent energy and commitment, and a feeling for the music and sense of fantasy that are different from Ibragimova’s but in no way inferior. However, she takes her place now as one of the most distinguished exponents of these fascinating works.
专辑曲目:
01. Grave: Lento Assai
02. Fugato: Molto Moderato
03. Allegretto Poco Scherzoso: Amabile
04. Finale Con Brio: Allegro Fermo
05. Obsession, 'Prelude': Poco Vivace
06. Malinconia: Poco Lento
07. Danse Des Ombres, 'Sarabande': Lento
08. Les Furies: Allegro Furioso
09. Sonata For Solo Violin #3
10. Allemanda: Lento Maestoso
11. Sarabande: Quasi Lento
12. Finale: Presto Ma Non Troppo
13. L'Aurore: Lento Assai
14. Danse Rustique: Allegro Giocoso Molto Moderato
15. Sonata For Solo Violin #6
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Charlotte Church -《魅力》(Enchantment )[SACD-r]

February 26, 2017, 6:03 pm

≫ Next: Vanessa-Mae -《小提琴超级玩家》(The Violin Player)[SACD-r]

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Charlotte Church -《魅力》(Enchantment )[SACD-r]

专辑英文名: Enchantment
专辑中文名: 魅力
艺术家: Charlotte Church
古典类型: 全集作品
版本: [SACD-r]
发行时间: 2002年02月15日
地区: 美国
语言: 英语
简介:
专辑介绍:
夏洛蒂玛丽亚教堂 (出生夏洛特玛丽亚芦苇; 1986 年 2 月 21 日) 是 Welshsinger，词曲作者、演员和电视节目主持人。她在童年作为古典歌手前 2005 年涉足流行音乐成名。2007 年，她已经卖出超过 1000 万的记录，在世界范围内包括超过 500 万在美国。在 2010 年她据说高达 11 亿英镑 (儘管一项 2003 年报告引述她价值 25 万英镑)。她主持题为夏洛特教会秀通道 4 聊天节目。教会五年，题为关於 2010 年 10 月 17 日的回来到从头开始，发行了她首张专辑。她也提到是在 Ben 爱尔顿音乐我们将摇滚你波西米亚之一。教会是一个女高音歌唱家。
商品条码 : 0696998971066
商品编号 : CS89710
演奏者 : 夏绿第 Charlotte church - 查看所有专辑
指挥家 :
乐团 :
作曲家 :
专辑名称 : 魅力
Enchantment
音乐类型 : 古典音乐 [SACD 女高音]
发行公司/日期 : SONY MUSIC　2005/6/15
制作公司 : COLUMBIA
内含片数 : 1
艺人 Charlotte Church
发行月份2001-Oct
类型古典音乐
引用AActors: Charlotte Church, Josh Groban
Format: Color, Dolby, NTSC
Language: English
Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
Aspect Ratio: 1.78:1
Number of discs: 1
Rated:
NR
Not Rated
Studio: Sony Legacy
DVD Release Date: February 5, 2002
Run Time: 116 minutes
Average Customer Review: 4.3 out of 5 stars
Another wonderful performance
ByA customeron February 25, 2002
Format: DVD|Verified Purchase
I had previously seen Charlotte Church's concert on PBS this past December but nevertheless was waiting expectantly to see the complete program on DVD and also the bonus features. And it was worth waiting! First I would like to briefly describe the setting of the concert and then give the reasons I liked Charlotte's performance so much.
The event was very classy and formal. Charlotte changed costumes four times during the program. The orchestra, conductor, accompaniment all performed superbly.
Charlotte looked stunning, immaculate, attractive . During her singing, she does these things so well -such as closing her eyes at the appropriate times and using her hands to express the feeling and meaning of the lyrics. Her voice is very melodious and rich in the low tones and rises to the highest pitch when required. She proves she can move from classical to contemporary with the assorted selection of songs which she performed equally well. She is successful because her performances always move her audience emotionally.
Picking out some of the songs chronologically on the DVD, I especially liked "If I loved you". Her emotion overflowed and she sang her heart out with this one. "Carrickfergus" with the piping background music captures the imagination of the audience and soothes and lifts your mind to a peaceful and beautiful place.
The classical pieces such as "A bit of earth", 'The water is wide", "Suo-Gan" ,"The Little Horses"( last two, lullabies) are nicely done as we expected from Charlotte. I find if one looks up the lyrics and translation of such pieces you will understand and enjoy the songs even more.
"Habanera" was nice and charming, showing a few steps of Charlotte's dancing and her singing versatility in French. "The Prayer"with Josh Groban was very romantic and I especially liked the beginning with the expressive, low tones of Charlotte's voice.
"Bridge over Troubled Waters" was excellently done and put the audience in the right mood before "Imagine" which Charlotte dedicated to the victims of the Sept11 tragedy.
She sang Imagine with just the right tone to make it so touching. This brought the house down with so much applause, delight, and appreciation.
The bonuses were great . "Interview with Charlotte" gave us an insight into her music, personality and what she likes to do as a young person. "Aerial Tour of South Wales" did what it says, gave us beautiful panoramic views of ocean, mountains, cliffs, green pastures and the old history of Wales. Accompanying this video, appropriately, was the song The Water is Wide by Charlotte. Finally, "Video Tour of Cardiff With Charlotte" was ably done by Charlotte showing the bay of Cardiff, castles, shopping areas, her girl friend, and aerial views of picturesque Cardiff, where Charlotte was brought up. In the background of this video tour, Charlotte sang the beautiful Carrickfergus.
All together, you will be enchanted by this DVD which deserves the higest marks. It couln't be more perfect.
专辑曲目:
01. Tonight [From West Side Story]
02. Carrickfergus
03. Habañera
04. Bali Ha`i
05. Papa Can You Hear Me?
06. Flower Duet
07. The Little Horses
08. From My First Moment
09. The Water Is Wide
10. Can`t Help Lovin` Dat Man
11. The Laughing Song
12. If I Loved You
13. A Bit of Earth
14. Somewhere
15. The Prayer
评论(46) 收藏(27) 查看完整资源页

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Vanessa-Mae -《小提琴超级玩家》(The Violin Player)[SACD-r]

March 19, 2017, 8:17 pm

≫ Next: Various Artist -《古典名厂RCA Living stereo 系列收藏第二卷》(Living Stereo 60CD Collection Vol.2)欧版整轨[FLAC]

≪ Previous: Charlotte Church -《魅力》(Enchantment )[SACD-r]

Vanessa-Mae -《小提琴超级玩家》(The Violin Player)[SACD-r]

专辑英文名: The Violin Player
专辑中文名: 小提琴超级玩家
艺术家: Vanessa-Mae
古典类型: 全集作品
版本: [SACD-r]
发行时间: 1998年10月30日
地区: 美国
语言: 英语
简介:
专辑介绍:
全球最令人兴奋的年轻小提琴家——英国国家广播电台！天赋异稟的才华——英国留声机杂誌！
小提琴有著一项伟大传统支撑的体能艺术，在最佳状况下，它是传递美、力量与神秘魅力的特质，它唤起情感，创造情境并刺激人类的反应！
当然，在一些人的心底，我在这张专辑中演奏的音乐，很难让他们将我归类於演奏著这一项古老艺术形式的传统维护者！我曾被质问这是一张「流行」专辑还是说一种架构心古典音乐的声明，我不相信这会有个答案或者甚至会有发生这个问题的必要。以小提琴演奏美好的音乐会令人备感兴奋，我在八岁时第一次感觉到此点，而且很幸运的，我从来没有丧失这个感觉。
所以只要我喜欢的，我就会想演奏。我不希望对音乐分类区隔，对我而言，音乐的美、力量与神秘魅力是为了享受与演奏的，而这就是一个小提琴手的方向。
我已经享受了制作这张专辑时自己与两把小提琴的舒展，我希望你也将聆听与享受。——Vanessa-Mae 陈美
艺人 Vanessa-Mae
发行月份 2001-Apr
类型古典音乐
1989年，10岁的陈美在伦敦与爱乐乐团合作举办演奏会，在英国引起震动。BBC一台称其为"世界上最优秀的年轻小提琴家"。 1991年，与莫扎特合奏团合作举办了她第一次世界巡演。
1990年~1992年，完成三次录音录制贝多芬、柴科夫斯基和莫扎特的小提琴协奏曲以及海飞兹、帕格尼尼等大师的小提琴作品。
1995年2月EMI推出专辑《Violin Player》，在全球25个国家极为畅销。
产品条码：0724355508928
产品编号：724355508928
发行公司：EMI (发行商品)
发行日期：2002/04/04
发行类型：CD/古典/演奏/小提琴
内装片数：1片
商品条码 : 0724355508928
商品编号 : 724355508928
艺人/团体 : 陈美 Vanessa Mae - 查看所有专辑
专辑名称 : 小提琴超级玩家
The Violin Player
音乐类型 : 演奏音乐 [CD 小提琴演奏]
发行公司/日期 : 华纳　
制作公司 :
内含片数 : 1
引用Orchestra: Mike Batt, Royal Philharmonic Orchestra
Conductor: Mike Batt, Vasko Vassilev
Composer: Johann Sebastian Bach, Mike Batt, Mason Williams, Ian Wherry
Audio CD (October 30, 1998)
SPARS Code: DDD
Number of Discs: 1
Label: Warner Classics
ASIN: B000002SKU
Label: EMI ‎– 7243 5 55089 2 8, EMI ‎– CDC 5 55089 2
Format: CD, Album, Repress
Country: UK
Released: 1995
Genre: Rock, Pop, Classical
Style: Acoustic, Pop Rock, Contemporary
Release Date 1995
Duration 46:31
Genre Pop/Rock Electronic Classical
Styles Classical Crossover Euro-Pop House
Recording Date1993 - 1994
AllMusic Review by Erik Crawford
Vanessa-Mae was just a teenager when her major-label debut, The Violin Player, was released. This may account for her ability to successfully fuse old-world classical styles with a contemporary new age sensibility. She comes out scorching on the Bach classic "Toccata and Fugue in D Minor," showing off her world-class talent as a revolutionary violinist. The new arrangements by producer Mike Batt add a flavorful world music appeal that both compliments and showcases her masterful skill. While all ten tracks are performed as instrumentals, Vanessa-Mae manages to squeeze every ounce of passion out of a note, transcending the necessity for lyrics. Her ability to play off of other instruments is brought to the forefront on the final track "Red Hot." She goes toe to toe with a forceful electric guitar and her four-string violin leaves the challenging six-string in the dust. This record will delight those who are bold enough to challenge themselves by listening to a collection of songs that defy standard genre classifications.
Companies, etc.
Phonographic Copyright (p) – EMI Records Ltd.
Copyright © – EMI Records Ltd.
Pressed By – EMI Swindon
Recorded At – Abbey Road Studios
Recorded At – Whitfield Street Studios
Recorded At – Music Corporation
Recorded At – R.G. Jones Studios
Engineered At – Abbey Road Studios
Engineered At – Whitfield Street Studios
Engineered At – Music Corporation
Engineered At – R.G. Jones Studios
Mastered At – Whitfield Street Studios
Credits
Arranged By, Producer – Mike Batt (tracks: 1 to 9)
Artwork By [Sleeve] – Stuart @ Peacock Marketing & Design
Conductor, Keyboards – Mike Batt
Engineer, Programmed By – Gareth Cousins (tracks: 1 to 9)
Guitar [Guitars] – Clem Clempson
Management – Mel Bush
Mastered By – Ray Staff
Orchestra – Royal Philharmonic Orchestra*
Other [Music Typesetting] – John Zaradin
Photography – John Paul
Saxophone [Saxophones] – Phil Todd
Written-By – Mike Batt (tracks: 2, 4 to 9)
Notes
Album recorded and mastered on digital equipment at all stages.
Recorded and engineered in 1993-94 at Abbey Road Studios and Whitfield Street Recording Studios.
Additional recording and engineering at the Music Corporation and R.G.Jones Studios.
Mastered at Whitfield Street Recording Studios.
℗ © 1995 EMI Records Ltd.
Made in the UK.
This version with SID codes.
Vanessa-Mae - The Violin Player, Dutch pressing.
Vanessa-Mae - The Violin Player, UK pressing without SID codes.
Barcode and Other Identifiers
Barcode: 7 2435 55089 2 8
Matrix / Runout (Variant 1): 555089 2 .2:1:24 EMI SWINDON
Matrix / Runout (Variant 2): 555089 2 .2:1:29 EMI SWINDON
Mould SID Code (Variant 1): IFPI 1427
Mould SID Code (Variant 2): ifpi 1405
Rights Society: BIEM/MCPS
Label Code: LC 6646
Other (Distribution Code): F:PM 518
Other (SPARS code): DDD
专辑曲目:
01. Toccata And Fugue In D Minor
02. Contradanza
03. Classical Gas
04. Theme From 'Caravans'
05. Warm Air
06. Jazz Will Eat Itself
07. Widescreen
08. Tequila Mockingbird
09. City Theme
10. Red Hot
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Various Artist -《古典名厂RCA Living stereo 系列收藏第二卷》(Living Stereo 60CD Collection Vol.2)欧版整轨[FLAC]

February 28, 2017, 1:37 am

≫ Next: Various Artists -《柴可夫斯基百分百》(100 Best Tchaikovsky)[6 CD][FLAC]

≪ Previous: Vanessa-Mae -《小提琴超级玩家》(The Violin Player)[SACD-r]

Various Artist -《古典名厂RCA Living stereo 系列收藏第二卷》(Living Stereo 60CD Collection Vol.2)欧版整轨[FLAC]

专辑英文名: Living Stereo 60CD Collection Vol.2
专辑中文名: 古典名厂RCA Living stereo 系列收藏第二卷
别名: RCA永恒系列名盘收藏卷二
艺术家: Various Artist
古典类型: 全集作品
资源格式: FLAC
版本: 欧版整轨
发行时间: 2014年
地区: 德国
语言: 英语
简介:
THE LIVING STEREO 60 CD COLLECTION BOX VOL.2
筹备四年推岀 VOLUMN 2
一套可能是最值得拥有及最超值的古典专辑
一次性拥有“Jascha Heifetz, Anton Rubinstein, Van Cliburn, Fritz Reiner, Charles Munch,
Vladimir Horowitz, Arthur Fiedler, Julian Bream”及“Gregor Piatigorsky”等大师级之经典作品
所有CD封面均採用原装LP唱片封套设计及重新混音制作
Every title uses original LP cover design & re-mastered sound
内附完整英语小册子配以精美硬皮外盒包装
This set includes complete English booklet - Luxury quality hard box
【抓轨说明】
使用驱动器：PLEXTOR DVDR PX-L890SA
抓轨软件：Exact Audio Copy V1.0 beta 3
编码器：FLAC 1.3.1
CUE文件内嵌
本系列第一套传送门：《古典名厂RCA Living stereo 系列收藏》(Living Stereo 60CD Collection)韩版整轨[FLAC]
RCA －Living Stereo的发烧传奇
世界上没有任何一个录音方式比RCA Victor Living Stereo更能够代表高传真录音的黄金年代。这项傲人的成就由RCA唱片公司的音乐制作人及录音工程师在1950年中期研究开发完成，使得古典乐的录音技术由单声道跃升为立体声音响，并成为永久性的音响革命。这项科技结合了当时最伟大的古典音乐大师和小提琴家海飞兹、钢琴家鲁宾斯坦、克莱本，女高音普莱丝及指挥家莱纳、费德勒等名家的演绎，不但受到消费市场的欢迎，同时也博得专家一致的肯定。Living Stereo将为录音技术带入崭新的时代，并为立体声奠定了无法企及的崇高地位。
Living Stereo的故事
一九五四年，RCA Victor主导并首次在波士顿交响厅试验使用多轨录音方式收录了孟许指挥波士顿交响乐团演奏白辽士的「浮士德的天谴」。这是RCA公司第一次用单声轨及两轨录音带同时作业的录音，这些试验尚包括了一九五四年三月延聘了一组专家在芝加哥的管弦乐厅所作的细部修正。这就是立体立体声音响技术攻占消费市场的滥觞。
当RCA Victor着手多轨录音计划时，唱片制版技术和消费市场的音响播放系统还是单声道，因此RCA的录音工程师们只好继续使用二轨及三轨设备录制海飞兹、莱纳等大师级演奏家的录音，以期待家用音响能赶得上双声道的时代。一九五五年，立体声录音机终于进入消费市场，同时RCA唱片公司也发行了第一卷立体声音乐带，这种立体声音响带将高传真音响带入新的境界。一九五八年，西方电子公司（Western Elec-tric Company）推出了划时代的立体唱片刻版系统之后，第一部立体声唱机便出现在商店里，同年的稍后，RCA发行了Living Stereo的LP唱片，成为高传真黄金时代的最佳典范。
在当时，Living Stereo是一项艺术和科技的革命。从音乐的角度而言，艺人能够录制一个完整的演奏，而不是仅仅用单声道制造出一个类似演奏的声音。如此一来，指挥家可以体验出乐团和独奏者之间的平衡，并将全部精神放在音乐本身，而不必为了迁就科技的不是而削弱音乐性。
【声明】
1、本资源仅用于试听交流，如果喜欢请购买原版以支持唱片事业发展。
2、请勿将本资源用于任何商业用途。
3、转载请注明出处。
4、下载即表示同意本声明内容，任何由于下载引起的法律纠纷与发布者无关。
【本人发布的精华资源】
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《古典名厂RCA Living stereo 系列收藏第二卷》(Living Stereo 60CD Collection Vol.2)
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《水星Living Presence发烧名盘60周年珍藏套装2（55CDs）》(Mercury Living Presence The Collector's Edtion 2)德版整轨[FLAC]
《水星Living Presence发烧名盘60周年珍藏套装3（53CDs）》(Mercury Living Presence The Collector's Edtion 3)欧版整轨[FLAC]
【更新完毕】
专辑曲目:
CD1-5 贝多芬：钢琴协奏曲全集( 钢琴：鲁宾斯坦，克里普斯指挥空中交响乐团)
Beethoven:
Piano Concertos Nos. 1-5 (complete)
Arthur Rubinstein (piano)
Symphony of the Air, Josef Krips
CD6 理查.斯特劳斯：戏谑曲，
拉赫玛尼诺夫：第一钢琴协奏曲(钢琴：简尼斯，莱纳指挥芝加哥交响乐团)
Strauss, R:
Burleske for Piano and orchestra in D minor, AV85
Rachmaninov:
Piano Concerto No. 1 in F sharp minor, Op. 1
Byron Janis (piano)
Chicago Symphony Orchestra, Fritz Reiner
CD7 柴可夫斯基：第六交响曲(莱纳指挥芝加哥交响乐团)
Tchaikovsky:
Symphony No. 6 in B minor, Op. 74 'Pathétique'
Chicago Symphony Orchestra, Fritz Reiner
CD8 柴可夫斯基：第五交响曲(蒙特指挥波士顿交响乐团)
Tchaikovsky:
Symphony No. 5 in E minor, Op. 64
Boston Symphony Orchestra, Pierre Monteux(手头有指挥LSO六十年代的录音)
CD9 霍瓦涅斯：神秘的山，斯特拉文斯基：仙女之吻 (莱纳指挥芝加哥交响乐团)
Hovhaness:
Symphony No. 2 'Mysterious Mountain', Op. 132
Stravinsky:
Le Baiser de la Fée
Chicago Symphony Orchestra, Fritz Reiner
CD10 勃拉姆斯：第一钢琴协奏曲(钢琴：格拉夫曼，明希指挥波士顿交响乐团)
Brahms:
Piano Concerto No. 1 in D minor, Op. 15
Gary Graffman (piano)
Boston Symphony Orchestra, Charles Munch(还合作了肖邦协奏曲)
CD11 穆索尔斯基：图画展览会(钢琴独奏版)，李斯特：歌剧《弄臣》改编曲(钢琴：简尼斯)
Mussorgsky:
Pictures at an Exhibition
Liszt:
Concert Paraphrase on Rigoletto, S.434 after Verdi's opera
Byron Janis (piano)(这是Janis的代表录音了)
CD12 罗西尼：序曲集(莱纳指挥芝加哥交响乐团)
Rossini:
Chicago Symphony Orchestra, Fritz Reiner
CD13 柴可夫斯基：胡桃夹子组曲(莱纳指挥芝加哥交响乐团)
Tchaikovsky:
The Nutcracker Ballet, Op. 71 (Excerpts)
Chicago Symphony Orchestra, Fritz Reiner
CD14 贝多芬：钢琴奏鸣曲第7 、第23"热情" (钢琴：霍洛维茨)
Beethoven:
Piano Sonata No. 23 in F minor, Op. 57 'Appassionata'
Vladimir Horowitz (piano)
CD15 柴可夫斯基：第四交响曲(蒙特指挥波士顿交响乐团)
Tchaikovsky:
Symphony No. 4 in F minor, Op. 36
Boston Symphony Orchestra, Pierre Monteux(看来指挥波士顿的柴六得单独买了！)
CD16 马勒：旅人之歌，悼亡儿之歌(福瑞斯特演唱，明希指挥波士顿交响乐团)
Mahler:
Lieder eines fahrenden Gesellen (4 songs, complete)
Maureen Forrester (contralto)
Boston Symphony Orchestra, Charles Munch(这个较少见到)
CD17 贝多芬：小提琴奏鸣曲第5“春天”，第9”克罗采”(钢琴：鲁宾斯坦，小提琴：谢林)
Beethoven:
Violin Sonata No. 9 in A major, Op. 47 ‘Kreutzer'
Violin Sonata No. 5 in F major, Op. 24 'Spring'
Henryk Szeryng (violin), Arthur Rubinstein (piano)
CD18 普罗科菲耶夫：亚历山大.涅夫斯基(莱纳指挥芝加哥交响乐团)
Prokofiev:
Alexander Nevsky
Chicago Symphony Orchestra, Fritz Reiner
CD19 哈恰图良：假面舞会组曲，卡巴列夫斯基：丑角 (康德拉辛指挥RCA交响乐团)
Kabalevsky:
The Comedians suite, Op. 26
Khachaturian:
Masquerade Suite
RCA Victor Symphony Orchestra, Kirill Kondrashin
CD20 科普兰：阿巴拉契亚之春，温柔乡组曲(科普兰指挥波士顿交响)
Copland:
Appalachian Spring
The Tender Land (Suite)
Boston Symphony Orchestra, Aaron Copland
CD21 比才：乐队卡门(莫顿.古尔德指挥他的管弦乐团)
Bizet:
Carmen: excerpts
Morton Gould and His Orchestra
CD22 莱纳指挥瓦格纳
Wagner:
Chicago Symphony Orchestra, Fritz Reiner
CD23 格拉夫曼演奏李斯特超技作品
Liszt:
Gary Graffman (piano)
CD24 勃拉姆斯：第二钢琴协奏曲(钢琴：李赫特，莱恩斯多夫指挥波士顿交响乐团)
Brahms:
Piano Concerto No. 2 in B flat major, Op. 83
Sviatoslav Richter (piano)
Chicago Symphony Orchestra, Erich Leinsdorf
CD25 布里姆演奏朱里亚尼和阿诺德的吉他协奏曲
Arnold:
Guitar Concerto, Op. 67
Julian Bream (guitar)
Melos Ensemble
CD26 舒伯特：钢琴奏鸣曲D850(钢琴：吉列尔斯)
Schubert:
Piano Sonata No. 17 in D major, D850
Emil Gilels (piano)
CD27 贝多芬：小夜曲，柯达伊：小提琴与大提琴的二重奏(小提琴：海菲茨，中提琴：普里姆罗斯，大提琴：皮亚蒂戈斯基)
Beethoven:
Serenade for string trio in D major, Op. 8
Jascha Heifetz (violin), William Primrose (viola), Gregor Piatigorsky (cello)
Kodály:
Duo for Violin and Cello, Op. 7
Jascha Heifetz (violin), Gregor Piatigorsky (cello)
CD28 英国鲁特琴的黄金时代(吉他：布里姆)
CD29 贝多芬与舒伯特的弦乐三重奏(小提琴：海菲茨，中提琴：普里姆罗斯，大提琴：皮亚蒂戈斯基)
CD30 格里格：钢琴协奏曲及法雅等作曲家的返场小品(钢琴：鲁宾斯坦，华伦斯坦指挥)
Grieg:
Piano Concerto in A minor, Op. 16
Arthur Rubinstein (piano)
Alfred Wallenstein
CD31 范克莱本演奏肖邦挚爱名曲
CD32 圣桑：动物狂欢节，布里顿：青少年管弦乐队指南(费德勒指挥波士顿通俗乐团)
Saint-Saëns:
Le carnaval des animaux
Britten:
The Young Person's Guide to the Orchestra, Op. 34
Boston Pops Orchestra, Arthur Fiedler
CD33 肖邦：芭蕾音乐“仙女”，普罗科菲耶夫：《三个橙子的爱情》组曲 (费德勒指挥波士顿通俗乐团)
Chopin:
Les Sylphides
Prokofiev:
The Love for Three Oranges: Suite Op. 33a
Boston Pops Orchestra, Arthur Fiedler
CD34 德沃夏克：第8交响曲(明希指挥波士顿交响乐团)
Dvorak:
Symphony No.8 in G major, Op. 88
Boston Symphony Orchestra, Charles Munch
CD35 马勒：第一交响曲(莱恩斯多夫指挥波士顿交响乐团)
Mahler:
Symphony No. 1 in D major 'Titan'
Boston Symphony Orchestra, Erich Leinsdorf
CD36 德彪西：牧神午后，夜曲春天(明希指挥波士顿交响乐团)
Debussy:
Prélude à l'après-midi d'un faune
Trois Nocturnes: Nuages et Fêtes
Le Printemps ('L'aimable printemps ramène dans la plaine'), L. 56
Boston Symphony Orchestra, Chares Munch
CD37-39 普契尼：歌剧《托斯卡》全剧(比约林等演唱，莱恩斯多夫指挥罗马歌剧院)
Puccini:
Tosca
Zinka Milanov (Tosca), Jussi Björling (Cavaradossi)
Rome Opera Orchestra and Chorus, Erich Leinsdorf
CD40-41 贝多芬：第9、1交响曲(莱纳指挥芝加哥交响乐团)
Beethoven:
Symphony No. 9 in D Minor, Op. 125 'Choral'
Chigago Symphony Orchestra, Fritz Reiner
Phyllis Gurtin, Florence Kopleff, John McCollum, Donald Gramm
Symphony No. 1 in C Major, Op. 21
Chigago Symphony Orchestra, Fritz Reiner
CD42-43 柏辽兹：罗密欧与朱丽叶(明希指挥波士顿交响乐团)
Berlioz:
Roméo et Juliette, Op. 17
Rosalind Elias, Cesare Valletti, Giorgio Tozzi
Boston Symphony Orchestra,
New England Conservatory Chorus, Charles Munch
CD44-46 唐尼采蒂：拉美摩尔的露西亚(莱恩斯多夫指挥罗马歌剧院)
Donizetti:
Lucia di Lammermoor
Roberta Peters (Lucia), Jan Peerce (Edgardo),
Filippo Maero (Enrico), Giorgio Tozzi (Raimondo),
Erich Leinsdorf
CD47-50 罗西尼：塞维利亚的理发师(莱恩斯多夫指挥大都会歌剧)
Rossini:
Il barbiere di Siviglia
Roberta Peters (Rosina), Cesare Valletti (Almaviva),
Robert Merrill (Figaro), Giorgio Tozzi (Don Basilio),
Erich Leinsdorf
CD51-53 威尔第：奥赛罗(戈比等演唱，塞拉芬指挥罗马歌剧院)
Verdi:
Otello
Jon Vickers (Otello), Leonie Rysanek (Desdemona),
Tito Gobbi (Iago), Florinda Andreolli (Cassio),
Tullio Serafin
CD54-56 巴赫：B小调弥撒(罗伯特.肖指挥亚特兰大交响乐团及合唱团)
Bach, J S:
Mass in B minor, BWV232
Robert Shaw Chorale and Orchestra, Robert Shaw
CD57-58 威尔第：安魂曲(尼尔逊、贝尔贡齐等演唱，莱恩斯多夫指挥波士顿交响乐团)
Verdi:
Requiem
Birgit Nilsson (soprano), Lili Chookasian (mezzo),
Carlo Bergonzi (tenor), Ezio Flagelli (bass)
Boston Chorus Pro Musica, Alfred Nash Petterson
Erich Leinsdorf
CD59-60 肖邦：夜曲(钢琴：鲁宾斯坦)

评论(761) 收藏(832) 查看完整资源页

↧

Various Artists -《柴可夫斯基百分百》(100 Best Tchaikovsky)[6 CD][FLAC]

March 21, 2017, 1:47 am

≫ Next: Various Artist -《古典名厂RCA Living stereo 系列收藏第三卷》(The Golden Era of LIVING STEREO The Remastered Collector's Edition 60 CDs)更新中...... 新愿望[FLAC]

≪ Previous: Various Artist -《古典名厂RCA Living stereo 系列收藏第二卷》(Living Stereo 60CD Collection Vol.2)欧版整轨[FLAC]

Various Artists -《柴可夫斯基百分百》(100 Best Tchaikovsky)[6 CD][FLAC]

专辑英文名: 100 Best Tchaikovsky
专辑中文名: 柴可夫斯基百分百
艺术家: Various Artists
古典类型: 全集作品
资源格式: FLAC
版本: [6 CD]
发行时间: 2010年06月04日
地区: 美国
语言: 英语
简介:
专辑介绍:
★这份录音收录了柴可夫斯基最受喜爱的芭蕾舞剧、交响曲、管弦乐曲、室内乐、协奏和钢琴小品，是可以让我们瞭解他伟大天才的精彩合辑。
　　柴可夫斯基的音乐被许多人视为音乐史上的杰作，许多俄国作曲家甚至认为他的作品地位要高於贝多芬和布拉姆斯，因为他真正用音乐捕捉了心中的话语。但俄国人也都不认为柴可夫斯基的音乐是俄国式的，相反的，他们认为他的音乐比较偏西方古典音乐，这种说法可以说和柴氏自我期许相吻合，因为柴氏生前也总是和标榜俄国民族乐派的俄国五人组多有这种音乐和民族情结的辩论，始终认为音乐不该自限脚步的他，从西欧作曲家的曲式、结构、和声中表现他的音符，期许自己创作出能够被全世界人所理解、喜爱的音乐，而不单单只是被俄国人所瞭解，而他的努力，对於喜爱他的中国人而言，最能够感受和认同，因为他的音乐总是为国人所喜爱。这份录音收录了他最受喜爱的芭蕾舞剧、交响曲、管弦乐曲、室内乐、协奏和钢琴小品，是可以让我们瞭解他伟大天才的精彩合辑。
Best Tchaikovsky 100 (6CD)
柴可夫斯基百分百 (6CD)
发行公司：Warner Classics
演出者：柴可夫斯基 Pyotr Ilyich Tchaikovsky
产品编号：5099945633928
发行日期：2010/07/19
进口版别
张数：6 张 - 6CD
CD 1　协奏曲
1-3 降B小调第一号钢琴协奏曲，作品23
4-5. D大调小提琴协奏曲，作品35：第一&三乐章
6. G大调第二号钢琴协奏曲，作品44：第三乐章
7-13 洛可可主题变奏曲，作品33
14 降E大调第三号钢琴协奏曲，作品75
CD 2　交响曲
1. 第三号交响曲「波兰」，作品29：第二乐章
2-3.第四号交响曲，作品36：第一&四乐章
4-6.第五号交响曲，作品64：第一、二&四乐章
7-9.第六号交响曲「悲愴」：第一、三&四乐章
CD 3　芭蕾音乐
天鹅湖
1. 场景
2. 华尔滋
3. 小天鹅之舞
4. 双人舞
5. 匈牙利舞曲
6. 西班牙舞曲
7. 拿坡里舞曲
8. 马厝卡
睡美人
9. 序曲
10. 玫瑰慢板
11. 全景
12. 华尔滋
胡桃钳
13. 小前奏曲
14. 进行曲
15. 糖梅仙子之舞
16. 足尖舞：俄罗斯舞曲
17. 巧克力：西班牙舞曲
18. 咖啡：阿拉伯舞曲
19. 茶：中国舞曲
20. 芦笛之舞
21. 花之圆舞曲
CD 4　歌剧与歌曲
1-5.尤金奥尼根 (选粹)
6.黑桃皇后：午夜即将来临 (第三幕)
7.雪娘：Lel’s Song
8.马采巴：Gopak (第二幕)
9.月夜，作品73，No.3
10.舞会，作品38，No.3
11.唐璜的小夜曲，作品38，No.1
12.我不曾是株小草吗？作品47，No.7
13.摇篮曲，作品16，No.1
14.为什么？作品6，No.5
15.再一次寂寞，作品73，No.6
16.寂寞芳心，作品6，No.6
17.小夜曲，作品63，No.6
18.夜鶯，作品60，No.4
19.一言即可
20.今天可高兴？作品47，No.6
CD 5　室内乐与器乐曲
1.第一号弦乐四重奏，作品11，第二乐章
2-9.四季钢琴曲集，作品37b (No.1-2, 4,6-7,10-12)
10.钢琴三重奏「纪念伟大的艺术」，作品50 (选粹)
11.旋律，作品42，No.3
12.钢琴奏鸣曲，作品37，第三乐章
13.佛罗伦斯的回忆，作品70，第二乐章
14.圆舞曲，作品40，No.9
15.幽默曲，作品10，No.2
16.夜曲，作品10，No.1
17.詼谐圆舞曲，作品34
CD 6　管弦乐名曲
1.斯拉夫进行曲，作品31
2-3.弦乐小夜曲，作品48，第一&二乐章
4.罗密欧与茱丽叶幻想序曲
5-17.第三号组曲，作品55(选粹)
18.义大利奇想曲，作品45(选粹)
19.一八一二序曲，作品49
引用This 6-CD set contains 100 tracks from the most familiar and best-loved works by the Russian composer Pyotr Ilyich Tchaikovsky (1840–1893), performed by many of the world’s leading instrumentalists, singers, orchestras and conductors.
Tchaikovsky is one of the major composers of the 19th century Romantic era. His music is full of magnificent melodies and is noted for its passion and its sincerity. Many of Tchaikovsky’s themes have been heard in major film soundtracks and TV adverts.
CD 1 begins with the sweeping opening of his 1st Piano Concerto, one of the most familiar works in the classical repertoire. This is followed by extracts from all his other concertos, namely the impressive 2nd and 3rd Piano Concertos, the magnificent Violin Concerto and the charming Rococo Variations for cello and orchestra.
CD 2 includes substantial extracts from Symphonies Nos 3, 4, 5 & 6, which represent the emotional heart of the composer’s entire output.
Tchaikovsky’s three great ballet scores – Swan Lake, Sleeping Beauty and The Nutcracker – contain some of his most inspired music and are represented here on CD 3 by generous highlights from all three works.
CD 4 includes arias and orchestral items from some of Tchaikovsky’s main operas: Eugene Onegin, The Queen of Spades, The Snow Maiden and Mazeppa, together with a representative selection of his songs, including the beautiful ‘None but the lonely heart’.
CD 5 covers chamber and instrumental works, including the famous ‘Andante cantabile’ from his String Quartet No.1 and extracts from the delightful piano suite of 12 short character pieces called The Seasons.
CD 6 presents several of Tchaikovsky’s most popular orchestral pieces, including March slave, String Serenade in C, Romeo and Juliet Fantasy Overture and Capriccio italien. The set ends with a complete performance of the spectacular ‘1812’ Overture.
Composer: P.I. Tchaikovsky
Audio CD (May 4, 2010)
Number of Discs: 6
Format: Box set
Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
Label: Alliance
ASIN: B003A07YIS
Average Customer Review: 5.0 out of 5 stars
Duration07:29:11
Genre Classical
Styles Miscellaneous (Classical)
AllMusic Review by Blair Sanderson [-]
EMI's six-disc collection of the best of Pyotr Il'yich Tchaikovsky touches on all of the essential masterpieces, so anyone who listens to this set will have an advantage over others who settle for a single, barely representative greatest-hits CD. Granted, it has limitations, chiefly in what was picked for the program. Only the Piano Concerto No. 1 and the Variations on a Rococo Theme are presented in their entirety, so almost all of Tchaikovsky's other multipart works are highlighted by just one or two movements. This can give newcomers the false impression that the remaining concertos, symphonies, suites, and other long forms consist only of the named selections. For example, the tracklisting does not indicate that Swan Lake, Sleeping Beauty, and Nutcracker are presented as suites from the much longer ballets. However, once beginners are made aware of these excerpts, the survey can be appreciated as a generous sampler that reveals the great variety of Tchaikovsky's works. Many of the label's exceptional performers are included here: important EMI conductors from the past, such as Thomas Beecham, Herbert von Karajan, and Adrian Boult, are accounted for, as are contemporary maestros like Rudolf Barshai, Mariss Jansons, and Vladimir Fedoseyev; furthermore, the list of instrumentalists and singers includes pianist Mikhail Pletnev, violinist Vladimir Spivakov, cellist Paul Tortelier, soprano Galina Vishnevskaya, tenor Nicolai Gedda, and bass Boris Christoff, among many other distinguished musicians. Because the recording dates cover several decades and the reproduction is either ADD or DDD, the sound varies a fair amount over the course of 100 tracks. Yet if this set is regarded as a reasonably comprehensive introduction to Tchaikovsky's music, eventually to be replaced by complete and superior recordings, then listeners will not mind the slight changes in audio quality and will focus instead on the wealth of music and EMI's impressive backlist.
专辑曲目:
CD 1
01. Piano Concerto No. 1 in B flat minor Op. 23 - I. Allegro non troppo e molto maestoso
02. Piano Concerto No. 1 in B flat minor Op. 23 - II. Andantino semplice - Prestissimo - Tempo primo
03. Piano Concerto No. 1 in B flat minor Op. 23 - III. Allegro con fuoco
04. Violin Concerto in D Op. 35 - I. Allegro moderato
05. Violin Concerto in D Op. 35 - III. Finale (Allegro vivacissimo)
06. Piano Concerto No. 2 in G major Op. 44 (original version) - III. Allegro con fuoco
07. Variations on a Rococo Theme in A major Op.33 (1974 Digital Remaster) - Introduction -
08. Variations on a Rococo Theme in A major Op.33 (1974 Digital Remaster) - Variation II (Tempo di Thema) -
09. Variations on a Rococo Theme in A major Op.33 (1974 Digital Remaster) - Variation III (Andante sostenuto) -
10. Variations on a Rococo Theme in A major Op.33 (1974 Digital Remaster) - Variation IV (Andante grazioso - Un poco animato) -
11. Variations on a Rococo Theme in A major Op.33 (1974 Digital Remaster) - Variation V (Allegro moderato - Cadenza) -
12. Variations on a Rococo Theme in A major Op.33 (1974 Digital Remaster) - Variation VI (Andante)
13. Variations on a Rococo Theme in A major Op.33 (1974 Digital Remaster) - Variation VII & Coda (Allegro vivo)
14. Piano Concerto No. 3 in E flat major Op. 75 - Allegro brillante - Cadenza - Tempo I - Vivacissimo
CD 2
01. Symphony No. 3 in D 'Polish' Op. 29 (1986 Digital Remaster) - II. Alla tedesca (1986 Digital Remaster)
02. Symphony No. 4 in F minor Op. 36 - I. Andante sostenuto_Moderato con anima
03. Symphony No. 4 in F minor Op. 36 - IV. Allegro con fuoco
04. Symphony No. 5 in E minor Op. 64 - I - Andante - Allegro con anima
05. Symphony No. 5 in E minor Op. 64 - II - Andante cantabile, con alcuna licenza
06. Symphony No. 5 in E minor Op. 64 - IV - Andante maestoso - Allegro vivace
07. Symphony No. 6 in B minor Op. 74 (1995 Digital Remaster) - Adagio - Allegro con troppo
08. Symphony No. 6 in B minor Op. 74 (1995 Digital Remaster) - Allegro molto vivace
09. Symphony No. 6 in B minor Op. 74 (1995 Digital Remaster) - Finale - Adagio lamentoso
CD 3
01. Swan Lake Op.20 - No.10: Scene (Moderato)
02. Swan Lake Op. 20: Act I - 2. Waltz (Tempo di valse)
03. Swan Lake Op.20: Act II - 13. Dances of the Swans - IV. Dance of the Cygnets (Allegro moderato)
04. Swan Lake Op.20: Act II - 13. Dances of the Swans - V. Andante - Andante non troppo - Allegro
05. Swan Lake Op.20: Act III - 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace)
06. Swan Lake Op.20: Act III - 21. Spanish Dance (Allegro non troppo: tempo di bolero)
07. Swan Lake Op.20: Act III - 22. Neapolitan Dance (Allegro moderato - Andantino quasi moderato)
08. Swan Lake Op.20: Act III - 23. Mazurka
09. Sleeping Beauty Op. 66 - Introduction (Allegro vivo - Andantino)
John Lanchbery
10. Sleeping Beauty Op. 66: Act I: 'The Spell' - 8. Pas d'action: - Rose Adagio (Andante - Adagio maestoso)
11. Sleeping Beauty Op. 66: Act II - Scene 1: 'The Vision' - 17. Panorama (Andantino)
12. Sleeping Beauty Op. 66: Act II - Scene 1: 'The Vision' - 6. Waltz (Allegro: Tempo di valse)
13. The Nutcracker Op. 71 - Act 1 - Overture.
14. The Nutcracker Op. 71 - Scene 1 - March
15. The Nutcracker Op. 71 - Divertissement - Variation 2: Dance of the Sugar-Plum Fairy - Coda [to Pas de deux]
16. The Nutcracker Op. 71 - Divertissement - Trepak (Russian Dance)
17. The Nutcracker Op. 71 - Divertissement - Chocolate (Spanish Dance)
18. The Nutcracker Op. 71 - Divertissement - Coffee (Arab Dance)
19. The Nutcracker Op. 71 - Divertissement - Tea (Chinese Dance)
20. The Nutcracker Op. 71 - Divertissement - Dance of the Reed Flutes
21. The Nutcracker Op. 71 - Divertissement - Waltz of the Flowers
CD 4
01. Eugene Onegin - Tatiana's letter scene
02. Serenade in C major Op. 48 (1991 Digital Remaster) - II. Waltz (Moderato)
03. Eugene Onegin - Kuda, kuda, kuda vi udalilis
04. Eugene Onegin - Polonaise
05. Act III - Prince Gremin's Aria - "Lyubvi fse vozrastï pokornï" (Prince Gremin)
06. Pikovaya Dama (The Queen of Spades) - Uzh polnoch blizitsya (It is close on midnight already) (Act 3)
07. The Snow Maiden - Incidental Music Op. 12 - Lehl's First Song
08. Mazeppa (1989 Digital Remaster) - Hopak (Cossack Dance) (1989 Digital Remaster)
09. Mazeppa (1989 Digital Remaster) - O du mondhelle Nacht (O moonlight night)
10. 6 Songs Op. 38 (1995 Digital Remaster) - Auf dem Ball (At the ball) (wds. Tolstoy)
11. 6 Songs Op. 38 (1995 Digital Remaster) - Don Juan's Serenade (wds. Tolstoy)
12. 7 Songs Op. 47 - Was I not a little blade of grass? Op. 47 No. 7 (Surikov)
13. 6 Songs Op. 16 - Cradle song Op. 16 No. 1 (Maykov)
14. 6 Songs Op. 6 - Why? Op. 6 No. 5 (Heine transl. Mey) (1976 Digital Remaster)
15. 6 Songs Op. 73 - Again, as before, alone, Op. 73 No. 6 (Rathaus)
16. 6 Songs Op. 6 (2010 Digital Remaster) - None but the lonely heart Op.6 No.6
17. 6 Songs Op. 6 (2010 Digital Remaster) - Serenada, Op.63 No.6 (Serenade) - (Grand Duke Konstantin Konstantinovich)
18. 6 Songs Op. 6 (2010 Digital Remaster) - Solovey, Op.60 No.4 (The Nightingale) - (Pushkin)
19. 6 Songs Op. 6 (2010 Digital Remaster) - Khotel by v edinoe slovo (I should like in a single word) - (Mey, after Heine)
20. 6 Songs Op. 6 (2010 Digital Remaster) - Den'li tsarit? Op.47 No.6 (Does the day reign?) - (Apukhtin)
CD 5
01. String Quartet in D Op.11 - II. Andante cantabile
02. The Seasons Op. 37b - I. Janvier (Au coin du feu)
03. The Seasons Op. 37b - II. Février (Carnaval)
04. The Seasons Op. 37b - IV. Avril (Perce-neige)
05. The Seasons Op. 37b - VI. Juin (Barcarolle)
06. The Seasons Op. 37b - VII. Juillet (Chant des moissonneurs)
07. The Seasons Op. 37b - X. Octobre (Chant d'automne)
08. The Seasons Op. 37b - XI. Novembre (Course en Troïka)
09. The Seasons Op. 37b - XII. Décembre (Noël)
10. Piano Trio in A minor Op.50 - II. Tema con variazioni 1-7 (extract)
11. Piano Trio in A minor Op.50 - Mélodie Op.42 No.3
12. Grande Sonate Op.37 - III Scherzo. Allegro giocoso
13. Souvenir de Florence Op. 70 - II - Adagio cantabile e con moto
14. Souvenir de Florence Op. 70 - Valse Op.40 No.9
15. Souvenir de Florence Op. 70 - Humoresque Op.10 No.2
16. Souvenir de Florence Op. 70 - Nocturne Op.10 No.1
17. Souvenir de Florence Op. 70 - Waltz-Scherzo, Op. 34
CD 6
01. Marche Slave, Op. 31 (1997 Digital Remaster)
02. Serenade in C Op. 48 - I. Pezzo in forma di sonatina. (Andante non troppo - Allegro moderato)
03. Serenade in C Op. 48 - II. Valse. (Moderato: Tempo di valse)
04. Serenade in C Op. 48 - Romeo and Juliet Fantasy Overture
05. - Theme & Variations: Suite No.3 in G, Op.55: IV - Theme
06. - Theme & Variations: Suite No.3 in G, Op.55: IV - Variation I
07. - Theme & Variations: Suite No.3 in G, Op.55: IV - Variation II
08. - Theme & Variations: Suite No.3 in G, Op.55: IV - Variation III
09. - Theme & Variations: Suite No.3 in G, Op.55: IV - Variation IV
10. - Theme & Variations: Suite No.3 in G, Op.55: IV - Variation V
11. - Theme & Variations: Suite No.3 in G, Op.55: IV - Variation VI
12. - Theme & Variations: Suite No.3 in G, Op.55: IV - Variation VII
13. - Theme & Variations: Suite No.3 in G, Op.55: IV - Variation VIII
14. - Theme & Variations: Suite No.3 in G, Op.55: IV - Variation IX
15. - Theme & Variations: Suite No.3 in G, Op.55: IV - Variation X
16. - Theme & Variations: Suite No.3 in G, Op.55: IV - Variation XI
17. - Theme & Variations: Suite No.3 in G, Op.55: IV - Variation XII
18. - Capriccio Italien Op. 45 (conclusion)
19. - 1812 Op. 49
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Various Artist -《古典名厂RCA Living stereo 系列收藏第三卷》(The Golden Era of LIVING STEREO The Remastered Collector's Edition 60 CDs)更新中...... 新愿望[FLAC]

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Various Artist -《古典名厂RCA Living stereo 系列收藏第三卷》(The Golden Era of LIVING STEREO The Remastered Collector's Edition 60 CDs)更新中...... 新愿望[FLAC]

专辑英文名: The Golden Era of LIVING STEREO The Remastered Collector's Edition 60 CDs
专辑中文名: 古典名厂RCA Living stereo 系列收藏第三卷
别名: RCA LIVING STEREO的黄金年代
艺术家: Various Artist
古典类型: 全集作品
资源格式: FLAC
版本: 更新中...... 新愿望
发行时间: 2016年
地区: 德国
语言: 英语
简介:
【最新愿望】
Anson78的许愿CD：DECCA Phase 4 Stereo - Nice 'n' Easy 40CDs
=====================================================
RCA模拟录音黄金年代Living Stereo系列珍稀录音合集60CD
60张之中有48张为首次发行CD，弥足珍贵。
全部录音经24bit/192kHz技术静心重制
精美原版封套
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1、本资源仅用于试听交流，如果喜欢请购买原版以支持唱片事业发展。
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抓轨软件：Exact Audio Copy V1.2
编码器：FLAC 1.3.1
CUE文件内嵌
【详细介绍】
本辑收录48张首度由黑胶转录成CD之重点作品。
钢琴家Ania Dorfmann安妮雅-朵夫曼、俄国小提琴家Leonid Kogan柯岗、意大利男高音Cesare Valletti瓦雷提、重抒情女高音天后Zinka Milanov米兰-诺夫等名家经典录音再现。
这套录音收录了RCA在五零年代后期，以最新的高传真技术发行的经典录音。这一套录音与以往的同系列录音最大的不同在于，当中收录了四十八张LP转录的专辑，皆为首度以CD方式呈现。由此可知，从一九八四年CD问世以来，这些录音都未曾再版过，在这之前可能也已经绝版很久，因此有很多份录音，都可能是六十岁以下的乐迷未曾听过的罕见黑胶再版。比如说教出知名低音大提琴家盖瑞-卡尔（Gary Karr）和艾尔加-梅耶（Edgar Meyer）的低音大提琴家斯图亚特．桑基（Stuart Sankey）与节庆四重奏合作的舒伯特《鳟鱼》五重奏。很少台湾人知道，但五、六零年代在美国音乐界极具权威的女钢琴家安妮雅-朵夫曼（Ania Dorfmann）所弹奏的舒曼。朵夫曼是当时少数能够和指挥大师托斯卡尼尼同台合作和录音的女性钢琴家，出生并成长于俄国的她，十一岁就在俄国举行独奏会，并曾为当时比她小几岁的小提琴大师海飞兹伴奏，十八岁前往巴黎追随巴黎音乐院名教师伊西多-菲利普（Isidor Philipp）习琴，之后返回俄国，到俄国大革命后才又返回巴黎，在欧洲享有十五年知名钢琴家的声望，直到二战爆发才将重心移往美国，成为托斯卡尼尼第一位邀请合作的女性钢琴家。同样罕见的还有俄国小提琴家柯岗（Leonid Kogan），在一九五八年录下的小品集，当中他演奏了德布西《月光》等优美乐曲，以柯岗近年被人怀念的名气甚高，很难想象这份录音直到现在才有机会获得再版。被视为俄国小提琴学派最伟大代表人物的他，因为很少有机会到西方演出，五十八岁早逝再加上一直躲避公众目光，也不受到俄国当局青睐，因此很长一段时间知名度都远在奥伊斯特拉夫（David Oistrakh）之下。这些录音中柯岗使用的是两把价值超过四百万美金的瓜奈里名琴ex-Colin（1726）和ex-Burmester（1733），柯岗也是少数使用钢弦而非羊肠弦的小提琴家，因此让他的录音特别值得珍藏。
同样值得一听的是由意大利男高音瓦雷提（Cesare Valletti）所灌录的意大利艺术歌曲集。他是知名歌唱家史基帕（Tito Schipa）的学生，在五零年与卡拉丝合作罗西尼歌剧而扬名全球，之后卡拉丝与维斯康提、伯恩斯坦合作《梦游女》时也指定与他合作，之后卡拉丝多次的《茶花女》也和瓦雷提合作。他和卡拉丝一九五八年的茶花女演唱被誉为史上此剧最佳演出，这份录音就是在当时录下的。
同样珍贵的还有二十世纪中叶重抒情女高音天后米兰-诺夫（Zinka Milanov）的咏叹调专辑。她是被指挥大师华尔特（Bruno Walter）所发掘，特别推荐给大师托斯卡尼尼，参加他唯一一次在萨尔兹堡演出威尔第安魂曲的演唱。之后托斯卡尼尼重要的电台演出录音也都与她合作。这么重要的女高音，她的独唱录音却一直没机会再版，在此刻首度CD问世，能听到的人可以说是何其幸运，因为这声音可能有超过半世纪失传，直至现今才有机会再度流传于乐迷心中。
【本人发布的精华资源】
《立体声古典名厂RCA百张不朽名盘系列》(RCA RED SEAL BEST100)整轨[FLAC]
《古典名厂RCA Living stereo 系列收藏》(Living Stereo 60CD Collection)韩版整轨[FLAC]
《古典名厂RCA Living stereo 系列收藏第二卷》(Living Stereo 60CD Collection Vol.2)
《古典名厂RCA Living stereo 系列收藏第三卷》(Living Stereo 60CD Collection Vol.3)
《迪卡之声》(The DECCA SOUND 50CDs Collection)欧版整轨[FLAC]
《迪卡之声2：模拟时代》(The DECCA SOUND 2 54CDs Collection)欧版整轨[FLAC]
《迪卡全方位立体声音乐会系列精选41CD》(Decca Phase-4 Stereo 41CD Boxset)欧版整轨[FLAC]
《飞利浦原封套系列55CD》(PHILIPS ORIGINAL JACKETS COLLECTION)欧版整轨[FLAC]
《水星Living Presence发烧名盘60周年珍藏套装（50CDs）》(Mercury Living Presence The Collector's Edtion)
《水星Living Presence发烧名盘60周年珍藏套装2（55CDs）》(Mercury Living Presence The Collector's Edtion 2)德版整轨[FLAC]
《水星Living Presence发烧名盘60周年珍藏套装3（53CDs）》(Mercury Living Presence The Collector's Edtion 3)欧版整轨[FLAC]
【今日更新】
专辑曲目:
CD1 舒伯特：鳟鱼五重奏(节日四重奏组)
CD2 舒曼：狂欢节，幻想小品(多夫曼)
CD3 科岗演奏的小提琴小品集
CD4 维多利亚：安魂曲(波特兰交响乐团合唱团)
CD5 肖斯塔科维奇：第五交响曲(Mitchell指挥国家交响乐团)
CD6 女低音歌唱家Forrester演唱勃拉姆斯与舒曼的艺术歌曲
CD7 布莱洛夫斯基演奏钢琴返场曲集
CD8 男高音Cesare Valleti演唱舒伯特、舒曼、斯卡拉蒂、亨德尔等作品
CD9 大提琴大师皮亚蒂戈斯基演奏斯特拉文斯基、德彪西、布索尼等作品
CD10 费德勒指挥波士顿通俗乐团演奏当代作曲家的管弦乐小品集
CD11 女高音米兰诺夫演唱歌剧咏叹调集
CD12 巴赫：两首康塔塔(罗伯特.肖指挥RCA交响乐团)
CD13 勃拉姆斯：第一钢琴四重奏(节日四重奏组)
CD14 柴可夫斯基：1812序曲，拉威尔：波莱罗(莫顿.古尔德指挥他的管弦乐团)
CD15 布莱克伍德：第一交响曲，海耶夫：第二交响曲(明希指挥波士顿交响乐团)
CD16 维瓦尔第：四首巴松管协奏曲(舍尔曼.瓦尔特演奏)
CD17 莫扎特：第10、14钢琴奏鸣曲，幻想曲(安德烈.柴可夫斯基)
CD18 肖邦：10首前奏曲，船歌，两首练习曲，第三叙事曲，三首玛祖卡(安德烈.柴可夫斯基)
CD19 波凯里尼、维瓦尔第的大提琴协奏曲(亚尼格罗)
CD20 小提琴家拉雷多演奏小品集
CD21 舒伯特：死神与少女四重奏(茱莉亚四重奏组)
CD22 花腔女高音罗贝塔.彼得丝演唱咏叹调与艺术歌曲集
CD23 舒曼：诗人之恋(Valletti)
CD24 德彪西、拉威尔的弦乐四重奏(茱莉亚四重奏组)
CD25 勃拉姆斯：第三小提琴奏鸣曲，巴赫：第三无伴奏小提琴帕蒂塔(拉雷多)
CD26 德彪西：前奏曲第一册(小卡萨德许)
CD27 著名歌剧合唱曲(罗伯特.肖指挥)
CD28 柴可夫斯基、阿连斯基、斯特拉文斯基等人的双钢琴作品(Vitya Vronsky、Victor Babin)
CD29 勃拉姆斯：圆号三重奏，贝多芬：圆号奏鸣曲(约瑟夫.埃格尔)
CD30 谢林演奏维塔利、塔替尼、格鲁克、克莱斯勒、舒曼、维尼亚夫斯基等人的作品
CD31 维瓦尔第：四季(科列里合奏团)
CD32 拉罗：西班牙交响曲(谢林)
CD33 巴赫：第二管弦乐队组曲，第五布兰登堡协奏曲(雅尼格罗指挥萨格勒布独奏家乐团)
CD34 给讨厌古典音乐的人听的古典音乐(费德勒指挥波士顿通俗乐团演奏的古典通俗小品)
CD35 布鲁赫：第一小提琴协奏曲，莫扎特：第三小提琴协奏曲(拉雷多)
CD36 勃拉姆斯：第二钢琴四重奏(节日四重奏组)
CD37 舒曼：第三弦乐四重奏，卡特：第二弦乐四重奏
CD38 维什涅夫斯卡娅演唱俄罗斯咏叹调与艺术歌曲
CD39 勃拉姆斯：第三钢琴四重奏(节日四重奏组)
CD40 德沃夏克：第11弦乐四重奏，沃尔夫：意大利小夜曲(茱莉亚四重奏组)
CD41 茱莉亚四重奏组演奏贝尔格、韦伯恩的作品
CD42 莫顿古尔德指挥他的乐团演奏他的作品(拉丁美洲交响曲等)
CD43 肖斯塔科维奇：大提琴奏鸣曲，舒伯特：阿佩乔尼奏鸣曲(沙弗兰)
CD44 巴赫：管风琴作品(Weinrich)
CD45 普朗克：管风琴协奏曲，斯特拉文斯基：牌戏(明希指挥波士顿交响乐团)
CD46 尼尔森演唱舒伯特、瓦格纳、施特劳斯、格里格、西贝柳斯的艺术歌曲
CD47 帕格尼尼：第1号协奏曲D大调；圣桑：引子与回旋随想曲(福瑞德曼)
CD48 贝多芬：第14弦乐四重奏(茱莉亚四重奏组)
CD49 贝多芬：第11、16弦乐四重奏(茱莉亚四重奏组)
CD50 Liliane Garnier的小提琴独奏会(塔替尼、维尼亚夫斯基、贝多芬、帕格尼尼等)
CD51 肖松：交响曲，弗朗克：可憎的猎人(明希指挥波士顿交响乐团)
CD52 拉赫玛尼诺夫：两首双钢琴组曲(Vitya Vronsky、Victor Babin)
CD53 库普兰、莫扎特、科列里、布里顿的弦乐队作品(雅尼格罗指挥萨格勒布独奏家乐团)
CD54 西贝柳斯：芬兰颂，黄泉的天鹅，忧郁圆舞曲，波希奥拉的女儿(莫顿.古尔德指挥他的乐团)
CD55 弗莱德曼演奏超技小提琴名曲集
CD56 贝多芬：两首钢琴四重奏，舒曼：钢琴四重奏(节日四重奏组)
CD57-59 亨德尔：12首大协奏曲op.6(施耐德指挥他的室内乐团)
CD60 管风琴的力量(罗伯特.欧文演奏巴赫、李斯特、雷格尔的管风琴作品)
评论(202) 收藏(247) 查看完整资源页

↧

Michael Willens -《莫札特小夜曲 : 号角》(Mozart - Posthorn Serenade)[24 bits 96 KHz][FLAC]

March 24, 2017, 3:20 am

≫ Next: The Netherlands Bach Society & Jos van Veldhoven -《亲爱与美丽的》(Beloved & Beautiful)[FLAC]

≪ Previous: Various Artist -《古典名厂RCA Living stereo 系列收藏第三卷》(The Golden Era of LIVING STEREO The Remastered Collector's Edition 60 CDs)更新中...... 新愿望[FLAC]

Michael Willens -《莫札特小夜曲 : 号角》(Mozart - Posthorn Serenade)[24 bits 96 KHz][FLAC]

专辑英文名: Mozart - Posthorn Serenade
专辑中文名: 莫札特小夜曲 : 号角
艺术家: Michael Willens
古典类型: 全集作品
资源格式: FLAC
版本: [24 bits 96 KHz]
发行时间: 2017年
地区: 美国
语言: 英语
简介:
专辑介绍:
莫札特：小夜曲 K . 5 2 5、夜曲风小夜曲 K . 2 3 9、邮车号角小夜曲 K . 3 2 0
莫札特：弦乐小夜曲K.525、夜曲风小夜曲K.239、邮车号角小夜曲K.320
Mozart: Eine kleine Nachtmusik K.525, Serenata Notturna K.239 & Posthorn Serenade K.320
盛行於十八世纪、具有社交与娱乐性质的小夜曲，其乐章数一般都比奏鸣曲或交响曲多，乐器编制范围极广，由重奏到管弦乐团都有。莫札特自1769年写作第一首小夜曲K.100开始，即未曾间断地创作了包括本辑所收录的「夜曲风小夜曲」K.239、「邮车号角」小夜曲K.320，以及写於1787年最著名、也是他最后一首的G大调「弦乐小夜曲」K.525。其中由七个乐章构成的「邮车号角」小夜曲，因为在第二乐章小步舞曲中，使用了当时驛马车所用的邮车号角（posthorn）而得名。在本辑中，曼海姆克普法兹室内乐团在「弦乐小夜曲」中简洁轻快的演奏，与指挥柯林‧戴维斯在另外两首小夜曲中恢弘的巴伐利亚乐团音响，形成有趣的对比，两者的詮释同样动人心弦。
Willens, Michael Alexander (conductor)
Die Kölner Akademie
Based in Cologne, Die Kölner Akademie is a unique ensemble performing music from the seventeenth to the twenty-first centuries on both modern and period instruments with its own choir and world-renowned guest soloists. The ensemble seeks to bring out the composers’ intentions by using historical seating plans, critical editions and the proper instrumentation for each work.
引用Artist: Die Kölner Akademie, Michael Alexander Willens
Title: Mozart: Posthorn Serenade & Eine kleine Nachtmusik
Year Of Release: 2017
Label: BIS
Genre: Classical, Orchestral, High Classical
Total Time: 01:14:40
Die Kölner Akademie and Michael Willens have previously recorded Mozart’s complete piano concertos with Ronald Brautigam, earning praise for their fresh and colourful contributions to the series. The team now releases the first of four projected discs with further Mozart scores, beginning with two of the composer’s best-loved serenades. Serenades were a characteristic feature of Salzburg musical life: opening with a march and continuing with as many as eight or nine separate movements on an orchestral scale, such works will have been ringing in Mozart’s ears from childhood. Thirteen serenades of varying scope and scorings are included in Mozart’s catalogue of works, and of these the well-known ‘Posthorn Serenade’ is the ninth. It is also the last serenade that Mozart composed before leaving Salzburg for Vienna. The nickname stems from Mozart’s inclusion of a solo for post horn (‘cornodi posta’) in one of the movements, but the wind instruments play an important role throughout the serenade, with extended solos for flute and oboe.
In comparison, Eine kleine Nachtmusik – the last serenade Mozart wrote – is for strings only. It is also shorter than many of the other serenades, and was probably intended for a more intimate occasion. Mozart’s own thematic catalogue lists it as having five movements, but as the first minuet and trio (preceding the slow movement) have been lost, only four are typically performed today. In this recording a minuet from Mozart’s very first string quartet in G major, K. 80, is incorporated by way of completion of the five-movement arch.
专辑曲目:
01. March in D Major, K. 335, No. 1
02. Serenade No. 9 in D Major, K. 320 "Posthorn": I. Adagio maestoso-Allegro con spirito
03. Serenade No. 9 in D Major, K. 320 "Posthorn": II. Menuetto. Allegretto
04. Serenade No. 9 in D Major, K. 320 "Posthorn": III. Concertante. Andante grazioso
05. Serenade No. 9 in D Major, K. 320 "Posthorn": IV. Rondeau. Allegro ma non troppo
06. Serenade No. 9 in D Major, K. 320 "Posthorn": V. Andantino
07. Serenade No. 9 in D Major, K. 320 "Posthorn": VI. Menuetto
08. Serenade No. 9 in D Major, K. 320 "Posthorn": VII. Finale. Presto
09. March in D Major, K. 335, No. 2
10. Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro
11. String Quartet No. 1 in G Major, K. 80: III. Menuetto
12. Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": II. Romanze
13. Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": III. Menuetto
14. Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
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The Netherlands Bach Society & Jos van Veldhoven -《亲爱与美丽的》(Beloved & Beautiful)[FLAC]

March 27, 2017, 12:07 am

≫ Next: Rachel Podger, Pavlo Beznosiuk -《拉克儿小提琴海顿莫札特协奏曲》(Haydn-Mozart Violin Concertos)[SACD-r]

≪ Previous: Michael Willens -《莫札特小夜曲 : 号角》(Mozart - Posthorn Serenade)[24 bits 96 KHz][FLAC]

The Netherlands Bach Society & Jos van Veldhoven -《亲爱与美丽的》(Beloved & Beautiful)[FLAC]

专辑英文名: Beloved & Beautiful
专辑中文名: 亲爱与美丽的
艺术家: The Netherlands Bach Society & Jos van Veldhoven
古典类型: 全集作品
资源格式: FLAC
发行时间: 2008年01月10日
地区: 美国
语言: 德语
简介:
专辑介绍:
由欧洲享负盛名的早期音乐乐团<荷兰巴哈协会合唱及管弦乐团(The Netherlands Bach Society)>，与及多位著名歌唱家包括女高音若望妮迪.森玛(Johannette Zomer)、男高音比克曼(Marcel Beekman)及钱伯斯(Marc Chambers)、男低音梵迪.卡帕(Harry van der Kamp)及麦克劳德(Stephen Macleod)，在德国指挥大师维荷芬(Jos van Veldhoven)带领下将四位地位崇高的音乐家的经典乐章再次复现，包括J.S.巴赫(J.S.Bach)的婚礼康塔塔[那绅士想念我们BWV196(Der Herr denket an uns,BWV 196)]、许茨(Heinrich Schutz)的经文歌[起来,我的好友(Stehe auf, meine Freundin)]、贝姆(Georg Bohm)的康塔塔[他属於我的好友(Mein Freund ist mein)]及J.C.巴赫(J.C.Bach)的康塔塔[你已经令我快乐(Meine Freundin, du bist schon)]等优美的歌曲，无尽的爱非笔墨可以形容但可以用清丽脱俗的歌声配合优雅飘逸的旋律情深地演绎出来。
亲爱与美丽的
Beloved & Beautiful
The Netherlands Bach Society
Various
CCSSA27308 (1 disc)
引用Artist: The Netherlands Bach Society & Jos van Veldhoven
Title: Beloved & Beautiful - Bohm, J.C. Bach, Schutz, & J.S. Bach
Year Of Release: 2008
Label: Channel Classics Records
Genre: Classical
Release date:08-11-2008
Formats: CD
Genre: Classical
Catalogue Number:CCSSA27308
Label: Channel Classics Records
Era: Baroque
Composers: Bohm, Georg
BACH, JOHANN SEBASTIAN
Schulz-Beuthen, Heinrich
Bach, Johann Christoph Friedrich
The Netherlands Bach Society / Jos Van Veldhoven
Hundreds of years before the birth of Christ, a collection of love songs grew up. Under the title of the “Most beautiful of songs”, they found a home in the Old Testament—it was Martin Luther who first gave them the name of “Song of Songs”—and since that time they have inspired and fascinated a vast number of theologians, mystics, philosophers, poets, painters, and, last but not least, composers.
Particularly during the Baroque period, these poetic, sensual, vividly descriptive texts were set over and over again to music, and they inspired librettists to expand on the original texts. Some of the most beautiful settings of the Song of Songs were produced in Germany.
Founded in 1921, The Netherlands Bach Society is the oldest Early Music ensemble in the Netherlands, and possibly in the whole world. Yet along with the musicians, its artistic director Jos van Veldhoven is still continually in search of contemporary ways of presenting this music, whether it be the traditional performances of the St. Matthew Passion in Naarden, other works by Johann Sebastian Bach (1685-1750) or music by his predecessors, successors, contemporaries and fellow spirits.
Beloved & Beautiful is the fourth cd in a series of songs, carefully chosen and combined because of the themes they represent. The programmes are often compiled in an original way and thus give a refreshing view of the various musical styles from Schütz/Monteverdi to Haydn/Mozart, as well as of the central composer Bach himself. The flexibility of the ensemble makes it possible to perform works from the secular and sacred repertoires in a great variety of combinations of musicians.
“the performance maintains the high standards established by the NBS and van Veldhoven in the Passions and Oratorio. Classical CD of the week- The Sunday Times
“Dutch soprano Johannette Zomer leads a fine team of soloists with the society singers under their eminence grise, Jos van Veldhoven, in an ethereal version of this magnificent work, recorded with crystal clarity.” The Observer
Original Release Date: October 1, 2008
Release Date: February 17, 2009
Label: Channel Classics Records
Copyright: 2009 Channel Classics Records
Total Length: 1:01:48
Genres:Classical
ASIN: B001W66DOI
专辑曲目:
1. Mein Freund ist mein
2. Meine Freundin, dub bust schon
3. Stehe auf, meine Freundin: I. Prima Pars
4. Stehe auf, meine Freundin: II. Secunda Pars
5. Der Herr denket an uns, BWV 196: I. Sinfonia
6. Der Herr denket an uns, BWV 196: II. Coro
7. Der Herr denket an uns, BWV 196: III. Aria (Soprano)
8. Der Herr denket an uns, BWV 196: IV. Duet (Tenor, Bass)
9. Der Herr denket an uns, BWV 196: V. Coro
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Rachel Podger, Pavlo Beznosiuk -《拉克儿小提琴海顿莫札特协奏曲》(Haydn-Mozart Violin Concertos)[SACD-r]

March 27, 2017, 12:07 am

≫ Next: Khatia Buniatishvili -《拉赫曼尼诺夫：第二＆三号钢琴协奏曲》(Rachmaninoff - Piano Concerto Nos 2&3 )[FLAC]

≪ Previous: The Netherlands Bach Society & Jos van Veldhoven -《亲爱与美丽的》(Beloved & Beautiful)[FLAC]

Rachel Podger, Pavlo Beznosiuk -《拉克儿小提琴海顿莫札特协奏曲》(Haydn-Mozart Violin Concertos)[SACD-r]

专辑英文名: Haydn-Mozart Violin Concertos
专辑中文名: 拉克儿小提琴海顿莫札特协奏曲
艺术家: Rachel Podger, Pavlo Beznosiuk
古典类型: 协奏曲
版本: [SACD-r]
发行时间: 2009年
地区: 美国
语言: 英语
简介:
专辑介绍:
拉克儿.普罗洁 Rachel Podger，出生於英国，在德国的鲁道夫斯坦因音乐学校习音乐，然后再回英国习小提琴，曾在Guildhall学校师事Perry Hart，和多位大师习音乐，后来喜爱上古乐器与音乐，逐而三加古乐团，成为小提琴古乐家，她最喜爱拉奏十七世纪和十八世纪的古乐曲，在1997年她并和古乐指挥家宾诺克合作过演出，她现在是乐坛的顶佳独奏家及演出家，受各地的竞邀不断，本片他拉奏海顿的二首协奏曲，莫札特交响协奏曲，以179年的巴洛克名琴"Pesarinius" Genoa的漂亮声音，使本片的音乐更有韵味，空气感及音乐性完美!
Haydn Violin Cti / Mozart Sinfonia Concertante / Haydn / Mozart / Rachel Podger, Pavlo Beznosiuk, Oae (SACD)
拉克儿小提琴海顿莫札特协奏曲 (SACD)
发行公司：Channel Classics
产品编号：CCSSA29309
发行日期：1900/01/01
媒体形式：SACD
张数：1 张 - 1SACD
引用Of their type, these are mostly very good performances. Rachel Podger draws a generally sweet tone from her instrument despite the gut strings and period bow; she permits herself sufficient vibrato where necessary to give her timbre some body, and she’s very ably accompanied by the Orchestra of the Age of Enlightenment. The two Haydn concertos come off best, particularly the slow movement of the C major concerto, which is all about the violin–after the opening the entire movement is an aria for the soloist atop simple pizzicato chords. The Mozart is more problematic, not so much because of Podger, but because of Beznosiuk’s occasionally sour-toned viola, particularly in the first movement. This makes passages where the two soloists play together less than ideally alluring, and makes the slow movement less moving that it should be. Sonically, as so often from this label, the engineering is absolutely state of the art, and a joy all by itself.
That said, some four decades into this alleged authenticity business, enough is enough. Yes, Podger manages a decent tone, but compared to the best traditional performances she still sounds effortful. Her registers aren’t entirely even (especially evident when moving into and out of the instrument’s lower range), her ornamentation often sounds timid and routine, her pianissimo phrase-endings sometimes trail off into nothingness, and a beautiful, singing timbre ought not to be an occasional “ornament” but a constant presence. Performers in the Classical period sought these ideals at all times, and if modern instruments and playing techniques helped them to realize them, they would have taken them up with enthusiasm. Indeed, that’s exactly what really happened, isn’t it? The problem is that remedying these defects (for such they are, and at a far deeper level of authenticity than mere issues of “performance practice”) effectively eliminates much of the ballyhooed historicity of the sound. Podger is a good violinist, but it would be very interesting to hear how well she could hold her own against the competition with a normal violin, in this or any other repertoire.
Label: Channel Classics ‎– CCS SA 29309
Format: SACD, Hybrid, Multichannel, Album, DSD
Country: Netherlands
Released: 2009
Genre: Classical
Style: Classical
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Working as I do in one of those Royal highfalutin’ music educational establishments, I’ve become used to receiving commentary on the occasional wobbly heaps of new CDs which arrive and linger on my desk for a day or so. One of the Department of Early Music students immediately fell on ‘the new Rachel Podger’, and told me the story of the special Stradivari instruments used before I’d even had a chance to look at the cover. I’ve played the first fifteen or twenty minutes of this CD more times than I now care to count, merely because that’s the duration of the school run in this rainy autumn season, and hearing the gorgeous opening of the Haydn Violin Concerto in G major I could never bring myself to shove an unsympathetic finger onto the track-skip button and miss out by exploring further, if you get what I mean.
Recordings of Haydn’s violin concerti are not all that common, and my collection has been only fairly recently been provided with the two on this new disc by their inclusion in the marvellous Haydn Complete Symphonies MP3 Edition from Nimbus. With Rainer Küchl as soloist these are fine performances and very well recorded. With a more overtly resonant acoustic they are however not quite as transparent as with this new SACD disc, and Rachel Podger lays into her cadenzas with more gusto, the double-stopping moments 6:48 into the first movement of the Violin Concerto in G major having a wonderful folksy feel. The second Adagio movement is very high quality Haydn indeed, and played here with the utmost sensitivity. I’ve moaned about over-exposed harpsichords in the past, but the continuo is so remote in the energetic final Allegro that it seems to have been banished beyond acceptable bounds. The excellent orchestral strings more than make up for this, but the harpsichord tends to buzz around on the far right rather than contributing much of substance by way of rhythm or harmony. There’s a slightly bumpy edit at 2:08 as well, the beat shifted slightly and delayed by a couple of nano-seconds. Readers should understand we reviewers have to put this sort of thing in just to show we’ve been paying attention, but in fact this has no real impact on what is otherwise a superb recording and performance. While we are on the subject of Haydn I’ll deal with the Violin Concerto in C major, which is another very fine work, the technical demands of which Rachel Podger brushes aside, creating a performance of sheer joyful musicianship and deceptive ease. Podger plays her own Pesarinius violin of 1739 for the two Haydn concerti, and the exquisite high tones of this instrument come across with a marvellously floating, almost ethereal quality at moments throughout the C major concerto. The pizzicato accompaniment of the Adagio, with its shades of Vivaldi, allows the solo line to soar and sing with delightful freedom.
Mozart’s Sinfonia Concertante KV364 is justly famous, and the musicians here are against stiffer competition in the catalogues. This recording does however have a unique selling point, a loan of two Stradivarius instruments from the famous collection of my old Royal highfalutin’ musical institute the Royal Academy of Music in London. The violin is the 1699 Crespi, and Pavlo Beznosiuk plays the Castalbarco viola from ca.1720. This was originally made as a viola d’amore which would have had a flat back. The instrument was later converted into a viola by changing this for a swell back, and adding a heavier Amati head. This kind of messing around would appear to disqualify the instrument from being called a true Stradivarius, but the table of the instrument is still one of the finest examples of Stradivarius’s work, and having recorded KV364 Rachel Podger commented on the special resonance the instrument possesses, especially in the upper registers.
Mozart’s Sinfonia Concertante KV364 has been oft recorded, and the version I’ve been listening to more often than not has been that of Dominika Falger and Johannes Flieder on the Dux label (see review). I like this for its transparent recording and sensitive playing, but this new recording from Podger and Beznosiuk does bring us to a different plane. Both strung with gut strings, the two solo instruments are beautifully matched, and with both Rachel and especially Pavlo being old friends of the Orchestra of the Age of Enlightenment the whole thing has a feel of lightness and chamber-music synergy which oozes warmth and fun in the outer movements. This is helped with the not-huge acoustic of All Saints’ Vicarage, East Finchley, which is more chapel than church in terms of sonic feel; more English country mansion than Salzburg Schloss, but is not to say that this is a lightweight in terms of dynamic contrast. Take the build-up from the anticipatory opening phrases to where everything takes off at 1:48 into the opening movement and you can hear a really well prepared crescendo.
The minor-key centre to this work is of course that wonderful Andante which is played here with utmost intimacy and the most charmingly poignant phrasing. I’ve listened carefully, and am not entirely convinced the tempo of the opening is kept strictly after the entry of the solo violin, at which it seems to slow ever so slightly. This is another very minor point, so I’ll leave it up to the listener to make up their own mind as to whether they agree. My only reason for bringing it up is that I can’t think of many other criticisms. The orchestral balance is nice: the sometimes difficult intonation with the oboes taken with almost entirely poised refinement. The duet cadenza in this movement sounds like a short but soulful conversation or double monologue; both participants reminiscing on a departed friend - united, but each with their own viewpoint.
The only point remaining is that of taste in terms of the sound qualities of the solo instruments. Some listeners, being used to ‘modern’ instruments with bound rather than gut strings, may be less convinced by the difference in tone with the gut strings. These give a rounder sound, with a different kind of buzz in the timbre, and a different kind of projection due to the shifts in harmonics in the spectrum of the sonic signature of each note. I personally quite like this effect, and it fits with the early-music background of the rest of the orchestra, so to suggest it might have been done differently in this recording would be silly. If you are the kind of person who can’t listen to Mozart on a fortepiano then you might possibly turn your nose up at this equivalent in terms of string sound, but if you are the kind of person who can give yourself over to the narrative in the music and the expressive qualities in the playing rather than throwing up barriers, then you will soon become lost in this performance. The question of vibrato also arises on this topic and yes, the soloists here are restrained in its use but in fact rarely use none at all. It’s not the kind of pumped up vibrato you might find if playing high romanticism, but as any good musician will tell you, the music and the instrument both have a way of informing the style of your playing. This isn’t so much ‘authentic’ playing as has become a dirty word in certain circles, but playing which to my mind seeks the core of the music. Whether or not it the listener believes it has been found will be a personal response, but either way I don’t believe inflexible dogma has anything to do with the results in this recording.
Of the last Presto movement of KV364 Podger says “you hear it and you instantly love it”, though of course partially in its context as a reply to that darker central movement. The orchestral violins love it a little less perhaps, being not entirely together around 8 seconds in, but the tempo is quite a blistering one and the most ‘on the edge’ sounding of the whole disc. This makes for exciting listening however and the music doesn’t sound rushed or out of control. The musical ideas are thrown around with all the entertaining abandon one would hope for, and this entire recording and performance is very satisfying indeed.
Channel Classics’ SACD recording for this release is excellent, with wide ranging dynamics, enticingly deep bass, and toothsome treble especially for the soloists. The surround perspective as is usual with this label separates and creates a greater sense of air around the players, without going in for over-the-top sonic effects, and the straight stereo mix also works very well indeed. With the lean and flexible spirit of an excellent orchestra, top notch solo playing and some of the finest music the classical era has to offer, for what more could a person ask?
-- Dominy Clements, MusicWeb International
Composer: Mozart, Haydn
Audio CD (November 10, 2009)
Number of Discs: 1
Format: Hybrid SACD - DSD, Import
Label: Channel Classics
ASIN: B002K3GOXW
Average Customer Review: 4.8 out of 5 stars
Companies, etc.
Phonographic Copyright (p) – Channel Classics Records bv
Copyright © – Channel Classics Records bv
Recorded At – All Saints' Vicarage
Credits
Design [Cover] – Channel Classics
Edited By – C. Jared Sacks*
Engineer [Recording Engineer] – C. Jared Sacks*
Liner Notes – Clemens Romijn, Rachel Podger
Liner Notes [French Translation] – Clémence Comte
Liner Notes [German Translation] – Erwin Peters
Orchestra – Orchestra Of The Age Of Enlightenment
Photography By – Chris Stock Photography
Producer – Jonathan Freeman Attwood
Viola, Soloist – Pavlo Beznosiuk (tracks: 4 to 6)
Violin, Soloist – Rachel Podger
Notes
Recording location
All Saints' Vicerage, East Finchley London
Recording dates
Haydn: March 2009
Mozart: July 2009
Rachel Podger plays a Pesarius Violin (1739) on tracks 1 to 3 and 7 to 9 (Mozart) and the Antonio Stradivari, Cremona 1699 "Crespi" on tracks 4 to 6 (Haydn).
Pavlo Beznousiuk plays the Antonio Stradivari, c.1720 "Castelbarco" on tracks 4 to 6 (Haydn)
Also credited in the booklet:
- Technical equipment
- Microphones: Bruel & Kjaer 4006, Schoeps
- Digital Converters: DSD Super Audio / Meitnerdesign AD/DA, Pyramix Editing / Merging Technologies
- Speakers: Audio Lab, The Netherlands
- Amplifiers: van Medevoort, The Netherlands
- Cables: Van den Hul (exclusive use of Van den Hul cables The INTEGRATION and The SECOND®)
- Mixing board: Rens Heijnis, custom design
Mastering Room
- Speakers: B+W 803d series
- Amplifier: Classe 5200
- Cables: Van den Hul (exclusive use of Van den Hul cables The INTEGRATION and The SECOND®)
© & ℗ 2009
Production & Distribution
Channel Classics Records bv
info@channel.nl
www.channelclassics.com
Made in Austria
english • deutsch • français
Total time 67:43
Barcode and Other Identifiers
Barcode (Text): 7 23385 29309 5
Mastering SID Code (outermost rim): IFPI L556
Matrix / Runout (outermost rim): A0101368858-A911 26
Mastering SID Code: IFPI L555
Matrix / Runout: A0101368858-A911 15
Mould SID Code: IFPI 9B41
Rights Society: STEMRA
Label Code: LC 4481
Other (SPARS Code): DDD
专辑曲目:
1. Violin Concerto in G major, H. 7a/4: Allegro moderato
2. Violin Concerto in G major, H. 7a/4: Adagio
3. Violin Concerto in G major, H. 7a/4: Allegro
4. Sinfonia concertante for violin, viola & orchestra in E flat major, K. 364 (K. 320d): Allegro maestoso
5. Sinfonia concertante for violin, viola & orchestra in E flat major, K. 364 (K. 320d): Andante
6. Sinfonia concertante for violin, viola & orchestra in E flat major, K. 364 (K. 320d): Presto
7. Violin Concerto No. 1 in C major, H. 7a/1: Allegro moderato
8. Violin Concerto No. 1 in C major, H. 7a/1: Adagio
9. Violin Concerto No. 1 in C major, H. 7a/1: Presto
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Khatia Buniatishvili -《拉赫曼尼诺夫：第二＆三号钢琴协奏曲》(Rachmaninoff - Piano Concerto Nos 2&3 )[FLAC]

March 28, 2017, 3:32 am

≫ Next: Various Artist -《古典名厂RCA Living stereo 系列收藏第三卷》(The Golden Era of LIVING STEREO The Remastered Collector's Edition 60 CDs)更新中...... 新愿望[FLAC]

≪ Previous: Rachel Podger, Pavlo Beznosiuk -《拉克儿小提琴海顿莫札特协奏曲》(Haydn-Mozart Violin Concertos)[SACD-r]

Khatia Buniatishvili -《拉赫曼尼诺夫：第二＆三号钢琴协奏曲》(Rachmaninoff - Piano Concerto Nos 2&3 )[FLAC]

专辑英文名: Rachmaninoff - Piano Concerto Nos 2&3
专辑中文名: 拉赫曼尼诺夫：第二＆三号钢琴协奏曲
艺术家: Khatia Buniatishvili
古典类型: 协奏曲
资源格式: FLAC
发行时间: 2017年03月10日
地区: 美国
语言: 英语
简介:
专辑介绍:
卡蒂雅Khatia Buniatishvili (钢琴)
帕佛‧贾维 Paavo Järvi (指挥)
捷克爱乐乐团Czech Philharmonic Orchestra
★乔治亚女钢琴家─卡蒂雅詮释拉赫曼尼诺夫重量级曲目。
★指挥帕佛‧贾维携手捷克爱乐乐团共献经典。
★快速乐句弹奏和华丽过门充份展现卡蒂雅惊人演奏技巧。
虽然眼前这套曲目早就被历代钢琴家一再詮释，更是有著作曲家本人、霍洛维兹、李希特等经典录音在前，但是乔治亚女钢琴家─卡蒂雅不仅弹奏出新意，更用自己的超技术和对於曲目的熟稔度，呈现出这首乐曲里更接近作曲家创作原意的角度。
卡蒂雅这份录音之所以不同於前人录音之处，在於她把拉赫曼尼诺夫创作这两首乐曲时受到巴哈音乐强烈的对位手法所带来的影响，将巴洛克式的对称作风去除后，改以后浪漫派的不规则入乐，将之与对位结合后，再加进他个人前后两期乐风而呈现出来的处理。这样拉赫曼尼诺夫长久以来一直被人所忽略，尤其是在俄国钢琴家李希特在二十世纪中叶崛起后，那种凭藉天赋体型优势，由肩部到手掌直压在键盘所可以发出的大跨度和弦音色中所无法呈现的。从备受拉赫曼尼诺夫讚许的霍洛维兹詮释中，由下往上的弹奏姿势让他彻底避免由肩膀压迫琴键的和弦弹奏，绝对贯彻以手指发出最完美细腻音色的演奏技术，让他可以实践出拉赫曼尼诺夫第三号协奏曲的对位特色，也是让他受到作曲家本人赏识的原因。
本片中，卡蒂雅无意泡制霍洛维兹的招牌乐风，反而她带来的是更快速、让人兴奋而突显其青春洋溢却也同时才华洋溢的快速乐句弹奏和华丽过门。自十岁起即开始在欧洲各地巡迴演出的卡蒂雅深知，当代乐坛少有几位钢琴家在这方面能够弹得比她出色，更是该极力表现的特长，也因此在近几年卡蒂雅与王羽佳两人同场合奏联弹或独奏时，都充份在技巧和穿著上奋力呈现，展现自己的年轻、美貌和身材，排除古板的批评和眼光，而在艺术展演上大秀光芒，正如此辑两首协奏曲之演绎，崭新亮眼值得乐迷珍藏品味。
商品条码 : 0889854024123
商品编号 : 88985402412
演奏者 : 卡蒂雅 Khatia Buniatishvili - 查看所有专辑
指挥家 : 帕佛贾维 Paavo Jarvi - 查看所有专辑
乐团 :
作曲家 : 拉赫曼尼诺夫 Rachmaninoff - 查看所有专辑
专辑名称 : 拉赫曼尼诺夫：第二＆三号钢琴协奏曲
Rachmaninoff: Piano Concertos Nos 2 & 3
音乐类型 : 古典音乐 [CD 协奏曲]
发行公司/日期 : SONY MUSIC　2017/3/14
制作公司 : SONY BMG
内含片数 : 1
代码Artists
Khatia Buniatishvili
Czech Philharmonic Orchestra
Paavo Järvi
Release Date: 10 March 2017
For the first time, 2016 ECHO Klassik prize-winner Khatia Buniatishvili has set her sights on the two most popular piano concertos by the late-romantic composer Sergei Rachmaninoff to present what is now only her second concert recording. Following upon her solo albums, such as Kaleidoscope with Mussorgsky’s Pictures at an exhibition, Ravel’s La valse and Stravinsky’s Petrushka, Khatia Buniatishvili is now presenting her second concert recording with the famous concertos of Sergei Rachmaninoff. The Second, that tuneful evergreen of 1901, has long been one of the most frequently recorded of all concertos and has left an indelible mark on Tin Pan Alley, Hollywood and popular culture altogether. The much longer and far more difficult Third is one of the heavyweights of the repertoire. Rachmaninoff, an epoch-making pianist, composed it in 1909 for his own well-trained fingers to play on his first tour of the United States. Its dedicatee, Josef Hofmann, refused to touch it, claiming that he lacked the strength and the hand-width to negotiate the widely spaced chords of the absurdly difficult solo part. Now Khatia Buniatishvili, called “The Fearless Virtuoso” in the title story of last year’s BBC Music Magazine, has faced the challenge and recorded the work with the Czech Philharmonic under Paavo Järvi.
专辑曲目:
Sergei Rachmaninoff
1. Piano Concerto No. 2 in C Minor, Op. 18 / I. Moderato
2. Piano Concerto No. 2 in C Minor, Op. 18 / II. Adagio sostenuto
3. Piano Concerto No. 2 in C Minor, Op. 18 / III. Allegro scherzando
4. Piano Concerto No. 3 in D Minor, Op. 30 / I. Allegro ma non tanto
5. Piano Concerto No. 3 in D Minor, Op. 30 / II. Intermezzo - Adagio
6. Piano Concerto No. 3 in D Minor, Op. 30 / III. Finale - alla breve
评论(13) 收藏(13) 查看完整资源页

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Various Artist -《古典名厂RCA Living stereo 系列收藏第三卷》(The Golden Era of LIVING STEREO The Remastered Collector's Edition 60 CDs)更新中...... 新愿望[FLAC]

March 28, 2017, 5:59 pm

≫ Next: Khatia Buniatishvili, Zubin Mehta -《李斯特：第2号钢琴协奏曲＆贝多芬：第1号钢琴协奏曲》(Liszt Piano Concerto 2; Beethoven Piano Concerto 1)[24 bits 48 KHz][FLAC]

≪ Previous: Khatia Buniatishvili -《拉赫曼尼诺夫：第二＆三号钢琴协奏曲》(Rachmaninoff - Piano Concerto Nos 2&3 )[FLAC]

↧

Khatia Buniatishvili, Zubin Mehta -《李斯特：第2号钢琴协奏曲＆贝多芬：第1号钢琴协奏曲》(Liszt Piano Concerto 2; Beethoven Piano Concerto 1)[24 bits 48 KHz][FLAC]

March 31, 2017, 11:57 pm

≫ Next: Various Artists -《室内乐百分百》(100 Best Chamber Music )[6 CD][FLAC]

≪ Previous: Various Artist -《古典名厂RCA Living stereo 系列收藏第三卷》(The Golden Era of LIVING STEREO The Remastered Collector's Edition 60 CDs)更新中...... 新愿望[FLAC]

Khatia Buniatishvili, Zubin Mehta -《李斯特：第2号钢琴协奏曲＆贝多芬：第1号钢琴协奏曲》(Liszt Piano Concerto 2; Beethoven Piano Concerto 1)[24 bits 48 KHz][FLAC]

专辑英文名: Liszt Piano Concerto 2; Beethoven Piano Concerto 1
专辑中文名: 李斯特：第2号钢琴协奏曲＆贝多芬：第1号钢琴协奏曲
艺术家: Khatia Buniatishvili, Zubin Mehta
古典类型: 协奏曲
资源格式: FLAC
版本: [24 bits 48 KHz]
发行时间: 2016年12月30日
地区: 美国
语言: 英语
简介:
专辑介绍:
Liszt: Piano Concerto No. 2 in A Major, S 125 & Beethoven: Piano Concerto No. 1 in C Major, Op. 15／Khatia Buniatishvili, Zubin Mehta BLURAY系统
李斯特：第2号钢琴协奏曲＆贝多芬：第1号钢琴协奏曲 BLURAY系统
卡蒂雅Khatia Buniatishvili (钢琴)
祖宾梅塔Zubin Mehta (指挥)
以色列爱乐管弦乐团Israel Philharmonic Orchestra
l 专辑为音乐会现场录影，2015年7月4日与6日在以色列的台拉维夫的查尔斯・布朗夫曼音乐厅录制。
l 卡蒂雅表示：「祖宾梅塔拥有这样的魅力，能够将导引出人们心中平静与爱的感觉。」
l DVD与Blu-ray蓝光同步发行，蓝光版採用全新的杜比全景声技术，提供更具临场效果的3D立体声。
专辑为钢琴家卡蒂雅（Khatia Buniatishvili）的音乐会现场录影，於2015年7月4日与6日在以色列的台拉维夫（Tel Aviv）的查尔斯・布朗夫曼音乐厅（Charles Bronfman Auditorium）录制，由大师祖宾梅塔指挥以色列爱乐管弦乐团（Israel Philharmonic Orchestra ）共同演出。
卡蒂雅（Khatia Buniatishvili）是一位非凡的艺术家，而且也是当今最受好评的青年钢琴家，更被视为明日的钢琴巨星。26岁时，就被独立报（The Independent）誉为「年轻的乔治亚火炬」（the young Georgian firebrand）。在她为SONY唱片公司所录制的个人首张专辑中，便选择了李斯特的作品作为初试啼声的试金石。她曾表示：「一直以来我都了然於胸，我的第一张专辑将会是李斯特的作品集。只有他能够将我灵魂中的许多面向整合呈现。」如今她再度挑战李斯特的作品：第2号钢琴协奏曲，并搭配贝多芬的第1号钢琴协奏曲，为爱乐者展示她早已经练就成熟的詮释与独特的艺术手法。
卡蒂雅表示：「我会如此描述我与祖宾梅塔共享的静默时刻与音乐。他似乎能够让时间凝结，并让音响发声，而这些声音犹如在全然的寂静中第一次出现。很少人能够做到如此。祖宾梅塔拥有这样的魅力，能够将导引出人们心中平静与爱的感觉。」
此次同时发行DVD与蓝光的版本。在蓝光版中，採用全新的杜比全景声技术（Dolby Atmos Technology）提供更具临场效果的3D立体声。绝佳的画质与音质，无论是播放DVD或蓝光，都能获得最高的音乐享受。
作者／卡蒂雅/祖宾．梅塔/ 以色列爱乐管弦乐团 Khatia Buniatishvili/ Zubin Mehta/ Israel Philharmonic Orchestra
出版社／台湾索尼音乐娱乐股份有限公司
出版日期／ 2016/11/25
商品语言／无
引用Pianist Khatia Buniatishvili and the Israel Philharmonic Orchestra (conducted by Zubin Mehta) combine in this recording of Franz Liszt’s second Piano Concerto and Beethoven’s First Piano Concerto. Taken from Buniatishvili’s concerts in Tel Aviv on 4th and 6th July 2015, this DVD has outstanding technical features such as its availability in 4K ultra HD blu-ray – a premiere in the world of classical music. The blu-ray version also comes with Dolby Atmos Technology, the new Dolby surround sound with in-ceiling speakers or Dolby Atmos enable speakers.
Actors: Khatia Buniatishvili, Zubin Mehta, Israel Philharmonic Orchestra
Directors: __
Format: Classical, Color, Dolby, NTSC
Language: English
Region: All Regions
Aspect Ratio: 1.33:1
Number of discs: 1
Rated: NR Not Rated
Studio: Sony - Naxos
DVD Release Date: December 30, 2016
Run Time: 57 minutes
Average Customer Review: 4.1 out of 5 stars
Sony Classical in cooperation with Paramax Films and Dolby releases the world premiere of the first classical concert on video mixed in the new sound technology of Dolby Atmos®. Captured by Paramax Films in the orchestra’s home city of Tel Aviv in July 2015, Khatia Buniatishvili and Zubin Mehta unite in a concert with the Israel Philharmonic Orchestra at its resident venue of Charles Bronfman Auditorium. Available on DVD and Blu-ray, last-named with Dolby Atmos technology, the legendary conductor and the 2016 ECHO Klassik Award winning pianist showcase a performance of the piano’s most famous orchestral repertoire; Beethoven’s infectious and virtuosic Piano Concerto No. 1. and Liszt’s Piano Concerto No. 2 with its waves of sound and grandiose third movement. Last concerto proven to be “a superb showpiece for Buniatishvili, whose technical prowess, theatrical manner and innate glamour mark her out as a natural Liszt interpreter” writes the Guardian.
专辑曲目:
Concerto for Piano and Orchestra No. 2 in A Major, S 125
01. I. Adagio sostenuto assai – Allegro agitato assai 7:25
02. II. Allegro moderato – Allegro deciso 8:42
03. III. Marziale un poco meno allegro 2:42
04. IV. Allegro animato – Stretto 3:19
Ludwig van Beethoven (1770-1827)
Concerto for Piano and Orchestra No. 1 in C Major, Op. 15
05. I. Allegro con brio 14:20
06. II. Largo 9:42
07. III. Rondo. Allegro Scherzando 10:53
Recorded live in Tel Aviv on 4th and 6th July 2015
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Various Artists -《室内乐百分百》(100 Best Chamber Music )[6 CD][FLAC]

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Various Artists -《室内乐百分百》(100 Best Chamber Music )[6 CD][FLAC]

专辑英文名: 100 Best Chamber Music
专辑中文名: 室内乐百分百
艺术家: Various Artists
古典类型: 室内乐
资源格式: FLAC
版本: [6 CD]
发行时间: 2012年10月29日
地区: 美国
语言: 英语
简介:
专辑介绍:
室内乐百分百 – 100首精致又细腻的优美乐音 6CD
100 BEST CHAMBER MUSIC
* 演奏室内乐需要合奏乐手高度的合作默契，是训练合奏技巧、培养音乐情谊的最佳方式。本辑收录的室内乐作品，集结各个时期的曲目精华，以编年的顺序，带领乐友领略室内乐精致友善的完美体验。
室内乐（Chamber Music）故名思义，就是在小空间内以小编制独奏乐器群合奏的音乐演出形式。有别於独奏，从两种乐器的二重奏、到九重奏，到小型乐团；合奏乐器的种类从弦乐家族、弦乐与钢琴、钢琴与木管… 变化繁多。从早期的宫廷娱乐发展开始，在形式上确立了室内乐的表演形态，然而除了专业的乐师或是乐手，演出室内乐供上流社会娱乐之外，业餘乐手也经常呼朋引伴至自家或斗室中合奏，自娱娱人，当然，职业乐手也经常这么做。演奏室内乐需要合奏乐手高度的合作默契，是训练合奏技巧、培养音乐情谊的最佳方式。这也就是为何至今除了专业的室内乐团体之外，许多顶尖的独奏家，偶尔也会组合非常态的室内乐合奏团的主要原因。室内乐堪称「独乐乐不如眾乐乐」最贴切的写照。
西洋音乐史上自然不乏室内乐杰作。从巴洛克时代的韦瓦第、巴哈、鲍凯里尼，便留下许多珠玉般的精品。海顿确立了弦乐四重奏的形式，自此成为最受欢迎、最常见的室内乐演出型态，他的弦乐四重奏作品「皇帝」，其中一个乐章就是今日的德国国歌。莫札特时代，室内乐更加奔放，木管开始展现魅力。贝多芬时期，将室内乐的合奏技巧推向令一个更高的境界。浪漫时期的室内乐，回到人的情感面，抒情与内省，兼容并蓄。到了现代，室内乐成为新潮作曲家实验音乐表现可能的最佳捷径。本辑收录的室内乐作品，集结各个时期的曲目精华，以编年的顺序，带领乐友领略室内乐精致友善的完美体验。
商品条码 : 5099997277729
商品编号 : 5099997277729
演奏者 : 眾艺人 V.A. - 查看所有专辑
指挥家 :
乐团 :
作曲家 :
专辑名称 : 室内乐百分百– 100首精致又细腻的优美乐音 6CD
100 BEST CHAMBER MUSIC (6CD)
音乐类型 : 古典音乐 [CD 室内乐]
发行公司/日期 : 华纳　2014/2/14
制作公司 :
内含片数 : 6
CD 1 巴洛克时期
1. 帕海贝尔：卡农
2. 浦赛尔：轮旋曲，选自「摩尔人的复仇」第二幕
3. 韦瓦第：四季小提琴协奏曲—冬，第二乐章
4. 巴哈：降E大调第二号长笛奏鸣曲，第二乐章，BWV1031
5. 道蓝：加利亚德舞曲—艾赛克斯伯爵
6. 巴哈：小奏鸣曲，选自清唱剧「上帝的时间，是最好的时间」
7. 泰勒曼：G小调双簧管奏鸣曲，第四乐章
8. 嘉布瑞奥利：无插入式赋格
9. 鲍凯利尼：E大调第五号弦乐五重奏，第三乐章
10. 巴哈：三重协奏曲，BWV1044，第二乐章
11. 巴哈：G小调第三号古大提琴奏鸣曲，第一乐章
12. 道蓝：孔雀舞曲，选自「古风垂泪曲」
13. 巴哈：降B大调三重奏鸣曲（改编自BWV 525），第一乐章
14. 巴哈：D大调第五号布兰登堡协奏曲，第二乐章，BWV1050
15. 鲍凯利尼：D大调第四号吉他五重奏，第四乐章
16. 浦赛尔：D小调第一号幻想曲
17. 韦瓦第：四季小提琴协奏曲—春，第一乐章
18. 韩德尔：G大调小提琴奏鸣曲，HMV358
19. 巴哈：音乐的奉献，第四乐章，快板
20. 巴哈：E小调小提琴奏鸣曲，BWV1023，第一乐章
21. 葛路克：受佑精灵之舞
CD 2 莫札特年代
1.-4. 莫札特：小夜曲K.525
5. G小调第四号弦乐四重奏K.516，第三乐章
6. 海顿：第三号弦乐四重奏「皇帝」，第二乐章
7. 莫札特：D大调嬉游曲K.334，第三乐章
8. 莫札特：降B 大调第十七号弦乐四重奏「狩猎」K.458，第一乐章
9. 莫札特：D大调第一号长笛四重奏K.285，第一乐章
10. 莫札特：E小调小提琴奏鸣曲K.304，第二乐章
11. 海顿：降B大调第四号弦乐四重奏「日出」，第一乐章
12. 莫札特：A大调单簧管五重奏K.581，第一乐章
13. 海顿：十字架上耶穌最后七言，第七乐章
14. 莫札特：D大调嬉游曲K.136，第一乐章
15. 莫札特：降B大调第十号小夜曲「大组曲」K.361，第三乐章
16. 莫札特：D大调第六号小夜曲「夜曲风」K.239，第一乐章
CD 3 古典时期
1. 贝多芬：降B大调第七号钢琴三重奏「大公」，作品97，第一乐章
2. 贝多芬：降E大调九重奏，作品20，第三乐章
3. 贝多芬：F大调第五号小提琴奏鸣曲「春」，作品24，第一乐章
4. 贝多芬：F大调第七号弦乐四重奏「第一号拉兹莫夫斯基」，作品59，第一乐章
5. 贝多芬：降B大调单簧管三重奏，作品11，第二乐章
6. 贝多芬：F大调第一号弦乐四重奏，作品18，No.1，第二乐章
7. 贝多芬：A大调第三号大提琴奏鸣曲，作品69，第一乐章
8. 贝多芬：C小调第四号弦乐四重奏，作品18，No.4，第三乐章
9. 贝多芬：D大调第五号钢琴三重奏「幽灵」，作品70，No.1，第二乐章
10. 贝多芬：A大调第九号小提琴奏鸣曲「克罗采」，作品47，第一乐章
11. 舒伯特：A小调第十三号弦乐四重奏「罗莎蒙德」，第二乐章
12. 舒伯特：A小调阿贝鳩奈奏鸣曲，第一乐章
13. 舒伯特：D小调第十四号弦乐四重奏「死与少女」，主题-第一变奏
14. 舒伯特：C小调四重奏断章，D703
15. 舒伯特：A大调钢琴五重奏「鱒鱼」，第四乐章
CD 4 浪漫时期 I
1. 舒曼：幻想小曲集，作品73，第二曲
2. 舒曼：降E大调钢琴五重奏，作品44，第三乐章
3. 舒曼：三首浪漫曲，作品94，第一曲
4. 舒曼：A小调第一号弦乐四重奏，作品41，No.1第二乐章
5. 舒曼：降E大调钢琴四重奏，作品47，第三乐章
6. 舒曼：降A 大调慢板与快板，作品70，快板
7. 萧邦：G小调大提琴奏鸣曲，作品65，第三乐章
8. 孟德尔颂：降E 大调第一号弦乐四重奏，作品12，第二乐章
9. 孟德尔颂：降E大调八重奏，作品20，第三乐章
10. 布拉姆斯：C小调第一号弦乐四重奏，作品51，No.1，第一乐章
11. 布拉姆斯：E小调第一号大提琴奏鸣曲，作品38，第一乐章
12. 布拉姆斯：降B大调第一号弦乐六重奏，作品18，第二乐章
13. 布拉姆斯：A大调第二号小提琴奏鸣曲，第二乐章，作品100
14. 布拉姆斯：降B大调第三号弦乐四重奏，作品67，第二乐章
15. 布拉姆斯：B小调单簧管五重奏，作品115，第三乐章
CD 5 浪漫时期 II
1. 德弗札克：F大调第十二号弦乐四重奏「美国」，作品96，第二乐章
2. 德弗札克：E小调第四号钢琴三重奏「驴子」，第一乐章
3. 德弗札克：A大调弦乐六重奏，作品48，第二乐章
4. 柴可夫斯基：C大调弦乐小夜曲，作品48
5. 柴可夫斯基：A小调钢琴三重奏「一个伟大艺术家的回忆」，作品50，第二乐章
6. 柴可夫斯基：D大调弦乐四重奏，作品11，第二乐章
7. 柴可夫斯基：旋律，作品42，第二号
8. 柴可夫斯基：佛罗伦斯的回忆，作品70，第二乐章
9. 拉赫曼尼诺夫：浪漫曲，作品6，第一号
10. 拉赫曼尼诺夫：G小调大提琴奏鸣曲，作品19，第三乐章
11. 葛利格：霍尔堡组曲，作品40，前奏曲
12. 葛利格：两首哀伤的旋律，第二号「去年春天」
13. 史麦塔纳：E小调第一号弦乐四重奏「我的一生」，第二乐章
CD 6 现代乐派
1. 拉威尔：F大调弦乐四重奏，第二乐章
2. 拉威尔：哈巴奈拉
3. 拉威尔：钢琴三重奏，第二乐章
4. 佛瑞：船歌，作品16
5. 圣桑：降E大调九重奏，作品65，第四乐章
6. 圣桑：天鹅，选自「动物狂欢节」
7. 德布西：弦乐四重奏，作品10，第二乐章
8. 德布西：D小调大提琴奏鸣曲，第二乐章
9. 德布西：为长笛、中提琴与竖琴之奏鸣曲，第一乐章
10. 贝尔格：抒情组曲，第三乐章
11. 荀白克：昇华之夜，作品4（节录）
12. 浦朗克：长笛奏鸣曲，第二乐章
13. 巴尔托克：升C小调第三号弦乐四重奏，第三乐章
14. 普罗高菲夫：D大调第二号长笛奏鸣曲，作品94，第三乐章
15. 魏亚-罗伯士：巴哈风的巴西舞曲，第一号，第一乐章（节录）
16. 梅湘：世界末日四重奏，水晶的典礼
17. 萧士塔高维契：G小调钢琴五重奏，作品57，第三乐章
18. 克莱斯勒：爱之悲
19. 艾尔加：爱的礼讚
20. 蒙提：柴达斯舞曲
引用Audio CD (29 Oct. 2012)
Number of Discs: 6
Format: Box set
Label: EMI
ASIN: B008R9QAUK
Other Editions: Audio CD
Average Customer Review: 5.0 out of 5 stars
5.0 out of 5 starsBliss
By P. H. Walker on 2 Sept. 2015
Format: MP3 Download Verified Purchase
I think that Chamber Music is best listened to on headphones and this collection is a magnificent example. The headphones I bought from Amazon were by no means expensive but they have confirmed a lifetime's experience and now bring bliss to this fantastic set of discs. They bring out the intimacy of the studio recording set and the quality of the sound of each instrument. GREAT.
专辑曲目:
CD 1:
01. Johann Pachelbel: Canon and Gigue in D, Taverner Players, Andrew Parrott
02. Henry Purcell: A Suite of Theatre Music: II Rondeau (Abdelazer, or The Moor's Revenge Z. 570 No. 2), Taverner Players, Andrew Parrott
03. Antonio Vivaldi: Concerto No. 4 in F minor Op. 8 No. 4 RV 297, L'inverno from I quattri stagioni: II Largo, Fabio Biondi, Europa Galante
04. Johann Sebastian Bach: Flute Sonata in E Flat, BWV 1031: II Siciliano, Michel Debost, Lionel Rogg
05. John Dowland: The Earle of Essex Galiard from Lachrimae, or Seaven Teares, Fretwork, Christopher Wilson
06. Johann Sebastian Bach: Cantata No. 106, Gottes Zeit ist die allerbeste Zeit BWV106: Sonatina, Taverner Players, Andrew Parrott
07. Georg Philipp Telemann: Musique de table Tafelmusik, Solo Sonata in G minor (oboe & strings): VI Allegro, Han de Vries, Alma Musica Amsterdam, Bob van Asperen
08. Andrea Gabrieli: Ricercare del duodecimo tuono a 4 (Madrigali et ricercari, 1589), Brass Ensemble, Denis Stevens
09. Luigi Boccherini: String Quintet in E major Op. 11 No. 5 (G275): Minuetto in A, Fabio Biondi, Europa Galante
10. Johann Sebastian Bach: Concerto for Flute, Violin and Harpsichord in A minor BWV 1044: II Adagio, ma non troppo, e dolce, Elizabeth Wallfisch, Lisa Beznosiuk, Paul Nicholson, Orchestra of the Age of Enlightenment
11. Johann Sebastian Bach: Sonatas for Viola da Gamba & Harpsichord, BWV 1027-29, Sonata No. 3 in G Minor, BWV 1029: I Vivace, Jordi Savall, Ton Koopman
12. John Dowland: Lachrimae Antiquae from Lachrimae, or Seaven Teares, Fretwork, Christopher Wilson
13. Johann Sebastian Bach: 6 Trio Sonatas BWV 525 -530, Sonata No. 1 in B Flat Major, BWV 525: I (Allegro), Musica Pacifica
14. Johann Sebastian Bach: Brandenburg Concerto No. 5 in D BWV1050: II Affettuoso, Elizabeth Wallfisch, Lisa Beznosiuk, Paul Nicholson, Orchestra of the Age of Enlightenment
15. Luigi Boccherini: Guitar Quintet No. 4 in D: IV Fandango (extract), Fabio Biondi, Europa Galante
16. Henry Purcell: Three Fantazias Z732-4: Fantazia 1 in D minor, Fretwork
17. Antonio Vivaldi: Concerto No. 1 in E major Op. 8 No. 1 RV 269, La primavera from I quattroni stgaioni: I Allegro, Fabio Biondi
18. George Frideric Handel: Sonata in G (HWV 358), Hiro Kurosaki, William Christie
19. Johann Sebastian Bach: Das Musikalische Opfer BWV1079: Sonata sopr'il soggetto reale: IV Allegro, Hans-Martin Linde
20. Johann Sebastian Bach: Sonata in E minor for violin and basso continuo BWV1023: I (Prelude) - Adagio ma non tanto, John Holloway, Davitt Moroney and Susann Sheppard
21. Christoph Willibald Gluck: Orfeo ed Euridice: Dance of the Blessed Spirits, Academy of St. Martin-in-the-Fields, Paul Davies, Sir Neville Marriner
CD 2:
01. Wolfgang Amadeus Mozart: Serenade No. 13 in G, K 525 Eine kleine Nachtmusik, London Mozart Players, Jane Glover
02. Wolfgang Amadeus Mozart: Serenade No. 13 in G, K 525 Eine kleine Nachtmusik, London Mozart Players, Jane Glover
03. Wolfgang Amadeus Mozart: Serenade No. 13 in G, K 525 Eine kleine Nachtmusik, London Mozart Players, Jane Glover
04. Wolfgang Amadeus Mozart: Serenade No. 13 in G, K 525 Eine kleine Nachtmusik, London Mozart Players, Jane Glover
05. Wolfgang Amadeus Mozart: String Quintet No. 4 in G minor K516: III Adagio ma non troppo (extract), Alban Berg Quartett, Markus Wolf
06. Joseph Haydn: String Quartet in C Emperor Op. 76 No. 3: II Theme and Variations I & II, Alban Berg Quartett
07. Wolfgang Amadeus Mozart: Divertimento No. 17 in D K334/K320b: Menuetto I, Stockholm Chamber Orchestra, Franz Welser-Most
08. Wolfgang Amadeus Mozart: String Quartet No. 17 in B flat Hunt K458: I Allegro vivace assai (extract), Alban Berg Quartett
09. Wolfgang Amadeus Mozart: Flute Quartet No. 1 in D K285: I Allegro apero (extract), Emmanuel Pahud, Christoph Poppen, Hariolf Schlichtig, Jean-Guihen Queyras
10. Wolfgang Amadeus Mozart: Violin Sonata in E minor, K.304/300c: II Tempe di Menuetto, Frank Peter Zimmermann, Alexander Lonquich
11. Joseph Haydn: String Quartet in B flat Sunrise Op. 76 No. 4: I Allegro con spirito (extract), Alban Berg Quartett
12. Wolfgang Amadeus Mozart: Quintett fur Klarinette, 2 Violinen, Viola und Violoncello A-dur KV 581: I Allegro, Sabine Meyer, Wiener Streichsextett
13. Joseph Haydn: The Seven Last Words from the Cross: VII Largo (extract), Cherubini Quartet
14. Wolfgang Amadeus Mozart: Divertimento in D K136: I Allegro, Stockholm Chamber Orchestra, Franz Welser-Möst
15. Wolfgang Amadeus Mozart: Serenade in B flat major K361 Gran Partita: Adagio, Berliner Philharmonisches Blaserensemble
16. Wolfgang Amadeus Mozart: Serenade No. 6 in D, Serenata notturna K239: I Marcia - Maestoso, English Chamber Orchestra, Jeffrey Tate
CD 3:
01. Ludwig Van Beethoven: Piano Trio No. 7 in B flat Op. 97 Archduke: I Allegro moderato (extract), Chung Trio
02. Ludwig Van Beethoven: Septet in E flat major Op. 20: III Tempo di Menuetto & Trio, Nash Ensemble
03. Ludwig Van Beethoven: Violin Sonata No. 5 in F, Op. 24 Spring: I Allegro (extract), Pinchas Zukerman, Daniel Barenboim
04. Ludwig Van Beethoven: String Quartet No. 7 in F Razumovsky Op. 59 No. 1: I Allegro, Alban Berg Quartett
05. Ludwig Van Beethoven: Clarinet Trio in B flat major Op. 11: II Adagio, Nash Ensemble
06. Ludwig Van Beethoven: String Quartet No. 1 in F Op. 18 No. 1: II Adagio affettuoso ed appassionato (extract), Alban Berg Quartett
07. Ludwig Van Beethoven: Cello Sonata No. 3 in A Op. 69: I Allegro ma non tanto (extract), Raphael Wallfisch
08. Ludwig Van Beethoven: String Quartet No. 4 in C Minor, Op. 18: III Menuetto (Allegretto) & Trio, Alban Berg Quartett
09. Ludwig Van Beethoven: Piano Trio No. 5 in D Op. 70 No. 1 Ghost: II Largo assai ed espressivo, Kyung-Wha Chung, Myung-Wha Chung, Myung-Whun Chung
10. Ludwig Van Beethoven: Violin Sonata No. 9 in A. Op. 47 Kreutzer: I Adagio sostenuto - Presto (extract), Pinchas Zukerman, Daniel Barenboim
11. Franz Schubert: String Quartet No. 13 in A minor, D.804 Rosamunde: II Andante, Alban Berg Quartett
12. Franz Schubert: Arpeggione Sonata in A minor: I Allegro moderato (extract), Natalie Clein, Charles Owen
13. Franz Schubert: String Quartet No. 14 in D minor Death & the Maiden D810: II Theme (Andante con moto) & Var. I (extract), Alban Berg Quartett
14. Franz Schubert: String Quartet Movement in C Minor D703 (extract), Belcea Quartet
15. Franz Schubert: Piano Quintet in A Major, D. 667 The Trout: IV Tema (Andantino) con variazioni 1-6, Alban Berg Quartett, Elisabeth Leonskaja, Georg Hortnagel
CD 4:
01. Robert Schumann: Fantasiestucke Op. 73, Michel Portal, Mikhail Rudy
02. Robert Schumann: Piano Quintet in E Flat Major, Op. 44: III Scherzo (Molto vivace) and Trios I & II, Martha Argerich, Dora Schwarzberg, Lucy Hall, Nobuko Imai, Mischa Maisky
03. Robert Schumann: 3 Romanzen Pour Clarinette & Piano, Op. 94: I: Nicht schnell, Mikhail Rudy, Michel Portal, Gerard Causse
04. Robert Schumann: String Quartet No. 1 in A Minor, Op. 41/1: II Scherzo (Presto - Intermezzo), Dora Schwarzberg, Nobuko Imai, Mischa Maisky, Alexandre Rabinovitch-Barakovsky
05. Robert Schumann: Piano Quartet in E flat Op. 47: III Andante cantabile (extract), Cherubini Quartet
06. Robert Schumann: Adagio and Allegro in A flat Op. 70: Allegro (extract), Michael Thompson, Philip Fowke
07. Frederic Franciszek Chopin: Cello Sonata in G minor Op. 65: III Largo, Paul Tortelier, Aldo Ciccolini
08. Felix Mendelssohn: String Quartet No. 1 in E flat Op. 12: Canzonetta - Allegretto, Alban Berg Quartett
09. Felix Mendelssohn: Octet in E flat major Op. 20: III Scherzo (Allegro leggierissimo), Hausmusik
10. Johannes Brahms: String Quartet No. 1 in C minor Op. 51 No. 1: I Allegro (extract), Britten Quartet
11. Johannes Brahms: Cello Sonata No. 1 in E minor Op. 38: I Allegro non troppo (extract), Natalie Clein, Charles Owen
12. Johannes Brahms: String Sextet No. 1 in B flat Op.18: II Andante ma moderato (extract), Alban Berg Quartett
13. Johannes Brahms: Violin Sonata No. 2 in A Major, Op. 100: II Andante tranquillo - Vivace - Andante - Vivace di piu - Andante - Vivace, Kyung-Wha Chung, Peter Frankl
14. Johannes Brahms: String Quartet No. 3 in B flat Op. 67: II Andante (extract), Britten Quartet
15. Johannes Brahms: Clarinet Quintet in B minor, Op. 115: III Andantino - Presto non assai, ma con sentimento, Sabine Meyer, Wiener Streichsextett
CD 5:
01. Antonin Dvorak: String Quartet No. 12 in F B179 (Op. 96), American: II Lento, Britten Quartet
02. Antonin Dvorak: Piano Trio No. 4 in E minor, Dumky B166 (Op. 90): I Lento maestoso - Allegro, Nash Ensemble
03. Antonin Dvorak: Sextet, Op. 48: II Dumka (elegie) poco allegretto, Sarah Chang, Bernhard Hartog, Wolfram Christ, Tanja Christ, Georg Faust, Olaf Maninger
04. Peter Ilyich Tchaikovsky: Serenade in C major Op. 48: I Pezzo in forma di Sonatina, London Chamber Orchestra, Christopher Warren-Green
05. Peter Ilyich Tchaikovsky: Piano Trio in A Minor, Op. 50: II Tema con variazioni 1-7 (extract), Kyung-Wha Chung, Myung-Wha Chung, Myung-Whun Chung
06. Peter Ilyich Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: Andante Cantabile, St Lawrence String Quartet
07. Peter Ilyich Tchaikovsky: Melodie Op. 42 No. 3, Maxim Vengerov, Vag Papian, Virtuosi
08. Peter Ilyich Tchaikovsky: Souvenir de Florence Op.70: II Adagio cantabile e con moto (extract), Sarah Chang, Bernhard Hartog, Wolfram Christ, Tanja Christ, Georg Faust, Olaf Maninger
09. Sergei Rachmaninov: Romance Op. 6, No. 1, Kyung-Wha Chung/Itamar Golan
10. Sergei Rachmaninov: Cello Sonata in G minor Op. 19: III Andante, Paul Tortelier, Aldo Ciccolini
11. Edvard Grieg: Prelude from Holberg Suite, Op. 40, Academy of St. Martin-in-the-Fields, Sir Neville Marriner
12. Edvard Grieg: Two Elegiac Melodies, Op. 34: 2. The Last Spring, Sir Neville Marriner - Two Elegiac Melodies
13. Bedrich Smetana: String Quartet No. 1 in E Minor, From my life: II Allegro moderato a la Polka, Alban Berg Quartett
CD 6:
01. Maurice Ravel: String Quartet in F: II Assez vif: tres rythme, Belcea Quartet
02. Maurice Ravel: Piece en forme de habanera, Tasmin Little, John Lenehan
03. Maurice Ravel: Piano Trio: II Pantoum: Assez vif, Renaud Capucon, Gautier Capucon, Frank Braley
04. Gabriel Faure: Berceuse Op. 16, Sarah Chang, Charles Abramovic
05. Camille Saint-Saens: Septet in E flat Op. 65: IV Gavotte et Final: allegro non troppo, Nash Ensemble
06. Camille Saint-Saens: The Carnival of the Animals: The Swan, Jacqueline du Pre, Osian Ellis
07. A Claude Debussy: String Quartet in G Minor, Op. 10: Assez vif et bien rythme, Belcea Quartet
08. A Claude Debussy: Sonata for Cello and Piano: II Serenade et Finale. Moderato anime, Ian Brown, Christopher van Kampen
09. A Claude Debussy: Sonata for flute, viola and harp: I Pastoral (extract), Philippa Davies, Roger Chase, Marisa Robles
10. Alban Berg: Lyric Suite: III Allegro misterioso, Alban Berg Quartett
11. Arnold Schoenberg: Verklarte Nacht, Op.4 (extract), Artemis Quartet, Thomas Kakuska, Valentin Erben
12. Francis Poulenc: Flute Sonata, FP 164: II Cantilena, Emmanuel Pahud, Eric Le Sage
13. Bela Bartok: String Quartet No. 3, Sz. 85: III Ricapitolazione della prima parte: Moderato - Coda: Allergo molto, Alban Berg Quartett
14. Sergey Prokofiev: Flute Sonata No. 2 in D, Op. 94: Andante, Emmanuel Pahud, Stephen Kovacevich
15. Heitor Villa-Lobos: Bachianas Brasileiras No. 1: I Introducao (extract), Royal Philharmonic Orchestra, Enrique Batiz
16. Olivier Messiaen: Quatuor pour la fin du temps, Quartet for the End of Time: Liturgie de cristal, Christoph Poppen, Manuel Fischer-Dieskau, Wolfgang Meyer, Yvonne Loriod
17. Dmitri Shostakovich: Quintet for Piano and Strings in G minor Op. 57: III Scherzo: Allegretto, Nash Ensemble
18. Fritz Kreisler: Liebesleid, Tasmin Little/John Lenehan
19. Edward Elgar: Salut d'amour Op. 12, Tasmin Little/John Lenehan
20. Vittorio Monti: Czardas (extract), Tasmin Little/John Lenehan
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Various Artists -《李斯特百分百》(100 Best Liszt)[6 CD][FLAC]

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Various Artists -《李斯特百分百》(100 Best Liszt)[6 CD][FLAC]

专辑英文名: 100 Best Liszt
专辑中文名: 李斯特百分百
艺术家: Various Artists
古典类型: 全集作品
资源格式: FLAC
版本: [6 CD]
发行时间: 2011年08月23日
地区: 美国
语言: 英语
简介:
专辑介绍:
★ 这套录音为庆祝李斯特两百週年冥诞发行，由EMI旗下顶尖的乐手包括契可里尼、有「李斯特再世」称号的季弗拉等人共同演奏，其中最特别的就是有一整张的艺术歌曲录音，这是一般最难听到的李斯特作品。
李斯特自称是「既是吉普赛人又是方济教派的修士」，这样复杂而且两面的性格，形成他作为浪漫乐派最具有特色的作曲家的总括，是非常适宜的，他的作品中有一种匈牙利吉普赛人的狂放和无羈，那些纵横於乐曲中的灵感，似乎就是在东欧的森林和田野里驰骋而来的营火和劣酒交错而成的狂闹歌声。
李斯特的作品数量非常庞大，且总类繁多，除了正式的交响曲因为和他的创作精神抵触而未涉猎外（但他还是写有两首作品以交响曲为名）、举凡协奏曲（三首钢琴协奏曲）、歌剧、神剧、艺术歌曲、钢琴独奏曲都留有名作。尤其是钢琴作品，数量更是惊人。他的「超技练习曲」和帕格尼尼主题练习曲（其中就包括著名的「鐘」，是知名的代表作）。与达顾特公爵的夫人相恋让他流亡瑞士意大利边境，激发他写下钢琴名作「巡礼之年」。之后他一度退隐，复出后重回阔别近十年的祖国匈牙利，听到当地的吉普赛人乐团，激发了他灵感，於是写下了近二十首的「匈牙利狂想曲」成为他管弦乐作品中最膾炙人口的杰作。一八四四年他在俄罗斯遇见了日后的终生伴侣：卡若兰公主，两人相偕私奔到威玛宫廷，写下了他著名的浮士德和但丁交响曲，以及两首钢琴协奏曲，和著名的Ｂ小调钢琴奏鸣曲。另外，李斯特也是交响诗这种音乐型式的创始人，他将白辽士在幻想交响曲中所採用的固定乐念延伸到这些交响诗中，并据此发展出动机写作的手法。
这套录音为庆祝李斯特两百週年冥诞发行，由EMI旗下顶尖的乐手包括契可里尼、有「李斯特再世」称号的季弗拉等人共同演奏，其中最特别的就是有一整张的艺术歌曲录音，这是一般最难听到的李斯特作品。
Best Liszt 100 (6CD)
李斯特百分百 (6CD)
发行公司：Warner Classics
产品编号：5099908379429
发行日期：2011/09/09
进口版别
张数：6 张 - 6CD
曲目
CD 1 协奏曲与协奏作品
1-4 第一号钢琴协奏曲
5-10 第二号钢琴协奏曲
11. 华丽的波兰舞曲
12. 匈牙利的民谣曲调与幻想曲
13. 依「贝多芬《雅典的废墟》」主题而作的幻想曲
14. 诅咒
15. 死之舞
CD 2 独奏钢琴作品一
1-7 B小调钢琴奏鸣曲
8-10 歌剧拟技曲
11-16 安慰
17. 森林细语
18. 侏儒之舞
CD 3 独奏钢琴作品二
1-9 超技练习曲
10. 升F小调，第一号遗忘的圆舞曲
11. 第三号爱之梦
12. 灰色的云
13. 梦中
14-17帕格尼尼练习曲
CD 4 独奏钢琴作品三
巡礼之年，第一年：瑞士
1. 在华伦斯塔湖畔
2. 田园曲
3. 在山泉边
4. 骤雨
5. 牧歌
巡礼之年，第二年：义大利
6. 沉思的人
7. 萨尔瓦多‧罗莎的短歌
8. 佩特拉卡的短诗第47号
9. 佩特拉卡的短诗第123号
巡礼之年，第二年的追加
10. 威尼斯与那不勒斯：短歌
巡礼之年，第三年
11. 艾斯特山庄的喷泉
12. 放开心胸
13. 嘆息
14. 演奏会用练习曲：轻鬆
诗的宗教曲调
15. 主的祈祷
16. 依帕勒斯替那的求主垂怜曲
17-18改编曲
19. 半音阶的大嘉洛舞曲
CD 5 艺术歌曲集
1. 三位吉卜赛人
2. 那是美妙的事
3. 松树孤立著
4. 你的眼睛
5. 父亲的墓穴
6. 起先我几乎绝望
7. LaBt mich ruhen
8. 早晨我起身问道
9. 越过山峰是宁静
10. 你从天堂来的
11. 芬芳的花朵
12. 未曾含泪吃麵包的人
13. 渔夫的女儿
14-16 佩特拉卡的三首短诗
17. 若有一块迷人的草地
18. 尽所能爱去爱
19. 罗蕾莱
20. 沉静的睡莲
21. 温柔的音声，我的歌
CD 6 管弦乐作品（匈牙利狂想曲、前奏曲、交响诗）
1. 第一号梅菲斯特圆舞曲
2. C小调第二号匈牙利狂想曲
3. D大调第三号匈牙利狂想曲
4. 交响诗《前奏曲》(结尾)
5. 浮士德交响曲：第三乐章
6. 交响诗《普罗米修士》
7. 交响诗《奥尔菲斯》
8. 节日之声 (节录)
9. 从摇篮到坟墓
10. A小调第十五号匈牙利狂想曲《拉科其进行曲》
引用Composer: FRANZ LISZT
Audio CD (August 23, 2011)
Number of Discs: 6
Format: Import
Label: Warner Classics
ASIN: B0054T8D88
Average Customer Review: 5.0 out of 5 stars
To celebrate the 200th birthday of this master pianist and composer, this 6-CD set contains a diverse collection of the 100 best-loved masterpieces of Franz Liszt. The ﬁrst CD begins with complete performances of Liszt’s two piano concertos, both ﬁrmly established as staples of the concerto repertoire. They are followed by extracts from a number of Liszt’s other works for piano and orchestra including Fantasy on Hungarian Folk Themes and Malédiction. The next three CDs cover Liszt’s huge output of works for solo piano, from miniatures like ‘La campanella’ (‘The little bell’) using a melody by Paganini and ‘Un sospiro’ (‘A sigh’), to the massive Sonata in B minor that was used so poignantly by Sir Frederic Ashton in his memorable ballet Marguerite and Armand created for Margot Fonteyn and Rudolf Nureyev. CD 5 is a collection of Liszt’s songs, including the beautiful love song ‘O lieb, so lang du lieben kannst!’, otherwise known as Liebestraume No. 3. Liszt invented the term ‘Symphonic Poem’, which he applied to a number of orchestral works that did not obey traditional musical forms and were based generally on a literary or pictorial idea. CD 6 includes extracts from several of these, such as Prometheus, Festklänge and Les Préludes. Also represented here are other orchestral works such as Mephisto Waltz No. 1 and A Faust Symphony as well as several of Liszt’s famous Hungarian Rhapsodies, originally written for solo piano but performed here in spectacular orchestral versions that have achieved enormous popularity.
CD 1: PIANO AND ORCHESTRA
CD 2: SOLO PIANO I
CD 3: SOLO PIANO II
CD 4: SOLO PIANO III
CD 5: SONGS
CD 6: ORCHESTRAL WORKS
Label: Emi Classics Catalog #: 87924 Spars Code: DDD
Composer: Franz Liszt
Performer: Michel Béroff, Andrea Lucchesini, Craig Sheppard, Aldo Ciccolini, György Cziffra, Vladimir Ovchinikov, John Ogdon, Kun-Woo Paik, André Watts, Jeanne-Marie Darré, Bernard d'Ascoli, Francois-René Duchable, Geoffrey Parsons, Elisabeth Schwarzkopf, Hermann Prey, Alexis Weissenberg, Dame Janet Baker, James Lockhart, Margaret Price
Conductor: Kurt Masur, Willi Boskovsky, Riccardo Muti
Orchestra/Ensemble: Leipzig Gewandhaus Orchestra, London Philharmonic Orchestra, Philadelphia Orchestra, Philharmonia Hungarica
专辑曲目:
CD 1
01. Piano Concerto No.1 in E Flat Major, S.124 - Allegro maestoso - Gewandhausorchester Leipzig
02. Piano Concerto No.1 in E Flat Major, S.124 - Quasi adagio - Gewandhausorchester Leipzig
03. Piano Concerto No.1 in E Flat Major, S.124 - Allegretto vivace - Allegro animato - Gewandhausorchester Leipzig
04. Piano Concerto No.1 in E Flat Major, S.124 - Allegro marziale animato - Gewandhausorchester Leipzig
05. Piano Concerto No.2 in A major S125 - Adagio sostenuto assai - Gewandhausorchester Leipzig
06. Piano Concerto No.2 in A major S125 - Allegro agitato assai - Gewandhausorchester Leipzig
07. Piano Concerto No.2 in A major S125 - Allegro moderato - Gewandhausorchester Leipzig
08. Piano Concerto No.2 in A major S125 - Allegro deciso - Gewandhausorchester Leipzig
09. Piano Concerto No.2 in A major S125 - Marziale un poco meno allegro - Gewandhausorchester Leipzig
10. Piano Concerto No.2 in A major S125 - Allegro animato - Gewandhausorchester Leipzig
11. Polonaise brillante for piano and orchestra in E flat major (after Weber) S367 - Gewandhausorchester Leipzig
12. Fantasia on Hungarian Folk Themes S123 - Gewandhausorchester Leipzig
13. Fantaisie on a theme from Beethoven's "Ruinen von Athen" S122 - Gewandhausorchester Leipzig
14. Malédiction S121 - Gewandhausorchester Leipzig
15. Totentanz S126 - Gewandhausorchester Leipzig
CD 2
01. Sonata for Piano in B minor S178 - Lento assai - Andrea Lucchesini
02. Sonata for Piano in B minor S178 - Grandioso - Andrea Lucchesini
03. Sonata for Piano in B minor S178 - Recitativo - Andrea Lucchesini
04. Sonata for Piano in B minor S178 - Andante sostenuto - Andrea Lucchesini
05. Sonata for Piano in B minor S178 - Allegro energico - Andrea Lucchesini
06. Sonata for Piano in B minor S178 - Presto - Andrea Lucchesini
07. Sonata for Piano in B minor S178 - Andante sostenuto - Andrea Lucchesini
08. Rigoletto (Concert Paraphrase), S.434 - Craig Sheppard
09. 'Miserere' from Il Trovatore - Craig Sheppard
10. 'Liebestod' from Tristan und Isolde - Craig Sheppard
11. Consolations S.172 - I. Andante con molto - Aldo Ciccolini
12. Consolations S.172 - II. Un poco più mosso - Aldo Ciccolini
13. Consolations S.172 - III. Lento placido - Aldo Ciccolini
14. Consolations S.172 - IV. Quasi adagio - Aldo Ciccolini
15. Consolations S.172 - V. Andantino - Aldo Ciccolini
16. Consolations S.172 - VI. Allegretto cantabile - Aldo Ciccolini
17. Deux Etudes De Concert S 145: Waldesrauschen (Dans Les Bois) En Ré Bémol Majeur - Georges Cziffra
18. Deux Etudes De Concert S 145: Gnomenreigen (La Ronde Des Lutins) En Ut Dièse Mineur - Georges Cziffra
CD 3
01. Études d'exécution transcendante S139 - I. Preludio - Vladimir Ovchinnikov
02. Études d'exécution transcendante S139 - II. Fusées - Vladimir Ovchinnikov
03. Études d'exécution transcendante S139 - III. Paysage - Vladimir Ovchinnikov
04. Études d'exécution transcendante S139 - IV. Mazeppa - Vladimir Ovchinnikov
05. Études d'exécution transcendante S139 - V. Feux follets - Vladimir Ovchinnikov
06. Études d'exécution transcendante S139 - VI. Vision - Vladimir Ovchinnikov
07. Études d'exécution transcendante S139 - VII. Eroica - Vladimir Ovchinnikov
08. Études d'exécution transcendante S139 - VIII. Wilde Jagd - Vladimir Ovchinnikov
09. Études d'exécution transcendante S139 - XI. Harmonies du soir - Vladimir Ovchinnikov
10. Valse oubliée No.1 S215 No.1 - John Ogdon
11. Liebesträume S541 - No.3 in A flat - Kun Woo Paik
12. Nuages gris S199 - André Watts
13. En Reve - Nocturne - André Watts
14. Grandes Etudes de Paganini : III La campanella - Jeanne-Marie Darré
15. Grandes Etudes de Paganini : IV Arpèges - Jeanne-Marie Darré
16. Grandes Etudes de Paganini : V La chasse - Jeanne-Marie Darré
17. Grandes Etudes de Paganini : VI Thème & variations 1-5 - Jeanne-Marie Darré
CD 4
01. Années de pèlerinage_année 1: Suisse S160 - Au lac de Wallenstadt - Aldo Ciccolini
02. Années de pèlerinage_année 1: Suisse S160 - Pastorale - Aldo Ciccolini
03. Années de pèlerinage_année 1: Suisse S160 - Au bord d'une source - Aldo Ciccolini
04. Années de pèlerinage_année 1: Suisse S160 - Orage - Aldo Ciccolini
05. Années de pèlerinage_année 1: Suisse S160 - Eglogue - Aldo Ciccolini
06. Années de pèlerinage_année 2: Italie S161 - Il penseroso - Aldo Ciccolini
07. Années de pèlerinage_année 2: Italie S161 - Canzonetta del Salvatore Rosa - Aldo Ciccolini
08. Années de pèlerinage_année 2: Italie S161 - Sonetto 47 del Petrarca - Aldo Ciccolini
09. Années de pèlerinage_année 2: Italie S161 - Sonetto 123 del Petrarca - Aldo Ciccolini
10. Venezia e Napoli (rev version) S162 - Canzone - Aldo Ciccolini
11. Années de pèlerinage_année 3 S163 - Les jeux d'eau à la Villa d'Este - Aldo Ciccolini
12. Années de pèlerinage_année 3 S163 - Sursum corda - Aldo Ciccolini
13. Un sospiro - François-René Duchâble
14. La Leggierezza (No.2 from 3 Concert Studies S.144) - Bernard d'Ascoli
15. Pater Noster Harmonies Poetet Relig - Aldo Ciccolini
16. Miserere Harmonies Poetet Relig - Aldo Ciccolini
17. Choeur de fête - Marche finale, transcription d'après Don Carlos de Verdi - François-René Duchâble
18. La Danza, tarentelle napolitaine de Rossini - François-René Duchâble
19. Grand Galop Chromatique En Mi Bémol Majeur S.219 - Georges Cziffra
CD 5
01. Die drei Zigeuner, S.320 - Elisabeth Schwarzkopf
02. Es muß ein Wunderbares sein (Es muß ein Wunderbares sein) - Hermann Prey
03. Ein Fichtenbaum steht einsam (Ein Fichtenbaum steht einsam) - Hermann Prey
04. Ihr Auge (Nimm einen Strahl der Sonne) - Hermann Prey
05. Die Vätergruft (Es schritt wohl über die Heide) - Hermann Prey
06. Anfangs wollt ich fast verzagen (Anfangs wollt ich fast verzagen) - Hermann Prey
07. Laßt mich ruhen (Laßt mich ruhen) - Hermann Prey
08. Morgens steh ich auf und frage (Morgens steh ich auf und frage) - Hermann Prey
09. Über allen Gipfeln ist Ruh (Über allen Gipfeln ist Ruh) - Hermann Prey
10. Der du von dem Himmel bist (Der du von dem Himmel bist) - Hermann Prey
11. Blume und Duft (In Frühlings Heiligtume) - Hermann Prey
12. Wer nie sein Brot mit Tränen aß (Wer nie sein Brot mit Tränen aß) - Hermann Prey
13. Die Fischerstochter (Die Fischerstochter sitzt am Strand - Hermann Prey
14. Drei Sonette von Petrarca - Sonett 47 - Benedetto sia il giorno (Sei gesegnet immerdar von allen Tagen) - Hermann Prey
15. Drei Sonette von Petrarca - Sonett 104 - Pace non trovo (Fried' ist versagt mir) - Hermann Prey
16. Drei Sonette von Petrarca - Sonett 123 - I' vidi in terra angelici costumi (So sah ich denn auf Erden Englesfrieden) - Hermann Prey
17. S'il est un charmant gazon (Hugo) - Dame Janet Baker
18. O lieb' so lang du lieben kannst! - Dame Margaret Price
19. Die Lorelei. - Dame Margaret Price
20. Die stille Wasserrose. - Dame Margaret Price
21. Kling leise, mein Lied - Dame Margaret Price
CD 6
01. 2 Episodes from Lenau's Faust S110 - Der Tanz in der Dorfschenke (Mephisto Waltz No.1) - Gewandhausorchester Leipzig
02. Hungarian Rhapsodies S359 - No.2 in C minor (arr. Karl Müller-Berghaus) - Willi Boskovsky
03. Hungarian Rhapsodies S359 - No.3 in D major (arr. Franz Doppler) - Willi Boskovsky
04. Hungarian Rhapsodies S359 - Les Préludes S97 - Philadelphia Orchestra
05. A Faust Symphony S108 - III. Mephistofeles (Allegro vivace, ironico) - Prague Philharmonic Chorus
06. A Faust Symphony S108 - Prometheus S99 (Symphonic Poem No.5) - Gewandhausorchester Leipzig
07. A Faust Symphony S108 - Orpheus S98 - Gewandhausorchester Leipzig
08. Festklänge S101 (Symphonic Poem No.7) - Gewandhausorchester Leipzig
09. Von der Wiege bis zum Grabe S107 (Symphonic Poem No.13) - Der Kampf um's Dasein - Gewandhausorchester Leipzig
10. Rákóczy March S117 - Philharmonia Hungarica
评论(42) 收藏(43) 查看完整资源页

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Various Artist -《古典名厂RCA Living stereo 系列收藏第三卷》(The Golden Era of LIVING STEREO The Remastered Collector's Edition 60 CDs)欧版整轨[FLAC]

April 5, 2017, 6:23 pm

≫ Next: Rachel Podger -《维瓦尔第：里拉琴（12首小提琴协奏曲，9号作品》(Holland Baroque - Vivaldi - La Cetra)[2 SACD-r]

≪ Previous: Various Artists -《李斯特百分百》(100 Best Liszt)[6 CD][FLAC]

Various Artist -《古典名厂RCA Living stereo 系列收藏第三卷》(The Golden Era of LIVING STEREO The Remastered Collector's Edition 60 CDs)欧版整轨[FLAC]

专辑英文名: The Golden Era of LIVING STEREO The Remastered Collector's Edition 60 CDs
专辑中文名: 古典名厂RCA Living stereo 系列收藏第三卷
别名: RCA LIVING STEREO的黄金年代
艺术家: Various Artist
古典类型: 全集作品
资源格式: FLAC
版本: 欧版整轨
发行时间: 2016年
地区: 德国
语言: 英语
简介:
【最新愿望】
Anson78的许愿CD：DECCA Phase 4 Stereo - Nice 'n' Easy 40CDs
=====================================================
RCA模拟录音黄金年代Living Stereo系列珍稀录音合集60CD
60张之中有48张为首次发行CD，弥足珍贵。
全部录音经24bit/192kHz技术静心重制
精美原版封套
【声明】
1、本资源仅用于试听交流，如果喜欢请购买原版以支持唱片事业发展。
2、请勿将本资源用于任何商业用途。
3、转载请注明出处。
4、下载即表示同意本声明内容，任何由于下载引起的法律纠纷与发布者无关。
【抓轨说明】
使用驱动器：ASUS DRW-20B1S
抓轨软件：Exact Audio Copy V1.2
编码器：FLAC 1.3.1
CUE文件内嵌
【详细介绍】
本辑收录48张首度由黑胶转录成CD之重点作品。
钢琴家Ania Dorfmann安妮雅-朵夫曼、俄国小提琴家Leonid Kogan柯岗、意大利男高音Cesare Valletti瓦雷提、重抒情女高音天后Zinka Milanov米兰-诺夫等名家经典录音再现。
这套录音收录了RCA在五零年代后期，以最新的高传真技术发行的经典录音。这一套录音与以往的同系列录音最大的不同在于，当中收录了四十八张LP转录的专辑，皆为首度以CD方式呈现。由此可知，从一九八四年CD问世以来，这些录音都未曾再版过，在这之前可能也已经绝版很久，因此有很多份录音，都可能是六十岁以下的乐迷未曾听过的罕见黑胶再版。比如说教出知名低音大提琴家盖瑞-卡尔（Gary Karr）和艾尔加-梅耶（Edgar Meyer）的低音大提琴家斯图亚特．桑基（Stuart Sankey）与节庆四重奏合作的舒伯特《鳟鱼》五重奏。很少台湾人知道，但五、六零年代在美国音乐界极具权威的女钢琴家安妮雅-朵夫曼（Ania Dorfmann）所弹奏的舒曼。朵夫曼是当时少数能够和指挥大师托斯卡尼尼同台合作和录音的女性钢琴家，出生并成长于俄国的她，十一岁就在俄国举行独奏会，并曾为当时比她小几岁的小提琴大师海飞兹伴奏，十八岁前往巴黎追随巴黎音乐院名教师伊西多-菲利普（Isidor Philipp）习琴，之后返回俄国，到俄国大革命后才又返回巴黎，在欧洲享有十五年知名钢琴家的声望，直到二战爆发才将重心移往美国，成为托斯卡尼尼第一位邀请合作的女性钢琴家。同样罕见的还有俄国小提琴家柯岗（Leonid Kogan），在一九五八年录下的小品集，当中他演奏了德布西《月光》等优美乐曲，以柯岗近年被人怀念的名气甚高，很难想象这份录音直到现在才有机会获得再版。被视为俄国小提琴学派最伟大代表人物的他，因为很少有机会到西方演出，五十八岁早逝再加上一直躲避公众目光，也不受到俄国当局青睐，因此很长一段时间知名度都远在奥伊斯特拉夫（David Oistrakh）之下。这些录音中柯岗使用的是两把价值超过四百万美金的瓜奈里名琴ex-Colin（1726）和ex-Burmester（1733），柯岗也是少数使用钢弦而非羊肠弦的小提琴家，因此让他的录音特别值得珍藏。
同样值得一听的是由意大利男高音瓦雷提（Cesare Valletti）所灌录的意大利艺术歌曲集。他是知名歌唱家史基帕（Tito Schipa）的学生，在五零年与卡拉丝合作罗西尼歌剧而扬名全球，之后卡拉丝与维斯康提、伯恩斯坦合作《梦游女》时也指定与他合作，之后卡拉丝多次的《茶花女》也和瓦雷提合作。他和卡拉丝一九五八年的茶花女演唱被誉为史上此剧最佳演出，这份录音就是在当时录下的。
同样珍贵的还有二十世纪中叶重抒情女高音天后米兰-诺夫（Zinka Milanov）的咏叹调专辑。她是被指挥大师华尔特（Bruno Walter）所发掘，特别推荐给大师托斯卡尼尼，参加他唯一一次在萨尔兹堡演出威尔第安魂曲的演唱。之后托斯卡尼尼重要的电台演出录音也都与她合作。这么重要的女高音，她的独唱录音却一直没机会再版，在此刻首度CD问世，能听到的人可以说是何其幸运，因为这声音可能有超过半世纪失传，直至现今才有机会再度流传于乐迷心中。
【本人发布的精华资源】
《立体声古典名厂RCA百张不朽名盘系列》(RCA RED SEAL BEST100)整轨[FLAC]
《古典名厂RCA Living stereo 系列收藏》(Living Stereo 60CD Collection)韩版整轨[FLAC]
《古典名厂RCA Living stereo 系列收藏第二卷》(Living Stereo 60CD Collection Vol.2)
《古典名厂RCA Living stereo 系列收藏第三卷》(Living Stereo 60CD Collection Vol.3)
《迪卡之声》(The DECCA SOUND 50CDs Collection)欧版整轨[FLAC]
《迪卡之声2：模拟时代》(The DECCA SOUND 2 54CDs Collection)欧版整轨[FLAC]
《迪卡全方位立体声音乐会系列精选41CD》(Decca Phase-4 Stereo 41CD Boxset)欧版整轨[FLAC]
《飞利浦原封套系列55CD》(PHILIPS ORIGINAL JACKETS COLLECTION)欧版整轨[FLAC]
《水星Living Presence发烧名盘60周年珍藏套装（50CDs）》(Mercury Living Presence The Collector's Edtion)
《水星Living Presence发烧名盘60周年珍藏套装2（55CDs）》(Mercury Living Presence The Collector's Edtion 2)德版整轨[FLAC]
《水星Living Presence发烧名盘60周年珍藏套装3（53CDs）》(Mercury Living Presence The Collector's Edtion 3)欧版整轨[FLAC]
本系列是首次尝试通过网络众筹，然后交流分享的项目，感谢每一位热心朋友的支持与参与！如果你也喜欢，欢迎继续关注，并支持我后续的分享计划。 ——Anson78
专辑曲目:
CD1 舒伯特：鳟鱼五重奏(节日四重奏组)
CD2 舒曼：狂欢节，幻想小品(多夫曼)
CD3 科岗演奏的小提琴小品集
CD4 维多利亚：安魂曲(波特兰交响乐团合唱团)
CD5 肖斯塔科维奇：第五交响曲(Mitchell指挥国家交响乐团)
CD6 女低音歌唱家Forrester演唱勃拉姆斯与舒曼的艺术歌曲
CD7 布莱洛夫斯基演奏钢琴返场曲集
CD8 男高音Cesare Valleti演唱舒伯特、舒曼、斯卡拉蒂、亨德尔等作品
CD9 大提琴大师皮亚蒂戈斯基演奏斯特拉文斯基、德彪西、布索尼等作品
CD10 费德勒指挥波士顿通俗乐团演奏当代作曲家的管弦乐小品集
CD11 女高音米兰诺夫演唱歌剧咏叹调集
CD12 巴赫：两首康塔塔(罗伯特.肖指挥RCA交响乐团)
CD13 勃拉姆斯：第一钢琴四重奏(节日四重奏组)
CD14 柴可夫斯基：1812序曲，拉威尔：波莱罗(莫顿.古尔德指挥他的管弦乐团)
CD15 布莱克伍德：第一交响曲，海耶夫：第二交响曲(明希指挥波士顿交响乐团)
CD16 维瓦尔第：四首巴松管协奏曲(舍尔曼.瓦尔特演奏)
CD17 莫扎特：第10、14钢琴奏鸣曲，幻想曲(安德烈.柴可夫斯基)
CD18 肖邦：10首前奏曲，船歌，两首练习曲，第三叙事曲，三首玛祖卡(安德烈.柴可夫斯基)
CD19 波凯里尼、维瓦尔第的大提琴协奏曲(亚尼格罗)
CD20 小提琴家拉雷多演奏小品集
CD21 舒伯特：死神与少女四重奏(茱莉亚四重奏组)
CD22 花腔女高音罗贝塔.彼得丝演唱咏叹调与艺术歌曲集
CD23 舒曼：诗人之恋(Valletti)
CD24 德彪西、拉威尔的弦乐四重奏(茱莉亚四重奏组)
CD25 勃拉姆斯：第三小提琴奏鸣曲，巴赫：第三无伴奏小提琴帕蒂塔(拉雷多)
CD26 德彪西：前奏曲第一册(小卡萨德许)
CD27 著名歌剧合唱曲(罗伯特.肖指挥)
CD28 柴可夫斯基、阿连斯基、斯特拉文斯基等人的双钢琴作品(Vitya Vronsky、Victor Babin)
CD29 勃拉姆斯：圆号三重奏，贝多芬：圆号奏鸣曲(约瑟夫.埃格尔)
CD30 谢林演奏维塔利、塔替尼、格鲁克、克莱斯勒、舒曼、维尼亚夫斯基等人的作品
CD31 维瓦尔第：四季(科列里合奏团)
CD32 拉罗：西班牙交响曲(谢林)
CD33 巴赫：第二管弦乐队组曲，第五布兰登堡协奏曲(雅尼格罗指挥萨格勒布独奏家乐团)
CD34 给讨厌古典音乐的人听的古典音乐(费德勒指挥波士顿通俗乐团演奏的古典通俗小品)
CD35 布鲁赫：第一小提琴协奏曲，莫扎特：第三小提琴协奏曲(拉雷多)
CD36 勃拉姆斯：第二钢琴四重奏(节日四重奏组)
CD37 舒曼：第三弦乐四重奏，卡特：第二弦乐四重奏
CD38 维什涅夫斯卡娅演唱俄罗斯咏叹调与艺术歌曲
CD39 勃拉姆斯：第三钢琴四重奏(节日四重奏组)
CD40 德沃夏克：第11弦乐四重奏，沃尔夫：意大利小夜曲(茱莉亚四重奏组)
CD41 茱莉亚四重奏组演奏贝尔格、韦伯恩的作品
CD42 莫顿古尔德指挥他的乐团演奏他的作品(拉丁美洲交响曲等)
CD43 肖斯塔科维奇：大提琴奏鸣曲，舒伯特：阿佩乔尼奏鸣曲(沙弗兰)
CD44 巴赫：管风琴作品(Weinrich)
CD45 普朗克：管风琴协奏曲，斯特拉文斯基：牌戏(明希指挥波士顿交响乐团)
CD46 尼尔森演唱舒伯特、瓦格纳、施特劳斯、格里格、西贝柳斯的艺术歌曲
CD47 帕格尼尼：第1号协奏曲D大调；圣桑：引子与回旋随想曲(福瑞德曼)
CD48 贝多芬：第14弦乐四重奏(茱莉亚四重奏组)
CD49 贝多芬：第11、16弦乐四重奏(茱莉亚四重奏组)
CD50 Liliane Garnier的小提琴独奏会(塔替尼、维尼亚夫斯基、贝多芬、帕格尼尼等)
CD51 肖松：交响曲，弗朗克：可憎的猎人(明希指挥波士顿交响乐团)
CD52 拉赫玛尼诺夫：两首双钢琴组曲(Vitya Vronsky、Victor Babin)
CD53 库普兰、莫扎特、科列里、布里顿的弦乐队作品(雅尼格罗指挥萨格勒布独奏家乐团)
CD54 西贝柳斯：芬兰颂，黄泉的天鹅，忧郁圆舞曲，波希奥拉的女儿(莫顿.古尔德指挥他的乐团)
CD55 弗莱德曼演奏超技小提琴名曲集
CD56 贝多芬：两首钢琴四重奏，舒曼：钢琴四重奏(节日四重奏组)
CD57-59 亨德尔：12首大协奏曲op.6(施耐德指挥他的室内乐团)
CD60 管风琴的力量(罗伯特.欧文演奏巴赫、李斯特、雷格尔的管风琴作品)
评论(374) 收藏(297) 查看完整资源页

↧

Rachel Podger -《维瓦尔第：里拉琴（12首小提琴协奏曲，9号作品》(Holland Baroque - Vivaldi - La Cetra)[2 SACD-r]

April 7, 2017, 2:20 am

≫ Next: Antonio De Lucena, Sergi Vicente -《古典浪漫吉他乐》(Armando Tatis - Classical Guitar Romantica)[FLAC]

≪ Previous: Various Artist -《古典名厂RCA Living stereo 系列收藏第三卷》(The Golden Era of LIVING STEREO The Remastered Collector's Edition 60 CDs)欧版整轨[FLAC]

Rachel Podger -《维瓦尔第：里拉琴（12首小提琴协奏曲，9号作品》(Holland Baroque - Vivaldi - La Cetra)[2 SACD-r]

专辑英文名: Holland Baroque - Vivaldi - La Cetra
专辑中文名: 维瓦尔第：里拉琴（12首小提琴协奏曲，9号作品
艺术家: Rachel Podger
古典类型: 协奏曲
版本: [2 SACD-r]
发行时间: 2012年
地区: 美国
语言: 英语
简介:
专辑介绍:
维瓦尔第：里拉琴（12首小提琴协奏曲，9号作品）Vivaldi: La Cetra (12 violin concertos, Op.9)
英国小提琴家瑞秋波杰Rachel Podger
　自释放她的壮观的维瓦尔第的La Stravaganza协奏曲早在2003年,
　　瑞秋波杰的录音议程都集中在莫扎特和巴赫的音乐。这个版本的La Cetra协奏曲是她非常欢迎回到了威尼斯大师的音乐,作曲家与小提琴家有一个明确的亲和力。与La Stravaganza一样,有许多珠宝,其中一些地方独奏者更高的技术要求。一些协奏曲也包括瑞秋波杰(1968年出生在英格兰,英国)是一位英国小提琴家和导体专营巴洛克音乐的表现。　　
　　Rachel Podger出生于英国的父亲和母亲是德国人。她是在德国鲁道夫·斯坦纳学校然后回到研究与佩里哈特第一,然后在市政厅音乐和戏剧学院的David Takeno宝琳·斯科特,米凯拉Comberti。学习期间,她与巴洛克室组织智慧的系综和选集,和w Rachel Podger (born 1968 in England , United Kingdom ) is an English violinist and conductor specialising in the performance of Baroque music
瑞秋波杰
(1968年出生在英格兰,英国)是一位英国小提琴家和导体专营巴洛克音乐的表现。
Podger was born to a British father and a German mother. 矮胖的人出生于英国的父亲和母亲是德国人。她是在德国鲁道夫·斯坦纳学校然后回到研究与佩里哈特第一,然后在市政厅音乐和戏剧学院的宝琳·斯科特,米凯拉.学习期间,她与巴洛克室组织智慧的系综和选集,仪器和工作时期巴洛克乐团如新伦敦的配偶和伦敦。
瑞秋波杰
经常进行巴洛克乐团的小提琴。她是加百利的领袖的配偶和球员以及后来的英语演唱会从1997年到2002年,旅游广泛,经常在维瓦尔第勒quattro stagioni独奏者和格罗索大亨协奏曲。 2004年,她拿起客人的管理者的启蒙时代管弦乐队,开放与巴赫在美国参观勃兰登堡协奏曲。目前她还作为嘉宾与当代艺术一些导演Suonatori(波兰),重逢当归和圣达菲Pro重逢(在美国)和独奏者与古老的音乐学院。
维瓦尔第：里拉琴（12首小提琴协奏曲，9号作品） - 音乐爱好者 - 音乐爱好者的博客
瑞秋波杰也是巴洛克风格的小提琴教授市政厅音乐和戏剧学院和皇家威尔士学院音乐和戏剧,也教授定期Hochschule不来梅。.2008年9月,她拿起新成立米凯拉Comberti椅子巴洛克在伦敦皇家音乐学院小提琴,然后成为巴洛克风格的小提琴教授在哥本哈根丹麦皇家音乐学院。
当不是参观各种管弦乐队和其他古典球员, 瑞秋与她的丈夫在布雷肯,威尔士南部,帮助年轻音乐家莫扎特的音乐基金,她成立于2006年,以及举办研讨会和演出。在2006年他们还成立了布雷肯巴洛克节在上周末举行的每年10月。
瑞秋波杰扮演一个小提琴在热那亚Pesarinius在1739年以后的安东尼奥·斯特拉迪瓦里的学生。 1988她最初扮演了罗兰·罗斯1988弦乐器副本。
商品条码 : 0723385334125
商品编号 : CCS33412
艺人/团体 : 拉克儿 Rachel Podger - 查看所有专辑
专辑名称 : 韦瓦第:里拉琴小提琴协奏曲
Antonio Vivaldi La Cetra 12 Violin Concertos
音乐类型 : 发烧片 [SACD 专辑]
发行公司/日期 : 韵顺　
制作公司 :
内含片数 : 2
光盘1：
01 12小提琴协奏曲，作品的“整体”协奏曲第1号，rv181a 1快板
02 12小提琴协奏曲，作品的“整体”协奏曲第1号、2 rv181a广板
03 12小提琴协奏曲，作品的“整体”协奏曲第1号，rv181a -快板
04 12小提琴协奏曲，作品的“整体”的协奏曲，在主要的，rv345 1快板
05 12小提琴协奏曲，作品的“整体”的协奏曲，在主要的，rv345 - 2）
第：里拉琴（12首小提琴协奏曲，9号作品）
06 12小提琴协奏曲，作品的“整体”的协奏曲，在主要的，rv345 -快板
07 12小提琴协奏曲，作品的“整体”in g小调协奏曲，rv334 1不太快的快板
08 12小提琴协奏曲，作品的“整体”in g小调协奏曲，rv334 - 2）
09 12小提琴协奏曲，作品的“整体”in g小调协奏曲，rv334 3不太快的快板
10 12小提琴协奏曲，作品的“整体”4号E大调协奏曲中，rv263a 1不太快的快板
11 12小提琴协奏曲，作品的“整体”4号E大调协奏曲中，rv263a - 2）
12 小提琴协奏曲，作品的“整体”4号E大调协奏曲中，rv263a 3不太快的快板
13 12小提琴协奏曲，作品的“整体”第5号协奏曲的慢板，rv358 - 1，急板
14 12小提琴协奏曲，作品的“整体”第5号协奏曲，rv358 - 2）
15 12小提琴协奏曲，作品的“整体”第5号协奏曲，快板rv358 3
16 12小提琴协奏曲，作品的“整体”协奏曲第6号在主要的，rv348 1快板
17 12小提琴协奏曲，作品的“整体”协奏曲第6号在主要的，rv348 - 2）
18 12小提琴协奏曲，作品的“整体”协奏曲第6号在主要的，rv348 3不太快的快板
2：光盘
01 12 小提琴协奏曲，作品的“整体”8号协奏曲，快板rv238 - 1
02 12 小提琴协奏曲，作品的“整体”8号协奏曲，rv238 - 2）
03 12小提琴协奏曲，作品的“整体”8号协奏曲，快板rv238 3
04 12小提琴协奏曲，作品的“整体”9号B大调协奏曲快板- 1
05 12小提琴协奏曲，作品的“整体”9号B大调协奏曲2大E断续
06 12小提琴协奏曲，作品的“整体”9号B大调协奏曲-快板
07 12小提琴协奏曲，作品的“整体”的协奏曲rv300 No.10 - 1，很快的快板
08 12小提琴协奏曲，作品的“整体”的协奏曲rv300 No.10 - 2宽广如歌，
09 12小提琴协奏曲，作品的“整体”的协奏曲rv300 No.10 - 3，快板
10 12小提琴协奏曲，作品的“整体”的C小调协奏曲第11号，rv198a 1快板
11 12小提琴协奏曲，作品的“整体”的C小调协奏曲第11号，rv198a 2柔板
12 小提琴协奏曲，作品的“整体”的C小调协奏曲第11号，rv198a -快板
13 12小提琴协奏曲，作品的“整体”的小调协奏曲第12号，rv391 1不太快的快板
14 12小提琴协奏曲，作品的“整体”的小调协奏曲第12号，rv391 - 2）
15 12小提琴协奏曲，作品的“整体”的小调协奏曲第12号，rv391 -快板
16 2 oboes协奏曲，弦乐和通奏低音小调，r.535
17 短笛协奏曲C，r.443
CCS33412 韦瓦弟Vivaldi里拉琴小提琴协奏曲OP9(2SACD)
韦瓦弟 Vivaldi，义大利作曲家，1678-1741，父亲为教堂小提琴手，红髮主教的音乐是多彩多姿的义大利巴洛克大师，他曾任女子孤儿院的主教并勇於创作，写了眾多音乐奉献宗教，而他写的器乐协奏曲多达五百首以上，曲曲动听，如四季等音乐曲，本片为女小提琴家拉克儿继上一张OP.4小提琴协奏曲得到2003年留声机最佳的巴洛克杰出演奏曲后，再一次的优秀演出，OP.9的曲名为"La Cetra 里拉琴"，韦氏写于1727年，共十二首优美的小提琴曲，每首都以快.慢.快的三个乐章。而Channel老闆兼录音师是发烧音响的追求者，本片的录音也是非常的优美！旋律畅快！珍贵永远百听不厌的巴洛克古典音乐曲！(特惠价：二片一片价格）普通CD也可放音
引用After recording Vivaldi's set of Violin Concertos 'La Stravaganza', Opus 4, in 2003, Rachel Podger has been immersed in music by Mozart and Bach on disc. But it has now felt right to come back to the Venetian Maestro, whose sense of drama she adores: “This time I chose his opus 9, the set of 12 Violin concertos entitled 'La Cetra'. There are plenty of jewels in this set, just as in 'La Stravaganza', with even higher technical demands made on the soloist including many, often exotic experimental effects.”
“Unlike some of her continental rivals Podger's light bowing and well-judged tempos effortlessly discover the tenderly poetic content of Vivaldi's music, and here that dimension is abundant...Podger's playing radiates expressive warmth and we can only delight in the spontaneous rapport that she feels with the mature idiom of these wonderful concertos.” - BBC Music Magazine
“Personality and charisma can easily be found in Rachel Podger’s account of Vivaldi’s violin concertos...the elegant energy in her phrasing is adorable...contrasts are vivid, the drama is considerable, and the orchestra’s sonic tapestries bring their own special joy.” - The Times (UK)
“The variety of Op 9 astounds the ear, especially in these feisty readings, which emphasise the folksy roots of the dance movements and lend them an almost funky modernity. The highlight here is the B flat major double concerto — with Judith Steenbrink as second soloist” - The Sunday Times (UK)
“The music world is inestimably the better for Rachel Podger...Everything she touches comes to life in a way that is not only satisfying musically but also representative of the human spirit at its most vital...Podger reveals unexpected depth and variety of expression in the music...Podger wears her virtuosity lightly, and the relationship with the Holland Baroque Society players is clearly one of mutual inspiration.” - Financial Times (UK)
Performer: Rachel Podger
Orchestra: Holland Baroque Society
Conductor: Rachel Podger
Composer: Antonio Vivaldi
Audio CD (June 12, 2012)
Number of Discs: 2
Format: Hybrid SACD - DSD, Import
Label: CHANNEL CLASSICS
ASIN: B007TG34QU
Average Customer Review: 4.6 out of 5 stars
Label: Channel Classics ‎– CCS SA 33412
Format: 2 × SACD, Hybrid, Multichannel, Stereo, Album, DigiPak
Country: Netherlands
Released: 2012
Genre: Classical
Style: Baroque
Release Date June 12, 2012
Duration 01:57:04
Genre Classical
Styles Concerto
Recording DateSeptember, 2011 & January, 2012
At a time when Bach, Telemann and Handel were still young, in the early 18th century, Venice was nothing less than a musical magnet, and its greatest attraction was the raging, virtuosic violin playing of the priest-cum-composer Antonio Vivaldi. His performance was even recommended to tourists in a city guide dating from 1713. Inspired by such enthusiastic stories about this violin marvel, numerous musicians from all over Europe made their way to Venice to receive lessons from the master. In February 1715, for example, the Frankfurt lawyer and impresario Uffenbach attended an opera in the Teatro Sant’Angelo: ‘ Towards the end Vivaldi played a solo, most admirable. Finally he gave an improvisation, which brought about a great shock in me. For things like this are really unplayable, now and in the future. His fingers came within a hair breadth of the bridge, so that hardly any space remained for the bow, and he played unbelievably fast fugues on all four strings.’ Uffenbach wrote later: ‘After the meal, the celebrated composer and violinist Vivaldi visited me, which I had often urged him to do. I spoke to him about several concertos that I wanted to obtain from him and I ordered them. I had some bottles of wine brought for him. He improvised in a most complicated manner on the violin, truly inimitable. At such close sight I could admire his dexterity even better. I realised that he played extremely difficult and varied pieces, but in a manner neither pleasant or cantabile.’
Companies, etc.
Phonographic Copyright (p) – Channel Classics Records bv
Copyright © – Channel Classics Records bv
Distributed By – Channel Classics Records bv
Recorded At – Waalse Kerk Amsterdam
Credits
Cello – Barbara Kernig, Judith Maria Blomsterberg, Tomasz Pokrzywinski*
Composed By – Antonio Vivaldi
Cover – Ad van der Kouwe*
Double Bass – Christine Sticher, Margaret Urquhart
Edited By – Jared Sacks
Flute – Rosario Conte
Harpsichord – Tineke Steenbrink
Leader – Rachel Podger
Liner Notes – Clemens Romijn, Judith Steenbrink, Rachel Podger
Lute – Daniele Caminiti, Mirko Arnone
Mastered By – Jared Sacks
Orchestra – Holland Baroque Society
Organ – Christoph Lehmann, Siebe Henstra
Photography By – Wouter Jansen (3)
Producer – Jonathan Freeman Attwood
Recorded By – Jared Sacks
Viola – Bernadette Verhagen, Esther Van Der Eijk
Violin [1] – Annelies van der Vegt*, Dasa Valentova, Judith Steenbrink, Maite Larburu, Rachel Podger
Violin [2] – Ania Nowak, David Wish, George Crawford, Lidewij van der Voort, Maite Larburu
Notes
Recorded: September 2011, January 2012.
36 page booklet.
Barcode and Other Identifiers
Barcode (Text): 7 23385 33412 5
Rights Society: STEMRA
Label Code: LC 4481
Other (Spars Code): DDD
专辑曲目:
CD 1:
Concerto No. 1 in C major RV 181a
1-01. Allegro ( 3:45 )
1-02. Largo ( 3:27 )
1-03. Allegro ( 2:39 )
Concerto No. 2 in A major RV 345
1-04. Allegro ( 4:06 )
1-05. Largo ( 2:07 )
1-06. Allegro ( 3:04 )
Concerto No. 3 in G minor RV 334
1-07. Allegro non molto ( 3:52 )
1-08. Largo ( 3:19 )
1-09. Allegro non molto ( 3:23 )
Concerto No. 4 in E major RV 263a
1-10. Allegro non molto ( 4:31 )
1-11. Largo ( 2:43 )
1-12. Allegro non molto ( 3:36 )
Concerto No. 5 in A minor RV 358
1-13. Adagio-Presto ( 5:03 )
1-14. Largo ( 1:37 )
1-15. Allegro ( 3:14 )
Concerto No. 6 in A major RV 348
1-16. Allegro ( 3:57 )
1-17. Largo ( 3:07 )
1-18. Allegro ( 4:25 )
CD 2:
Concerto No. 7 in B-flat major RV 359
2-01. Allegro ( 2:54 )
2-02. Largo ( 2:16 )
2-03. Allegro ( 2:56 )
Concerto No. 8 in D minor RV 238
2-04. Allegro ( 3:50 )
2-05. Largo ( 2:46 )
2-06. Allegro ( 2:46 )
Concerto No. 9 in B-flat major RV 530
2-07. Allegro ( 3:25 )
2-08. Largo e spiccato ( 3:02 )
2-09. Allegro ( 2:46 )
Concerto No. 10 in G major RV 300
2-10. Allegro molto ( 3:37 )
2-11. Largo cantabile ( 2:27 )
2-12. Allegro ( 3:03 )
Concerto No. 11 in C minor RV 198a
2-13. Allegro ( 4:17 )
2-14. Adagio ( 2:15 )
2-15. Allegro ( 3:12 )
Concerto No. 12 in B minor RV 391
2-16. Allegro non molto ( 5:00 )
2-17. Largo ( 2:19 )
2-18. Allegro ( 4:00 )
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Antonio De Lucena, Sergi Vicente -《古典浪漫吉他乐》(Armando Tatis - Classical Guitar Romantica)[FLAC]

April 10, 2017, 12:57 am

≫ Next: Ophélie Gaillard -《布拉姆斯:大提琴奏鸣曲》(Brahms_Sonatas for cello and piano; Trio for clarinet )[FLAC]

≪ Previous: Rachel Podger -《维瓦尔第：里拉琴（12首小提琴协奏曲，9号作品》(Holland Baroque - Vivaldi - La Cetra)[2 SACD-r]

Antonio De Lucena, Sergi Vicente -《古典浪漫吉他乐》(Armando Tatis - Classical Guitar Romantica)[FLAC]

专辑英文名: Armando Tatis - Classical Guitar Romantica
专辑中文名: 古典浪漫吉他乐
艺术家: Antonio De Lucena, Sergi Vicente
古典类型: 全集作品
资源格式: FLAC
发行时间: 2003年04月22日
地区: 美国
语言: 英语
简介:
专辑介绍:
十首如诗篇浪漫的古典吉他乐的甜蜜邂逅。
在充满浓郁浪漫的气氛中体会充满欢愉与律动的音乐地图...
本辑特邀安东尼欧．迪路西拿与塞吉文森两位风靡西班牙的新生代吉它大师共同演出，他们灿烂精湛的演奏技巧中充满著一种令人无法抗拒的欢愉诱惑，加上变化多端的音色呈现，更让整张专辑的音乐性显得完美成熟。在充满繁复的高难度吉它技巧之中，融入了极为丰富的异国风味，呈现出来一种前所未有的合谐与流畅。除了丰富多变的音乐性以及充满著多愁善感的音乐内涵，专辑中洋溢著高水準的临场感录音，让『浪漫古典吉他乐』更具聆赏性，深深地打动您挑剔的耳朵，长达50分鐘的音乐盛宴，绝对包您直呼过癮，欲罢不能。你有多久不曾被音乐感动过了？就让曼妙的古典吉他乐跨越所有语言与文化的藩篱，随著它恣意盎然的旋律与音符，和我们一起经历这难忘的激情邂逅。
Release Date April 22, 2003
Duration50:07
Genre Classical
Styles Chamber Music
Artist: Antonio De Lucena, Sergi Vicente, Armando Tatis
Title: Classical Guitar: Romantica
Year Of Release: 2003
Label: St. Clair
Genre: Guitar Acoustic, Guitar Classical
Total Time: 00:50:14
专辑曲目:
01. Rodrigo / Excerpt From "Concierto De Aranquez" [0:03:58.15]
02. Anon / Romance Anonimo - Juegos Prohibidos [0:02:28.20]
03. Chopin / Prelude in A Minor [0:04:31.66]
04. Faure / Pavane in E Minor [0:05:16.20]
05. Bizet / Carmen [0:02:52.29]
06. Vivaldi / Andante [0:03:45.71]
07. Vicente / Suite Intima [0:13:02.30]
08. Beethoven / Sonata in A Minor [0:06:16.51]
09. Gounod / Ave Maria in A Major [0:03:37.67]
10. Pachelbel / Canon in D Major [0:04:22.49]
评论(24) 收藏(15) 查看完整资源页

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Ophélie Gaillard -《布拉姆斯:大提琴奏鸣曲》(Brahms_Sonatas for cello and piano; Trio for clarinet )[FLAC]

April 10, 2017, 12:59 am

≫ Next: Various Artists -《讚美歌百分百》(100 Best Hymns )[6 CD][FLAC]

≪ Previous: Antonio De Lucena, Sergi Vicente -《古典浪漫吉他乐》(Armando Tatis - Classical Guitar Romantica)[FLAC]

Ophélie Gaillard -《布拉姆斯:大提琴奏鸣曲》(Brahms_Sonatas for cello and piano; Trio for clarinet )[FLAC]

专辑英文名: Brahms_Sonatas for cello and piano; Trio for clarinet
专辑中文名: 布拉姆斯:大提琴奏鸣曲
艺术家: Ophélie Gaillard
古典类型: 室内乐
资源格式: FLAC
发行时间: 2012年10月08日
地区: 美国
语言: 英语
简介:
专辑介绍:
欧菲莉.盖雅尔/布拉姆斯:大提琴奏鸣曲第1&2&单簧管三重奏
Ophelie Gaillard/Brahms: Cello Sonatas (Aparte)
　　布拉姆斯的两首「大提琴奏鸣曲」与贝多芬的五首大提琴奏鸣曲，同为音乐会中不可或缺的曲目。由於大提琴和钢琴完全处於对等的地位，所以让演奏家们能互相帮衬，将此曲詮释得魅力十足。
布拉姆斯《第二号大提琴奏鸣曲》，F大调，OP.99，作於1886年，瑞士托恩湖畔（与《第二号A大调小提琴奏鸣曲》同时完成）。共4个乐章：1.活泼的快板，F大调，奏鸣曲式。第一主题为；“汹涌怒涛冲击般”的钢琴震音伴奏下，大提琴奏出歌剧咏嘆调式的旋律，呈示部的发展充满热情。发展部为升F小调，力度减弱，大提琴奏出柔和的半音阶化新旋律，钢琴以对位法加入后达到顶点，再现部以第一主题为基础，它的变形变得相当优雅。2.哀婉动人的慢板，升F大调，3段体，充分发挥大提琴的性格，钢琴则展现完美的对位法，第二段开始时有一段热情的迸发。3.热情的快板，F小调，3段体。速度极快，随时出现意外的休止和音的挪位，以体现谐謔风格。第二段不是一般的抒情的歌曲形态，而是回旋曲式与奏鸣曲式有机的混合。4.很快的快板，F大调，回旋曲式。这一乐章在正主题之后出现的副主题所出现时明朗而活泼，变调后略显忧愁。正主题再现结束后，转至降D大调，第二副主题出现，钢琴三连音伴奏给人深刻印象。乐章结尾部是由大提琴拨奏暗示主题，技巧的效果极佳。
布拉姆斯(Johannes Brahms, 1833~1897)在创作第一号交响曲的时候，花了二十二年的时间，只因为他坚持要表现出最完美的一面；而他的两首大提琴奏鸣曲，间隔也将近二十年，对於这位如此自我要求的作曲家来说，我们是不是也可以从这两首作品当中，观察到他在人生阶段中的变化呢？布拉姆斯在十八岁时，就写过大提琴奏鸣曲，但这些初期的习作，事后都被撕毁了，后来正式出版的，只有E小调和F大调这两首。其中的第一号是在布拉姆斯完成著名的「德意志安魂曲」时所作，也是他开始强烈散发出独特忧愁抒情性的代表作之一。二十年后的第二号，则是显示出他成熟风格的晚年作品。 E小调第一号大提琴奏鸣曲 Op.38
西元1865年，那年三十三岁的布拉姆斯正面临失去母亲的痛苦，但母亲的去世却也刺激了布拉姆斯，在一年之中分别完成许多重要的作品，其中也包含这一首，曾被布拉姆斯搁置三年，带有一点北国寒冷、凄凉感觉的「E小调第一号大提琴奏鸣曲」。这首E小调的作品，听起来感觉非常荒凉，彷彿有一种寒冷的北国风情，这也是因为布拉姆斯尝试将巴哈时代的对位法以及十八世纪的均衡美感，做一融合，而创作出这首三个乐章都用小调、而且曲风大胆具实验性的「E小调第一号大提琴奏鸣曲」。另外还有一个可能，就是大提琴极少升高到高音域，大部分都处在比钢琴的音域更低的位置，所以制造出深沉的声音效果。第一乐章，「从容的快板」
一开始大提琴低音吟唱的声音，让人觉得十分哀伤与悲凉，在大提琴充满感情的第一主题旋律，以及与钢琴优美的对位曲式之后，紧接著的是以卡农风格所呈现的第二主题。第二乐章，「小步舞曲式的稍快板」
布拉姆斯「第一号大提琴奏鸣曲」的第二乐章，是「小步舞曲式的梢快板」，具有阴鬱的色彩，也反映了布拉姆斯丧母的悲痛心情。布拉姆斯的母亲对布拉姆斯而言，是一生中最重要的人，她也是所有家人中最支持、最了解布拉姆斯的人。母亲坚毅的性格，深深地影响布拉姆斯。在布拉姆斯成功的时候，第一个写信表达以他为荣的人，也就是他的母亲，因此布拉姆斯对母亲有种特殊的感情与意义。而第二乐章中大提琴苦恼式的凄凉旋律，以及充满流畅线条与典雅的浪漫情怀，让人感受到布拉姆斯对母亲的缅怀之情。第三乐章，「快板」
布拉姆斯「第一号大提琴奏鸣曲」的第三乐章为「快板」，具有自由的赋格曲式，但同时也有活泼幽默以及奇想的愉悦气氛。在整个乐章当中，我们随处可以听见，二声部及三声部的对位法。而在乐曲最后，由狂风暴雨的尾声中将全曲带入高潮，完全摆脱阴暗的气氛。「第一号大提琴奏鸣曲」是布拉姆斯献给好友─肯斯巴赫尔(Josef Gansbacher, 1829~1911)的作品。肯斯巴赫尔是一位擅长演奏大提琴的声乐老师，在布拉姆斯写这首曲子的时候，曾给布拉姆斯很多宝贵的意见，布拉姆斯为了感谢他，特别将这首曲子献给他。 F大调第二号大提琴奏鸣曲Op.99和第一号相比，「第二号大提琴奏鸣曲」不但规模较大，也更加的熟鍊，曲风也比较开朗。除了开朗的感觉以外，其中还洋溢著一种激情，甚至连缓慢的第二乐章也是热情洋溢的，这样的风格，也和曲子本身是大调有所关联。在前一首E小调完成的二十年后，布拉姆斯正在瑞士避暑胜地，写出这首「F大调大提琴奏鸣曲」。在当地美丽与壮阔的湖光山色中，布拉姆斯度过生平中，最快乐与悠閒的一段时光，因此在第二号大提琴奏鸣曲中，我们可以感染到布拉姆斯的愉快心情。布拉姆斯和朋友们愉快地在湖畔度假时，除了写出这首大提琴奏鸣曲，也谱出「第二号小提琴奏鸣曲」和「第三号钢琴三重奏」等杰作。其中，「第二号小提琴奏鸣曲」是由歌曲式的旋律组成，和它正好相对的「第二号大提琴奏鸣曲」，却是纯粹的器乐式结构。小提琴奏鸣曲带来一种优美的感觉，但大提琴奏鸣曲则是在刻划男性的热情与气概。此外大提琴的用法，比起二十年的第一号，累积了更多经验，所以比起第一号效果更加强烈，最明显的就是大提琴的低音声部减少，变得更优雅，而不再那么低沉。第一乐章，「活泼的快板」明朗快活的开阔曲风，似乎有一种欢腾的感受。在第一乐章?，布拉姆斯使用了许多钢琴与大提琴的颤音效果，增强两种乐器互相较劲的热度。最后再以逐渐加快速度的方式，雄壮地结束这个乐章。第二乐章，「深情的慢板」
布拉姆斯第二号大提琴奏鸣曲的第二乐章是「深情的慢板」，先以钢琴优美的和声伴奏下展开乐曲，然后大提琴再以拨奏加入，和同时期的其他音乐作品比起来，有令人耳目一新的印象第三乐章，「热情的快板」布拉姆斯第二号大提琴奏鸣曲的第三乐章「热情的快板」，除了具有詼谐曲式的感觉外，布拉姆斯还在加入许多重覆的跳跃音与断弓的技巧，风格非常活泼，也有丰富的流动感。在连贯的音乐行进中，制造出时而中断的效果。尤其是在乐章结束之前的一段旋律，由大提琴奏出甜蜜而热情的主题，钢琴则以优美的对位加入伴奏。听起来非常动人。第四乐章，「很快的快板」布拉姆斯第二号大提琴奏鸣曲的第四乐章是「很快的快板」。整个乐章先以轮旋曲式展开，由大提琴与钢琴奏出平易近人的旋律。主题在钢琴一再的重覆下，由大提琴与钢琴相呼应，然后再由大提琴奏出第二主题，钢琴以三连音作伴奏。在这个乐章中。布拉姆斯运用速度的变化，让音乐的表现更加的丰富。在十九世纪浪漫时期以前，大提琴的运用，多是室内乐或乐团中低音声部的伴奏，除了海顿(Joseph Haydn, 1732~1809)和玻凯利尼(Luigi Boccherini, 1743~1805)创作了协奏曲，贝多芬(Ludwig Van Beethoven , 1770~1827)创作了奏鸣曲，才真正啟发了后人大量的创作，而布拉姆斯这两首奏鸣曲，则在大提琴成为独奏乐器的发展过程中，扮演重要的角色。
引用Release Date October 8, 2012
Duration 01:15:01
Genre Classical
Styles Chamber Music
Recording DateMay, 2012
Ophélie Gaillard (cello) & Louis Schwizgebel-Wang (piano)
Brahms's important output of 24 chamber scores dominated the second half of the 19th century, as that of Beethoven had dominated the first half. His corpus was thus a response to that of Beethoven, his model, and to that of Mendelssohn, who was likewise born in Hamburg and also composed two cello sonatas. In 1890, aged only 57, Brahms resolved to give up composing but he had reckoned without the inspiration that his meeting with the Meiningen clarinettist Richard Mühlfeld was to have on his creative imagination. He subsequently added four scores for clarinet to his output, including this Trio Op. 114.
Louis Schwizgebel-Wang was awarded 2nd prize at the Leeds Piano Competition 2012.
BRAHMS Cello Sonatas Nos 1 & 2. Trio for Clarinet, Cello and Piano
Gaillard and her Goffriller turn to intimate Brahms
Show View record and artist details
Author: Caroline Gill
AP053. BRAHMS Cello Sonatas Nos 1 & 2. Trio for Clarinet, Cello and Piano
BRAHMS Cello Sonatas Nos 1 & 2. Trio for Clarinet, Cello and Piano
Sonata for Cello and Piano No. 1
Sonata for Cello and Piano No. 2
Trio for Clarinet/Viola, Cello and Piano
Ophélie Gaillard has always displayed an extraordinary palette of colours and these come alive more than ever on this recording of Brahms’s two cello sonatas and the Clarinet Trio. One of her strengths lies in her unobtrusive but deliberate phrasing (aided by the magnificently resonant Goffriller cello she plays), which makes sense of the music without labouring it. She demonstrated the power of this approach with great skill in her elegant second recording of the Bach Cello Suites (9/11) but now exhibits it in Brahms’s sonatas.
Gaillard is no stranger to heavier works but the voyage into earlier repertoire since her last such disc (aside from last year’s recording of the Schumann Concerto) seems to have informed her playing with even more subtlety than before. Brahms’s sonatas have big themes, and for the cello this is nowhere better illustrated than in the First, where the division of labour between the cello and the piano is much as it is in the violin sonatas. Although occasionally the reciprocity that is therefore so necessary between the cello and piano is a bit lost – for example when you hear the themes from the cello return through the piano, with the piano accompaniment transposed into the cello part – the piano of Louis Schwizgebel-Wang in the sonatas is also beautiful, especially in the second movement of the First Sonata, where it follows the lead of the cello and in turn gently encourages it in new directions. In the Trio, Fabio Di Càsola reminds the listener how it was hearing the clarinettist Richard Mühlfeld that tempted Brahms back to composition after he had elected to give up.
专辑曲目:
Sonate pour violoncelle et piano No. 2 en Fa Majeur, Op. 99 (Johannes Brahms)
01. I. Allegro vivace 00:08:29
02. II. Adagio affettuoso 00:06:21
03. III. Allegro passionato 00:06:46
04. IV. Allegro 00:04:33
Sonate pour violoncelle et piano No. 1 en Mi Mineur, Op. 38
05. I. Allegro 00:14:17
06. II. Allegretto quasi minuetto 00:05:18 Unavail. individ. LISTEN
07. III. Allegro 00:06:23
Trio pour clarinette, violoncelle et piano en La Mineur, Op. 114
08. I. Allegro alla breve 00:07:30
09. II. Adagio 00:07:27
10. III. Andantini grazioso 00:03:57
11. IV. Finale : allegro 00:04:24
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Various Artists -《讚美歌百分百》(100 Best Hymns )[6 CD][FLAC]

April 10, 2017, 1:00 am

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Various Artists -《讚美歌百分百》(100 Best Hymns )[6 CD][FLAC]

专辑英文名: 100 Best Hymns
专辑中文名: 讚美歌百分百
艺术家: Various Artists
古典类型: 全集作品
资源格式: FLAC
版本: [6 CD]
发行时间: 2010年
地区: 美国
语言: 英语
简介:
专辑介绍:
★ 这六张CD一共收录了整整一百首的讚美歌，最主要的演唱者是剑桥大学国王学院合唱团所演唱其中还包括一张全是圣诞节时演唱的讚美歌，所以这一百首讚美歌可以让您从年头听到年尾，整年不同的宗教节庆和气氛中都可以找到讚美歌相伴。
讚美诗虽然经常被人与宗教、尤其是基督教的崇拜联想在一起，但其实讚美诗也可以是表达某种庄严、歌颂心情的音乐，不一定要和基督教的宗教仪式或祈祷有关。讚美诗这个字源自希腊文，原意就是「讚美歌曲」的意思，所以本来就不一定要和宗教或基督教有关係。英文中讚美诗这个字也常被移用来翻译其他文明的讚美诗，像古埃及或古印度吠达讚美诗在英文都用hymn这个字来表达。最早古希腊人用这个字来称呼歌颂古希腊诸神的歌曲。后来到近代后，宗教音乐的种类越来越多，讚美诗成为专指英国国教相关的简单民谣式宗教音乐，和德国式的圣咏曲、美国式的福音歌曲或灵歌有了区隔，代表了不仅是音乐风格上的差异，也是宗教上的差异。而唱讚美诗的也多半是信奉英国国教或新教的教徒。但近代讚美歌的风格也开始被流行或跨界音乐模仿，出现在专辑和电影中，这时就不再有宗教的意图，但还保有那种庄严、让人肃然起敬的作用。这六张CD一共收录了整整一百首的讚美歌，最主要的演唱者是剑桥大学国王学院合唱团所演唱，他们一共演唱了三片CD中的讚美歌，其中还包括一张全是圣诞节时演唱的讚美歌，所以这一百首讚美歌可以让您从年头听到年尾，整年不同的宗教节庆和气氛中都可以找到讚美歌相伴。
曲目
CD 1 国王学院合唱团演唱讚美诗
1. 讚美天上的王啊，我的灵魂
2. 破晓
3. 请攀下来吧，爱的藤蔓
4. 神是坚固的堡垒
5. 他们会有多快乐多光荣
6. 当我审视那奇妙的十架
7. 亲爱的主，人类的父
8. 愿您为我双眼
9. 主啊，您的赏赐到这天为止
10. 愿所有凡人尽皆不语
11. 讚美全能的主，创造世间的王
12. 我的歌是不为人知的爱
13. 主是我的牧者
14. 主怀有光荣
15. 慢慢滴下吧，泪水
16. 您的光荣被人传诵
17. 世间所有人皆安栖
CD 2 国王学院合唱团演唱讚美诗
1. 耶路撒冷
2. 与主同住
3. 我向你发誓，我的国家
4. 哈利路亚，歌颂耶穌
5. 汝等新耶路撒冷的诗班们
6. 那曾以荆棘为冠的头
7. 圣哉、圣哉、圣哉
8. 讚美那最圣洁的灵魂
9. 醒来吧，醒来，有震惊的消息传来
10. 在约旦河畔施洗者哭了
11. 远方有绿色山丘
12. 神圣的头颅，受伤的创伤
13. 耶穌基督今天复活了
14. 那曾喜悦的影像好亮
15. 来啊，圣魂，我们的灵魂要感染你
16. 晚祷
CD 3 约克寺合唱团和利物浦教堂诗班演唱讚美诗
1. 您多伟大
2. 让世界每个角落都歌颂您
3. 奇异恩典
4. 诸圣
5. 耶穌这名多么悦耳
6. 欢庆吧，天主即是我
7. 救主的灵魂
8. 凡太阳所照之土皆将为耶穌所统领
9. 向王膜拜
10. 我们唯一的神与王的创造
11. 我的眼睛曾见过天主降临的荣耀
12. 带领我们，天父，带领我们
13. 再遥远的山丘有一座古老破烂的十字架
14. 我对神所有的希望都不是空想
15. 来与我一同哀悼吧
16. 对天国的爱，胜过诸爱
17. 基督徒士兵们，前进吧
CD 4 天普教堂诗班
1. 天主是我的牧人
2. 对天国的爱胜过诸爱
3. 听啊，多美的声音
4. 爱的王是我的牧人
5. 基督的士兵起来吧
6. 哈利路亚，歌颂耶穌
7. 祝福耶穌，用你的话语
8. 爱你羔羊的慈爱牧人
9. 请当我的守护者
10. 抬头仰望
11. 怜悯、真理与爱的圣灵
12. 您的话语充满力量
13. 主啊，在您的名中我向前进
14. 我讚美主
15. 耶穌，受祝福的救主
16. 所有人都为耶穌名的力量欢呼
17. 我们全都感谢神
CD 5 贺德斯菲合唱协会
1. 引导我伟大的耶和华
2. 只有不朽且不可得见的神是有智慧的
3. 耶穌是我灵的爱人
4. 基督徒快醒来向这快乐的早晨敬礼
5. 永远的天父，救赎的强者
6. 用许多王的冠为他加冕
7. 与我同住
8. 哦，神啊，我们的救援在远古以前
9. 十字架：神性侮辱的神秘
10. 十字架：受难曲的连祷
11. 十字架：求情的神秘
12. 十字架：向上了十架的人膜拜
13. 十字架：为了对耶穌的那份爱
14. 十字架：基督，你是光也是天
15. 十字架：主耶穌最美
16. 十字架：愿神与你同在
CD 6 国王合唱团演唱圣诞节讚美歌和圣咏曲
1. 曾经在大卫王的城里
2. 当牧人看顾时
3. 上帝似各位平安
4. 小城伯利恒
5. 第一个圣诞节
6. 老人们也享快乐
7. 天父的心被人遗忘了
8. 来啊，神子艾曼纽尔
9. 圣城伯利恒
10. 在明亮的半夜里它来到
11. 信眾齐来
12. 听啊，天使报佳音
13. 基督降临节与圣诞之圣咏
14. 圣咏前奏曲：主基督，您是神子
15. 圣咏前奏曲：耶穌，我的喜悦
16. 圣咏前奏曲：男孩诞生在伯利恒
17. 圣咏前奏曲：柔温的喜悦
Best Hymns 100 (6CD)
讚美歌百分百 (6CD)
发行公司：Warner Classics
产品编号：5099994830620
发行日期：2012/01/17
张数：6 张 - 6CD
代码http://www.warnerclassics.com/shop/3255741,5099994830620/100-best-100-best-hymns
Featuring a who’s who of nearly exclusively British Choirs (Kings College Cambridge, York Minster, Huddersfield) Choir Directors (Cleobury, Ledger, Willcocks) brass ensembles (Philip Jones) and famed conductors (Hickox), this impressively comprehensive and heavenly six-disc EMI compilation of the finest hymnals in the Western canon offers innumerable moving and tradition-honoring devotional performances for all to glory in any time of day, evening or year. Total Time: 5 hours 19 minutes
Release Date 2010
Duration 03:53:40
Genre Religious
Styles Inspirational Gospel
专辑曲目:
CD1
01. Praise, my soul, the King of heaven (Praise, my soul)
02. Morning has broken (Bunessan)
03. Come down, O Love divine (Down Ampney)
04. A mighty fortress is our God (Ein' feste Burg)
05. O what their joy and their glory must be (Regnator Orbis)
06. When I survey the wondrous cross (Rockingham)
07. Dear Lord and Father of mankind (Repton)
08. Be thou my vision (Slane)
09. The day thou gavest, Lord, is ended (St Clement)
10. Let all mortal flesh keep silence (Picardy)
11. Praise to the Lord, the Almighty, the King of creation (Hast du denn, Jesu)
12. My song is love unknown (Love Unknown)
13. The Lord's my shepherd (Brother James' Air)
14. Thine be the glory (Maccabaeus)
15. Drop, drop, slow tears (Song 46)
16. Glorious things of thee are spoken (Abbot's Leigh)
17. All people that on earth do dwell (The Old Hundredth)
CD2
01. Jerusalem - Oliver Brett
02. Abide with me (vv. 2, 4 & 5 arr. Cleobury)
03. I vow to thee, my country (Thaxted)
04. Alleluya, sing to Jesus (Hyfrydol) [last verse omitted]
05. Ye choirs of new Jerusalem (St Fulbert) (1994 Digital Remaster)
06. The head that once was crowned with thorns (St Magnus)
07. Holy, holy, holy (Nicaea) (v.2 arr. Willcocks)
08. Praise to the Holiest (Richmond)
09. Wake, O wake! with tidings thrilling (melody adapted and harm. J. S. Bach) (1987 Digital Remaster)
10. On Jordan's bank the Baptist's cry
11. There is a green hill far away (Horsley)
12. O sacred head, sore wounded ('Passion Chorale': English Hymnal No. 102, O Haupt voll Blud und Wunden from the St Matthew Passion BWV244 Nos. 21 & 72) (1994 Digital Remaster)
13. Jesus Christ is risen today (Easter Hymn)
14. Bright the vision that delighted (Redhead No.46)
15. Come, Holy Ghost, our souls inspire (Veni Creator)
16. Evening Hymn (Te lucis ante terminum) (1995 Digital Remaster)
CD3
01. How great thou art (Sanningsvittnet)
02. Let all the world in every corner sing (Luckington)
03. Amazing Grace
04. For all the saints (Sine nomine)
05. How sweet the name of Jesus sounds (St Peter)
06. Rejoice, the Lord is king (Gopsal)
07. Soul of my saviour (Anima Christi)
08. Jesus shall reign where'er the sun (Truro)
09. O worship the king (Hanover)
10. All creatures of our God and king (Lasst uns erfreuen)
11. Mine eyes have seen the glory of the coming of the Lord (Battle Hymn)
12. Lead us, heavenly Father, lead us (Mannheim)
13. On a hill far away stood an old rugged cross (The Old Rugged Cross)
14. All my hope on God is founded (Michael)
15. O come and mourn with me awhile (St Cross)
16. Love divine, all loves excelling (Blaenwern)
17. Onward, Christian soldiers! (St Gertrude) (brass & perc. arr. Tracey)
CD4
01. The Lord's my shepherd (Crimond) (1996 Digital Remaster)
02. Love Divine, all loves excelling (Love Divine)
03. Hark, what a sound (Highwood)
04. The King of love my shepherd is (Dominus regit me)
05. Soldiers of Christ, arise (St Ethelwald)
06. Alleluya, sing to Jesus (Ebenezer)
07. Blessed Jesus, at thy word (Liebster Jesu)
08. Loving shepherd of thy sheep (Buckland)
09. Be thou my guardian (Abridge)
10. Lift up your heads
11. Spirit of mercy, truth and love (Melcombe)
12. Thou, whose almighty word (Moscow)
13. Forth in thy name, O Lord, I go (Angel's Song)
14. O praise ye the Lord (Laudate Dominum)
15. Jesus, blessed saviour (Eudoxia/Caswall)
16. All hail the power of Jesu's name (Ladywell)
17. Now thank we all our God (Nun danket)
CD5
01. Guide Me O Thou Great Jehovah
02. Immortal Invisible God Only Wise
03. Jesu Lover Of My Soul
04. Christians Awake Salute The Happy Morn
05. Eternal Father, Strong To Save
06. Crown Him With Many Crowns
07. Abide with me (arr. G. Langford) (1971 Digital Remaster)
08. O God, our help in ages past ('St. Anne') (arr. Jaeger) (1966 Digital Remaster)
09. The Crucifixion - 5. The Mystery of the Divine Humiliation (Cross of Jesus, cross of sorrow) (choir & congregation)
10. The Crucifixion - 10. Litany of the Passion (Holy Jesu, by thy passion) (choir & congregation)
11. The Crucifixion - 13. The Mystery of the Intercession (Jesus, the crucified, pleads for me) (choir)
12. The Crucifixion - 15. The Adoration of the Crucified (I adore thee, I adore thee!) (choir & congregation)
13. The Crucifixion - 20. For the Love of Jesus (All for Jesus - all for Jesus) (choir & congregation)
14. The Crucifixion - Christe, Qui Lux Es Et Dies
15. The Crucifixion - Fairest Lord Jesus
16. The Crucifixion - God Be With You
CD6
01. Once in royal David's city (harm. A. H. Mann, descant Willcocks)
02. While shepherds watched (Este's Psalter, 1592; descant Willcocks)
03. God rest you merry, gentlemen
04. O little town of Bethlehem (v.3 arr. Ledger)
05. The First Nowell
06. As with gladness men of old (Dix) (1994 Digital Remaster)
07. Of the Father's heart begotten (2004 Digital Remaster)
08. O come, O come, Emmanuel (trans. J. M. Neale rev. T. A. Lacey; arr. Willcocks) (2004 Digital Remaster)
09. Bethlehem of noblest cities (Stuttgart) (1994 Digital Remaster)
10. It came upon the midnight clear (adapted & arr. Sullivan; descant Willcocks)
11. O come, all ye faithful
12. Hark! the herald angels sing
13. Chorales & chorale preludes for Advent & Christmas (1989 Digital Remaster) - Vom Himmel hoch
14. Chorale prelude BWV700 - Herr Christ, der ein'ge Gottes-Sohn
15. Chorale prelude BWV601 - Jesu, meine Freude
16. Chorale prelude BWV610 - Puer natus in Bethlehem
17. Chorale prelude BWV603 - In dulci jubilo
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