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Helene Grimaud -《钢琴家葛莉茉的华纳时期全录音》(Helene Grimaud plays Beethoven, Brahms, Gershwin and others)[6 CD] [FLAC]

专辑英文名: Helene Grimaud plays Beethoven, Brahms, Gershwin and others
专辑中文名: 钢琴家葛莉茉的华纳时期全录音
艺术家: Helene Grimaud
古典类型: 协奏曲
资源格式: FLAC
版本: [6 CD]
发行时间: 2006年10月17日
地区: 美国
语言: 英语
简介:
专辑介绍:
本套专辑收录钢琴家葛莉茉1996年到2001年在Teldec的录音，包括与指挥家大卫辛曼、马舒、桑德林以及阿胥肯纳吉的合作。
葛莉茉是年轻一代钢琴家里，少数具有个人独特音乐性的一位。1969年出生於法国埃克斯市，九岁开始学习钢琴，十二岁获准进入巴黎音乐学院，十八岁应巴伦波因的邀请，首次与巴黎管弦乐团在巴黎合作李斯特第一号钢琴协奏曲以后，开始渐渐打开国际知名度。葛莉茉在2002年获法国文化部颁授艺术与文学勋章，2003年十一月，致力於保育野狼的葛莉茉出版个人第一本书《野生的变奏》，她在书中谈到身为音乐家的生活以及野狼保育工作。
与巴伦波因合作以前，葛莉茉於1985年就以在日本唱片公司Denon的录音吸引不少资深爱乐者的注意，1996年到2001年在Teldec的录音更是把她的名声推向高峰。这一套专辑收录了葛莉茉在Teldec时代的六张录音全集，包括与大卫辛曼／柏林德意志交响乐团合作的舒曼钢琴协奏曲与理查‧史特劳斯戏謔曲、布拉姆斯钢琴小品与第一号钢琴协奏曲（桑德林指挥柏林国立管弦乐团的音乐会实况录音）、盖希文F大调钢琴协奏曲与拉威尔G大调钢琴协奏曲（大卫辛曼指挥巴尔的摩交响乐团）、贝多芬两首钢琴奏鸣曲与第四号钢琴协奏曲（马舒指挥纽约爱乐的音乐会实况录音），最后是拉赫曼尼诺夫《柯瑞里主题变奏》、四首钢琴独奏小品与第二号钢琴协奏曲（阿胥肯纳吉指挥爱乐管弦乐团）。
商品条码 : 0825646227372
商品编号 : 2564622737
演奏者 : 葛莉茉 Helene Grimaud - 查看所有专辑
指挥家 :
乐团 :
作曲家 :
专辑名称 : 钢琴家葛莉茉的华纳时期全录音 6CD
The complete Warner Classics recordings 6CD
音乐类型 : 古典音乐 [CD 钢琴(家)]
发行公司/日期 : 华纳　2014/11/18
制作公司 :
内含片数 : 6
仅供参考（台版本）
DISK 1 CD
编号曲名
1. 舒曼：A小调钢琴协奏曲，作品54
2. 理查‧史特劳斯：D小调为钢琴与管弦乐团所写的戏謔曲，op. 85
　　　 DISK 2 CD
编号曲名
1. 布拉姆斯：幻想曲，作品116
2. 布拉姆斯：三首间奏曲，作品117
3. 布拉姆斯：钢琴小品，作品118
4. 布拉姆斯：钢琴小品，作品119
　　　 DISK 3 CD
编号曲名
1. 盖希文：F大调钢琴协奏曲
2. 拉威尔：G大调钢琴协奏曲
　　　 DISK 4 CD
编号曲名
1. 布拉姆斯：D小调第一号钢琴协奏曲，作品15
　　　 DISK 5 CD
编号曲名
1. 贝多芬：G大调第四号钢琴协奏曲，作品58
2. 贝多芬：E大调第三十号钢琴奏鸣曲，作品109
3. 贝多芬：降A大调第三十一号钢琴奏鸣曲，作品110
　　　 DISK 6 CD
编号曲名
1. 拉赫曼尼诺夫：C小调第二号钢琴协奏曲，作品18
2. 拉赫曼尼诺夫：升G小调前奏曲，作品32-12
3. 拉赫曼尼诺夫：音画练习曲，作品33-1、33-2、33-9
4. 拉赫曼尼诺夫：柯瑞里主题变奏，作品42
引用Conductor: David Zinman, Kurt Sanderling
Composer: Robert Schumann, Richard Strauss, Johannes Brahms, George Gershwin, Maurice Ravel, et al.
Audio CD (October 17, 2006)
SPARS Code: DDD
Number of Discs: 6
Format: Box set
Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
Label: Warner Classics
ASIN: B000FPYNVM
Average Customer Review: 5.0 out of 5 stars
Release Date July 3, 2006
Duration 06:10:13
Genre Classical
Styles Keyboard Concerto
5.0 out of 5 starsFine Retrospective From Warner Classics Of Helene Grimaud's Best Recordings For This Label
By John Kwok HALL OF FAME on May 25, 2007
Format: Audio CD
Warner Classics has turned once more to its vaults, hoping to reap some additional financial rewards from legendary young French pianist Helene Grimaud, who has now an exclusive recording contract with Deutsche Grammophon. While cynics may criticize this latest compilation from Warner Classics, serious fans of classical music may find much that is rewarding here. Grimaud's disciplined, yet emotionally intense performances have been compared favorably to the likes of Martha Argerich and Claudio Arrau. Many critics and fans have observed that she performs with the wisdom and maturity of an artist who is far more advanced in age than hers (This is an interesting observation in light of the recent success earned by another Deutsche Grammophon recording artist, Lang Lang, who has yet to attain the artistic maturity which Grimaud has demonstrated for years.). In these recordings made for Teldec in the mid to late 1990s, Grimaud was fortunate to work closely with such eminent conductors as David Zinman, Kurt Sanderling and Kurt Masur, and with excellent symphony orchestras in North America and Europe, including the Berliner Staatskapelle, New York Philharmonic and Baltimore Symphony orchestras. Among my favorites is her fiery performance of the Schumann Piano Concerto, which sounds remarkably fresh in her capable hands and in the excellent muscianship demonstrated from the Deutsches-Symphonie-Orchester Berlin and conductor David Zinman. Yet another favorite is an exquisitely well-played performance of the Brahms 1st Piano Concerto, in which she is accompanied by Kurt Sanderling and the Berliner Staatskapelle. Not surprisingly, yet another highlight is her excellent, rather vibrant, performance of the Gershwin Piano Concerto with David Zinman conducting the Baltimore Symphony Orchestra. If you've wondered why Helene Grimaud has received such ample praise from critics and fans alike, then hopefully you'll find this CD set as an important reason why she has earned such warm adulation from critics and classical music fans across the globe.
专辑曲目:
Disc: 1
1. I. Allegro Affettuoso
2. II. Intermezzo: Andantino Grazioso
3. III. Allegro Vivace
4. Allegro Vivace
5. Tranquillo
6. A Tempo. Sostenuto
7. Un Poco Animato. Quasi Cadenza
Disc: 2
1. I. Capriccio - Presto Energico
2. II. Intermezzo - Andante
3. III. Capriccio - Allegro Passionato
4. IV. Intermezzo - Adagio
5. V. Intermezzo - Andante Con Grazia
6. VI. Intermezzo - Andantino Teneramente
7. VII. Capriccio - Allegro Agitato
8. I. Andante Moderato
9. II. Andante Non Troppo
10. III. Andante Con Moto
11. I. Intermezzo - Allegro Non Assai
12. II. Intermezzo - Andante Teneramente
13. III. Ballade - Allegro Energico
14. IV. Intermezzo - Alegretto Un Poco Agitato
15. V. Romanze - Andante
16. VI. Intermezzo - Andante, Largo E Mesto
17. I. Intermezzo - Adagio
18. II. Intermezzo - Andantino Un Poco Agitato
19. III. Intermezzo - Grazioso E Giocoso
20. IV. Rhapsodie - Allegro Risoluto
Disc: 3
1. I. Allegro
2. II. Adagio - Andante Con Moto
3. III. Allegro Agitato
4. I. Allegramente
5. II. Adagio Assai
6. III. Presto
Disc: 4
1. I. Maestoso
2. II. Adagio
3. III. Rondo - Allegro Non Troppo
4. Applause - Applaudissements - Applaus
Disc: 5
1. I. Allegro Moderato
2. II. Andante Con Moto
3. III. Rondo: Vivace
4. I. Vivace Ma Non Troppo
5. II. Prestissimo
6. III. Gesangvoll, Mit Innigster Empfindung (Andante Molto Cantabile Ed Espressivo)
7. I. Moderato Cantabile, Molto Espressivo
8. II. Allegro Molto
9. III. Adagio Ma Non Troppo - Fuga - Allegro Ma Non Troppo
Disc: 6
1. I. Moderato
2. II. Adagio Sostenuto
3. III. Allegro Scherzando
4. Allegro
5. No. 1: Allegro Non Troppo F Minor
6. No. 2: Allegro C Major
7. No. 9: Grave C Sharp Minor
8. Variations On A Theme Of Corelli, Op. 42
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Isabelle Faust -《贝多芬小提琴协奏曲, 克洛采奏鸣曲》(Beethoven Violin Concerto Kreutzer Sonata)[FLAC]

专辑英文名: Beethoven Violin Concerto Kreutzer Sonata
专辑中文名: 贝多芬小提琴协奏曲, 克洛采奏鸣曲
艺术家: Isabelle Faust
古典类型: 全集作品
资源格式: FLAC
发行时间: 2007年09月11日
地区: 美国
语言: 英语
简介:
专辑介绍:
本品已绝版，请改订HMX2908454/45 或 HMC902105
贝多芬《D大调小提琴协奏曲,Op.61》係为当时维也纳剧场管弦乐团音乐监督克莱蒙特而作，1806年12月23日於一场慈善音乐会首演。全曲著重交响结构与发展，独奏者并非以花俏展技为目的，抒情沉思的成分重於英雄宣叙。《A大调第九号小提琴奏鸣曲,Op.47》原先是为英国小提琴家布瑞吉陶尔而写，1803年5月24日亦由布氏负责首演。然而此曲乐谱出版时，贝多芬却将之改成题献给法国小提琴家克洛采，乃有《克洛采奏鸣曲》之称，不过，克氏本人竟然从来没有独奏过这首曲目。全曲基本上是一首为音乐厅表演之用的展技曲，具有协奏曲架式，小提琴跟钢琴居於对等地位，不再只是钢琴的附庸。本片小提琴新偶像明星伊莎贝儿．佛丝特，係1987年莫札特小提琴大赛跟1993年帕格尼尼小提琴大赛的金牌得主，她目前拉奏由德国巴登-伍腾堡银行所出借的1701年《睡美人》史特拉底伐里名琴。
专辑编号： HMC901944
专辑类型：单CD
发行年份： 2007
国际条码： 0794881847525
音乐家：
Faust, Isabelle (violin)　伊莎贝拉．佛斯特 (小提琴) Melnikov, Alexander (piano)　亚历山大．梅尼可夫 (钢琴) Belohlávek, Jirí (conductor)　贝洛拉维克 (指挥)
音乐厂牌： Harmonia Mundi
库存状态：已绝版
引用Release Date September 3, 2007
Duration 01:14:31
Genre Classical
Styles Concerto
Chamber Music
AllMusic Review by James Leonard
In this 2006 Beethoven program, Isabelle Faust's tone is subtle and strong, her intonation true, her technique flawless, and her interpretations so sweetly lyrical that the young German violinist sounds like the true heir of the late Belgian violinist Arthur Grumiaux. Partnered with conductor Jirí Belohlávek and the Prague Philharmonia in the concerto and with pianist Alexander Melnikov in the sonata, Faust creates a concerto that is Grecian in its poetic purity and Roman in its pastoral loveliness and a sonata that is Dionysic in its ecstatic outer Prestos and Apollonian in its central Andante. Captured in rich but clear sound by artistic director Martin Sauer in the warm acoustics of the Rudolfinum in Prague, these recordings deserve as wide an audience as possible. It should also be noted that Faust plays none of the usual cadenzas in the concerto, but rather, newly written cadenzas by Russian composer Katia Tchemberdji that are slyly entertaining and surprisingly lovely.
Audio CD (September 11, 2007)
SPARS Code: DDD
Number of Discs: 1
Format: Import
Label: Harmonia Mundi Fr.
ASIN: B000PD3LBM
Average Customer Review: 4.5 out of 5 stars
Beethoven: Violin Concerto; Sonata/Faust
Review by: David Hurwitz
Artistic Quality: 9
Sound Quality: 9
Isabelle Faust plays this concerto with plenty of personality. While her initial entrance sounds just a touch affected, from there on her resinous tone and fearless passagework produce a reading of uncommon energy, without ever compromising Beethoven’s basically lyrical inspiration. You’ll be particularly taken with her cadenzas. In the first movement she includes solo timpani as did Beethoven himself in his transcription of the work for piano and orchestra, while Faust’s transition between the Adagio and the Finale has to be one of the most compelling and effective on disc. Tempos throughout are ideal.
The Prague Philharmonia under Jirí Belohlávek accompanies beautifully–not just where we might expect (the woodwinds), but in the detailed rhythmic underpinning that permits Faust to really float Beethoven’s melodies. Consider, for example, the unobtrusive clarity of the triplet rhythm beneath the first movement’s second subject, or the measured tremolos propelling the canonic cadence theme that closes the exposition. It’s really a pleasure to hear such a close collaboration between soloist and conductor, and it works like a charm. Only Faust’s occasional tendency, previously mentioned, to underline a phrase too heavily prevents this rendition from attainting virtual perfection.
I have no such reservations concerning the Kreutzer Sonata. This performance smokes. Faust and Melnikov blast their way through the first movement with seat-of-the-pants excitement. The long, central variation movement sounds about half its usual length in a reading of high contrasts and unflagging spirit, while the finale will leave you breathless, precisely because the phrasing and articulation are not. Given the obviously different challenges presented to the engineers, the sonics in both works are extremely clear, well-balanced, and natural. This is a lovely disc that will make a memorable impression, even if you already own 40 or 50 versions of each work. [9/27/2007]
- See more at: http://www.classicstoday.com/review/review...Oz3.dpuf
专辑曲目:
1. Violin concerto in D Major, Op. 61: I. Allegro ma non troppo 21:32
2. Violin concerto in D Major, Op. 61: II. Larghetto 8:57
3. Violin concerto in D Major, Op. 61: III. Rondo (Allegro) 8:46
4. I. Adagio sostenuto - Presto 13:20
5. II. Andante con variazioni 13:41
6. III. Finale - Presto 8:15
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Khatia Buniatishvili -《萧邦》(Chopin)[FLAC]

专辑英文名: Chopin
专辑中文名: 萧邦
艺术家: Khatia Buniatishvili
古典类型: 全集作品
资源格式: FLAC
发行时间: 2012年09月18日
地区: 美国
语言: 英语
简介:
专辑介绍:
SONY 卡蒂雅(Khatia Buniatishvili)/萧邦:第二号钢琴协奏曲、钢琴奏鸣曲、圆舞曲等[Khatia Buniatishvili: Chopin]【1CD】
SONY 88691-97129-2(1CD)886919712926
萧邦:第二号钢琴协奏曲、钢琴奏鸣曲、圆舞曲等【1CD】
Khatia Buniatishvili: Chopin
卡蒂雅, 钢琴 / 帕佛．贾维指挥巴黎管弦乐团
Khatia Buniatishvili, Piano / Orchestre de Paris, Paavo Järvi
简介:
卡蒂雅在首张专辑「李斯特」的耀眼成绩之后，推出这张最新录音作品，收录五首萧邦作品，包括:第二号钢琴协奏曲，也是卡蒂雅展现与乐团演奏能力的作品；其他还有号称继贝多芬之后最完美的作品之一：第二号奏鸣曲，Op.35、非常能展示技巧与音乐性的第四号叙事曲、充满斯洛维克稳重温暖风格的第二号圆舞曲，Op.64/2、及充满惊奇的A小调马祖卡舞曲，Op.17/4。
出生於乔治亚的卡蒂雅，被BBC广播电台选为2009-2011年度「新生代艺术家」，之后又被维也纳爱乐协会评选为2011/2012乐季的「闪耀之星」。她温暖而偶尔忧伤的音乐詮释，常被形容有一股优雅的孤寂感，甚至淡淡的忧鬱。卡蒂雅自己说，这样的音乐特质，很大原因来自於她的国家乔治亚的民谣音乐。而她演奏出来的萧邦，不但展现她宽广的弹奏技巧，更传达发自内心的深刻情感。
卡蒂雅在2012年已经展开一个繁忙的乐季。她不但与本张专辑里，巴黎管弦乐团的指挥帕佛．贾维继续合作，八月与伊莉莎白皇后大赛小提琴首奖得主陈锐一起登台，还会与法兰克福广播交响乐团、维也纳交响乐团及旧金山交响乐团等合作演出。
曲目:
Frédéric Chopin (1810 - 1849)
[1] Waltz No.7 in C sharp minor, Op.64 No.2
Piano Sonata No.2 in B flat minor, Op.35
[2] 1. Grave - Doppio movimento
[3] 2. Scherzo - Più lento - Tempo I
[4] 3. Marche funèbre (Lento)
[5] 4. Finale (Presto)
[6] Ballade No.4 in F minor, Op.52
Piano Concerto No.2 in F minor, Op.21
[7] 1. Maestoso
[8] 2. Larghetto
[9] 3. Allegro vivace
[10] Mazurka No.13 in A minor Op.17 No.4
艺人 Khatia Buniatishvili
发行月份 2012-Sep
类型古典音乐
Khatia Buniatishvili 卡蒂亚．布尼亚季什维利 1987年出生格鲁吉亚。过人的天赋6岁与乐团担任独奏首演。随后应邀在瑞士，荷兰，法国，德国，比利时，意大利，奥地利，俄罗斯，以色列和美国等国表演。
2003年赢得基辅霍洛维茨钢琴比赛特别奖和伊丽莎白Leonskaya奖学金一等奖。2008年第12届鲁宾斯坦大赛获得了三等奖。
引用Audio CD (September 18, 2012)
SPARS Code: DDD
Number of Discs: 1
Format: Import
Label: Sony Classical
Run Time: 77 minutes
ASIN: B0085MK2BM
Average Customer Review: 4.7 out of 5 stars
AllMusic Review by James Manheim
Georgian pianist Khatia Buniatishvili is a phenomenon, and kudos to Sony Classical for snagging her! This is Chopin of the old school, with massive interposition of the performer between music and listener. And it's glorious. The Piano Sonata No. 2 in B flat minor, Op. 35, is an absolutely original reading, with that black belt of classical pianism, a fresh rendition of the famous funeral march, with real involvement in the emotional content of the movement. This is a Chopin funeral march played after someone actually died, and the moment of chilly nihilism that serves as the finale is really a bit scary here. The big Ballade No. 4 in F minor, Op. 52, is hardly less stirring. Buniatishvili races forward at times, delays as if in torture at other times, and has the skills and the raw power to pull it all off. Are there problems? Sure. It's true that a 19th-century virtuoso recital would have freely mixed orchestral and solo music, but the live performance of the Piano Concerto No. 2 in F minor, Op. 21, doesn't quite fit here, partly because the acoustic of the Salle Pleyel in Paris is nothing like that of the Jesus-Christus-Kirche in Berlin, where the other pieces were recorded. And a few of Buniatishvili's dynamic contrasts go beyond anything Chopin could have accomplished with his own piano or even intended. But these are the flaws that serve only to point up the considerable accomplishments elsewhere. This is the kind of Chopin playing that people used to line up to hear.
Khatia Buniatishvili - Chopin* / Orchestre De Paris, Järvi* ‎– Chopin
Label: Sony Classical ‎– 88691971292
Format: CD, Enhanced, Album
Country: Europe
Released: 2012
Genre: Classical
Style: Romantic
5.0 out of 5 starsAn exquisite Chopin pianist comes on the scene
By Santa Fe Listener HALL OF FAME on October 19, 2012
Format: Audio CD
Now that Sony places seemingly no attention on the U.S. market, it would be hard for music lovers to know much about pianist Khatia Buniatishvili. a child prodigy who was touring Europe by the age of ten, and who rejected the violin despite having perfect pitch, she is quoted in her Wikipedia article as calling the piano "a sumbol of musical solitude" (one suspects that something was lost in translation). She is now 25 and has made her way into the festivals run by Martha Argerich and Gidon Kremer - all of which raises high expectations for this new Chopin recital.
They begin to be filled form the first piece, modest as it is. Buniatishvili plays the Waltz in C-sharp minor with lovely musical instincts and crystal-clear touch. On a sliding scale, her lightness and deftness are closer to dinu Lipatti than, say Evgeny Kissin or Argerich herself. then it's on to the major solo work on the program, the "Funeral March" Sonata. It is approached almost as tenderly as the waltz, with lyrical flow dominating even in louder, more forceful passages - they are done with vigorous animation but not a hint of banging. The Trio of the Scherzo brings a famous melody, and I've never heard it played more naturally and with such poise. I found myself becoming a fan of Buniatishvili's before ten minutes was out. The transitions between episodes are silken and seamless.
The Funeral March itself remains a challenge; its over familiarity dares a young pianist to say something new or personal. Buniatishvili is a bit cautious, preferring to move ahead with steady declamations of the theme. But where she scores is in her ability to balance the theme with the lugubrious cadences in the left hand. Everything merges and sounds of a piece. Again there is no banging, and when the lyrical second theme enters, she transitions to it with utter simplicity and ease. the overall effect is of great dignity and tender melancholy, a respite from other pianists who want to bury the dead as pompously as possible. The sonata's will-o-the-wisp finale, a ferociously difficult Presto that must never rise much above a whisper, is rendered with precision and clarity; at the same time, Buniatishvili refuses to whisper and adds a sense of suppressed passion.
The last solo work is a Chopin connoisseur's favorite, the Ballade in F minor, treasured because of its wide range of expression and its capacity for bringing out as much emotional subtlety as a pianist can bring to it. Some pianists like Kissin overpower the piece - in a good way - through overt passion and a loud voice. Buniatishvili begins more softly and poetically than anyone I've heard in a great while, but soon her emotional expression, and wonderful technique, flashes out. This is amazingly assured, intuitive Chopin playing. Her ability to transit effortlessly from one episode to the next, which I had already admired, becomes breathtaking here. On Youtube you can hear a very moving and impressive Fourth Ballade from the gold medal winner of the last International Chopin competition in 2010, Yulianna Avdeeva from Russia. Taking nothing from her, Buniatishvili manages to be totally engrossing from first note to last, not just in the build-up to the end, where most pianists let the stops out.
the second half of the album is with orchestra - Paavo Jarvi leads the Orchestre de Paris on Chopin's Piano Cto. no. 2. Despite the oft-repeated criticisms of Chopin's orchestral writing, Jarvi conducts with a will; you don't feel that the show is marking time waiting for the star to enter. Sony's sound, which is very good in the solo numbers, is good here,too - clear, natural, nicely balanced. Buniatishvili remains true to her musical personality from the first entry, understating it while still holding our attention. Like Jarvi, she's intent on finding as much music as possible behind the almost constant fingerwork. This results in a lovely rise and fall as tenderness blends into brilliant passages. Listeners who want to hear the entire work attacked with maximum splash, as Argerich does, may feel a bit let down. We are more in the world of Ivan Moravec's elegant nuances.
I'll confess to not being a great fan, and certainly not a collector, of Chopin's two concertos. I've tried to relate what I hear, even if I can't offer extensive, or even very secure, comparisons with other versions. It was Buniatishvili's extraordinary poise and musicianship that struck me, as much here as in the solo works. To settle us after the scintillating finale, thee is a single slow, melancholy Mazurka in A minor Op. 17 no. 4, exquisitely done. I only wish Sony paid enough attention to the North American market that such an extraordinary keyboard artist could be widely appreciated.
Companies, etc.
Phonographic Copyright (p) – Sony Music Entertainment
Copyright © – Sony Music Entertainment
Credits
Composed By – Frédéric Chopin
Conductor – Paavo Järvi (tracks: 7 to 9)
Engineer [Balance] – Markus Heiland (tracks: 7 to 9)
Executive Producer – Anselm Cybinski
Liner Notes – Jürgen Otten, Khatia Buniatishvili
Orchestra – Orchestre De Paris (tracks: 7 to 9)
Piano – Khatia Buniatishvili
Producer [Recording] – Andreas Neubronner
Technician [Piano] – Thomas Hübsch
Notes
Recording: Jesus-Christus-Kirche, Dahlem, Berlin, March 12-15 2012 - Salle Pleyel, Paris, September 13 & 15, 2011 (7-9, live recording)
专辑曲目:
01. Waltz In C-Sharp Minor Op. 64/2 3:19
Sonata No.2 In B-Flat Minor Op. 35
02. I Grave - Doppio Movimento 6:03
03. II Scherzo 6:47
04. III Marche Funèbre. Lento 8:28
05. IV Finale. Presto 1:15
06.Ballade No. 4 In F Minor Op. 52 10:26
Piano Concerto No. 2 In F Minor Op. 21
07. I Maestoso 13:09
08. II Larghetto 8:54
09. III Allegro Vivace 7:33
10. Mazurka In A Minor Op. 17/4 4:54
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Khatia Buniatishvili -《祖国 - 音乐的乡愁》(Motherland )[FLAC]

专辑英文名: Motherland
专辑中文名: 祖国 - 音乐的乡愁
艺术家: Khatia Buniatishvili
古典类型: 全集作品
资源格式: FLAC
发行时间: 2014年07月01日
地区: 美国
语言: 英语
简介:
专辑介绍:
卡蒂雅 / 祖国 - 音乐的乡愁 CD
Khatia Buniatishvili/ Motherland
★乔治亚钢琴家卡蒂雅2014最新专辑。
★为乐迷呈现最具个性与私密心灵写照之作品。
★选录的作品都与「对家的渴望」有关，包含了欢乐的民间舞蹈，以及生命的成长与衰退的循环。
卡蒂雅 Khatia Buniatishvili (钢琴)
继先前在Sony唱片公司发行的两张甚受好评的专辑之后，乔治亚钢琴家卡蒂雅（Khatia Buniatishvili）於2014年推出崭新专辑，为乐迷呈现她最具个性与私密心灵写照之作品「祖国–音乐的乡愁」。跨越广泛的风格与历史的范畴，专辑中的曲目都是曾经伴随卡蒂雅生命成长之轨迹的作品，其中也包含了来自德国、俄国、法国、波兰、捷克等国作曲家的作品，也收录了卡提雅的祖国乔治亚共和国的作品。
收录的作品涵盖许多独奏钢琴曲，包括巴哈到帕特（Arvo Pärt），以及从布拉姆斯到康伽利（Kancheli）的作品，选录的作品都与「对家的渴望」有关，包含了欢乐的民间舞蹈，以及生命的成长与衰退的循环。
专辑中将德弗乍克的《斯拉夫舞曲》与葛利格诗意的《乡愁》并列，与之对比的还有孟德尔颂优雅欢乐的《无言歌》（作品67-2），以及来自李斯特曼妙的《摇篮曲》的自我关照。其他还包括了经典的浪漫派钢琴小品：萧邦的升C小调《练习曲》（作品25-7）、布拉姆斯的《间奏曲》（作品117-2），其中还插入了巴哈的清唱剧《羔羊将安然放牧》以及帕特的音乐奉献《给阿丽娜》（For Alina）。
卡蒂雅在26岁时，就被独立报（The Independent）誉为「年轻的乔治亚火炬」（the young Georgian firebrand），这位在这第比利斯（Tblisi）出生的钢琴家早已经练就成熟的詮释与独特的艺术手法，让她的詮释与演奏得以不被误解。她的演奏，从细微处寻找伟大作曲家们的音乐灵魂，詮释出这些作品内在的大宇宙。
编号：88883734622
条码：888837346221
出版社：Sony Music
出版日期：2014/05/20
引用Audio CD (July 1, 2014)
Number of Discs: 1
Label: Sony Classical
Run Time: 65 minutes
ASIN: B00HLUMXPM
Average Customer Review: 4.5 out of 5 stars
Khatia Buniatishvili's new album, "Motherland," is an intimate quest encompassing solo piano works from Bach to Pärt and from Brahms to Kancheli, in which the themes of longing for home, the merriment of a folk dance and the eternal cycle of growth and decay are apparent. These are quiet, dreamy pieces, most of them not written for the concert hall, but expressing a personal journey for peace and a protected place. Spanning a broad stylistic and historical range, Motherland juxtaposes the happy lightness of a "Slavonic Dance" by Dvo ák and the melancholy of Grieg's lyrical "Homesickness" and contrasts the elegant gaiety of Mendelssohn's "Song without Words" (Op. 67/2) with the graceful introspection of Liszt's "Lullaby." Classics of the Romantic piano repertoire such as Chopin's Étude in C-sharp minor (Op. 25/7) and Brahms's "Intermezzo" (Op. 117/2) are embedded between Bach's cantata "Sheep May Safely Graze" and Arvo Pärt's musical dedication "For Alina."
Khatia Buniatishvili has been described by The Independent as "the young Georgian firebrand." At the age of only 26 years, this Tblisi-born pianist has already achieved an exceptional maturity of interpretation and a distinctive artistic approach that make her playing unmistakable. She made her Carnegie Hall debut in 2008 and has played with many famous orchestras around the world including the Israel Philharmonic with Kent Nagano, the San Francisco Symphony, Philadelphia Orchestra, Munich Philharmonic and the Orchestre de Paris under Paavo Järvi.
Release Date May 19, 2014
Duration 01:05:40
Genre Classical
Styles Keyboard
Recording DateApril 15, 2013 - April 19, 2013
AllMusic Review by Blair Sanderson
As she has demonstrated in her critically acclaimed albums of the keyboard music of Liszt and Chopin, Georgian pianist Khatia Buniatishvili is a stunning virtuoso with impressive skills and her dynamic playing compels listening. However, for her 2014 Sony album, Motherland, she finds subtle expressions in her favorite character pieces, and none of them could be considered showstoppers. Most of the selections reflect calm and intimate moods, typified by Bach's Sheep May Safely Graze, Tchaikovsky's Autumn Song, Debussy's Clair de lune, and Ravel's Pavane pour une infante défunte, while the liveliest pieces, which include Mendelssohn's Song Without Words in F sharp minor, György Ligeti's Musica Ricercata No. 7, Dvorák's Slavonic Dance in E minor, and Scarlatti's Sonata in E major, offer rather modest displays of technique. Instead of dazzling her listeners, Buniatishvili is putting forward her personal, private side in this understated program, and the key to her selections is the sense of yearning that these pieces evoke. The most passionate outpouring of emotion comes in her own arrangement of Vaguiorko ma, a Georgian folk song that surely must hold a special place in her emotional world. Because this is a gentle and poignant album, listeners may find it is best appreciated in a quiet space with few distractions.
专辑曲目:
01. Cantata No. 9, BWV 208: Aria - Schafe k？nnen sicher weiden
02. The Seasons No. 10, Op. 37b: October - Autumn Song
03. Lied ohne Worte in F-Sharp Minor, Op. 67/2
04. Suite Bergamasque No. 3 in D-Flat Major: Clair de Lune
05. Tune from the Film by Lana Gogoberidze: When Almonds Blossomed
06. Musica ricercata No. 7 in B-Flat Major
07. Intermezzo in B-Flat Minor, Op. 117/2
08. Wiegenlied, S. 198
09. Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso)
10. Pavane pour une infante d？funte in G Major
11. Etude in C-Sharp Minor, Op. 25/7
12. Etude in C-Sharp Minor, Op. 2/1
13. Sonata in E Major, K. 380
14. Lyric Piece in E Minor, Op. 57/6: Homesickness
15. Vagiorko mai / Don't You Love Me?
16. Menuet from Suite in G Minor, HWV 439
17. Für Alina in B Minor
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Khatia Buniatishvili -《万花筒》(Kaleidoscope )[FLAC]

专辑英文名: Kaleidoscope
专辑中文名: 万花筒
艺术家: Khatia Buniatishvili
古典类型: 全集作品
资源格式: FLAC
发行时间: 2016年02月04日
地区: 美国
语言: 英语
简介:
专辑介绍:
卡蒂雅 / 万花筒~展览会之画&彼得罗希卡 CD
Khatia Buniatishvili / Kaleidoscope
★乔治亚钢琴家卡蒂雅2016最新专辑。
★被维也纳爱乐协会和音乐厅提名为年度最具希望的新星，2012德国Echo古典奖颁赠最佳新人奖。
★她的演奏，从细微处寻找伟大作曲家们的音乐灵魂，詮释出这些作品内在的大宇宙。
乔治亚钢琴家卡蒂雅可以说是钢琴界的史嘉蕾乔韩森，兼具阿格丽希级的超技和史嘉蕾的美貌，在钢琴史上是罕见的完美组合。今年才二十八岁的她，和姐姐葛梵莎（Gvantsa）两人都是钢琴家，也经常组成钢琴四手联弹，还在德国森林里办了一场音乐会拍成纪录片，音乐会末合作的皮亚佐拉自由探戈，由她即兴发挥，把她的超技和即兴弹奏能力发挥到淋漓尽致，技惊四座。而她所詮释的史特拉汶斯基《彼得罗希卡》更是早就传诵乐坛，2011年七月二十六日她受邀到维比尔（Verbier）音乐节演出，音乐会最后禁不住观眾一再要求安可，她当场坐下信手捻来就弹了《彼得罗希卡》三乐章，这本来是音乐会主要曲目，放在安可曲是非常浪费，因为甚至是耗费体力，但是卡蒂雅却弹得好像在弹儿童小品一样，既简单、毫不费力，还充满了小朋友一般的乐趣和享受，但是这么一首难度超高的曲子，在她手中这么完全成为她自己的音乐，弹奏时还能脸上带著那么轻鬆的笑容，真的让人大嘆江山代有才人出，钢琴弹奏的技术真的是一代超前一代。
不同於其他现代钢琴家弹奏中更为理性和要求精确，卡蒂雅的钢琴弹奏更像是全然的即兴和感情的投入，这或许和她俄国式的音乐训练和情感有关，也因此，她的弹奏在德奥等地特别受到喜爱，她在2011年就被维也纳爱乐协会和音乐厅提名为年度最具希望的新星，隔年也被德国Echo古典奖颁赠最佳新人奖。英国也视她为阿格丽希最有希望的接班人。
当然，像她这样勇於作自己与忠於内心表现的艺术家，就不可能是全面讨好的演奏者，而国际钢琴比赛也不见得喜欢像她这样对自己詮释相当有主见的音乐家，但是这些不妨碍在她遇到自己最适合且拿手曲目时所展现的那份独到和出色。本片这三首曲子就可以让我们看到她最好的一面。
编号：88875170032
条码：888751700321
出版社：Sony Music
出版日期：2016/02/04
引用Release Date March 11, 2016
Duration 01:00:49
Genre Classical
Styles Keyboard
Recording DateAugust 23, 2015 - August 26, 2015
AllMusic Review by James Manheim
Once in a while comes a really wild release from one of the major labels, and here's the top candidate for 2016. Pianist Khatia Buniatishvili deploys her formidable technical talent in breakneck-speed readings of these 19th and 20th century classics, and moreover, in extremely unorthodox interpretations. They may be outrageous, but they're certainly not boring. Buyer reactions are going to be all over the map, so here's a rough stab at a balanced view. Perhaps the most extreme piece here is Mussorgsky's Pictures at an Exhibition, where Buniatishvili discards the static series of tableaux plainly suggested by the title of the work and by nearly a century-and-a-half of performing tradition in favor of an impressionistic reading that is by turns dreamy and frenetic. Among the works on the program, this one may be hardest to swallow for the majority of listeners, but even if you're disconcerted, sample Ravel's La Valse (track 17). This is frenetic as well, but there's a long tradition of emphasizing that side of the work, and here Buniatishvili can be extremely compelling. The Three Movements from Petroushka are again unorthodox Stravinsky, epic rather than cool, but again both highly original and brilliantly executed. With superb recording from Berlin's Funkhaus studio capturing an artist who has worked in the pop realm and there learned something about seizing the attention of an audience, this is a major release from a striking young talent.
Catalogue No:88875170032
Discs:1
Release date:5th Feb 2016
Barcode:0888751700321
Length:60 minutes
Medium:CD
Khatia Buniatishvili's new recording Kaleidoscope, a unique combination of masterful and challenging pieces, shows her true virtuosic playing and features the well-loved Pictures at an Exhibition by Modest Mussorgsky, Ravel's La Valse and Stravinsky's Petruschka.
Given that these pieces all have an orchestral version, the pianist must bring out this larger palette of colours on a single instrument. Khatia does just that, painting her own picture of the pieces, how they are interwoven and the special characters she wants to emphasize.
There is a strong sense of character about the programme - it is music to be seen as well as heard, and it takes in other art forms as well: dance, puppetry and painting. The movement and colours of these other art forms are encapsulated in Khatia’s playing and the album’s title, Kaleidoscope.
专辑曲目:
Modest Mussorgsky: Pictures at an Exhibition
01. Promenade
02. I.Gnomus
03. Promenade
04. II. Il vecchio castello
05. Promenad0e
06. III. Tuileries (Dispute d'enfants apr?s jeux)
07. IV. Bydlo
08. Promenade
09. V. Ballet des poussins dans leurs coques
10. VI. Samuel Goldenberg und Schmuyle (Deux juifs - L'un riche et l'autre pauvre)
11. Promenade
12. VII. Limoges - Le March? (La Grande Nouvelle)
13. VIII. Catacombae (Sepulcrum romanum)
14. Cum mortuis in lingua mortua
15. IX. La Cabane sur des pattes de poule (Baba-Yaga)
16. X. La Grande Porte (de l'ancienne capitale Kiev)
17. La valse
Igor Stravinsky: Three Movements from Petrushka
18. I. Russian Dance
19. II. Petrushka's Room
20. III. The Shrovetide Fair
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Olga Scheps -《艾瑞克萨提》(Satie)[24bits 88.2KHz][FLAC]

专辑英文名: Satie
专辑中文名: 艾瑞克萨提
艺术家: Olga Scheps
古典类型: 全集作品
资源格式: FLAC
版本: [24bits 88.2KHz]
发行时间: 2016年05月13日
地区: 美国
语言: 英语,法语
简介:
专辑说明:
欧尔嘉许普丝Olga Scheps(钢琴)
● 德国回声古典奖（ECHO-Klassik）得主，欧尔嘉许普丝演奏。
● 法国作曲家艾瑞克萨提150岁冥诞纪念专辑。
●「时代週报」：她让音符发出微光，如同珍珠一般。
●「南德意志报」：强大且深刻 - 钢琴的诗人。
2016年为法国作曲家艾瑞克萨提（Éric Satie, 17 May 1866 – 1 July 1925）150岁冥诞，因此不少钢琴家纷纷推出萨提的作品集录音。专辑由俄国钢琴家，德国回声古典奖（ECHO-Klassik）得主，欧尔嘉许普丝（Olga Scheps）演奏。1986年出生於莫斯科的欧尔嘉．许普丝，四岁开始探索钢琴。1992年与家人迁徙至德国，她对於钢琴的热爱也在此开花结果。十五岁时，布兰德尔（Alfred Brendel）发现了她的天赋，并收她为徒。
2010年，欧尔嘉．许普丝成为Sony古典专属音乐家，首张专辑「诗情萧邦」获得媒体与听眾的极高讚赏，并在得多地区创下销售佳绩。同年十月，获得回声古典奖年度最佳新人的肯定。之后，出版了「俄罗斯专辑」，又於2012年发行「舒伯特专辑」。2014年发行室内乐团版本的萧邦钢琴协奏曲集，2015发行「声乐练习曲」（Vocalise）专辑。
萨提古怪的音乐概念植基於简单的艺术形式、少造作，更为通俗且更为平易近人。其作品具有十足的现代感，是当代最伟大的作曲家，并导引十九世纪法国音乐的方向。其钢琴作品经常冠以奇异的名称，例如：《吉姆诺培迪》、《梦想中的鱼》、《狗的跛脚前奏曲》、《倒数第二音节的想法》、《魔术盒》等。这些奇怪却又有趣的名称增添了人们对作品的想像，其幽默的个性也直接影响到他的创作。在他的作品中经常可以听到法国式的浪漫趣味，在今日听来真是兴味盎然，然而在创作的当时却未获肯定。
专辑收录最著名的《吉姆诺培迪》、《吉诺西安》、《夏日一夜之梦》、三首「萨拉邦德舞曲」、《温柔地 - 歌唱圆舞曲》与《我要你》（Je te veux ）等，另外还附赠经常与欧尔嘉许普丝合作，并曾获得葛莱美奖肯定的加拿大裔现代作曲家Chilly Gonzales所作的《温柔的威胁》（Gentle Threat）。「时代週报」（Die Zeit）称讚欧尔嘉．许普丝的演奏：「她让音符发出微光，如同珍珠一般」。而「南德意志报」（Süddeutsche Zeitung）则以：「强大且深刻 - 钢琴的诗人」形容她。这些深具吸引力的作品，展现了许普丝优异的演奏才华，也为她的演奏曲目之版图再下一城。
演奏萨提作品 / 欧尔嘉许普丝
Satie / Olga Scheps
唱片公司：SONY MUSIC
音乐类型：古典音乐
唱片编号：88985305402
发行日期：2016年05月24日
进口专辑 / CD / 1 片装
引用Performer: Olga Scheps
Audio CD (13 May 2016)
Number of Discs: 1
Label: Sony Music Classical
ASIN: B01BZHT34A
May 17th 2016 sees Erik Satie's 150th anniversary and ECHO-Klassik Award winning pianist Olga Scheps presents the only new studio recording of his most beautiful piano solo works for the Satie celebrations 2016
Erik Satie is among the most popular composers worldwide, his most famous piano pieces such as „Gymnopédie No. 1” or “Je te veux” are instantly recognisable, having be used constantly in motion picture soundtracks and TV ads.
As a special Bonus Olga Scheps recorded “Gentle Threat” by Chilly Gonzales, whom she frequently works together with on stage
Olga Scheps was born in Moscow in 1986, the daughter of two pianists, and discovered the instrument for herself at the age of four. She began studying the piano more intensively after her family moved to Germany in 1992. At an early age she had already developed her own unique style of keyboard playing, which combines intense emotiveness and powerful expressivity with extraordinary pianistic technique. Among those who discovered these talents was Alfred Brendel, who has encouraged Olga Scheps since she was fifteen.
Olga Scheps has already recorded 5 albums for RCA Red Seal. (for further details see below) All her recordings ranked high within the German Classical Charts and were highly praised by the press. Her debut album 'Chopin' immediately won the prestigious ECHO Klassik Award in 2010.
As a passionate chamber musician, she plays regularly with such artists as Alban Gerhardt, Daniel Hope, Adrian Brendel, Jan Vogler, and Nils Mönkemeyer.
专辑曲目:
Erik Satie (1866-1925)
Six Gnossiennes
1. No. 1 – Lent
2. No. 2 – Avec étonnement
3. No. 3 – Lent
4. No. 4 - Lent (sans presser)
5. No. 5 – Modéré
6. No. 6 – Avec conviction et avec une tristesse rigoureuse
Cinq Grimaces pour le songe d’une nuit d‘été
7. No. 1 - Modéré
8. No. 2 - Peuvite
9. No. 3 - Modéré
10. No. 4 - Temps de Marche
11. No. 5 - Modéré
Trois Gymnopédies12.
No. 1: Lent et douloureux
13. No. 2: Lent et triste
14. No. 3: Lent et grave
15. Je te veux
Trois Sarabandes
16. (F minor)
17. "à Maurice Ravel" (D# minor)
18. (B flat minor)
19. "Tendrement" - Valse chantée
20. BONUS: Chilly Gonzales: Gentle Threat
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Isabelle Faust, Alexander Melnikov -《布拉姆斯:第2,3号钢琴奏鸣曲》(Brahms, Schumann & Dietrich Violin Sonatas)[FLAC]

专辑英文名: Brahms, Schumann & Dietrich Violin Sonatas
专辑中文名: 布拉姆斯:第2,3号钢琴奏鸣曲
艺术家: Isabelle Faust, Alexander Melnikov
古典类型: 奏鸣曲
资源格式: FLAC
发行时间: 2015年08月25日
地区: 美国
语言: 英语
简介:
专辑介绍:
2015年11月BBC音乐杂誌当月最佳录音
HMC902219 佛斯特/梅尼可夫/布拉姆斯:第2,3号钢琴奏鸣曲 Brahms/Sonates Violin Sonatas No. 2&3 (Faust, Melnikov)(harmonia mundi)
旧版编号HMC901981(2008)
对同时身为作曲家和演奏者的布拉姆斯而言，钢琴无疑是他一生中最熟悉的伙伴。然而当他谱写室内乐时，年轻时学过的大提琴和自然号的演奏经验同样让他受益斐浅。根据他的传记作家所言布拉姆斯偏好自然号(法国号前身，没有转阀只能凭演奏者的嘴唇和右手调整音高)远胜过19世纪初问世的转阀法国号。儘管在性能上自然号无法和转阀式相比，在他看来自然号温暖略为暗沉的音色反映出当时神秘抒情主义的氛围，正是理想中浪漫音色的具体化。
布拉姆斯原本对转阀式法国号充满成见，在这首三重奏原本也打算使用自然号，但推测可能在克拉拉舒曼的住处第一次排练后便打消念头，於是重新修订乐谱给转阀法国号。虽然我们不清楚他的创作动机为何，不可否认的是布拉姆斯的确让这三种不寻常的乐器组合发挥了难以想像的魅力。至於布拉姆斯在三重奏中取用自己以前创作的艺术歌曲，将诗意和音乐完美结合的作法，在其他室内乐中也相当常见，像是第一号小提琴奏鸣曲的第三乐章便取用了「雨之歌」作为素材。布拉姆斯在这首奏鸣曲自传式的将他的希望与绝望投入其中。
专辑内最后一首幻想曲，作品116号–和其他13首并列布拉姆斯生前最后的钢琴作品–则像是垂垂老矣的作曲家想藉著乐曲孤独的重新回顾过往的人生。一直以来许多人推测或许是戏剧性主题的关係，布拉姆斯才将这20首钢琴曲拆成四部出版，作品116号则包含了三首綺想曲和四首间奏曲。布拉姆斯在这些小品中兼顾了内向与外向的个性，正如小提琴家姚阿幸对他的评语「让声音呈现无比的诗意」。
三位演奏家佛斯特、梅尼可夫和突尼斯．樊德史瓦特各自使用了古乐器以期能忠实还原布拉姆斯当年所希望听到的音响效果。在听完第一曲之后，便能清楚明白这个决定是再聪明不过。
专辑编号： HMA1951981
专辑类型：单CD
发行年份： 2016
国际条码： 3149020198131
音乐家：
Faust, Isabelle (violin)　伊莎贝拉．佛斯特 (小提琴) Melnikov, Alexander (piano)　亚历山大．梅尼可夫 (钢琴) van der Zwart, Teunis (horn)　突尼斯．樊德史瓦特 (法国号)
音乐厂牌： Harmonia Mundi
引用A 19th-century 'trio sonata'. Isabelle Faust and Alexander Melnikov have already given us an acclaimed version Brahms's First Violin Sonata, in 2007. They now complete the cycle with the other two sonatas of 1886 and 1888, and add a fascinating rarity dating from 35 years earlier: the 'F-A-E' Sonata, a collaborative effort by three composers in honour of the great violinist Joachim, who had to guess who had written which movement! He did so with ease, for the Scherzo is as eminently Brahmsian as the Intermezzo and Finale are Schumannesque.
Release Date August 28, 2015
Duration 01:17:42
Genre Classical
Styles Chamber Music
Recording DateSeptember, 2014
AllMusic Review by James Manheim
There are plenty of recordings of Brahms' second and third violin sonatas, cornerstones of the violin chamber repertoire that demand much from the players in terms of keeping melody and motivic intricacy balanced. This one, from the violin-and-piano duo of Isabelle Faust and Alexander Melnikov, has several features that make it stand out. One is the presence of a third sonata that's rarely recorded (along with three Romances by Robert Schumann that are not exactly common items themselves). This is the so-called F-A-E Sonata, a collaborative work by the young Brahms (who wrote the Scherzo), Schumann (who wrote the slow movement and the exuberant finale), and Schumann's student Albert Dietrich. The work's dedicatee was Joseph Joachim, who had adopted the motto "Frei aber einsam" (free but lonesome) that gave the work its name. Joachim was challenged to identify the composer of each movement and did so without difficulty; you may well do the same, but the work, unified by the F-A-E pitches used in the thematic material, is more than the gimmick it might seem. The otherwise unknown Dietrich was pushed to what are probably his greatest heights by his two talented co-composers, and the opening sonata-form movement at least inhabits the same world as Schumann and Brahms. The other novelty here is Melnikov's period piano, an 1875 Bösendorfer that strips away a good deal of the warm Steinway haze the sonatas have in most performances and leaves in its place a rather spare performance that even in the songful Violin Sonata No. 2, Op. 100, shifts the listener's attention to the motivic structure, perhaps in recognition of the fact that Brahms designated the Violin Sonata No. 2 a sonata "for piano and violin." The performance has the clarity that characterizes Melnikov's solo recordings of Romantic repertory, even if the case for period instruments is a good deal less clear here than it is in earlier music. At the very least, however, this is an intriguing Brahms recording, and the Teldex Studio sound is superb.
erformer: Isabelle Faust, Alexander Melnikov
Conductor: None
Composer: Johannes Brahms
Audio CD (October 9, 2015)
Number of Discs: 1
Format: Import
Label: HARMONIA MUNDI
ASIN: B00YQJW8VK
Average Customer Review: 5.0 out of 5 stars
5.0 out of 5 starsThis is another thoughtfully perceptive disc to add to the consistently impressive Faust discography.
By I. Giles TOP 500 REVIEWER on October 13, 2015
Format: Audio CD
This disc, recorded in 2014, completes the whole set of the three Brahms violin sonatas played by Faust and Melnikov. The first sonata, previously issued, is coupled with the Brahms trio and his Op 116 Fantasias for piano. This inevitably makes for difficulties for collectors as the main alternatives for the violin sonatas couple all three on one disc.
This disc also comes with unusual couplings which are the Schumann Three Romances which were published for either violin and piano or oboe and piano. These are very attractive pieces of vintage Schumann inspiration in a particularly gentle and song-like mode. The song-like nature of the music particularly suits the oboe, a wind instrument which phrases like a singer. There is a famous and superb version of these three pieces for oboe played by Holliger and Brendel as part of a Schumann disc of supreme quality. However, Faust and Melnikov make a strong case for the violin version with all the appropriate empathetic phrasing and tonal response.
At this point it is worthwhile to mention that the Faust disc features Melnikov's own Bosendorfer piano from 1875 and Faust’s Stradivarius violin which makes this disc qualify for ‘period’ status. The piano tone and dynamics are far more in line with modern pianos than might be expected and is far fuller than those used for period performances of music of an earlier date. No hint of woodenness’ or shallow tonal response for example and far greater dynamic range by this time. This disc will not cause concern for those interested in a modern instrument sound and who will be more likely to be mildly intrigued by the sound presented here.
专辑曲目:
Johannes Brahms
Violin Sonata no.3 in D minor op.108 / re mineur / d-Moll
1 I. Allegro 8'07
2 II. Adagio 4'27
3 III. Un poco presto e con sentimento 2'54
4 IV. Presto agitato 5'39
Robert Schumann
Three Romances op.94
5 I. Nicht schnell 3'13
6 II. Einfach, innig 3'56
7 III. Nicht schnell 4'09
Johannes Brahms
Violin Sonata no.2 in A major op.100 / La majeur / A-Dur
8 I. Allegro amabile 7'43
9 II. Andante tranquillo - Vivace 5'49
10 III. Allegretto grazioso (quasi Andante) 5'28
F.A.E. Sonata ["Frei aber einsam" - Joseph Joachim gewidmet]
11 I. Allegro 11'51
12 II. Intermezzo. Bewegt, doch nicht zu schnell 2'24
13 III. Allegro 4'43
14 IV. Finale. Markiertes, ziemlich lebhaftes Tempo 7'19
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Jean-Pierre Rampal -《协奏曲精选专辑》(The Great Flute Concertos)[2 CD][FLAC]

专辑英文名: The Great Flute Concertos
专辑中文名: 协奏曲精选专辑
艺术家: Jean-Pierre Rampal
古典类型: 协奏曲
资源格式: FLAC
版本: [2 CD]
发行时间: 1992年
地区: 美国
语言: 英语
简介:
专辑介绍:
让•皮埃尔•朗帕尔 (Jean-Pierre Louis Rampal; 7 Jan 1922 - 20 May 2000) 法国长笛演奏家，是蜚声四海的大师级人物。他在二战结束后就开始在世界各地巡演，也是法国管乐五重奏团和巴黎巴罗克合奏团的创始者。1947年朗帕尔在日内瓦国际比赛获大奖，被聘为威西歌剧院乐团的首席长笛。后前往美国，与美国许多知名的交响乐团合作演出，博得一致讚赏。
　　1956～1962年任巴黎国立歌剧院管絃乐团首席长笛。在著名的长笛大师中，朗帕尔具有几个最大的亮点，一是他为全面发展长笛演奏艺术作出了杰出贡献。除古典曲目外，他也涉足爵士乐、英国民歌、日本和印度音乐等。
产品条码： 5099704818429
发行公司： SONY MUSIC [发行商品]
发行日期： 2002年10月10日
发行类型：古典 . CD .
内装片数： 2片
引用Performer: I Solisti Veneti
Orchestra: Franz Liszt Chamber Orchestra
Conductor: Claudio Scimone, Milan Muclinger, Zubin Mehta
Composer: Johann Sebastian Bach, Wolfgang Amadeus Mozart, Georg Philipp Telemann, Antonio Vivaldi
Audio CD (January 28, 1992)
Number of Discs: 2
Label: Sony Classical
Run Time: 135 minutes
ASIN: B0000027VU
Average Customer Review: 4.9 out of 5 stars
5.0 out of 5 starsRampal: master flutist of the 20th Century
By Frank T. Manheim on August 16, 2003
Format: Audio CD
The late Jean-Pierre Rampal, whom I had the pleasure to meet and chat with in the 1980's, is a "triple threat" man, in analogy to the football term. Some fine players impress with their technique. I am swept along by Rampal's renditions in a way that makes me forget all about technique - except for miraculous nuances every now and then that remind me that Rampal recreates every work with a creative, perceptive mind. For example, in Vivaldi's "Goldfinch" concerto Rampal, as almost afterthoughts, puts in exquisite little embellishments that literally makes a little bird come to life. It's a miraculous sound. Too bad Antonio Vivaldi couldn't have heard it.
Rampal has other qualities that stand out in his recordings. He was well aware that most of the best flute music was composed in the Baroque and Classical eras, and sought out the very best, well known or rare, in these genres - while not being limited to these periods.
Finally, Rampal was picky about the ensembles he played with and the recording companies who did the technical work for his recordings. The ensembles might be famous or little known, but always high-quality cooperators. The result is nearly always, as in this case, brilliant, clear, and balanced.
Five stars gets used frequently in recording reviews - it's too little for this recording.
专辑曲目:
Disc 1
Flute Concerto, for flute, strings & continuo in D major ("Il gardellino"), Op. 10/3, RV 428
01. Allegro 3:54
02. Largo 2:41
03. Allegro 2:40
Flute Concerto, for flute, strings & continuo in F major ("La tempesta di mare"), Op. 10/1, RV 433
04. 1. Allegro 2:54
05. 2. Largo 1:59
06. 3. Presto 2:13
Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056
07. 1. 3:01
08. 2. Largo 2:28
09. 3. Presto 3:41
Concerto for harpsichord, strings & continuo No. 4 in A major, BWV 1055
10. 1. Allegro 4:14
11. 2. Larghetto 5:02
12. 3. Allegro ma non tanto 3:59
Overture, suite for recorder (or flute), strings & continuo in A minor, TWV 55:a2
13. Ouverture 6:33
14. Les Plaisirs 2:27
15. Air à l'italien 5:23
16. Menuets 1 & 2 3:10
17. Réjouissance 2:03
18. Passepieds 1 & 2 1:32
19. Polonaise 2:28
Disc 2
Flute Concerto No. 1 in G major, K. 313 (K. 285c)
01. 1. Allegro maestoso 9:07
02. 2. Adagio ma non troppo 9:06
03. 3. Rondeau: Tempo di Menuetto 7:11
Flute Concerto No. 2 in D major, K. 314 (K. 285d)
04. 1. Allegro aperto 7:16
05. 2. Andante ma non troppo 6:57
06. 3. Allegro 5:39
Concerto for flute, harp & orchestra in C major, K. 299 (K. 297c)
07. 1. Allegro 10:13
08. 2. Andantino 9:35
09. 3. Rondeau: Allegro 9:27
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Nicola Benedetti -《萧士塔高维契＆葛拉兹诺夫：小提琴协奏曲》(Shostakovich & Glazunov - Violin Concerto)[MP3]

专辑英文名: Shostakovich & Glazunov - Violin Concerto
专辑中文名: 萧士塔高维契＆葛拉兹诺夫：小提琴协奏曲
艺术家: Nicola Benedetti
古典类型: 奏鸣曲
资源格式: MP3
发行时间: 2016年07月01日
地区: 美国
语言: 英语
简介:
压缩码率: 320Kbps
专辑简介:
DECCA 4788758(1CDs)028947887584
萧士塔高维契＆葛拉兹诺夫：小提琴协奏曲【1CD】
SHOSTAKOVITCH & GLAZUNOV: Violin Concerto
班乃德提，小提琴
卡拉毕兹指挥伯恩茅斯交响乐团
Nicola Benedetti / Bournemouth SO/Karabits
「班乃德提拥有技巧、热情与精力，因而能够做到最好。
- 英国观察报（The Observer）
　　好评不断的小提琴家妮可拉‧班乃德提，无论是音乐会还是录音室都交出十分亮眼的成绩单，她选择在本专辑中演奏了对其别具意义的萧士塔高维契第一号小提琴协奏曲，因为她自小即开始接触俄国音乐，作品的严肃性与强度
其稚嫩的心灵衝击颇深。她表示：「我被迫进入不同的世界，有点可怕，也十分严苛，却带点可爱，又那么地温暖。
　　专辑录音由她与指挥卡拉毕兹及伯恩茅斯交响乐团共同演出，黑暗而内省的萧士塔高维契小提琴协奏曲，在令人信服的演奏中获得了生命，充满能量与磨难以及令人屏息的热情。恶魔般的第二乐章-詼谐曲，将乐曲的力度推向高峰。深情的第三乐章则表现出盛大的辉煌效果，最后就在令人惊嘆的滑稽曲中结束。
　　萧士塔高维契小提琴协奏曲之创作曾经历一段充满磨难的历史背景：一九四〇年代，俄国不公的审查制度，迫使萧士塔高维契选择在史达林死后才将乐谱出版。作品於1955年由小提琴家大卫・欧依史特拉夫（David Oistrakh）首演，并立即获得国际乐坛的高度重视。
　　除了萧士塔高维契坚毅不妥协的作品之外，本集另收录一首较少被录制，但却又是每个小提琴演奏者必须学习的葛拉兹诺夫协奏曲，此曲有著与柴可夫斯基小提琴协奏曲相仿又相异的俄国风格；它的曲风大胆，色彩豔丽，是一首具有后期浪漫主义色彩的作品，其中的抒情性特别值得注意。班乃德提的演奏可谓精雕细琢，且感染力十足。
　　出生於苏格兰的班乃德提，一直以苏格兰文化根源为荣，是有史以来古典全英音乐奖（Classic BRITs）获得提名最多的女性音乐家。因为其杰出的成就，2013年获颁「大英帝国最优秀勋章」（Most Excellent Order of the British Empire）之「员佐勋章」（Member，简称「MBE」）的肯定。
　　曾经有人形容班乃德提「让人忆起少年曼纽因」，事实上班乃德提音乐中的柔软、精练、一点点的冷漠更像是少年海飞兹。这些多元化的曲子充分证明了她充满激情、朝气与精湛熟练的技巧及兼具内涵的演奏特色。即使是较少为人知的作品，她仍能为它带来新颖且具说服力的样貌。
Shostakovich Violin Concerto No. 1, Op.99
[1] I. Nocturne: Moderato
[2] II. Scherzo: Allegro
[3] III. Passacaglia: Andante
[4] Cadenza
[5] IV. Burlesque: Allegro con brio – Presto
Glazunov Violin Concerto, Op.82
[6] Moderato
[7] Andante
[8] Animando - Allegro
产品条码： 0028947887584
产品编号： 4788758
发行公司： DECCA [发行商品]
发行日期： 2016年07月06日
产品制造地：欧美 .
发行类型：乐团 . 小提琴 . 协奏曲 . 古典 . CD .
内装片数： 1片
引用Audio CD (1 July 2016)
Number of Discs: 1
Format: Single
Label: Decca (UMO)
ASIN: B01EISA4RS
Average Customer Review: 4.8 out of 5 stars
5.0 out of 5 starsSensational.
By huw on 12 July 2016
Format: Audio CD Verified Purchase
I heard the Shostakovich on "record review" on Radio 3 and was transfixed: got the CD a few days later. The Shostakovich is sensational: I have listened to this many times before, but no other recording has ever opened up the piece so much. It is a wonderful interpretation: not just the violin, but also the orchestra. The heart of the concerto is the passacaglia and cadenza. The cadenza is quite amazing: it builds up slowly into something quite huge. I remember seeing this performed once (A Russian gentleman whose name escapes me) and I remember thinking that the sound was like incense rising into the dome of the Albert hall. Well, Benedetti does this wonderfully. Having seen her recently doing Szymanowski, I am firmly of the opinion that she is the one of thee greatest violinists around: she has a maturity and precision that is very rare. There are technically gifted violinists around, but someone who combines this with her musicality is very very rare. The Glazunov is also good - I am used to the old Heifetz recording. She has a wonderful sweet sound, as we heard when she did the Korngold, and it works very well here. The finale is slower than I am used to, but the slower tempo allows for a more precise articulation by Benedetti. However, for me Shostakovich is what makes this.
Sensational violinist Nicola Benedetti returns with a riveting recording of Shostakovich’s monumental Violin Concerto (No. 1). This new recording follows Benedetti’s chart-topping success with Bruch’s Scottish Fantasy (Homecoming, 2014) and Korngold’s Violin Concerto (Silver Violin, 2012).
Benedetti’s own encounter with Russian music-making began in her childhood, the seriousness and intensity making a powerful impact on the young violinist: “I was thrust into a different world” says Nicola, “a little terrifying, extremely demanding but so loving, so warm”.
Together with the Bournemouth Symphony Orchestra and conductor Kirill Karabits, the dark, introspective Shostakovich Violin Concerto is brought to life in a compelling performance packed full of energy, powerful torment, and breath-taking passion. The demonic scherzo notches up intensity; the passionate third movement – possibly one of the finest in the canon of violin concertos – has a grand magnificence; and the astonishing Burlesque rounds off this visceral recording.
A work with a tormented history itself – the hostile political environment of Russian state censorship at the time of composition in the 1940’s meant that Shostakovich kept the concerto unpublished until after Stalin’s death – it was first performed in 1955 by David Oistrakh, and immediately highly regarded internationally.
Programmed alongside Shostakovich’s assertive, uncompromising masterpiece, is Glazunov’s bold, colourful Violin Concerto. A late-Romantic work, the Glazunov is notable for its lyricism; Benedetti’s generous, radiant performance is uplifting and finely crafted.
专辑曲目:
Dmitri Shostakovich: Violin Concerto No.1 In A Minor, Op.99 (Formerly Op.77)
01. 1. Nocturne (Moderato)
02. 2. Scherzo (Allegro)
03. 3. Passacaglia (Andante)
04. 3a Cadenza
05. 4. Burlesque (Allegro con brio - Presto)
Alexander Glazunov: Violin Concerto In A Minor, Op.82
06. 1. Moderato
07. 2. Andante
08. 3. Allegro
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The 12 Cellists of the Berlin Philharmonic -《披头四的古典情迷》(The Beatles in Classics)[FLAC]

专辑英文名: The Beatles in Classics
专辑中文名: 披头四的古典情迷
艺术家: The 12 Cellists of the Berlin Philharmonic
古典类型: 全集作品
资源格式: FLAC
发行时间: 1995年11月03日
地区: 美国
语言: 英语
简介:
专辑说明:
两个音乐史上的传奇，一次绝无仅有的世纪交会，一张让流行乐界、古典乐坛同声震惊的世纪专辑－大提琴桂冠团体「The 12 Cellists」演奏流行乐界教父「The Beatles」的十二首金曲，将〈Yesterdasy〉、〈Let It Be〉、〈Hey, Jude〉、〈Yellow Submarine〉等十二首披头四金曲重新改编，以跨越古典/流行的编曲新观念、甫以他们独步古典乐坛的顶极大提琴琴音，为这些曲子赋予崭新意义。「柏林爱乐管絃乐团」前后三任指挥卡拉扬、阿巴多、赛门拉图肯定背书，飞碟早餐周玉寇、夜光家族光禹、星河夜语王介安联名推荐。
Beatles In Classics
骑楼下的披头四
－柏林爱乐12把大提琴演奏披头四名曲集
☆ The Beatles - 披头四传奇
六0年代披头四的出现，流行音乐史从此完全改写，披头四融合了美式摇滚、灵魂以及专属於披头四的独特语言，开创出至今仍无人可取代的摇滚音乐时代，他们的音乐、他们的歌词、他们的精神，至今仍深深影响整个流行音乐发展，在披头四之后，没有一个乐团敢说他们没有受到披头四的影响，「流行音乐史上最伟大的乐团」非其莫属。
☆ The 12 Cellists - 柏林爱乐十二把大提琴传奇
或许是音乐史上的巧合，在披头四横扫流行乐界的同时，古典乐坛在七0年代出现了前所未有的大提琴组合---柏林爱乐十二把大提琴(The 12 Cellists)，这个被誉为「古典音乐史上最梦幻的大提琴组合」，其成员来自全世界拥有最崇高地位的「柏林爱乐」(Berlin Philharmonic)，他们前所未有的大提琴音乐表现方式，展现出一种全新的音响美学，改变了大提琴的演奏史，包括二十世纪指挥帝王卡拉扬在内都为之惊艳不已。
☆ 於今，两个传奇合而为一
而由於古典桂冠团体「The 12 Cellists」对流行乐界教父「The Beatles」的喜爱，他们决定以顶级大提琴琴音来重新詮释披头四，完成了这张前所未见的「骑楼下的披头四」专辑，十二首耳熟能详的披头四金曲经典风华，融合流行与古典的双重音乐魅力，开啟跨界音乐的先河，大提琴独有的擦弦、拨弦运弓尤为神妙绝技，十二把大提琴重奏交织的和絃音画，让「Let it be」、「Yesterday」、「Yellow Submarine」、「Hey Jude」这些披头四金曲再现新生命！
真正的好音乐才能得到这样的肯定
美女与权利，是诱惑，也是说服；大提琴绝代美人般的姿态，与音乐圣者披头四情侣般的对话，是美音，也是美色。「Beatles in Classics」值得珍藏倾听，柏林爱乐大提琴手加上披头四空前水準的专业魅力，固然是无可挑剔的缘由，人与人之间绝妙和谐的可能，更是美丽的惊喜。这张专辑，会醉人的；醉在一个醒来后还会微笑的迷境里！
飞碟电台飞碟早餐周玉蔻
在这张专辑里，我听见了披头四之所以成为史上最成功、最有影响力乐团的原因，更感受到他们怎么跨越时空、成为永恒传奇的！
飞碟电台夜光家族光禹
和煦的阳光从树叶间洒落下来，雀跃飞舞在你四周......。这，就是这十二把大提琴的魔力！如果你曾迷恋披头；如果你曾追忆披头；如果你爱死了披头；如果你想发现惊喜，来吧！披头四的古典迷情！
中广流行网星河夜语王介安
骑楼下的披头四 (披头四的古典情迷／柏林爱乐12把大提琴)
The Beatles in Classics/12 Cellists of the Berliner Philharmonic
唱片公司：warner music
演出者：柏林爱乐12把大提琴
音乐类型：古典音乐
唱片编号：0630100122
发行日期：1996年05月01日
高价版 / CD / 1 片装
【专辑简介】
　　1978年，作为德国电视台“音乐爱好者”节目的特约佳宾，柏林爱乐乐团“十二把大提琴”组演奏了两部风格迥异的作品：甲壳虫的《昨日》和《圣路易斯布鲁斯》，这是收录在甲壳虫乐队最后一张专集中的两首歌曲。从此，“十二把大提琴”组开始对轻音乐感兴趣，并开始改编甲壳虫乐队的许多歌曲。象当年莫扎特和贝多芬根据那时的音乐作的变奏曲一样，这些充满艺术品味的改编给轻音乐树立了全新的典范，他们有时大胆放弃原曲风格，有时又巧妙地将原曲旋律处理得若隐若现。本张CD的曲目改编者为沃纳.穆勒和鲁夫.库恩.1982年“十二把大提琴”组获德国录音奖.
引用The 12 Cellists Of The Berlin Philharmonic* ‎– Cello Submarine
Label: TELDEC Classics ‎– 10012-2
Format: CD, Album, Reissue, Club Edition
Country: US
Released: 1995
Genre: Pop, Classical
Style: Contemporary
Performer: Lennon & McCartney, Beatles, 12 Cellists of the Berlin Philharmonic, Rolf Kuhn
Audio CD (November 3, 1995)
Number of Discs: 1
Format: Import
Label: Teldec Classics
ASIN: B000000S89
Average Customer Review: 3.9 out of 5 stars
5.0 out of 5 starsAh, the beuty of the cello:
By Cellistsdoitright on June 3, 2006
Format: Audio CD
Okay, I have no idea why people are judging this based purely on lablings: quite frankly, it should be about the music, and nothing else.
Now, with that said, I have to say this is one of the most beutiful arrangements for a Band I've ever heard. The 12 Cellists of the Berlin Phil have done a phenominal job at creating something amazing and new out of something amazing and old. I have to say that this is for any fan of the Beatles, classical music, and anything cello related. I'd deffinately suggest the buy, as the entire album is gorgeous.
Oh, and Cello Choirs are probobly the best string ensembles in existance (biased, yes: but that's okay, because cello deserves my bias)
Companies, etc.
Record Company – BMG Direct Marketing, Inc. – D 111304
Manufactured By – WEA Manufacturing Inc.
Phonographic Copyright (p) – Teldec Classics International GmbH
Copyright © – Teldec Classics International GmbH
Credits
Arranged By – Rolf Kühn (tracks: 2, 4, 7, 8, 10, 12), Werner Müller (tracks: 1, 3, 5, 6, 9, 11)
Cello – Alexander Wedow, Christoph Kapler, Eberhard Finke, Gerhard Woschny, Götz Teutsch, Heinrich Majowski, Jan Diesselhorst, Jörg Baumann, Klaus Häussler, Ottomar Borwitzky, Peter Steiner (3), Rudolf Weinsheimer
Design [Cover] – Victore Design Works*
Liner Notes – Rudolf Weinsheimer
Liner Notes [Translation] – Karen Williams (3)
Written-By – Harrison* (tracks: 3), Lennon & McCartney* (tracks: 1, 2, 4 to 12)
Notes
Total timing 41:50
℗ 1983 TELDEC Classics International GmbH, Hamburg, Germany
© 1995 TELDEC Classics International GmbH, Hamburg, Germany
A Warner Music Group Company
Barcode and Other Identifiers
Matrix / Runout: 9 D 111304-2 SRC##01 M1S1
Other (Mould SID Code): IFPI 2U2W
Other (Spars Code): DDD
专辑曲目:
01. Yellow Submarine 3:02
02. Let It Be 3:43
03. Something 3:30
04. The Fool On The Hill3:49
05. Help 3:34
06. Yesterday 2:46
07. Michelle 4:25
08. A Hard Day's Night 4:35
09. Norwegian Wood 2:47
10. Here, There And Everywhere 2:22
11. Can't Buy Me Love 2:56
12. Hey Jude 3:49
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Rachel Barton Pine -《巴赫无伴奏小提琴奏鸣曲及组曲全集》(Testament- Complete Sonatas & Partitas for Solo Violin by Bach )[2 CD][FLAC]

专辑英文名: Testament- Complete Sonatas & Partitas for Solo Violin by Bach
专辑中文名: 巴赫无伴奏小提琴奏鸣曲及组曲全集
艺术家: Rachel Barton Pine
古典类型: 全集作品
资源格式: FLAC
版本: [2 CD]
发行时间: 2016年04月01日
地区: 美国
语言: 英语
简介:
专辑介绍:
Rachel Barton Pine 瑞秋．巴顿．派恩 1974年生於美国芝加哥，三岁半开始学琴，七岁就登台，十岁与芝加哥交响乐团合奏，可以说是资赋优异的神童。在家就学，每天练琴八个小时。
家里并不富裕，十四岁开始，不得不在一些婚礼场合或是乐团演奏以贴补家用。十七岁(1992)以最年轻及第一位美国人的身份赢得巴赫国际大赛的首奖及Jozsef Szigeti Violin Competition第二奖，还有国际克莱斯勒大赛的首奖。
1995年1月16日瑞秋在芝加哥搭地铁时，背在肩膀的琴盒被门夹住，被捲入366英呎远的轮下，经急救后，双腿截肢。之后她控告芝加哥西北铁路公司要求赔偿，对方认为瑞秋是为了保护价值五十万美金的阿玛蒂名琴而受伤，所以应该负担大部分的责任。不过，陪审团显然并不这么认为。经过年的休养，瑞秋重返乐坛。 2001年利用铁路公司的赔偿金，成立了以自己的名字为名的基金会。
艺人 Rachel Barton Pine
发行月份 2016-Apr
类型古典音乐
【国际乐讯】小提琴家 Rachel Barton-Pine 睡在机场大厅抗议航空公司不让她带小提琴上机
几天前，小提琴家 Rachel Barton-Pine跟家人要从凤凰城的天港 Sky Harbor 机场飞往芝加哥，却被US Airway 航空阻拦说，她的1742 年耶穌瓜奈里 ‘Soldat’ 名琴，因为超过尺寸不得放在客舱内的头顶行李箱，客舱也找不到其他空间，要求她寄入货舱或是等下班飞机。她很生气地跟WQXR电台表示：「明明就还有空间的，其他旅客的包包挪动一下就可以，这就是很简单的重新放行李的事情而已啊，不过他们还是不让我放。」最后她选择跟家人搭下一班飞机，不过衣物等行李仍在原班机上先飞回芝加哥了。在等待下一班早班飞机的时间中，她索性就跟四岁女儿躺在机场航厦候机大厅睡觉。
耶穌瓜奈里 ‘Soldat’ 名琴，保守估计市值一亿五千万台币以上，1742年更是耶穌瓜奈里的制琴黄金年代，同期作品最高已有六亿台币身价，属於人类极稀有文化资产，也是音乐家职业生涯的谋生工具和第二生命，想当然尔「琴在人在」的音乐家一定是极尽生命在保护。
1995年，Pine在伊利诺州郊区 Winnetka 车站下火车时，当时车门安全科技尚未有感应器，意外夹住她肩上琴盒的背带(琴盒内的是Amati 名琴)，在被人救下前火车夹住她的左肩拖行了366英尺，造成她双脚部分截肢。虽然最后在诉讼上告赢 Metra 和芝加哥西北铁路，但这期间的疗程跟花费，对她的职业生涯有著很大的影响，想必她在搭乘交通工具上的态度也是格外小心。
根据 US Airway的规定，带上机的乐器，必须合乎行李箱尺寸规定，机组人员会尽力为乘客寻找合适的空间摆放，但以不挪动其他乘客已摆好的行李为原则。
连结为Rachel Barton-Pine 演奏自己改编的炫技版生日快乐变奏曲
引用Release Date April 1, 2016
Duration02:05:22
Genre Classical
Styles Chamber Music
Recording DateApril 16, 2015 - April 18, 2015
AllMusic Review by Blair Sanderson
Rachel Barton Pine has often performed the Sonatas and Partitas of Johann Sebastian Bach in recital, but her 2016 release on Avie is her first studio recording of this essential masterwork for violinists. Using a Baroque bow on a modernized 1742 Guarneri de Gesù violin, Pine plays the Sonatas and Partitas with crisp accentuation, transparent voicing, and a warm tone, much as she does in her concert performances. Her interpretation, which is influenced by period practices but not limited by them, offers clear counterpoint in the sonatas and buoyant dance rhythms in the partitas, and there is little scratchiness in her stopped chords to disrupt the smoothness and transparency of her elegant lines. Pine's depth of feeling and expressive insights into the music keep it from seeming like dry, technical exercises, yet there is none of the overly rhetorical Romantic approach here, either, so this reading does justice to Bach's likely intentions while communicating emotion in a subtle and tasteful manner. Highly recommended.
Conductor: na
Composer: J.S. Bach
Audio CD (April 1, 2016)
Number of Discs: 2
Label: Avie
ASIN: B01AYPMSF0
Average Customer Review: 5.0 out of 5 stars
5.0 out of 5 starsWonderful playing
By Alan A. Elsner VINE VOICE on April 10, 2016
Format: Audio CD
This is a wonderful new account of these timeless and peerless masterworks by Bach. I compared Rachel Barton-Pine's interpretation to my long-treasured version played by the great Nathan Milstein -- and they are very different. Barton-Pine's performance is warmer, recorded in a church which produces a soft, glowing sound and she plays mostly with a sumptuous, smooth legato. Milstein is much choppier. He attacks many of the pieces, producing a more guttural, harsher effect. (I never realized this until I heard the contrast.) Obviously both are totally in command of their instruments.
I think there's definitely room in the world for both approaches. Barton-Pine lingers more on the beauty, with gorgeous, sweeping phrasing and a more ephemeral approach. Milstein seems grittier. I love them both.
专辑曲目:
01. Sonata No. 1 in G Minor, BWV 1001: I. Adagio
02. Sonata No. 1 in G Minor, BWV 1001: II. Fuga
03. Sonata No. 1 in G Minor, BWV 1001: III. Siciliana
04. Sonata No. 1 in G Minor, BWV 1001: IV. Presto
05. Partita No. 1 in B Minor, BWV 1002: I. Allemanda
06. Partita No. 1 in B Minor, BWV 1002: II. Corrente
07. Partita No. 1 in B Minor, BWV 1002: III. Sarabande
08. Partita No. 1 in B Minor, BWV 1002: IV. Tempo di Borea
09. Sonata No. 2 in A Minor, BWV 1003: I. Grave
10. Sonata No. 2 in A Minor, BWV 1003: II. Fuga
11. Sonata No. 2 in A Minor, BWV 1003: III. Andante
12. Sonata No. 2 in A Minor, BWV 1003: IV. Allegro
13. Partita No. 2 in D Minor, BWV 1004: I. Allemanda
14. Partita No. 2 in D Minor, BWV 1004: II Corrente
15. Partita No. 2 in D Minor, BWV 1004: III. Sarabanda
16. Partita No. 2 in D Minor, BWV 1004: IV. Giga
17. Partita No. 2 in D Minor, BWV 1004: V. Ciaccona
18. Sonata No. 3 in C Major, BWV 1005: I Adagio
19. Sonata No. 3 in C Major, BWV 1005: II. Fuga
20. Sonata No. 3 in C Major, BWV 1005: III. Largo
21. Sonata No. 3 in C Major, BWV 1005: IV. Allegro assai
22. Partita No. 3 in E Major, BWV 1006: I. Preludio
23. Partita No. 3 in E Major, BWV 1006: II. Loure
24. Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau
25. Partita No. 3 in E Major, BWV 1006: IV. Menuet I & II
26. Partita No. 3 in E Major, BWV 1006: V. Boureé
27. Partita No. 3 in E Major, BWV 1006: VI. Gigue
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Wendy Warner and Irina Nuzova -《俄罗斯音乐家作品 - 为大提琴和钢琴而作》(Russian Music for Cello & Piano )[FLAC]

专辑英文名: Russian Music for Cello & Piano
专辑中文名: 俄罗斯音乐家作品 - 为大提琴和钢琴而作
艺术家: Wendy Warner and Irina Nuzova
古典类型: 全集作品
资源格式: FLAC
地区: 美国
语言: 英语
简介:
专辑介绍:
俄罗斯钢琴家Irina Nuzova 、美国大提琴家Wendy Warner演奏米亚斯科夫斯基（Nikolay Myaskovsky）:《a小调第二大提琴奏鸣曲》 Op. 81 1. Allegro moderato KNikolay Myaskovsky: Sonata No. 2 in A mino... 2. Andante cantabile KNikolay Myaskovsky: Sonata No. 2 in A mino... 3. Allegro con spirito KNikolay Myaskovsky: Sonata No. 2 in A mino...
二战之后，格里埃尔(Gliere)和米亚斯科夫斯基率先把各自的《大提琴协奏曲》和《第二大提琴奏鸣曲》题献给年仅20岁的罗斯特罗波维奇，继而引爆了从普罗科菲耶夫、肖斯塔科维奇、哈恰图良到卡巴列夫斯基(Kabalevsky)、魏因贝格(Weinberg)、列维金(Levitin)等大批苏联作曲家竞相写出动人的大提琴作品。
Nikolai Miaskovsky (1881 - 1950), Sonata No. 2 in A minor for Cello and Piano, Op. 81 (23:11) 米亚斯科夫斯基: 第2大提琴奏鸣曲
1. I. Allegro moderato (9:42)
2. II. Andante cantabile (7:26)
3. III. Allegro con spirito (5:56)
4. Alexander Scriabin (1872 - 1915), Etude Op. 8, No. 11 (04:03) Transcription by Gregor Piatigorsky 斯克里亚宾: 练习曲
5. Alfred Schnittke (1934 - 1998), Musica Nostalgica, for Violoncello and Piano (03:22) 施尼特克: 思乡曲
6. Sergei Prokofiev (1891 - 1953), Adagio from Ten Pieces from Cinderella, Op. 97b (03:51) 普罗科菲耶夫: 柔板，取自“灰姑娘”中的“十首小品”
Sergei Rachmaninov (1873 - 1943), Sonata in G Minor for Cello and Piano, Op. 19 (34:05) 拉赫玛尼诺夫: g小调大提琴奏鸣曲
7. I. Lento - Allegro moderato (10:39)
8. II. Allegro scherzando (6:38)
9. III. Andante (5:59)
10. IV. Allegro mosso (10:34)
Total Time: (68:55)
引用Miaskovsky / Warner / Nuzona
Release Date: 08/31/2010
Label: Cedille Records Catalog #: 120 Spars Code: n/a
Composer: Alexander Scriabin, Alfred Schnittke, Sergei Prokofiev, Sergei Rachmaninov, ...
Performer: Wendy Warner, Irina Nuzova
Orchestra/Ensemble: Warner Nuzova Duo
Number of Discs: 1
Recorded in: Stereo
Length: 1 Hours 9 Mins.
Notes and Editorial Reviews
Wendy Warner is a magnificent cellist, and in Irina Nuzova she has found a keyboard partner who matches her in passion, elegance, and imagination. The result is as beautiful a chamber music recital as we have any right to expect, with the music intelligently organized to make an extremely satisfying full program. Miaskovsky's lovely sonata, written for Rostropovich in the late 1940s, can sound monotonous, with two moderately-paced movements preceding the lively finale. Not here. Warner and Nuzova time each movement perfectly and find so much variety of phrasing and timbre that there's never a dull moment. Instead, we focus on the music's abundance of soulful lyricism before the brilliant finale brings the piece to a virtuosic close.
Between this work and the Rachmaninov, Warner and Nuzova offer three charming short pieces: Scriabin's Etude Op. 8 No. 11, transcribed by Piatigorsky; Schnittke's Nostalgica; and the Adagio from Prokofiev's Ten Pieces from Cinderella. They make an arresting and highly varied assortment, but it's the Rachmaninov that's the real prize.
Just to hear the wonderful use of rubato at the opening is a treat. Warner has a real gift among cellists: a low register that never sounds like the proverbial dying cow, and a remarkable evenness of timbre throughout her range. Nuzova, for her part, glitters in the scherzo and finale, but never overpowers her colleague. Perfectly balanced engineering puts you in the same room as the players. A stunning release.
--David Hurwitz, ClassicsToday.com
Performer: Wendy Warner, Irina Nuzova
Composer: Nikolai Miaskovsky, Sergei Prokofiev, Alexander Scriabin, Sergei Rachmaninov, Alfred Schnittke
Audio CD (August 31, 2010)
Number of Discs: 1
Label: Cedille Records
ASIN: B003T68VKI
Average Customer Review: 4.4 out of 5 stars
5.0 out of 5 starsHaunting music, beautifully performed
By Alan A. Elsner VINE VOICE on September 5, 2010
Format: Audio CD
I'm generally suspicious of national stereotypes but this new CD recording of cello and piano works by Russian composers illuminates and gives life to the concept known as the "Russian soul." The recording by Chicago-based Cedille Records brings together cellist Wendy Warner and pianist Irina Nuzova in a collection by Rachmaninov, Prokofiev, Scriabin and Schnittke. But it's the opening work by a composer I had never heard of, Nikolai Miaskovsky (1881-1950) that was the real headliner for me.
Miaskovsky, who served on the faculty of the Moscow Conservatory from 1921 until his death, composed 27 symphonies, however he never won the fame of his contemporaries, Rachmaninov, Prokofiev and Shostakovich. His work is little performed today. But from the first notes of his Sonata No. 2 for Cello and Piano, Op 81, which opens this CD, one is struck by the lyrical beauty and deep melancholy of the piece which seems to express something quintessentially Russian. It's simply a gorgeous and moving piece of music that has never before been recorded on American soil by an American artist by an American label. How exciting to discover a new landmark of late Russian romanticism, which alone is worth the price of this recording!
The very useful program notes which accompany this CD includes an essay by the pianist, Nuzova who grew up in Russia but moved to the United States as a teenager to escape anti-Semitism. The sonata, she says, has a pervasive, nostalgic quality that is subtle and subdued in its expression. Nuzova says the music reminds her of a poem by Konstantin Balmont (1867-1942) called "Wordlessness" and she includes an English translation.
Let me just quotes one stanza:
"The reeds are unstirring, the sedge doesnn't quiver.
Deep quiet. And wordlessness, utterly peaceful.
The meadows spread out faraway and forever.
In everything - weariness, muteness and bleakness."
The poem is a perfect fit for the music.
Cellist Wendy Warner, also has a Russian connection. As a student at the Curtis Institute in Philadelphia, she had the rare opportunity to learn from the legendary Russian virtuoso and human rights activist Mstislav Rostropovich.
She and Nuzova, both strikingly attractive in the cover photo, meld together seamlessly in this CD. They also give us a witty, minor-key minuet by Schnittke, a Prokofiev transcription from "Cinderella," an encore piece by Scriabin and Rachmaninov's sprawling Cello Sonata, which to my mind is not one of his most inspired creations but which is delivered with utter conviction and intensity.
Cedille has been around for 20 years, devoted to showcasing classical artists from the Chicago area. We must be thankful to the company for bringing us two undiscovered gems - the Miaskovsky and the beautiful poem by Bal'mont.
Production Credits：
Producer James Ginsburg
Engineer Bill Maylone
Recorded October 27 - 30, 2008, in the Fay and Daniel Levin Performance Studio, WFMT, Chicago
Cello Pietro Guarneri II, Venice c .1739, "Beatrice Harrison"
Cello bow Francois Xavier Tourte, c. 1815, the "De Lamare" on extended loan through the Stradivari Society of Chicago Steinway Piano; Charles Terr, Technician
专辑曲目:
01. Cello Sonata No. 2 in A minor, Op. 81: I. Allegro moderato, Miaskovsky
02. Cello Sonata No. 2 in A minor, Op. 81: II. Andante cantabile, Miaskovsky
03. Cello Sonata No. 2 in A minor, Op. 81: III. Allegro con spirito, Miaskovsky
04. 12 Etudes, Op. 8 (arr. for cello and piano), No. 11 in B flat minor, Scriabin
05. Musica nostalgica, Schnittke
06. Adagio, Op. 97b (from Cinderella, Op. 87), Prokofiev
07. Cello Sonata in G minor, Op. 19 : I. Lento - Allegro moderato, Rachmaninov
08. Cello Sonata in G minor, Op. 19 : II. Allegro scherzando, Rachmaninov
09. Cello Sonata in G minor, Op. 19 : III. Andante, Rachmaninov
10. Cello Sonata in G minor, Op. 19 : IV. Allegro mosso, Rachmaninov
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Nicola Benedetti -《萧士塔高维契＆葛拉兹诺夫：小提琴协奏曲》(Shostakovich & Glazunov - Violin Concerto)[24bits 96KHz][FLAC]

专辑英文名: Shostakovich & Glazunov - Violin Concerto
专辑中文名: 萧士塔高维契＆葛拉兹诺夫：小提琴协奏曲
艺术家: Nicola Benedetti
古典类型: 协奏曲
资源格式: FLAC
版本: [24bits 96KHz]
发行时间: 2016年07月06日
地区: 美国
语言: 英语
简介:
专辑简介:
萧士塔高维契＆葛拉兹诺夫：小提琴协奏曲／SHOSTAKOVITCH & GLAZUNOV : Violin Concerto
「班乃德提拥有技巧、热情与精力，因而能够做到最好。
- 英国观察报（The Observer）
　　好评不断的小提琴家妮可拉‧班乃德提，无论是音乐会还是录音室都交出十分亮眼的成绩单，她选择在本专辑中演奏了对其别具意义的萧士塔高维契第一号小提琴协奏曲，因为她自小即开始接触俄国音乐，作品的严肃性与强度
其稚嫩的心灵衝击颇深。她表示：「我被迫进入不同的世界，有点可怕，也十分严苛，却带点可爱，又那么地温暖。
　　专辑录音由她与指挥卡拉毕兹及伯恩茅斯交响乐团共同演出，黑暗而内省的萧士塔高维契小提琴协奏曲，在令人信服的演奏中获得了生命，充满能量与磨难以及令人屏息的热情。恶魔般的第二乐章-詼谐曲，将乐曲的力度推向高峰。深情的第三乐章则表现出盛大的辉煌效果，最后就在令人惊嘆的滑稽曲中结束。
　　萧士塔高维契小提琴协奏曲之创作曾经历一段充满磨难的历史背景：一九四〇年代，俄国不公的审查制度，迫使萧士塔高维契选择在史达林死后才将乐谱出版。作品於1955年由小提琴家大卫・欧依史特拉夫（David Oistrakh）首演，并立即获得国际乐坛的高度重视。
　　除了萧士塔高维契坚毅不妥协的作品之外，本集另收录一首较少被录制，但却又是每个小提琴演奏者必须学习的葛拉兹诺夫协奏曲，此曲有著与柴可夫斯基小提琴协奏曲相仿又相异的俄国风格；它的曲风大胆，色彩豔丽，是一首具有后期浪漫主义色彩的作品，其中的抒情性特别值得注意。班乃德提的演奏可谓精雕细琢，且感染力十足。
　　出生於苏格兰的班乃德提，一直以苏格兰文化根源为荣，是有史以来古典全英音乐奖（Classic BRITs）获得提名最多的女性音乐家。因为其杰出的成就，2013年获颁「大英帝国最优秀勋章」（Most Excellent Order of the British Empire）之「员佐勋章」（Member，简称「MBE」）的肯定。
　　曾经有人形容班乃德提「让人忆起少年曼纽因」，事实上班乃德提音乐中的柔软、精练、一点点的冷漠更像是少年海飞兹。这些多元化的曲子充分证明了她充满激情、朝气与精湛熟练的技巧及兼具内涵的演奏特色。即使是较少为人知的作品，她仍能为它带来新颖且具说服力的样貌。
产品条码： 0028947887584
产品编号： 4788758
发行公司： DECCA [发行商品]
发行日期： 2016年07月06日
产品制造地：欧美 .
发行类型：乐团 . 小提琴 . 协奏曲 . 古典 . CD .
内装片数： 1片
引用Nicola Benedetti
Bournemouth Symphony Orchestra
Kirill Karabits
Int. Release 01 Jul. 2016
Sensational violinist Nicola Benedetti returns with a riveting recording of Shostakovich’s monumental Violin Concerto (No. 1). This new recording follows Benedetti’s chart-topping success with Bruch’s Scottish Fantasy (Homecoming, 2014) and Korngold’s Violin Concerto (Silver Violin, 2012).
Benedetti’s own encounter with Russian music-making began in her childhood, the seriousness and intensity making a powerful impact on the young violinist: “I was thrust into a different world” says Nicola, “a little terrifying, extremely demanding but so loving, so warm”.
Together with the Bournemouth Symphony Orchestra and conductor Kirill Karabits, the dark, introspective Shostakovich Violin Concerto is brought to life in a compelling performance packed full of energy, powerful torment, and breath-taking passion. The demonic scherzo notches up intensity; the passionate third movement – possibly one of the finest in the canon of violin concertos – has a grand magnificence; and the astonishing Burlesque rounds off this visceral recording.
A work with a tormented history itself – the hostile political environment of Russian state censorship at the time of composition in the 1940’s meant that Shostakovich kept the concerto unpublished until after Stalin’s death – it was first performed in 1955 by David Oistrakh, and immediately highly regarded internationally.
Programmed alongside Shostakovich’s assertive, uncompromising masterpiece, is Glazunov’s bold, colourful Violin Concerto. A late-Romantic work, the Glazunov is notable for its lyricism; Benedetti’s generous, radiant performance is uplifting and finely crafted.
专辑曲目:
Shostakovich Violin Concerto No. 1, Op.99
[1] I. Nocturne: Moderato
[2] II. Scherzo: Allegro
[3] III. Passacaglia: Andante
[4] Cadenza
[5] IV. Burlesque: Allegro con brio – Presto
Glazunov Violin Concerto, Op.82
[6] Moderato
[7] Andante
[8] Animando - Allegro
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Valentina Lisitsa -《精妙入微 - 史克里亚宾钢琴作品》(Scriabin - Nuances )[FLAC]

专辑英文名: Scriabin - Nuances
专辑中文名: 精妙入微 - 史克里亚宾钢琴作品
艺术家: Valentina Lisitsa
古典类型: 全集作品
资源格式: FLAC
发行时间: 2015年11月11日
地区: 美国
语言: 英语
简介:
专辑介绍:
最具挑战精神的钢琴家李希特萨一连推出了多张叫好又叫座的专辑，包括：《追逐．钢琴》- 麦可．尼曼钢琴作品、《菲利浦・葛拉斯作品》与《萧邦＆舒曼：练习曲》，如今挑战的目标转向俄国神秘主义作曲家史克里亚宾，演奏其少为人知却又美丽如珍宝的独奏钢琴曲。其中有许多都是史克里亚宾创作初期的作品，所收录的作品亦均为DECCA唱片目录之首见，包括：圆舞曲，作品1、三首小品，作品2、为左手而作之《夜曲》，作品9、两首即兴曲，作品14、音乐会快版，作品18等。另外还有多首无作品编号的小品，如：夜曲、詼谐曲、赋格、马祖卡舞曲等。
2015年是俄国作曲家史克里亚宾（Alexander Scriabin, 1872-1915）逝世100週年，DECCA特别推出多套专辑作为纪念，本集便是其中之一。史克里亚宾的一向受到许多传奇钢琴家的喜爱，更被推崇为二十世纪初最具创新力与影响力的作曲家之一。作品具有高度抒情性与特殊的音乐语言，其灵感则是来自於萧邦，可视为俄罗斯象徵主义作曲家的重要人物。
史克里亚宾不仅是作曲家，也是一位是技巧精湛的钢琴家，作品具有很高的挑战性。音乐上继承了贝多芬的气势和萧邦高度抒情的诗意，更融入了俄国独特的色彩与忧鬱，以及他对神秘主义的信仰，这数种不同特质相互间的平衡，是许多演奏者对其作品敬而远之的原因。而透过神祕主义，他也渐次增加无调性的音乐技法，不仅发展出与「十二音列音乐」创始人荀白克（Arnold Schoenberg）不同的创意，更预示了十二音列与序列音乐的发展。
李希特萨自2012年加入DECCA唱片公司之后，截至目前为止已经出版七张唱片专辑，以及一张现场实况录影DVD。观看她youtube演奏影片的点击率已经超过九千万次，而影片的订阅人数也将近20万。李希特萨的演奏始终保持著流畅自得的轻鬆感，以及不拘一格的成熟与大器。在这张专辑中，再度发挥她无人能及的音乐性与技巧，成功征服这些少有人挑战的作品，无论演奏或是录音，皆达到让人无从挑剔的完美境界。
NUANCES / Valentina Lisitsa
精妙入微 - 史克里亚宾钢琴作品 / 李希特萨，钢琴
唱片公司：Linfair Records Limited/DECCA
唱片编号：4788435
发行日期：2015/11/11
媒体形式：CD
张数：1 张 - 1CD
引用Release Date November 6, 2015
Duration 01:16:45
Genre Classical
Styles Keyboard
Recording DateDecember 15, 2014 - December 17, 2014
AllMusic Review by James Manheim
The title Nuances is uncommunicative and has nothing to do with the ballet of that name assembled from Scriabin's music by composer Alexander Nemtin. Instead, this recital by pianist and Internet marketing phenomenon Valentina Lisitsa represents a very specific kind of program, and it's good to see her essay something like this rather than the mainstream repertory she has generally done thus far. What Lisitsa offers here is a recital that focuses on a composer's youth, and the signs it may offer of that composer's maturity. Much of the music here comes from Scriabin's teenage years, and was never published. It's heavily modeled on Chopin, but keep your ears pricked and you'll hear all kinds of hints of the later Scriabin. It's not a question of chromaticism, for Chopin at his most experimental outdid anything in all but the last few pieces here. Instead, Scriabin experiments with blocks of static texture, with decorations Chopin would not have used, with little unanswered harmonic questions. Sample the second of the Two Impromptus, Op. 14 (track 16), for a piece that's right on the edge of what Scriabin would soon accomplish, some examples of which close out the program. Lisitsa doesn't do anything spectacular here, but the originality of the concept is notable, and she conveys the just slightly inward atmosphere of the earlier pieces effectively. Decca's Britten-Pears studio sound is very well suited to the project.
PUSHING BOUNDARIES: LISITSA EXPLORES THE PIANISTIC WORLD OF ALEXANDER SCRIABIN
Valentina Lisitsa, who has a formidable track record when it comes to mining the works of left-field composers, turns her attention to Alexander Scriabin with her new release, Nuance. While Scriabin was dramatically pushing at musical boundaries by the end of his short life, his early works are suffused with a fresh innocence – this selection from his lesser-known piano repertoire reflects the striking stylistic differences that characterised his all too brief career. Marking the 100th anniversary of the composer’s death in 1915 at the age of 43, Nuance will be released in October.
This is not Lisitsa’s first venture into Scriabin on disc. She featured on the recording of his complete works, released on Decca in April, earning this tribute from Audiophile Audition: “Lisitsa is an especially fine pianist who captures the special Scriabin feeling in her performances, which combine sensitivity and expressiveness with a command of dynamics.” She now returns to the enigmatic Russian Symbolist master after acclaimed albums devoted to the similarly iconoclastic Philip Glass and Michael Nyman, and to challenging Études by Schumann and Chopin.
Scriabin’s early music, delightfully easy on the ear, shows the influence of Chopin, which explains the profusion of such titles as Mazurka, Polonaise, Impromptu, Nocturne, Scherzo, Prélude, Étude and Waltz. The digital version of Nuance includes four extra tracks: the Étude op.49, no.1, the Mazurka in B minor, Feuille d’album in F sharp major and what is possibly the first recording of the Duett in D minor for two sopranos and piano.
专辑曲目:
[1] Op.1, Waltz in F Minor
[2] Op.2,3 Pieces - II. Prelude
[3] WoO 3, Nocturne in Ab Major
[4] WoO 4, Scherzo in Eb Major
[5] WoO 5, Scherzo in Ab Major
[6] WoO 7, Waltz in G# Minor
[7] Anh 16, Klavierstucke in Bb Minor
[8] WoO 13, Fugue in F minor
[9] Op.2, 3 Pieces - III. Impromptu a la mazur
[10] WoO 16, Mazurka in F Major
[11] WoO 15, Mazurka in B minor
[12] WoO 20, Fugue in E Minor
[13] Op.9, For the Left Hand - No.2 Nocturne
[14] WoO 22, No. 12 (Alternative Version from 12 Etudes Op.8)
2 Impromptus, Op.14
[15] No.1 B Major
[16] No.2 F# Minor
[17] Op.18, Allegro de Concert
[18] Op.21, Polonaise
[19] Op.41, Poeme
[20] Op.46, Scherzo
2 Pieces, Op.59
[21] No.1, Poeme
[22] Scriabin: 2. Allegretto [Three Etudes, Op.65]
[23] Scriabin: 3. Molto Vivace [Three Etudes, Op.65]
[24] Mazurka in B minor WoO 14
[25] Duett in D minor WoO 10 (Anush Hovhannissyan)
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Khatia Buniatishvili -《祖国 - 音乐的乡愁》(Motherland)[24bits 96KHz][FLAC]

专辑英文名: Motherland
专辑中文名: 祖国 - 音乐的乡愁
艺术家: Khatia Buniatishvili
古典类型: 全集作品
资源格式: FLAC
版本: [24bits 96KHz]
发行时间: 2014年06月01日
地区: 美国
语言: 英语
简介:
专辑介绍:
卡蒂雅 / 祖国 - 音乐的乡愁 CD
Khatia Buniatishvili/ Motherland
★乔治亚钢琴家卡蒂雅2014最新专辑。
★为乐迷呈现最具个性与私密心灵写照之作品。
★选录的作品都与「对家的渴望」有关，包含了欢乐的民间舞蹈，以及生命的成长与衰退的循环。
卡蒂雅 Khatia Buniatishvili (钢琴)
继先前在Sony唱片公司发行的两张甚受好评的专辑之后，乔治亚钢琴家卡蒂雅（Khatia Buniatishvili）於2014年推出崭新专辑，为乐迷呈现她最具个性与私密心灵写照之作品「祖国–音乐的乡愁」。跨越广泛的风格与历史的范畴，专辑中的曲目都是曾经伴随卡蒂雅生命成长之轨迹的作品，其中也包含了来自德国、俄国、法国、波兰、捷克等国作曲家的作品，也收录了卡提雅的祖国乔治亚共和国的作品。
收录的作品涵盖许多独奏钢琴曲，包括巴哈到帕特（Arvo Pärt），以及从布拉姆斯到康伽利（Kancheli）的作品，选录的作品都与「对家的渴望」有关，包含了欢乐的民间舞蹈，以及生命的成长与衰退的循环。
专辑中将德弗乍克的《斯拉夫舞曲》与葛利格诗意的《乡愁》并列，与之对比的还有孟德尔颂优雅欢乐的《无言歌》（作品67-2），以及来自李斯特曼妙的《摇篮曲》的自我关照。其他还包括了经典的浪漫派钢琴小品：萧邦的升C小调《练习曲》（作品25-7）、布拉姆斯的《间奏曲》（作品117-2），其中还插入了巴哈的清唱剧《羔羊将安然放牧》以及帕特的音乐奉献《给阿丽娜》（For Alina）。
卡蒂雅在26岁时，就被独立报（The Independent）誉为「年轻的乔治亚火炬」（the young Georgian firebrand），这位在这第比利斯（Tblisi）出生的钢琴家早已经练就成熟的詮释与独特的艺术手法，让她的詮释与演奏得以不被误解。她的演奏，从细微处寻找伟大作曲家们的音乐灵魂，詮释出这些作品内在的大宇宙。
编号：88883734622
条码：888837346221
出版社：Sony Music
出版日期：2014/05/20
引用Audio CD (July 1, 2014)
Number of Discs: 1
Label: Sony Classical
Run Time: 65 minutes
ASIN: B00HLUMXPM
Average Customer Review: 4.5 out of 5 stars
Khatia Buniatishvili's new album, "Motherland," is an intimate quest encompassing solo piano works from Bach to Pärt and from Brahms to Kancheli, in which the themes of longing for home, the merriment of a folk dance and the eternal cycle of growth and decay are apparent. These are quiet, dreamy pieces, most of them not written for the concert hall, but expressing a personal journey for peace and a protected place. Spanning a broad stylistic and historical range, Motherland juxtaposes the happy lightness of a "Slavonic Dance" by Dvo ák and the melancholy of Grieg's lyrical "Homesickness" and contrasts the elegant gaiety of Mendelssohn's "Song without Words" (Op. 67/2) with the graceful introspection of Liszt's "Lullaby." Classics of the Romantic piano repertoire such as Chopin's Étude in C-sharp minor (Op. 25/7) and Brahms's "Intermezzo" (Op. 117/2) are embedded between Bach's cantata "Sheep May Safely Graze" and Arvo Pärt's musical dedication "For Alina."
Khatia Buniatishvili has been described by The Independent as "the young Georgian firebrand." At the age of only 26 years, this Tblisi-born pianist has already achieved an exceptional maturity of interpretation and a distinctive artistic approach that make her playing unmistakable. She made her Carnegie Hall debut in 2008 and has played with many famous orchestras around the world including the Israel Philharmonic with Kent Nagano, the San Francisco Symphony, Philadelphia Orchestra, Munich Philharmonic and the Orchestre de Paris under Paavo Järvi.
Release Date May 19, 2014
Duration 01:05:40
Genre Classical
Styles Keyboard
Recording DateApril 15, 2013 - April 19, 2013
AllMusic Review by Blair Sanderson
As she has demonstrated in her critically acclaimed albums of the keyboard music of Liszt and Chopin, Georgian pianist Khatia Buniatishvili is a stunning virtuoso with impressive skills and her dynamic playing compels listening. However, for her 2014 Sony album, Motherland, she finds subtle expressions in her favorite character pieces, and none of them could be considered showstoppers. Most of the selections reflect calm and intimate moods, typified by Bach's Sheep May Safely Graze, Tchaikovsky's Autumn Song, Debussy's Clair de lune, and Ravel's Pavane pour une infante défunte, while the liveliest pieces, which include Mendelssohn's Song Without Words in F sharp minor, György Ligeti's Musica Ricercata No. 7, Dvorák's Slavonic Dance in E minor, and Scarlatti's Sonata in E major, offer rather modest displays of technique. Instead of dazzling her listeners, Buniatishvili is putting forward her personal, private side in this understated program, and the key to her selections is the sense of yearning that these pieces evoke. The most passionate outpouring of emotion comes in her own arrangement of Vaguiorko ma, a Georgian folk song that surely must hold a special place in her emotional world. Because this is a gentle and poignant album, listeners may find it is best appreciated in a quiet space with few distractions.
专辑曲目:
01. Cantata No. 9, BWV 208: Aria - Schafe k？nnen sicher weiden
02. The Seasons No. 10, Op. 37b: October - Autumn Song
03. Lied ohne Worte in F-Sharp Minor, Op. 67/2
04. Suite Bergamasque No. 3 in D-Flat Major: Clair de Lune
05. Tune from the Film by Lana Gogoberidze: When Almonds Blossomed
06. Musica ricercata No. 7 in B-Flat Major
07. Intermezzo in B-Flat Minor, Op. 117/2
08. Wiegenlied, S. 198
09. Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso)
10. Pavane pour une infante d？funte in G Major
11. Etude in C-Sharp Minor, Op. 25/7
12. Etude in C-Sharp Minor, Op. 2/1
13. Sonata in E Major, K. 380
14. Lyric Piece in E Minor, Op. 57/6: Homesickness
15. Vagiorko mai / Don't You Love Me?
16. Menuet from Suite in G Minor, HWV 439
17. Für Alina in B Minor
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Khatia Buniatishvili -《李斯特：爱之梦、梅菲斯托圆舞曲&B小调钢琴奏鸣曲》(Liszt )[24bits 48KHz][FLAC]

专辑英文名: Liszt
专辑中文名: 李斯特：爱之梦、梅菲斯托圆舞曲&B小调钢琴奏鸣曲
艺术家: Khatia Buniatishvili
古典类型: 全集作品
资源格式: FLAC
版本: [24bits 48KHz]
发行时间: 2011年07月05日
地区: 美国
语言: 英语
简介:
专辑介绍:
「钢琴女王」阿格丽希讚誉新生代来自乔治亚的女钢琴家－卡蒂雅
获选为BBC电台2009-2011的「New Generation Artis」、维也纳爱乐协会评选为2011/2012乐季的「Rising Star」。
加入索尼音乐首张专辑选录李斯特以『浮士德』主题的作品：「梅菲斯托圆舞曲」、「爱之梦」等。
【媒体评论】
她令人嘆为观止的活力展现出生命源源不绝的热情 ─by 「Classica」
令人瞠目结舌的音乐活力 ─by 「The Time」
　　卡蒂雅（Khatia Buniatishvili）是一位非凡的艺术家，也是当今最受好评的青年钢琴家，更是被视为明日的钢琴巨星。拥有令全世界乐迷与乐评印象深刻的浑厚且成熟音乐知性，以及超凡的技巧：无与伦比的弹奏技术，及独特的活力与态度，让她的演奏充满了无可取代的迷人魅力。
　　一九八七年出生於苏联乔治亚的提比利斯（Tbilisi）。钢琴教育的啟蒙得自母亲的教导，六岁时首度与乐团合作协奏曲，巡迴欧美各地演出。崇敬的钢琴家包括了拉赫曼尼诺夫、李希特与顾尔德，而最喜爱的钢琴家则为阿格丽希，然而她并不想成为阿格丽希第二，也不希望被视为天才儿童。
　　在提比利斯的国立音乐院（Tbilisi’s State Conservatoire）求学期间便获得多项比赛的肯定，而后转往维也纳深造，更进一步拓展音乐视野。2008年首度登上卡内基音乐厅的舞台，接著被BBC广播电台选为2009-2011年度「新生代艺术家」（New Generation Artist），更被维也纳爱乐协会评选为2011/2012乐季的「闪耀之星」（Rising Star）。如今她的身影已经登上了世界各大音乐厅的舞台，巨星的风采已然成形。获得「钢琴女王」阿格丽希的讚誉：「卡提雅是一个十分杰出的青年钢琴家。我对她不凡的钢琴天分、自然流露的音乐性、想像力，以及光辉灿烂的技巧，印象深刻。」
　　在她为索尼音乐公司所录制的个人首张专辑中，选择了李斯特的作品作为初试啼声的试金石。她表示：「一直以来我都了然於胸，我的第一张专辑将会是李斯特的作品集。只有他能够将我灵魂中的许多面向整合呈现。」
专辑选录的曲目重点在於「浮士德」的主题：《爱之梦》第三号的创作意念来自德国文豪歌德（Goethe）作品《浮士德》。《梅菲斯托圆舞曲》的灵感则是来自雷瑙（Nikolaus Lenau）有关於浮士德的诗作。此外，卡蒂雅将浮士德、玛格丽特与梅菲斯托视为录音的核心，而B小调钢琴奏鸣曲，就技术上而言，是有史以来最严苛的钢琴作品之一。
　　卡蒂雅的演奏，从细微处寻找伟大的灵魂，更从小地方寻找大宇宙。在李斯特的音乐中，她找到了对於音乐完整性，以及完善演奏技巧的自我见解。也因而成就了这一份足以视之为杰作的录音。
Franz Liszt / Khatia Buniatishvili, piano
李斯特：爱之梦、梅菲斯托圆舞曲&B小调钢琴奏鸣曲 / 卡蒂雅(钢琴)
发行公司：SONY MUSIC
产品编号：88697766042
发行日期：2011/06/07
进口版别
张数：1 张 - 1CD
【曲目】
1. 爱之梦，第三号，S 541/3
2-4 B小调奏鸣曲，S S178
5. 梅菲斯托圆舞曲，第一号，S 514
6. 阴鬱的贡多拉船，S 200/2
7-8 前奏曲与赋格（改编自巴哈作品BWV543），S 462/1
引用Release Date 2011
Duration 01:07:25
Genre Classical
Styles Keyboard
Recording DateOctober 10, 2010 - October 15, 2010
AllMusic Review by Blair Sanderson
Because Khatia Buniatishvili always wanted her debut recording to be a portrait of Franz Liszt, it is fortuitous that this album was released in time for the 200th anniversary of the composer's birth. This CD/DVD combo introduces the Georgian pianist in a manner that seems half a fulfillment of a fantasy and half a kitschy marketing ploy for Sony, overdone in its packaging, photography, and booklet. But the window-dressing should take nothing away from Buniatishvili's playing, which is wholly convincing in its power, incisiveness, fluidity, and clarity. It is evident that she is committed to Liszt with passionate intensity, and her playing lacks nothing in the necessary expressive range, from the dreamy delicacy of the Liebesträum in A flat major to the towering grandeur of the Sonata in B minor, with every nuanced possibility in between. The program is quite accessible, with these famous pieces and others, such as the Mephisto Waltz No. 1, La lugubre gondola, and the Prelude & Fugue in A minor (after Bach). Buniatishvili clearly understands that Liszt's music was about a lot more than flashy runs and clangorous octaves, and that there is a subtle creative aspect of his work that influenced a century of Romantic music and is still being felt today. Having Buniatishvili as an interpreter is certainly good for the Liszt revival, and it, in turn, should be quite helpful for her career, despite the label's gilding of the lily.
Audio CD (July 5, 2011)
Limited Edition edition
SPARS Code: DDD
Number of Discs: 2
Format: Limited Edition
Label: Sony Classical
Run Time: 72 minutes
ASIN: B004UPLPD2
Average Customer Review: 4.4 out of 5 stars
Andrew Clements
Thursday 2 April 2015 12.28 BST
There’s no doubting Khatia Buniatishvili’s talent. The Georgian pianist has an imposing technique at her disposal and, when she puts her mind to it, the ability to produce moments of insight and refined sensibility. She is in her late 20s now, at a time in her life when most pianists are turning early promise into real achievement, but to judge by the rash, immature playing in her latest London appearance, Buniatishvili is still some way from doing that.
Her programme – Mussorgsky’s Pictures at an Exhibition and a sequence of Liszt – was clearly designed for effect, and to have her fans on their feet and cheering at the end; predictably, they obliged. Pictures, though, had no shape at all, with the slower movements ponderously slow – Il Vecchio Castello was interminable – and faster ones lightning fast, so that they became trivialised, and Buniatishvili kicked up such a storm in The Hut on Fowl’s Legs that the dramatic effect of the segue into the final Great Gate of Kiev, one of the clinching moments in the whole work, was fatally undermined.
That tendency to extremes – the thinking that ever faster, ever louder, is automatically the best way to go – ran through the Liszt pieces too. Three studies from different sets, La Leggierezza, Feux Follets and La Campanella, at least allowed everyone to admire the pearly evenness of Buniatishvili’s fingering, but apart from a rather unconvincing Liebesträume to begin, around them were pieces that encouraged her to be as noisy as possible: the first Mephisto Waltz (not insidious, just rowdy), the Grand Galop Chromatique (turned into a low-grade circus act) and the second Hungarian Rhapsody – played, of course, in Vladimir Horowitz’s version, which adds tweaks and further elaborations to Liszt’s original. The good news is that the piano survived it all intact; the bad is that on the question of whether Buniatishvili can ever be a serious artist, the jury is very much still out.
专辑曲目:
1. Liebestraum No. 3 in A-Flat Major, Op. 62 (S. 541)
2. I. Lento assai - Allegro energico
3. II. Andante sostenuto
4. III. Allegro energico
5. Mephisto Waltz No. 1, The Dance in the Village Inn, S 514
6. La lugubre gondola No. 2, S 200/2
7. Prelude
8. Fugue
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Chiaroscuro Quartet -《明暗对比四重奏演奏贝多芬和莫札特》(Beethoven. Mozart)[FLAC]

专辑英文名: Beethoven. Mozart
专辑中文名: 明暗对比四重奏演奏贝多芬和莫札特
艺术家: Chiaroscuro Quartet
古典类型: 室内乐
资源格式: FLAC
发行时间: 2013年06月11日
地区: 美国
语言: 英语
简介:
专辑介绍:
1985年出生於俄罗斯的小提琴家伊贝拉吉莫娃，之前就读於莫斯科格涅辛音乐院，在英国则读於曼纽因音乐院和皇家音乐学院。伊贝拉吉莫娃得过包含2010年的皇家爱乐协会青年艺术家奖、BB信託奖和全英古典音乐奖，也是BBC新生代艺术家计画2005至2007年的成员，而美国《时代杂誌》对於伊贝拉吉莫娃的演奏如此写道：「毫无矛盾与衝突，狂放不羈与精準节制的融合」，并认为她「注定纵横未来十年的古典音乐界」。伊贝拉吉莫娃目前为Hyperion唱片公司录音，其中巴哈无伴奏小提琴录音获得极高评价。
今年26岁、俄罗斯籍的伊贝拉吉莫娃是极富潜力的小提琴家新秀，她本人目前是英国Hyperion唱片公司的专属艺人，而她新成立的四重奏团Chiaroscuro Quartet（chiaroscuro是绘画的术语「明暗法」，意指假设强烈光源照向主题，强调正面亮度并以背面阴影凸显物体立体感的画法）在法国唱片品牌Aparté推出的首张莫札特与舒伯特室内乐专辑也获得高度评价。她的音乐性与演奏功力在这场现场演出可见一斑。
明暗对比四重奏演奏贝多芬和莫札特
Beethoven, Mozart
系统编号 005120086
馆藏编号 C024006
Title 贝多芬第11号弦乐四重奏, 作品95
演出者 Chiaroscuro Quartet
出版者 Aparté,
出版日期 p2013.
到馆日期 2013-01-01
资料型态 CD
专辑编号： AP051
专辑类型：单CD
发行年份： 2013
国际条码： 3149028031324
音乐家： Chiaroscuro Quartet　明暗对比四重奏
音乐厂牌： Aparté
库存状态：有库存
引用Orchestra: Chiaroscuro Quartet
Conductor: None
Composer: Ludwig Van Beethoven, Wolfgang Amadeus Mozart
Audio CD (June 11, 2013)
Number of Discs: 1
Format: Import
Label: APARTE
ASIN: B00B9GZI2E
Release Date April 8, 2013
Duration 57:19
Genre Classical
Styles Chamber Music
AllMusic Review by James Manheim
The multinational Chiaroscuro Quartet promises performances of music of the Classical era "on period instruments informed by a historical approach." This tells you less than it would if applied to Baroque music, but the features of Classical-period historical string performance are in evidence here: vibrato is kept to a minimum, and the scooping accents possible on later instruments are scrupulously weeded out. The biggest surprise, however, would have been possible even played on contemporary instruments: the String Quartet No. 11 in F minor, Op. 95, of Beethoven, designated by Beethoven as "Serioso," is given an interpretation with the seriousness radically scaled down. The group seems to be after a revisionist interpretation that holds that the violent qualities in this quartet were placed there by Romantic after-the-fact thinking and even later by psychoanalysis of Beethoven's difficult life around this time. The music is tense but light, with the really startling harmonic developments in the opening movement treated not as utterances of emotional torture but as little flashes of psychedelic light. The slow movements of all three works on the album are marvelous, with the players perfectly coordinated and the music seeming to breathe like some living creature, the lack of vibrato making the individual instruments difficult to pick out. And the Mozart Adagio and Fugue in C minor for string quartet, K. 546, and String Quartet in E flat major, K. 428 (a work also often given post-facto Romantic intensity) are less startling on first hearing. The Beethoven is one of those performances far enough outside the norm that it's safe to say some will think it's brilliant, some will hate it. But neither group will be able to claim it's not well thought out.
专辑曲目:
Ludwig van Beethoven: String quartet in F Minor No 11, Op. 95
01. I. Allegro con brio
02. II. Allegretto ma non troppo
03. III. Allegro assai vivace ma serioso
04. IV. Larghetto espressivo - Allegretto agitato - Allegro
Wolfgang Amadeus Mozart: Adagio and Fugue in C Minor, K. 546
05. I. Adagio
06. II. Fugue
Wolfgang Amadeus Mozart: String quartet in E Flat Major No 16, K.428
07. I. Allegro non troppo
08. II. Andante con moto
09. III. Menuet : allegro et trio
10. IV. Allegro vivace
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Ottorino Respighi -《古代风格舞曲》(Ancient Airs and Dances)[FLAC]

专辑英文名: Ancient Airs and Dances
专辑中文名: 古代风格舞曲
艺术家: Ottorino Respighi
古典类型: 全集作品
资源格式: FLAC
发行时间: 1990年10月25日
地区: 美国
语言: 英语
简介:
专辑介绍:
雷史碧基（Ottorino Respighi，1879－1936）是近代义大利音乐器乐曲中，站在指导地位的开拓者之一。他除了没有写过交响曲外，在音乐的各种范畴中，留下许多作品。其代表作，就是「罗马之喷泉」「罗马之松树」「罗马之节庆」等「罗马三部曲」。
1913年，雷史碧基就任罗马圣则济利亚国立学院（Accademia Nazionale di Santa Cecilia）作曲科教授，更在1923年与1926年两次担任院长之职。他一直居住在罗马到最晚年，并担任教职到1935年。其间，最大的乐趣之一，就是在学院的图书馆查阅古时候作曲家的作品，并把其中喜欢的作品拿来用他自己的管弦乐法予以编曲。这种古时候的作品，都是以当时的特殊记谱法记载，雷史碧基所参照的，大概是义大利音乐学者欧斯卡尔•齐烈索迪（Oscar Chilesotti 1848-1916）在1890年前后解说的鲁特琴曲集。
「鲁特琴古代风格舞曲与咏唱调」（Antiche danze ed arie per liuto）是雷史碧基谱作的3套组曲。组曲所包括的各曲，都是把古老的鲁特琴曲改编为现代管弦乐曲或弦乐合奏曲，因而这些作品并不是鲁特琴曲集。雷史碧基説，他在这些作品中，留下原曲的品格与香气，配合原曲的时代与性格赋予适当的和声，运用他的管弦乐技法让古代的音乐穿上管弦乐衣裳在现代复甦。第1组曲与第2组曲中的各曲是管弦乐曲，但各曲的配器法都不同，因而听者在各组曲中可以享受到音色的变化。第3组曲是弦乐合奏曲。各组曲都由4首乐曲组成。这3套组曲不是鲁特琴曲集，为了避免混淆不清，现在常称为「古代风格舞曲与咏唱调」（Antiche Danze ed Arie）或「古代风格咏唱调与舞曲」（Ancient Airs and Dances），甚至简称「古代风格舞曲」组曲。
雷史毕基 Ottorino Respighi
艺人介绍
【雷史毕基】作曲家
Ottorino Respighi
出生：1879年07月09日
逝世：1936年04月18日
国籍：义大利
性别：男
雷史毕基是二十世纪初义大利学院派作曲家中，最早採用印象乐派风格创作的代表人物。不同於同时代义大利作曲家朝向歌剧领域发展，雷史毕基却把主力放在器乐和管弦音乐上。他是李奇欧音乐院（Liceo Musicale）的毕业生，在学校是马突奇的学生（Giuseppe Martucci）。1900年他二十一岁时啟程前往俄国，担任圣彼得堡歌剧院乐团的首席小提琴。并拜林姆斯基-高沙可夫为师，。1902年雷史毕基返回西欧，在柏林拜布鲁赫为师（Max Bruch）。不过他主要的工作都是担任小提琴家，在乐团或四重奏中演出。之后他也发表歌剧作品，奠立了作曲事业的基础，并在1923年被聘为罗马圣奇西利亚音乐院的院长（Conservatorio Santa Cecilia）。
雷史毕基毕生的作品中，以罗马三部曲（Roman Triptych）最为有名，这三部作品分别描述罗马的三种景色，包括「罗马之泉The Fountains of Rome」、「罗马之松The Pines of Rome」和「罗马节日Roman Festivals」。之后他也完成了像是「教堂之窗The Church Windows」、「巴西印象Brazilian Impressions」等作。因为他也从事古曲编纂、出版和校对、收集的工作，所以偶尔也会将当时少为人知的古曲编写成管弦音乐以利传播，他最有名的改编之作像是以古代鲁特琴组曲写成的「古代鲁特琴歌谣与舞曲Ancient Airs and Dance」和「鸟The Brids」等都相当受到欢迎。另外，他以罗西尼的作品写成的「怪店La Boutique Fantasque」，更是近代芭蕾音乐中少见的清新之作。
引用Orchestra: Los Angeles Chamber Orchestra
Conductor: Neville Marriner
Composer: Ottorino Respighi
Audio CD (October 25, 1990)
Number of Discs: 1
Label: EMI Angel
ASIN: B000002RN9
Average Customer Review: 4.5 out of 5 stars See all reviews
5.0 out of 5 starsRespighi's Homage To The Distant Past
By Erik North on December 29, 2006
Format: Audio CD
A master orchestrator who learned his craft from another master orchestrator (Nikolai Rimsky-Korsakov), Ottorino Respighi was extremely well known in the early third of the last century for reviving old styles of music and making them into modern masterworks (e.g., he orchestrated a few of Bach's organ works). And perhaps the best example of Respighi paying homage to the distant past lies in the three orchestral suites, composed respectively in 1917, 1924, and 1932, that he titled "Ancient Airs And Dances For The Lute."
Based on dances composed by obscure Italian composers of the 16th, 17th, and 18th centuries, the Ancient Airs And Dances received perhaps their best recording here on this 1976 EMI release by the Los Angeles Chamber Orchestra and their then-Music Director Sir Neville Marriner, who served from the time of the orchestra's birth in 1969 up to 1978. Both Marriner and the L.A.C.O. navigate around Respighi's orchestral colorings quite well, especially with the uses of harp and harpsichord in all three suites, full string orchestra in the third suite, and the use of trombones and timpani in the coda to the "Bergamasca" that concludes the second suite.
A fine example of a modern 20th century orchestrator bringing back forms from three to four centuries past, the Ancient Airs And Dances are never anything less than interesting, and the same can certainly be said for this recording, even if it was made three decades ago.
专辑曲目:
01. Ancient Airs and Dances, Suite No. 1 P.109 / I. Simone Molinaro: Balletto Detto 'Il Conte Orlando'
02. Ancient Airs and Dances, Suite No. 1 P.109 / II. Vincenzo Galilei: Gagliarda
03. Ancient Airs and Dances, Suite No. 1 P.109 / III. Anon: Villanella
04. Ancient Airs and Dances, Suite No. 1 P.109 / IV. Anon: Paso Mezzo E Mascerada
05. Ancient Airs and Dances, Suite No. 2 P.138 / I. Fabrizio Carosa: Laura Soave, Baletto Con Gagliarda, Saltarello E Canario
06. Ancient Airs and Dances, Suite No. 2 P.138 / II. Jean-Baptiste Besard: Danza Rustica
07. Ancient Airs and Dances, Suite No. 2 P.138 / III. Anon: Campanae Parisienses; Marin Mersenne - Aria
08. Ancient Airs and Dances, Suite No. 2 P.138 / IV. Bernardo Giaconcelli, Detto Il Bernardello - Bergamasca
09. Ancient Airs and Dances, Suite No. 3 P.172 / I. Anon: Italiana
10. Ancient Airs and Dances, Suite No. 3 P.172 / II. Jean-Baptiste Besard: Arie Di Corte
11. Ancient Airs and Dances, Suite No. 3 P.172 / III. Anon: Siciliana
12. Ancient Airs and Dances, Suite No. 3 P.172 / IV. Lodovico Roncalli: Passacaglia
13. Trittico Botticelliano P.151 / I. La Primavera (Allegro Vivace)
14. Trittico Botticelliano P.151 / II. L'adorazione Dei Magi (Andante Lento)
15. Trittico Botticelliano P.151 / III. La Nascita Di Venere (Allegro Moderato)
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Alison Balsom, Tom Poster -《小号传奇》(Legende )[24bits 96KHz][FLAC]

专辑英文名: Legende
专辑中文名: 小号传奇
艺术家: Alison Balsom, Tom Poster
古典类型: 全集作品
资源格式: FLAC
版本: [24bits 96KHz]
发行时间: 2016年06月03日
地区: 美国
语言: 英语
简介:
内容简介:
◎此张为小号家艾利森‧鲍尔珊第一张与钢琴合奏的录音专辑，她形容这张专辑的曲目是「拥抱为小号与钢琴所写最重要的曲目」，包括了二十世纪作曲家，以及自己与钢琴家波斯特共同创作的《梅博士的想法》。
艾莉森‧鲍尔珊是当前最受欢迎的古典音乐明星。十岁在巴比肯中心听过瑞典小号演奏家哈登伯格的音乐会后，艾莉森‧鲍尔珊马上立志要成为小号独奏家。从市政厅音乐学校毕业后，她到巴黎音乐学院师从哈登伯格。2004年以后，艾莉森‧鲍尔珊开始在全球各个重要音乐厅露面，唱片也得到重要媒体，如《留声机》杂誌的好评。而在不违背自己对音乐的理念前题下，她也勇於突破主流以吸引更多听眾。
以开放的心胸与想像力来「探索」与「发现」，正是艾莉森‧鲍尔珊最大的特点。「我在音乐上的品味是兼容并蓄，看看它能够把我带往何处。」艾莉森‧鲍尔珊说：「小号是最多方面适用的乐器之一......它的声音有多种可能性。」她形容这张专辑的曲目是「拥抱为小号与钢琴所写最重要的曲目」，包括了二十世纪作曲家安奈斯可、亨德密特、马替努、尚‧弗朗赛、伯恩斯坦与彼得‧麦斯威尔‧戴维斯，最后则是盖希文与杰若米‧克恩的作品。艾莉森‧鲍尔珊与她的搭档波斯特也合作创作一首作品《梅博士的想法》。这首作品的灵感来自英国「皇后合唱团」吉他手与歌手，同时也是天体物理学博士的布莱恩‧梅。
小号传奇
Legende: Works for Trumpet and Piano
作者／艾莉森．鲍尔珊/ 汤姆．波斯特 Alison Balsom/ Tom Poster
出版社／华纳国际音乐股份有限公司
出版日期／ 2016/05/20
商品语言／无
类型: 古典音乐, 音乐, 室内乐
发行日期: 2016年05月13日
℗ 2016 Warner Classics, Warner Music UK Ltd. A Warner Music Group Company
引用Release Date June 3, 2016
Duration 01:01:11
Genre Classical
Styles Chamber Music
AllMusic Review by James Manheim
Alison Balsom has been successful since the early 2000s with a standard diet of Baroque trumpet works and the usual Classical-period concertos. In the mid-2010s she turned toward more contemporary repertory with a French conservatory flavor. The results on the trumpet-and-piano Légende, named for the effusive Enescu piece (track five), are impressive; Balsom deepens her art with a coherent program even as she plays mostly music that could be characterized as light. Sample one of the movements of the opening Sonatine of the mightily underrated Jean Françaix, whose understated style, not so much humorous as subtle and elegant, poses challenges for a trumpet confined mostly to its middle register. Balsom's bright, perfectly controlled lines and close ensemble with pianist Tom Poster pass all the tests. After that you get a mix of other neoclassic pieces, the heavier Hindemith Trumpet Sonata in the middle, and popular songs, small chunks all hanging together that stimulate the listener even without awareness of same. Brava.
Audio CD (June 3, 2016)
Number of Discs: 1
Label: Warner Classics/Parlophone
ASIN: B01D5I30VO
Average Customer Review: 5.0 out of 5 stars
专辑曲目:
01. Sonatine: I. Prelude
02. Sonatine: II. Sarabande
03. Sonatine: II. Sarabande - Cadenza
04. Sonatine: III. Gigue
05. Légende
06. Concert Etude, Op. 49
07. Farewell to Stromness
08. Trumpet Sonata: I. Mit Kraft
09. Trumpet Sonata: II. Mässig bewegt
10. Trumpet Sonata: III. Trauermusik
11. Trumpet Sonata: III. Trauermusik - Alle Menschen müssen sterben
12. Sonatine, M. 40: II. Mouvement de menuet
13. The Thoughts of Dr. May
14. Sonatine
15. Rondo for Lifey
16. Someone to Watch Over Me
17. The way you look tonight
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Various Artists -《周末梦》(Weekend classics - Weekend Dreams)[FLAC]

专辑英文名: Weekend classics - Weekend Dreams
专辑中文名: 周末梦
艺术家: Various Artists
古典类型: 全集作品
资源格式: FLAC
发行时间: 2006年10月02日
地区: 美国
语言: 英语
简介:
专辑介绍:
　　乐活风盛行，做个快乐健康的乐活族成为都会生活最重要的时尚风潮，乐活意谓持续性的以健康的方式过生活。当然要享受快乐健康的生活，音乐自然是不能少的调养剂，音乐可以洗涤你的心灵、你的忧伤、喧杂与烦燥，这是自在生活健康人生的準则。
　　週末古典系列是DG唱片公司成功地为健康成功的女性所创造出来的成功生活方式的準则，以时尚的设计加上精準的选曲，提供都会生活週末閒暇的一种新的乐活方式，低廉的价位加上高水準大师的演绎录音，一定可以让你悠閒地度过週末时光。
引用Artist: VA
Title Of Album: Weekend Classics: Weekend Dreams
Year Of Release: 2006
Label: Deutsche Grammophon GmbH
Genre: Classical, Easy Listening
Total Time: 01:04:09
Werke von / Works by
Beethoven · Debussy · Dvorák · Grieg
Puccini · Respighi · Rodrigo
Schumann · Vaughan Williams
Yepes · Kempff · Järvi · Ozawa
Sinopoli · Barenboim · Boulez a.o.
Int. Release 02 Oct. 2006
专辑曲目:
01. Edvard Grieg - Morning Mood from Peer Gynt 04:15
02. Giacomo Puccini - Humming Chorus from Madama Butterfly 03:09
03. Ottorino Respighi - Italiana from Ancient Airs and Dances for Lute, Suite no.3 02:53
04. Ludwig van Beethoven - Adagio sostenuto from "Moonlight" Sonata 06:39
05. Claude Debussy - Nuages from Nocturnes 06:16
06. Claude Debussy - Jeux de vagues from La Mer 06:33
07. Robert Schumann - Traumerei from Kinderszenen 02:33
08. Ralph Vaughan Williams - The Lark Ascending 13:35
09. Antonin Dvorak - Tempo di valse from Serenade for Strings in E major op. 22 06:57
10. Joaquin Rodgrigo - Adagio from Concierto de Aranjuez 11:13
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