专辑英文名: Brahms - Violin Concerto, String Sextet No. 2
专辑中文名: 小提琴协奏曲与第2号弦乐六重奏
艺术家: Isabelle Faust
古典类型: 全集作品
资源格式: FLAC
版本: [24bits 44.1KHz]
发行时间: 2011年03月08日
地区: 美国
语言: 英语
简介: 
专辑介绍:
向来是Harmonia Mundi小提琴台柱的佛斯特，专辑总是屡屡让乐迷望穿秋水殷切期盼，也证明其居高不下的人气。 这张布拉姆斯小提琴协奏曲更找来目前当红的年轻指挥丹尼尔．哈丁搭配马勒室内管弦乐团，这样的明星组合已是 让人迫不及待想一听为快。佛斯特在解说册开头引用一段19世纪知名小提琴家姚阿幸以他身为演奏者的观点提出对 布拉姆斯弦乐作品的评价。有别於巴哈或是莫札特这种精通各种乐器创作的作曲家，布拉姆斯总是从钢琴家的角度 出发洞察乐曲该往何种方向，以小提琴协奏曲为例，他和姚阿幸之间光是交换想法便耗去一年的时间，从这边也可 以看出姚阿幸的意见对这首乐曲的最后样貌产生何等重要的影响，也让它名列难度颇高的小提琴协奏曲。值得一提 的是佛斯特在华彩乐段罕见的採用布梭尼1913年的修订版本。以神童之姿崛起的布梭尼吸引了布拉姆斯的注意，并 且向许多文艺圈极力推荐这位年轻钢琴家「我会像舒曼提携我那般来拉拔布梭尼」。 除了在创作协奏曲时倾听姚阿幸的意见，布拉姆斯在室内乐领域也是相当倚重他的经验，专辑的另一首第二号六重 奏同样可以看到姚阿幸的精神。1958年布拉姆斯和女高音阿嘉莎．冯．席博德陷入热恋，但是布拉姆斯对於爱情虽 有期待却又不希望自由的艺术家生活被婚姻束缚，在一封给女方的信中他说「我爱你，我想再见到你，但我不想被 枷锁束缚」。最后恋情告吹，1865年布拉姆斯也将这份最后的浪漫放入六重奏之中纪念这段无缘的结局。
Brahms:
Violin Concerto in D major, Op. 77
Isabelle Faust (violin)
Mahler Chamber Orchestra, Daniel Harding
String Sextet No. 2 in G major, Op. 36
Sextet: Isabelle Faust, Julia-Maria Kretz (violins), Stefan Fehlandt, Pauline Sachse (violas) & Christoph Richter & Xenia Jankovic (cellos)
HMC902075 伊莎蓓儿·佛斯特/布拉姆斯:小提琴协奏曲,第2号弦乐六重奏 Brahms:Violin Concerto,String Sextet No. 2 (harmonia mundi)
Brahms：Violin Concerto, String Sextet No.2 / Isabelle Faust
布拉姆斯：小提琴协奏曲与第2号弦乐六重奏
发行公司：harmonia mundi
演出者：布拉姆斯 Johannes Brahms
产品编号：HMC902075
发行日期：2011/03/08
张数：1 张 - 1CD
引用Performer: Isabelle Faust
Orchestra: Mahler Chamber Orchestra
Conductor: Daniel Harding
Composer: Johannes Brahms
Audio CD (March 8, 2011)
SPARS Code: DDD
Number of Discs: 1
Format: Import
Label: HARMONIA MUNDI
ASIN: B004DKDO2O
Average Customer Review: 5.0 out of 5 stars See all reviews
5.0 out of 5 starsA modern sensibility steeped in classical values
By Larry VanDeSande VINE VOICE on June 16, 2011
Format: Audio CD
German born violinist Isabelle Faust and conductor Daniel Harding, the pairing here in Brahms' famous Violin Concerto Op. 77, belong to the modern school of period-induced playing and conducting. My previous experience with Faust was as violinist on a recording of Brahms chamber music and I last met Harding when he conducted some Beethoven overtures. I liked neither recording as well as I like this classically-rendered version of the concerto.
Faust, who was a Gramophone young artist of the year in 1997 after the release of her first album, built her reputation pursuing chamber music, 20th century and and lesser-known repertory from the likes of Jolivet, Ligeti, Danielpour and the concertos of Michael Jarrell and Thomas Larcher that were dedicated to her. In the intervening years, she has gone on to record famous concertos by Bach, Dvorak and Beethoven.
The Brahms concerto transcends these great works because of its classic lines of construction expressed in musical language from the late romantic period. Brahms built a titanic first movement, followed by a heartfelt and melodious slow movement, and wrapped up the affair with a rondo-dance. While transferring the emotional volatility of late 19th century romance, his classical concerto eschews the excesses of Tchaikovsky and other late romantics.
A virtuoso of the first order playing a 1704 Stradivarius, Faust seems to understand this. With bowing and double stops that match any violinist alive today, she practices virtuosic and emotional restraint while matching her orchestral partners' dramatic sweep and tension in the 20-minute opening movement, then quietly settles into Brahms' self-defined "feeble adagio" before sweeping away listeners with bravura playing in the Hungarian finale.
Using Ferrucio Busoni's first movement cadenza underlined by Harding's timpani, Faust is abetted by Harding and the 14-year-old Mahler Chamber Orchestra -- a modern period ensemble of about 40 players -- in a recording strong on orchestral clarity and power mated to vivid execution with solo work full of expressive character. While the Mahler Chamber Orchestra lacks the weight of a larger ensemble, and some listeners may not like all the sounds the horns make, they carry the argument splendidly in support of the soloist.
There are other versions of this concerto I enjoy -- Kennedy's indulgent version that stretches out the music 45 music and Heifitz's fiery virtuosity chief among them -- but none have the combination of expressive playing, clarity in execution and dramatic thrust this one demonstrates.
The significant add-on is Brahms Second Sextet for strings, Op. 36, a piece that projects more the autumnal resignation of his final symphony and Alto Rhapsody than the forward-stepping romance and triumph of the violin concerto. Faust leads from the violin in a reading that is, again, of 21st century sensibility while steeped in the classical (and traditional) values that make Brahms history's No. 4 classical composer behind only Beethoven, Bach and Mozart.
To hear one moment that envelops the sextet's enchanting playing and scintillating interpretation, listen to the way Faust et al handle the first movement's exposition subject on repeat, playing with tenderness and utter sensitivity to the changing moods of the piece, and hardly just playing the music that came a few minutes earlier. Even speeds a point or two faster than the norm do nothing to keep this performance from the first rank.
The CD version of this recording is handsomely packaged in a box, not a plastic case, the opens to a second set of foldouts containing the CD and the removable 42-page booklet. The latter contains an essay from Roman Hinke on the connection between Joseph Joachim and the Brahms concerto as well as three pages from Faust on her impressions of the music and why she chose Busoni's 1913 cadenza. The up close recording was made in Berlin in 2010.
In fine modern sound, Harmonia Mundi has created a 75-minute concert that Brahms lovers, whether wedded to the high cholesterol, big band oeuvre from the likes of Furtwangler, Karajan and Klemperer to the most modern school of playing, can enjoy equally. Only those unjustly averse to period style should avoid this exceptional chamber-sized issue.
Label:Harmonia Mundi
Catalogue No:HMC902075
Discs:1
Release date:28th Feb 2011
Barcode:0794881984428
Medium:CD
Brahms* – Isabelle Faust, Daniel Harding, Mahler Chamber Orchestra ‎– Violin Concerto, String Sextet No. 2
Label: Harmonia Mundi ‎– HMC 902075
Format: CD, Album
Country: France
Released: 2011
Genre: Classical
Style: Romantic
The booklet of Isabelle Faust’s new recording includes an essay written by her regarding the performing editions used and the significance of the violinist Joseph Joachim in the string works of Johannes Brahms, as seen from a performer’s point of view. Since Brahms did not belong to a generation of composers who mastered several different instruments – as had Bach or Mozart – and composed from the perspective of a pianist, his exchange of ideas with Joachim, which in the case of the Violin Concerto lasted almost a year, was of decisive importance for the final form of the piece, one of the most difficult in the repertoire. Isabelle uses the rarely played cadenza by Ferruccio Busoni, which dates from 1913. Brahms got to know Busoni as a child prodigy and recommended the young pianist in a number of artistic circles: ‘What Schumann did for me, I will do for Busoni.’ The spirit of Joseph Joachim also hovers over the second work on this recording, for the composer regarded the violinist as his most important adviser in the realm of chamber music too. In the case of his Sextet, however, the most perceptible influence is that of the doomed love affair between the composer and the soprano Agathe von Siebold. That Brahms was unable to overcome their separation with a light heart is clear from the monument in sound to his lost romance in the lyrical second theme of the first movement. ‘A-GA- D/H-E’1 proclaims the sequence of notes making up the motif (bars 162 ff). Isabelle generously credits Christopher Hogwood, Robert Pascall, Stefan Weymar and Douglas Woodfull-Harris for their active support in all questions relating to the manuscript and the first edition of Op.36 and for generously making available a prepublication copy of the new Bärenreiter edition. Gramophone Magazine gave Isabelle Faust its Young Artist of the Year Award for her first recording of sonatas by Béla Bartók, in 1997 [now reissued on hm gold with volume 2].
The year 2010 marked a new stage in her recording career: Diapason voted her CD of Bach Partitas and Sonatas a Diapason d’Or of the Year, while her complete set of the Beethoven Sonatas with Alexander Melnikov, received the Gramophone Award for Best Chamber Recording. Composed of around 40 musicians from 20 different nations, and independent of external sponsorship, the Mahler Chamber Orchestra was founded in 1997 by the players themselves and Claudio Abbado. In 1998, at the age of 22, Daniel Harding became Principal Guest Conductor; in 2003 he was named Music Director and he has served as Principal Conductor since 2008, conducting around a quarter of the orchestra’s projects each season. He is also Music Director of the Swedish Radio Symphony Orchestra, Principal Guest Conductor of the LSO and Music Partner of the New Japan Philharmonic Orchestra.
“a poetic player with an irresistibly warm sound, a tightly controlled vibrato and an athletic technique." BBC Music Magazine
专辑曲目: 
Violin Concerto In D Major, Op. 77
Cadenza – Ferruccio Busoni (37:05)
1. I. Allegro Ma Non Troppo 20:35
2. II. Adagio 8:50
3. III. Allegro Giocoso, Ma Non Troppo 7:38
String Sextet No. 2 In G Major, Op. 36 (37:46)
4. I. Allegro Non Troppo 14:38
5. II. Scherzo. Allegro Non Troppo 6:41
6. III. Poco Adagio 8:18
7. IV. Poco Allegro 8:04
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专辑英文名: Live from 14th International Frederick Chopin Piano Competition
专辑中文名: 14届国际肖邦钢琴比赛现场录音
别名: 辉煌的历史时刻
艺术家: 李云迪
资源格式: FLAC
版本: Flac无损
发行时间: 2002年06月01日
地区: 日本
简介: 
专辑介绍：
2000年10月，李云迪受国家文化部选派，参加在波兰华沙举行的第十四届萧邦国际钢琴比赛，赢得金奖，且创下了几项纪录。首先，他是这个奖项举办七十多年来最年轻的冠军得主。其次，这项赛事于过去十年连续两届第一名出缺，他是首位再夺此桂冠的乐手。此外，他是第一位获得此殊荣的中国人。肖邦比赛的特约评判认为："在掌握肖邦演奏风格上，他是最完美也最富有诗意的钢琴家"；"他的演奏体现最优的声音和最完美的技术"；也有评论说："他几乎完美地掌握各种音乐因素的平衡"，"是称职的继承人"。
珍贵的录音记录了李云迪最辉煌的历史时刻，在这张CD中包括了肖邦的奏鸣曲、玛祖卡、如歌行板与大波兰舞曲、夜曲、华尔兹、“冬天的风”、叙事曲（第4首）等曲目，非常值得收藏与研究。为保证音质，mp3音频质量为320Kbps.整套共2张cd，这是第一碟独奏部分，第二碟为协奏曲。
第12、13届国际肖邦钢琴大赛，大陆仅仅派两名选手，第14届派了12名，中国自1955年傅聪得了第三名，1960年李名强得了第四名后，没有其他人在肖邦比赛得奖，但第14届比赛，陈萨、居覲 、蔡超音、谭小棠表现都很好，李云迪最后拿了冠军。拿到第二名的阿根廷女钢琴家英格丽德·弗里特(Ingrid Fliter)1973年出生在布宜诺斯艾利斯，后移居欧洲，弗里特演奏风格确实和 Argerich 非常像，在本专辑Vol.2里肖邦第二钢琴协奏曲便是由她演奏。
本人Sydessy是完美主义者，把这个双碟的专辑发全了心里才踏实许多，相信不久APE格式的会与大家见面。
专辑曲目: 
Vol.1
1.Pno Son No.3 in b,op.58: I.Allegro Maestoso
2.Pno Son No.3 in b,op.58: II.Scherzo: Molto Vivace
3.Pno Son No.3 in b,op.58: III.Largo
4.Pno Son No.3 in b,op.58: IV.Finale: Presto, Non Tanto
5.Mazurka No.22 in g#,op.33-1
6.Mazurka No.24 in C,op.33-3
7.Mazurka No.23 in D,op.33-2
8.Mazurka No.25 in b,op.33-4
9.Andante Spianato et Grande Polonaise in E flat,op.22
10.Nocturne No.13 in c,op.48-1
11.Waltz No.5 in A flat,op.42
12.Etude in a,op.25-11(Winter Wind)
13.Ballade No.4 in f,op.52
Vol.2
1-3.Concerto No. 1 in E Minor op. 11 piano/Yundi Li[40:01]
4-6.Concerto No. 2 in F Minor op. 21, piano/Ingrid Fliter[30:53]
Kazimierz Kord 指挥
Warsaw Philharmonic National Orchestra 协奏
评论(85)   收藏(111)   查看完整资源页

专辑英文名: Mercury Living Presence The Collector's Edtion 3
专辑中文名: 水星Living Presence发烧名盘60周年珍藏套装3（53CDs）
别名: 水星套装3
艺术家: Various Artist
古典类型: 全集作品
资源格式: FLAC
版本: 欧版整轨（更新中）
发行时间: 2015年
地区: 德国
语言: 英语
简介: 
水星 4787896 Mercury水星经典合集 第三集 53CDs 原装德国头版
不朽传奇，永恒延续！
Mercury水星发烧天碟合集第三集（完结篇）！
——原始母带处理，原版LP封面
——终极收录10张首次CD化录音
全球限量发行！原装欧洲进口！53碟超值套装！
即使是出现在上个世纪的五十年代，强调身历其境的Mercury Living Presence系列录音，依旧是唱片史上无法取代的经典之作。在与制作人法恩共同创立Mercury奇迹的威玛·柯札特·法恩监督下，Mercury珍贵的一百多张录音曾经在一九九〇年代重获新生命。不过，当时磁带转录的技术还没有完全成熟。由于现代能做到的磁带转录成CD的采样率解析度已经远高于一九九〇年代，在伦敦艾比路录音室工程师安德鲁·华尔特与威玛·柯札特·法恩的儿子汤玛斯·法恩密切合作下，这些磁带全程以96kHz / 24bit的格式转换，并且去除杂音与磁带之间的声波差异，大大提高以单声道录音的管弦乐专辑可听性，让它的听觉效果更接近Mercury后来的立体声录音；原有的立体声录音则透露出前所未有的深度与真实感。
值得注意的是，这一套专辑包含了十张过去从未发行CD的专辑。由于这十张专辑原有母带的磁带已经非常脆弱，因此没有被列入1990年代的重新发行系列中。在新技术的帮助下，这些珍贵的声音得以消除后来出现的声音变质，找回原本明亮清晰的面貌。
【抓轨说明】
使用驱动器 ：PLEXTOR DVDR PX-L890SA
抓轨软件：Exact Audio Copy V1.0 beta 3
编码器：FLAC 1.3.1
CUE文件内嵌
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【当前更新】
专辑曲目: 
CD1: 勃拉姆斯：第1、3交响曲
多拉蒂指挥伦敦交响乐团
CD2: 勃拉姆斯：第2、4交响曲
多拉蒂指挥伦敦交响乐团
CD3: 维也纳华尔兹
多拉蒂指挥明尼亚波利斯交响乐团
CD4: 亨德尔：水上音乐，焰火音乐
莫扎特：弦乐小夜曲
多拉蒂指挥伦敦交响乐团
CD5: 门德尔松：第三“苏格兰”、第四“意大利”交响曲
多拉蒂指挥伦敦交响乐团
CD6: 里姆斯基-科萨科夫：天方夜谭
西贝柳斯：忧郁圆舞曲
李斯特：前奏曲
斯美塔那：伏尔塔瓦河
多拉蒂指挥伦敦交响乐团、明尼亚波利斯交响乐团
CD7: 里姆斯基-科萨科夫：西班牙随想曲，金鸡组曲
鲍罗丁：波罗维茨舞曲
多拉蒂指挥伦敦交响乐团
CD8: 罗西尼、威尔第的歌剧序曲集
多拉蒂指挥伦敦交响乐团、明尼亚波利斯交响乐团
CD9: 理查.施特劳斯：玫瑰骑士组曲，唐璜
多拉蒂指挥明尼亚波利斯交响乐团
CD10-11: 柴可夫斯基：第1-3交响曲
阿连斯基：柴可夫斯基主题变奏曲
多拉蒂指挥伦敦交响乐团
CD12: 柴可夫斯基：第五交响曲，斯拉夫进行曲
多拉蒂指挥伦敦交响乐团
CD13: 瓦格纳：序曲与前奏曲集
多拉蒂指挥伦敦交响乐团
CD14: 芬尼尔指挥格什温作品
CD15: 芬尼尔指挥Victor Herbert作品
CD16: 芬尼尔指挥Cole Porter作品
CD17: 芬尼尔指挥旋转木马圆舞曲等轻音乐
CD18: 苏利文：剪菠萝树梢的人组曲
罗西尼-雷斯庇基：魔法玩具店
古诺：浮士德中的芭蕾音乐
瓦格纳：罗恩格林、莱茵的黄金片段
芬尼尔指挥伊斯特曼管乐团
CD19: 著名进行曲集
芬尼尔指挥伊斯特曼管乐团
CD20-21: 亚当：吉赛尔
奥芬巴赫：愉快的巴黎人
约翰.施特劳斯：毕业舞会
费斯图拉里指挥伦敦交响乐团
CD22: 布洛克：两首大协奏曲，所罗门
汉森指挥伊斯特曼-罗切斯特管弦乐团
CD23: 格什温：蓝色狂想曲，钢琴协奏曲，古巴组曲
汉森指挥伊斯特曼-罗切斯特管弦乐团
CD24-25: 汉森指挥自己的作品
CD26: 麦克拉斯指挥伦敦交响乐团演奏管弦乐名曲集
斯美塔那《被出卖的新嫁娘》、尼古拉《温莎的风流娘们》
韦伯《邀舞》，托马斯《迷娘》等等
CD27: 柏辽兹：幻想即兴曲，匈牙利进行曲
帕雷指挥底特律交响乐团
CD28: 德沃夏克：第九交响曲
西贝柳斯：第二交响曲
帕雷指挥底特律交响乐团
CD29: 弗朗克：D小调交响曲
拉赫玛尼诺夫：第二交响曲
帕雷指挥底特律交响乐团
CD30: 拉罗：南姆纳
肖松：交响曲
帕雷指挥底特律交响乐团
CD31: 门德尔松：仲夏夜之梦，第五交响曲
海顿：第96交响曲
帕雷指挥底特律交响乐团
CD32-33: 舒曼：交响曲全集
帕雷指挥底特律交响乐团
CD34: 法国序曲与进行曲集
帕雷指挥底特律交响乐团
CD35: 瓦格纳：名歌手、漂泊的荷兰人、黎恩济序曲
帕雷指挥底特律交响乐团
CD36: 舒伯特：第5、8交响曲，罗莎蒙德
斯克洛瓦切夫斯基指挥明尼亚波利斯交响乐团
CD37: 舒伯特：第6、9交响曲
斯克洛瓦切夫斯基指挥明尼亚波利斯交响乐团
CD38: Ginastera: Variaciones Concertantes
布里顿：青少年管弦乐队指南
多拉蒂指挥明尼亚波利斯交响乐团
CD39: 科普兰：第三交响曲
多拉蒂指挥明尼亚波利斯交响乐团
CD40: 雷斯庇基：教堂之窗，罗马节日
多拉蒂指挥明尼亚波利斯交响乐团
CD41-42: 柴可夫斯基：四首管弦乐队镀组
多拉蒂指挥新爱乐乐团
CD43: 贝多芬：第三交响曲
多拉蒂指挥明尼亚波利斯交响乐团
CD44: 李斯特：两首钢琴协奏曲
钢琴：李赫特
康德拉辛指挥伦敦交响乐团
CD45-46: 贝多芬：大提琴奏鸣曲全集
大提琴：罗斯特洛波维奇
钢琴：李赫特
CD47: 穆索尔斯基、柴可夫斯基、普罗科菲耶夫的歌曲集
演唱：维什涅夫斯卡娅
钢琴：罗斯特洛波维奇
CD48: 弗拉明戈的世界
罗梅罗家族
CD49: 巴洛克竖笛协奏曲
马里纳指挥伦敦弦乐团
CD50: 欣德米特：交响曲
勋伯格：主题与变奏
斯特拉文斯基：管乐交响曲
芬尼尔指挥伊斯特曼管乐团
CD51: 索勒：羽管键琴作品
Puyana演奏
CD52: 柴可夫斯基：1812序曲，意大利随想曲
多拉蒂指挥明尼亚波利斯交响乐团
CD53: 肖斯塔科维奇：第4、8弦乐四重奏
鲍罗丁四重奏组
评论(29)   收藏(45)   查看完整资源页

专辑英文名: Shostakovich & Glazunov - Violin Concerto
专辑中文名: 萧士塔高维契＆葛拉兹诺夫：小提琴协奏曲
艺术家: Nicola Benedetti
古典类型: 奏鸣曲
资源格式: MP3
发行时间: 2016年07月01日
地区: 美国
语言: 英语
简介: 
压缩码率: 320Kbps
专辑简介:
DECCA 4788758(1CDs)028947887584
萧士塔高维契＆葛拉兹诺夫：小提琴协奏曲【1CD】
SHOSTAKOVITCH & GLAZUNOV: Violin Concerto
班乃德提，小提琴
卡拉毕兹 指挥 伯恩茅斯交响乐团
Nicola Benedetti / Bournemouth SO/Karabits
「班乃德提拥有技巧、热情与精力，因而能够做到最好。
- 英国观察报（The Observer）
　　好评不断的小提琴家妮可拉‧班乃德提，无论是音乐会还是录音室都交出十分亮眼的成绩单，她选择在本专辑中演奏了对其别具意义的萧士塔高维契第一号小提琴协奏曲，因为她自小即开始接触俄国音乐，作品的严肃性与强度
其稚嫩的心灵衝击颇深。她表示：「我被迫进入不同的世界，有点可怕，也十分严苛，却带点可爱，又那么地温暖。
　　专辑录音由她与指挥卡拉毕兹及伯恩茅斯交响乐团共同演出，黑暗而内省的萧士塔高维契小提琴协奏曲，在令人信服的演奏中获得了生命，充满能量与磨难以及令人屏息的热情。恶魔般的第二乐章-詼谐曲，将乐曲的力度推向高峰。深情的第三乐章则表现出盛大的辉煌效果，最后就在令人惊嘆的滑稽曲中结束。
　　萧士塔高维契小提琴协奏曲之创作曾经历一段充满磨难的历史背景：一九四〇年代，俄国不公的审查制度，迫使萧士塔高维契选择在史达林死后才将乐谱出版。作品於1955年由小提琴家大卫・欧依史特拉夫（David Oistrakh）首演，并立即获得国际乐坛的高度重视。
　　除了萧士塔高维契坚毅不妥协的作品之外，本集另收录一首较少被录制，但却又是每个小提琴演奏者必须学习的葛拉兹诺夫协奏曲，此曲有著与柴可夫斯基小提琴协奏曲相仿又相异的俄国风格；它的曲风大胆，色彩豔丽，是一首具有后期浪漫主义色彩的作品，其中的抒情性特别值得注意。班乃德提的演奏可谓精雕细琢，且感染力十足。
　　出生於苏格兰的班乃德提，一直以苏格兰文化根源为荣，是有史以来古典全英音乐奖（Classic BRITs）获得提名最多的女性音乐家。因为其杰出的成就，2013年获颁「大英帝国最优秀勋章」（Most Excellent Order of the British Empire）之「员佐勋章」（Member，简称「MBE」）的肯定。
　　曾经有人形容班乃德提「让人忆起少年曼纽因」，事实上班乃德提音乐中的柔软、精练、一点点的冷漠更像是少年海飞兹。这些多元化的曲子充分证明了她充满激情、朝气与精湛熟练的技巧及兼具内涵的演奏特色。即使是较少为人知的作品，她仍能为它带来新颖且具说服力的样貌。
Shostakovich Violin Concerto No. 1, Op.99
[1] I. Nocturne: Moderato
[2] II. Scherzo: Allegro
[3] III. Passacaglia: Andante
[4] Cadenza
[5] IV. Burlesque: Allegro con brio – Presto
Glazunov Violin Concerto, Op.82
[6] Moderato
[7] Andante
[8] Animando - Allegro
产品条码： 0028947887584
产品编号： 4788758
发行公司： DECCA [发行商品]
发行日期： 2016年07月06日
产品制造地： 欧美 .
发行类型： 乐团 . 小提琴 . 协奏曲 . 古典 . CD .
内装片数： 1片
引用Audio CD (1 July 2016)
Number of Discs: 1
Format: Single
Label: Decca (UMO)
ASIN: B01EISA4RS
Average Customer Review: 4.8 out of 5 stars
5.0 out of 5 starsSensational.
By huw on 12 July 2016
Format: Audio CD Verified Purchase
I heard the Shostakovich on "record review" on Radio 3 and was transfixed: got the CD a few days later. The Shostakovich is sensational: I have listened to this many times before, but no other recording has ever opened up the piece so much. It is a wonderful interpretation: not just the violin, but also the orchestra. The heart of the concerto is the passacaglia and cadenza. The cadenza is quite amazing: it builds up slowly into something quite huge. I remember seeing this performed once (A Russian gentleman whose name escapes me) and I remember thinking that the sound was like incense rising into the dome of the Albert hall. Well, Benedetti does this wonderfully. Having seen her recently doing Szymanowski, I am firmly of the opinion that she is the one of thee greatest violinists around: she has a maturity and precision that is very rare. There are technically gifted violinists around, but someone who combines this with her musicality is very very rare. The Glazunov is also good - I am used to the old Heifetz recording. She has a wonderful sweet sound, as we heard when she did the Korngold, and it works very well here. The finale is slower than I am used to, but the slower tempo allows for a more precise articulation by Benedetti. However, for me Shostakovich is what makes this.
Sensational violinist Nicola Benedetti returns with a riveting recording of Shostakovich’s monumental Violin Concerto (No. 1). This new recording follows Benedetti’s chart-topping success with Bruch’s Scottish Fantasy (Homecoming, 2014) and Korngold’s Violin Concerto (Silver Violin, 2012).
Benedetti’s own encounter with Russian music-making began in her childhood, the seriousness and intensity making a powerful impact on the young violinist: “I was thrust into a different world” says Nicola, “a little terrifying, extremely demanding but so loving, so warm”.
Together with the Bournemouth Symphony Orchestra and conductor Kirill Karabits, the dark, introspective Shostakovich Violin Concerto is brought to life in a compelling performance packed full of energy, powerful torment, and breath-taking passion. The demonic scherzo notches up intensity; the passionate third movement – possibly one of the finest in the canon of violin concertos – has a grand magnificence; and the astonishing Burlesque rounds off this visceral recording.
A work with a tormented history itself – the hostile political environment of Russian state censorship at the time of composition in the 1940’s meant that Shostakovich kept the concerto unpublished until after Stalin’s death – it was first performed in 1955 by David Oistrakh, and immediately highly regarded internationally.
Programmed alongside Shostakovich’s assertive, uncompromising masterpiece, is Glazunov’s bold, colourful Violin Concerto. A late-Romantic work, the Glazunov is notable for its lyricism; Benedetti’s generous, radiant performance is uplifting and finely crafted.
专辑曲目: 
Dmitri Shostakovich: Violin Concerto No.1 In A Minor, Op.99 (Formerly Op.77)
01. 1. Nocturne (Moderato)
02. 2. Scherzo (Allegro)
03. 3. Passacaglia (Andante)
04. 3a Cadenza
05. 4. Burlesque (Allegro con brio - Presto)
Alexander Glazunov: Violin Concerto In A Minor, Op.82
06. 1. Moderato
07. 2. Andante
08. 3. Allegro
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专辑英文名: Arvo Part - Passacaglia
专辑中文名:  佩尔特:帕萨卡利亚舞曲
艺术家: The Kristjan Jarvi Sound Project
古典类型: 全集作品
资源格式: FLAC
发行时间: 2015年10月02日
地区: 美国
语言: 英语
简介: 
专辑介绍:
这是克里斯蒂安·贾维 Kristjan Järvi音乐工程系列中的第四卷，是献给和赞扬他的亲密朋友和同胞作曲家帕特 Arvo Pärt，一位在当代音乐最具代表性的人物，同时也为了庆祝他80岁生日而举办的庆祝活动。
美国，爱沙尼亚指挥克里斯蒂安·贾维 Kristjan Järvi 受到不断创新，富冒险性且令人振奋想法的启发，现已聚集 由帕特 Arvo Pärt 创作并跨越40年的作品，也由于多年的合作，这些作品都富有探索音乐和精神而且高潮迭起。
Conductor: Kristjan Järvi
Composer: Arvo Part
Audio CD (2 Oct. 2015)
Number of Discs: 1
Label: Naive
ASIN: B011CWAYVO
Other Editions: Audio CD
Label:Naive
Catalogue No:V5425
Series:Kristjan Järvi Sound Project
Discs:1
Release date:2nd Oct 2015
Barcode:0822186054253
Length:74 minutes
Label: Naïve ‎– V 5425
Series: The Kristjan Järvi Sound Project –
Format: CD, Album
Country: France
Released: 2015
Genre: Classical
Style: Contemporary, Post-Modern
This fourth volume in the Kristjan Järvi Sound Project series is a tribute to his close friend and countryman composer Arvo Pärt, one of the most emblematic figures in contemporary music, to mark the celebration of his 80th birthday.
Constantly inspired by pioneering, thrilling and exhilarating ideas, American-Estonian conductor Kristjan Järvi has gathered works spanning 40 years of Pärt’s compositions, as a culmination of of years of collaboration, musical exploration and spiritual connection.
Pärt’s music and minimalist style can exhale, more than ever, this unique, fascinating and pure intensity. This is also thanks to the art of renowned American violinist Anne Akiko Meyers in the trilogy for solo violin and strings recreated by Kristjan Järvi: 'Darf ich', 'Passacaglia' and the violin and strings version of 'Fratres' (1977-1992).
Companies, etc.
Pressed By – Sony DADC – A0102545036-0101
Credits
Chorus – MDR Leipzig Radio Chorus*
Conductor – Kristjan Järvi
Orchestra – MDR Leipzig Radio Symphony Orchestra*
Violin – Anne Akiko Meyers
Notes
V5425 Ⓟ 2015 & Ⓒ 2015 Naïve
Made In Austria
Photo Ⓒ Stephan Flad
Total Time:74'43
Released in a 4-panel 1-tray digipak packaging.
Barcode and Other Identifiers
Barcode: 8 22186 05425 3
Matrix / Runout: [Sony DADC] A0102545036-0101 15 A00
Mastering SID Code: IFPI L555
Mould SID Code: IFPI 94Z5
Rights Society: SACEM SACD SDRM SGDL
Label Code: LC 0540
clockwise : Kristjan Järvi; Arvo Pärt; Anne Akiko Meyers
专辑曲目: 
1. Credo 13:41
2. Mein Weg 6:42
3. Summa 6:06
4. Darf Ich... 3:13
5. Passacaglia 4:17
6. Fratres 10:52
7. Festina Lente 7:46
8. La Sindone 7:35
9. Fratres 14:27
评论(12)   收藏(7)   查看完整资源页

专辑英文名: Mercury Living Presence The Collector's Edtion 3
专辑中文名: 水星Living Presence发烧名盘60周年珍藏套装3（53CDs）
别名: 水星套装3
艺术家: Various Artist
古典类型: 全集作品
资源格式: FLAC
版本: 欧版整轨（更新中）
发行时间: 2015年
地区: 德国
语言: 英语
简介: 
水星 4787896 Mercury水星经典合集 第三集 53CDs 原装德国头版
不朽传奇，永恒延续！
Mercury水星发烧天碟合集第三集（完结篇）！
——原始母带处理，原版LP封面
——终极收录10张首次CD化录音
全球限量发行！原装欧洲进口！53碟超值套装！
即使是出现在上个世纪的五十年代，强调身历其境的Mercury Living Presence系列录音，依旧是唱片史上无法取代的经典之作。在与制作人法恩共同创立Mercury奇迹的威玛·柯札特·法恩监督下，Mercury珍贵的一百多张录音曾经在一九九〇年代重获新生命。不过，当时磁带转录的技术还没有完全成熟。由于现代能做到的磁带转录成CD的采样率解析度已经远高于一九九〇年代，在伦敦艾比路录音室工程师安德鲁·华尔特与威玛·柯札特·法恩的儿子汤玛斯·法恩密切合作下，这些磁带全程以96kHz / 24bit的格式转换，并且去除杂音与磁带之间的声波差异，大大提高以单声道录音的管弦乐专辑可听性，让它的听觉效果更接近Mercury后来的立体声录音；原有的立体声录音则透露出前所未有的深度与真实感。
值得注意的是，这一套专辑包含了十张过去从未发行CD的专辑。由于这十张专辑原有母带的磁带已经非常脆弱，因此没有被列入1990年代的重新发行系列中。在新技术的帮助下，这些珍贵的声音得以消除后来出现的声音变质，找回原本明亮清晰的面貌。
【抓轨说明】
使用驱动器 ：PLEXTOR DVDR PX-L890SA
抓轨软件：Exact Audio Copy V1.0 beta 3
编码器：FLAC 1.3.1
CUE文件内嵌
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【当前更新】
专辑曲目: 
CD1: 勃拉姆斯：第1、3交响曲
多拉蒂指挥伦敦交响乐团
CD2: 勃拉姆斯：第2、4交响曲
多拉蒂指挥伦敦交响乐团
CD3: 维也纳华尔兹
多拉蒂指挥明尼亚波利斯交响乐团
CD4: 亨德尔：水上音乐，焰火音乐
莫扎特：弦乐小夜曲
多拉蒂指挥伦敦交响乐团
CD5: 门德尔松：第三“苏格兰”、第四“意大利”交响曲
多拉蒂指挥伦敦交响乐团
CD6: 里姆斯基-科萨科夫：天方夜谭
西贝柳斯：忧郁圆舞曲
李斯特：前奏曲
斯美塔那：伏尔塔瓦河
多拉蒂指挥伦敦交响乐团、明尼亚波利斯交响乐团
CD7: 里姆斯基-科萨科夫：西班牙随想曲，金鸡组曲
鲍罗丁：波罗维茨舞曲
多拉蒂指挥伦敦交响乐团
CD8: 罗西尼、威尔第的歌剧序曲集
多拉蒂指挥伦敦交响乐团、明尼亚波利斯交响乐团
CD9: 理查.施特劳斯：玫瑰骑士组曲，唐璜
多拉蒂指挥明尼亚波利斯交响乐团
CD10-11: 柴可夫斯基：第1-3交响曲
阿连斯基：柴可夫斯基主题变奏曲
多拉蒂指挥伦敦交响乐团
CD12: 柴可夫斯基：第五交响曲，斯拉夫进行曲
多拉蒂指挥伦敦交响乐团
CD13: 瓦格纳：序曲与前奏曲集
多拉蒂指挥伦敦交响乐团
CD14: 芬尼尔指挥格什温作品
CD15: 芬尼尔指挥Victor Herbert作品
CD16: 芬尼尔指挥Cole Porter作品
CD17: 芬尼尔指挥旋转木马圆舞曲等轻音乐
CD18: 苏利文：剪菠萝树梢的人组曲
罗西尼-雷斯庇基：魔法玩具店
古诺：浮士德中的芭蕾音乐
瓦格纳：罗恩格林、莱茵的黄金片段
芬尼尔指挥伊斯特曼管乐团
CD19: 著名进行曲集
芬尼尔指挥伊斯特曼管乐团
CD20-21: 亚当：吉赛尔
奥芬巴赫：愉快的巴黎人
约翰.施特劳斯：毕业舞会
费斯图拉里指挥伦敦交响乐团
CD22: 布洛克：两首大协奏曲，所罗门
汉森指挥伊斯特曼-罗切斯特管弦乐团
CD23: 格什温：蓝色狂想曲，钢琴协奏曲，古巴组曲
汉森指挥伊斯特曼-罗切斯特管弦乐团
CD24-25: 汉森指挥自己的作品
CD26: 麦克拉斯指挥伦敦交响乐团演奏管弦乐名曲集
斯美塔那《被出卖的新嫁娘》、尼古拉《温莎的风流娘们》
韦伯《邀舞》，托马斯《迷娘》等等
CD27: 柏辽兹：幻想即兴曲，匈牙利进行曲
帕雷指挥底特律交响乐团
CD28: 德沃夏克：第九交响曲
西贝柳斯：第二交响曲
帕雷指挥底特律交响乐团
CD29: 弗朗克：D小调交响曲
拉赫玛尼诺夫：第二交响曲
帕雷指挥底特律交响乐团
CD30: 拉罗：南姆纳
肖松：交响曲
帕雷指挥底特律交响乐团
CD31: 门德尔松：仲夏夜之梦，第五交响曲
海顿：第96交响曲
帕雷指挥底特律交响乐团
CD32-33: 舒曼：交响曲全集
帕雷指挥底特律交响乐团
CD34: 法国序曲与进行曲集
帕雷指挥底特律交响乐团
CD35: 瓦格纳：名歌手、漂泊的荷兰人、黎恩济序曲
帕雷指挥底特律交响乐团
CD36: 舒伯特：第5、8交响曲，罗莎蒙德
斯克洛瓦切夫斯基指挥明尼亚波利斯交响乐团
CD37: 舒伯特：第6、9交响曲
斯克洛瓦切夫斯基指挥明尼亚波利斯交响乐团
CD38: Ginastera: Variaciones Concertantes
布里顿：青少年管弦乐队指南
多拉蒂指挥明尼亚波利斯交响乐团
CD39: 科普兰：第三交响曲
多拉蒂指挥明尼亚波利斯交响乐团
CD40: 雷斯庇基：教堂之窗，罗马节日
多拉蒂指挥明尼亚波利斯交响乐团
CD41-42: 柴可夫斯基：四首管弦乐队镀组
多拉蒂指挥新爱乐乐团
CD43: 贝多芬：第三交响曲
多拉蒂指挥明尼亚波利斯交响乐团
CD44: 李斯特：两首钢琴协奏曲
钢琴：李赫特
康德拉辛指挥伦敦交响乐团
CD45-46: 贝多芬：大提琴奏鸣曲全集
大提琴：罗斯特洛波维奇
钢琴：李赫特
CD47: 穆索尔斯基、柴可夫斯基、普罗科菲耶夫的歌曲集
演唱：维什涅夫斯卡娅
钢琴：罗斯特洛波维奇
CD48: 弗拉明戈的世界
罗梅罗家族
CD49: 巴洛克竖笛协奏曲
马里纳指挥伦敦弦乐团
CD50: 欣德米特：交响曲
勋伯格：主题与变奏
斯特拉文斯基：管乐交响曲
芬尼尔指挥伊斯特曼管乐团
CD51: 索勒：羽管键琴作品
Puyana演奏
CD52: 柴可夫斯基：1812序曲，意大利随想曲
多拉蒂指挥明尼亚波利斯交响乐团
CD53: 肖斯塔科维奇：第4、8弦乐四重奏
鲍罗丁四重奏组
评论(70)   收藏(112)   查看完整资源页

专辑英文名: Peter Tchaikovsky & Victor Kissine - Piano Trios
专辑中文名: 柴可夫斯基和维克多Kissine - 钢琴三重奏
艺术家: Khatia Buniatishvili, Giedré Dirvanauskaité and Gidon Kremer
古典类型: 室内乐
资源格式: FLAC
发行时间: 2011年06月07日
地区: 德国
语言: 英语
简介: 
专辑介绍:
两种成分组成俄罗斯室内乐的历史。一个启发了柴可夫斯基的钢琴三重奏 op.50，与Victor Kissine 2009年的 “Zerkalo”并列的，专注于表演工作的克雷默，Dirvanauskaitė和Buniatishvili，并激发 安娜·阿赫玛托娃两行的感言：“镜子梦想里也只是镜子/沉默于沉默间的对望。“随着格鲁吉亚钢琴家哈蒂亚Buniatishvili和立陶宛大提琴家GiedrėDirvanauskaitė 被誉为两个他们这一代最有天赋的球员，从吉顿克莱默这个最新的项目一定会成为本赛季最有看头的赛事。
Two compositions bracketing the history of Russian chamber music. A revelatory account of Tchaikovsky’s piano trio op.50, juxtaposed with Victor Kissine’s “Zerkalo” of 2009, a work dedicated to performers Kremer, Dirvanauskaitė and Buniatishvili, and inspired by two lines from Anna Akhmatova: “The mirror dreams only of the mirror / Silence watches over silence.” With Georgian pianist Khatia Buniatishvili and Lithuanian cellist Giedrė Dirvanauskaitė hailed as two of the most gifted players of their generation, this newest project from Gidon Kremer is certain to be one of the events of the season.
引用Composer: Peter I. Tchaikovsky, Victor Kissine
Audio CD (June 7, 2011)
Number of Discs: 1
Label: ECM New Series
ASIN: B004OB4SU4
Average Customer Review: 4.0 out of 5 stars
Release Date June 7, 2011
Duration01:11:10
Genre Classical
Styles Chamber Music
Recording DateAugust, 2010
AllMusic Review by Mike D. Brownell [-]
Spanning some one and a quarter centuries, the A minor Piano Trio of Tchaikovsky and Victor Kissine's Zerkalo (Mirror) for piano trio encompass the breadth and impressive development that has occurred in Russian chamber music during that time. Tchaikovsky, who once vehemently opposed writing for piano trio on the grounds that the combined sounds were intensely displeasing to him, ended up writing one of the most dramatic, sweeping examples in the literature. It is by no means conventional in its own right; Tchaikovsky abandoned the traditional movement structure and instead wrote a massive two-movement work. Kissine's Zerkalo was inspired by a line of prose, but also incorporates sophisticated and subtle mirrored sections throughout its complex score. Though the two trios could not be more different, they work well together on this disc, particularly in the capable hands of Gidon Kremer, Giedré Dirvanauskaite, and Khatia Buniatishvili. Kremer has long been a champion of modern works, and does great justice to Kissine's score. The level of detail and subtle aspects of dynamics, intonations, phrasing, and articulation that his ensemble incorporates makes for a gripping and at times chilling performance of this worthwhile composition. The Tchaikovsky completely changes gears in the most memorable ways; the tone changes from glasslike to a robust, meaty "Russian" sound that surrounds listeners with the memorable melodies and rich harmonies. ECM's recorded sound quality is full and resonant while maintaining an appropriate amount of clarity.
Peter I. Tchaikovsky* / Victor Kissine – Gidon Kremer / Giedrė Dirvanauskaitė* / Khatia Buniatishvili ‎– Piano Trios
Label: ECM Records ‎– ECM 2202, ECM Records ‎– 476 4171, ECM New Series ‎– ECM New Series 2202, ECM New Series ‎– 476 4171
Format: CD, Album
Country: Germany
Released: 15 Apr 2011
Genre: Classical
Style: Contemporary, Romantic
Companies, etc.
Phonographic Copyright (p) – ECM Records GmbH
Copyright © – ECM Records GmbH
Made By – EDC, Germany
Recorded At – Himmelfahrtskirche München-Sendling
Credits
Composed By – Peter I. Tchaikovsky* (tracks: 2 to 15), Victor Kissine (tracks: 1)
Design – Sascha Kleis
Engineer [Tonmeister] – Peter Laenger
Liner Notes [French] – Victor Kissine
Liner Notes [German] – Jürg Stenzl
Liner Notes [Jürg Stenzl, German To English Translation] – J. Bradford Robinson
Liner Notes [Victor Kissine, French To English Translation] – George Miller (18)
Liner Notes [Victor Kissine, French To German Translation] – Bettina Blumenberg
Photography By [Cover Photo] – Xavier Comas
Photography By [Liner Photo (Booklet Page 11)] – akg-images*
Photography By [Liner Photo (Booklet Page 13)] – Isabelle Françaix
Photography By [Liner Photos] – Giacomo Pompanin
Piano – Khatia Buniatishvili
Producer – Manfred Eicher
Violin – Gidon Kremer
Violoncello – Giedrė Dirvanauskaitė*
Notes
Zerkalo (The Mirror) 2009
for violin, violoncello and piano
À Gidon Kremer, Giedrė Dirvanauskaitė et Khatia Buniatishvili
Trio in a minor, op. 50 1882
for piano, violin and violoncello
À la mémoire d'un grand artiste
Recorded August 2010
Himmelfahrtskirche, München
An ECM Production
℗ 2011 ECM Records GmbH
© 2011 ECM Records GmbH
专辑曲目: 
01. Zerkalo (The Mirror) 20:46
Trio In A Minor, Op. 50
I. Pezzo Elegiaco
02. Moderato Assai – Allegro Giusto – In Tempo Molto Sostenuto – Adagio Con Duolo E Ben Sostenuto – Moderato Assai – Allegro Giusto – In Tempo Molto Sostenuto – Animato 19:54
Il. A. Tema Con Variazioni
03. Tema: Andante Con Moto 0:58
04. Variazione I 0:50
05. Variazione Il: Più Mosso 0:32
06. Variazione Ill: Allegro Moderato 0:47
07. Variazione IV: L'Istesso Tempo 1:12
08. Variazione V: L'Istesso Tempo 0:24
09. Variazione Vl: Tempo Di Valse 2:28
10. Variazione Vll: Allegro Moderato 1:18
11. Variazione Vlll: Fuga. Allegro Moderato 2:36
12. Variazione IX: Andante Flebile Ma Non Tanto 3:17
13. Variazione X: Tempo Di Mazurka 1:43
14. Variazione Il: Moderato 2:04
B. Variazione Finale E Coda
15. Allegro Risoluto E Con Fuoco – Andante Con Moto – Lugubre. L'Istesso Tempo 12:12
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专辑英文名: Testament- Complete Sonatas & Partitas for Solo Violin by Bach
专辑中文名: 巴赫 无伴奏小提琴奏鸣曲及组曲全集
艺术家: Rachel Barton Pine
古典类型: 全集作品
资源格式: FLAC
版本: [2 CD]
发行时间: 2016年04月01日
地区: 美国
语言: 英语
简介: 
专辑介绍:
Rachel Barton Pine 瑞秋．巴顿．派恩 1974年生於美国芝加哥，三岁半开始学琴，七岁就登台，十岁与芝加哥交响乐团合奏，可以说是资赋优异的神童。 在家就学，每天练琴八个小时。
家里并不富裕，十四岁开始，不得不在一些婚礼场合或是乐团演奏以贴补家用。十七岁(1992)以最年轻及第一位美国人的身份赢得巴赫国际大赛的首奖及Jozsef Szigeti Violin Competition第二奖，还有国际克莱斯勒大赛的首奖。
1995年1月16日瑞秋在芝加哥搭地铁时，背在肩膀的琴盒被门夹住，被捲入366英呎远的轮下，经急救后，双腿截肢。 之后她控告芝加哥西北铁路公司要求赔偿，对方认为瑞秋是为了保护价值五十万美金的阿玛蒂名琴而受伤，所以应该负担大部分的责任。不过，陪审团显然并不这么认为。 经过年的休养，瑞秋重返乐坛。 2001年利用铁路公司的赔偿金，成立了以自己的名字为名的基金会。
艺人 Rachel Barton Pine
发行月份 2016-Apr
类型 古典音乐
【国际乐讯】小提琴家 Rachel Barton-Pine 睡在机场大厅抗议航空公司不让她带小提琴上机
几天前，小提琴家 Rachel Barton-Pine跟家人要从凤凰城的天港 Sky Harbor 机场飞往芝加哥，却被US Airway 航空阻拦说，她的1742 年耶穌瓜奈里 ‘Soldat’ 名琴，因为超过尺寸不得放在客舱内的头顶行李箱，客舱也找不到其他空间，要求她寄入货舱或是等下班飞机。她很生气地跟WQXR电台表示：「明明就还有空间的，其他旅客的包包挪动一下就可以，这就是很简单的重新放行李的事情而已啊，不过他们还是不让我放。」最后她选择跟家人搭下一班飞机，不过衣物等行李仍在原班机上先飞回芝加哥了。在等待下一班早班飞机的时间中，她索性就跟四岁女儿躺在机场航厦候机大厅睡觉。
耶穌瓜奈里 ‘Soldat’ 名琴，保守估计市值一亿五千万台币以上，1742年更是耶穌瓜奈里的制琴黄金年代，同期作品最高已有六亿台币身价，属於人类极稀有文化资产，也是音乐家职业生涯的谋生工具和第二生命，想当然尔「琴在人在」的音乐家一定是极尽生命在保护。
1995年，Pine在伊利诺州郊区 Winnetka 车站下火车时，当时车门安全科技尚未有感应器，意外夹住她肩上琴盒的背带(琴盒内的是Amati 名琴)，在被人救下前火车夹住她的左肩拖行了366英尺，造成她双脚部分截肢。虽然最后在诉讼上告赢 Metra 和芝加哥西北铁路，但这期间的疗程跟花费，对她的职业生涯有著很大的影响，想必她在搭乘交通工具上的态度也是格外小心。
根据 US Airway的规定，带上机的乐器，必须合乎行李箱尺寸规定，机组人员会尽力为乘客寻找合适的空间摆放，但以不挪动其他乘客已摆好的行李为原则。
连结为Rachel Barton-Pine 演奏自己改编的炫技版生日快乐变奏曲
引用Release Date April 1, 2016
Duration02:05:22
Genre Classical
Styles Chamber Music
Recording DateApril 16, 2015 - April 18, 2015
AllMusic Review by Blair Sanderson
Rachel Barton Pine has often performed the Sonatas and Partitas of Johann Sebastian Bach in recital, but her 2016 release on Avie is her first studio recording of this essential masterwork for violinists. Using a Baroque bow on a modernized 1742 Guarneri de Gesù violin, Pine plays the Sonatas and Partitas with crisp accentuation, transparent voicing, and a warm tone, much as she does in her concert performances. Her interpretation, which is influenced by period practices but not limited by them, offers clear counterpoint in the sonatas and buoyant dance rhythms in the partitas, and there is little scratchiness in her stopped chords to disrupt the smoothness and transparency of her elegant lines. Pine's depth of feeling and expressive insights into the music keep it from seeming like dry, technical exercises, yet there is none of the overly rhetorical Romantic approach here, either, so this reading does justice to Bach's likely intentions while communicating emotion in a subtle and tasteful manner. Highly recommended.
Conductor: na
Composer: J.S. Bach
Audio CD (April 1, 2016)
Number of Discs: 2
Label: Avie
ASIN: B01AYPMSF0
Average Customer Review: 5.0 out of 5 stars
5.0 out of 5 starsWonderful playing
By Alan A. Elsner VINE VOICE on April 10, 2016
Format: Audio CD
This is a wonderful new account of these timeless and peerless masterworks by Bach. I compared Rachel Barton-Pine's interpretation to my long-treasured version played by the great Nathan Milstein -- and they are very different. Barton-Pine's performance is warmer, recorded in a church which produces a soft, glowing sound and she plays mostly with a sumptuous, smooth legato. Milstein is much choppier. He attacks many of the pieces, producing a more guttural, harsher effect. (I never realized this until I heard the contrast.) Obviously both are totally in command of their instruments.
I think there's definitely room in the world for both approaches. Barton-Pine lingers more on the beauty, with gorgeous, sweeping phrasing and a more ephemeral approach. Milstein seems grittier. I love them both.
专辑曲目: 
01. Sonata No. 1 in G Minor, BWV 1001: I. Adagio
02. Sonata No. 1 in G Minor, BWV 1001: II. Fuga
03. Sonata No. 1 in G Minor, BWV 1001: III. Siciliana
04. Sonata No. 1 in G Minor, BWV 1001: IV. Presto
05. Partita No. 1 in B Minor, BWV 1002: I. Allemanda
06. Partita No. 1 in B Minor, BWV 1002: II. Corrente
07. Partita No. 1 in B Minor, BWV 1002: III. Sarabande
08. Partita No. 1 in B Minor, BWV 1002: IV. Tempo di Borea
09. Sonata No. 2 in A Minor, BWV 1003: I. Grave
10. Sonata No. 2 in A Minor, BWV 1003: II. Fuga
11. Sonata No. 2 in A Minor, BWV 1003: III. Andante
12. Sonata No. 2 in A Minor, BWV 1003: IV. Allegro
13. Partita No. 2 in D Minor, BWV 1004: I. Allemanda
14. Partita No. 2 in D Minor, BWV 1004: II Corrente
15. Partita No. 2 in D Minor, BWV 1004: III. Sarabanda
16. Partita No. 2 in D Minor, BWV 1004: IV. Giga
17. Partita No. 2 in D Minor, BWV 1004: V. Ciaccona
18. Sonata No. 3 in C Major, BWV 1005: I Adagio
19. Sonata No. 3 in C Major, BWV 1005: II. Fuga
20. Sonata No. 3 in C Major, BWV 1005: III. Largo
21. Sonata No. 3 in C Major, BWV 1005: IV. Allegro assai
22. Partita No. 3 in E Major, BWV 1006: I. Preludio
23. Partita No. 3 in E Major, BWV 1006: II. Loure
24. Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau
25. Partita No. 3 in E Major, BWV 1006: IV. Menuet I & II
26. Partita No. 3 in E Major, BWV 1006: V. Boureé
27. Partita No. 3 in E Major, BWV 1006: VI. Gigue
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专辑英文名: Mercury Living Presence The Collector's Edtion 3
专辑中文名: 水星Living Presence发烧名盘60周年珍藏套装3（53CDs）
别名: 水星套装3
艺术家: Various Artist
古典类型: 全集作品
资源格式: FLAC
版本: 欧版整轨（更新中）
发行时间: 2015年
地区: 德国
语言: 英语
简介: 
水星 4787896 Mercury水星经典合集 第三集 53CDs 原装德国头版
不朽传奇，永恒延续！
Mercury水星发烧天碟合集第三集（完结篇）！
——原始母带处理，原版LP封面
——终极收录10张首次CD化录音
全球限量发行！原装欧洲进口！53碟超值套装！
即使是出现在上个世纪的五十年代，强调身历其境的Mercury Living Presence系列录音，依旧是唱片史上无法取代的经典之作。在与制作人法恩共同创立Mercury奇迹的威玛·柯札特·法恩监督下，Mercury珍贵的一百多张录音曾经在一九九〇年代重获新生命。不过，当时磁带转录的技术还没有完全成熟。由于现代能做到的磁带转录成CD的采样率解析度已经远高于一九九〇年代，在伦敦艾比路录音室工程师安德鲁·华尔特与威玛·柯札特·法恩的儿子汤玛斯·法恩密切合作下，这些磁带全程以96kHz / 24bit的格式转换，并且去除杂音与磁带之间的声波差异，大大提高以单声道录音的管弦乐专辑可听性，让它的听觉效果更接近Mercury后来的立体声录音；原有的立体声录音则透露出前所未有的深度与真实感。
值得注意的是，这一套专辑包含了十张过去从未发行CD的专辑。由于这十张专辑原有母带的磁带已经非常脆弱，因此没有被列入1990年代的重新发行系列中。在新技术的帮助下，这些珍贵的声音得以消除后来出现的声音变质，找回原本明亮清晰的面貌。
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【当前更新】
专辑曲目: 
CD1: 勃拉姆斯：第1、3交响曲
多拉蒂指挥伦敦交响乐团
CD2: 勃拉姆斯：第2、4交响曲
多拉蒂指挥伦敦交响乐团
CD3: 维也纳华尔兹
多拉蒂指挥明尼亚波利斯交响乐团
CD4: 亨德尔：水上音乐，焰火音乐
莫扎特：弦乐小夜曲
多拉蒂指挥伦敦交响乐团
CD5: 门德尔松：第三“苏格兰”、第四“意大利”交响曲
多拉蒂指挥伦敦交响乐团
CD6: 里姆斯基-科萨科夫：天方夜谭
西贝柳斯：忧郁圆舞曲
李斯特：前奏曲
斯美塔那：伏尔塔瓦河
多拉蒂指挥伦敦交响乐团、明尼亚波利斯交响乐团
CD7: 里姆斯基-科萨科夫：西班牙随想曲，金鸡组曲
鲍罗丁：波罗维茨舞曲
多拉蒂指挥伦敦交响乐团
CD8: 罗西尼、威尔第的歌剧序曲集
多拉蒂指挥伦敦交响乐团、明尼亚波利斯交响乐团
CD9: 理查.施特劳斯：玫瑰骑士组曲，唐璜
多拉蒂指挥明尼亚波利斯交响乐团
CD10-11: 柴可夫斯基：第1-3交响曲
阿连斯基：柴可夫斯基主题变奏曲
多拉蒂指挥伦敦交响乐团
CD12: 柴可夫斯基：第五交响曲，斯拉夫进行曲
多拉蒂指挥伦敦交响乐团
CD13: 瓦格纳：序曲与前奏曲集
多拉蒂指挥伦敦交响乐团
CD14: 芬尼尔指挥格什温作品
CD15: 芬尼尔指挥Victor Herbert作品
CD16: 芬尼尔指挥Cole Porter作品
CD17: 芬尼尔指挥旋转木马圆舞曲等轻音乐
CD18: 苏利文：剪菠萝树梢的人组曲
罗西尼-雷斯庇基：魔法玩具店
古诺：浮士德中的芭蕾音乐
瓦格纳：罗恩格林、莱茵的黄金片段
芬尼尔指挥伊斯特曼管乐团
CD19: 著名进行曲集
芬尼尔指挥伊斯特曼管乐团
CD20-21: 亚当：吉赛尔
奥芬巴赫：愉快的巴黎人
约翰.施特劳斯：毕业舞会
费斯图拉里指挥伦敦交响乐团
CD22: 布洛克：两首大协奏曲，所罗门
汉森指挥伊斯特曼-罗切斯特管弦乐团
CD23: 格什温：蓝色狂想曲，钢琴协奏曲，古巴组曲
汉森指挥伊斯特曼-罗切斯特管弦乐团
CD24-25: 汉森指挥自己的作品
CD26: 麦克拉斯指挥伦敦交响乐团演奏管弦乐名曲集
斯美塔那《被出卖的新嫁娘》、尼古拉《温莎的风流娘们》
韦伯《邀舞》，托马斯《迷娘》等等
CD27: 柏辽兹：幻想即兴曲，匈牙利进行曲
帕雷指挥底特律交响乐团
CD28: 德沃夏克：第九交响曲
西贝柳斯：第二交响曲
帕雷指挥底特律交响乐团
CD29: 弗朗克：D小调交响曲
拉赫玛尼诺夫：第二交响曲
帕雷指挥底特律交响乐团
CD30: 拉罗：南姆纳
肖松：交响曲
帕雷指挥底特律交响乐团
CD31: 门德尔松：仲夏夜之梦，第五交响曲
海顿：第96交响曲
帕雷指挥底特律交响乐团
CD32-33: 舒曼：交响曲全集
帕雷指挥底特律交响乐团
CD34: 法国序曲与进行曲集
帕雷指挥底特律交响乐团
CD35: 瓦格纳：名歌手、漂泊的荷兰人、黎恩济序曲
帕雷指挥底特律交响乐团
CD36: 舒伯特：第5、8交响曲，罗莎蒙德
斯克洛瓦切夫斯基指挥明尼亚波利斯交响乐团
CD37: 舒伯特：第6、9交响曲
斯克洛瓦切夫斯基指挥明尼亚波利斯交响乐团
CD38: Ginastera: Variaciones Concertantes
布里顿：青少年管弦乐队指南
多拉蒂指挥明尼亚波利斯交响乐团
CD39: 科普兰：第三交响曲
多拉蒂指挥明尼亚波利斯交响乐团
CD40: 雷斯庇基：教堂之窗，罗马节日
多拉蒂指挥明尼亚波利斯交响乐团
CD41-42: 柴可夫斯基：四首管弦乐队镀组
多拉蒂指挥新爱乐乐团
CD43: 贝多芬：第三交响曲
多拉蒂指挥明尼亚波利斯交响乐团
CD44: 李斯特：两首钢琴协奏曲
钢琴：李赫特
康德拉辛指挥伦敦交响乐团
CD45-46: 贝多芬：大提琴奏鸣曲全集
大提琴：罗斯特洛波维奇
钢琴：李赫特
CD47: 穆索尔斯基、柴可夫斯基、普罗科菲耶夫的歌曲集
演唱：维什涅夫斯卡娅
钢琴：罗斯特洛波维奇
CD48: 弗拉明戈的世界
罗梅罗家族
CD49: 巴洛克竖笛协奏曲
马里纳指挥伦敦弦乐团
CD50: 欣德米特：交响曲
勋伯格：主题与变奏
斯特拉文斯基：管乐交响曲
芬尼尔指挥伊斯特曼管乐团
CD51: 索勒：羽管键琴作品
Puyana演奏
CD52: 柴可夫斯基：1812序曲，意大利随想曲
多拉蒂指挥明尼亚波利斯交响乐团
CD53: 肖斯塔科维奇：第4、8弦乐四重奏
鲍罗丁四重奏组
评论(100)   收藏(155)   查看完整资源页

专辑英文名: Schumann - Violin Concerto & Piano Trio
专辑中文名: 舒曼 小提琴协奏曲、第3钢琴三重奏
艺术家: Isabelle Faust
古典类型: 全集作品
资源格式: FLAC
版本: [24bits 96KHz]
发行时间: 2015年03月10日
地区: 美国
语言: 英语
简介: 
专辑介绍:
现今德国最受瞩目的女小提琴家佛斯特(Isabelle Faust)15岁时勇夺“里奥波德.莫扎特音乐大赛(Leopold Mozart International Violin Competition)”的首奖后不断绽放光芒，及后於1993年赢得“第40界帕格尼尼国际小提琴大赛(The 40th Paganini Competition in Genoa)”的首奖，1997年推出首张专辑，获得<留声机杂誌(Gramophone)>颁发“年度青年音乐家大奖”，国际媒体推崇她「演奏风格属於德奥学派的那种带有贵族气质的“冷漠”特徵，客观、精确，忠实於原作，不过分甜美，表现出理智的分句、安排得很讲究的色彩变化….」，其演出深受国际乐迷的推崇，因而经常获邀到世界各地演出，足迹遍及亚洲、欧美等地。佛斯特与钢琴家梅尼可夫(Alexander Melnikov)、和大提琴家奎拉斯(Jean-Guihen Queyras)所组成的三重奏是极度和谐的室乐伙伴，充满默契的合作，优雅的古乐韵味令人一听难忘。当中所合作的<贝多芬小提琴奏鸣曲全集>获得「德国回声唱片(Echo Klassik)」以及<留声机杂誌(Gramophone)>专业评定为“年度最佳室乐专辑(Best Chamber Recording)”、<格林美(Grammy)>的提名等等，实力非凡并获音乐权威所肯定的室乐拍档。
此专辑是他们演绎舒曼的<小提琴协奏曲选,第1辑>，带来[G小调第3钢琴三重奏,作品110(Piano Trio No. 3 in G minor, Op. 110)]，另外还收录由佛斯特联同由海拉斯—卡萨多(Pablo Heras-Casado)指挥的“佛莱堡巴洛克管弦乐团(Freiburger Barockorchester)”所演绎的[D小调小提琴协奏曲,wOo23(Violin Concerto in D minor, WoO 23)]，除碟附送佛斯特与“柏林爱乐乐团(Berliner Philharmoniker)”的现场实况录影DVD，获得<BBC音乐杂誌(BBC Music Magazine)>、<卫报(The The Guardian)>、<留声机杂誌(Gramophone)>、<每日电讯报(The Daily Telegraph)>等专业音乐媒体一致好评，岂能错过！
舒曼 [小提琴协奏曲、第3钢琴三重奏]
Schumann [Violin Concerto]
Isabelle Faust (小提琴)
Alexander Melnikov (钢琴)
Jean-Guihen Queyras (大提琴)
HMC902196 (2 discs)
如果说有什么音乐是被同时期的人所诅咒的话，舒曼的小提琴协奏曲应该可以算的上一例。第三方团体的误解导致这部艺术作品被完全隔离。乐曲完成於1853年的9月11日和10月3日之间，是舒曼晚期的重要作品，当时他的精神状况逐渐恶化，却爆发出人意料的惊人创作力。这首作品的诞生和当时名闻遐邇的小提琴家姚阿幸有关，在他的央求下，舒曼先是写了给小提琴和管弦乐团的单乐章幻想曲并且获得好评，之后他趁胜追击写了小提琴协奏曲希望姚阿幸能演出。但这回姚阿幸的态度似乎有所保留，最后甚至放弃计画。此刻开始宣告这首作品的波折命运。舒曼过世后遗孀克拉拉坚持不将此曲纳入他的作品全集，并将手稿交给姚阿幸。姚阿幸也就这么搁著没有任何动作，据信是因为他发现乐曲有足以透露曼精神疾病的作曲弱点，出於保护好友艺术地位的心情，他甚至指示在舒曼过世百年内这首作品都不能演出及出版。不过1937年7月德国的Schott出版社发行了姚阿幸继承人所找到的合法改编版才终於打破这项束缚。
1850年舒曼前往杜塞道夫担任乐团指挥，不过以指挥而言他并未有如作曲般的惊人才华，最后在团员的反弹下提早下台。然而这段时期除了第三号交响曲首演之外，他也有不少室内乐作品产出，包含本辑的《第三号钢琴三重奏作品110》前后也仅花一个星期就完成。舒曼作曲时向来习惯独处，远离所有外界纷扰，即便是太太克拉拉也一样。「罗伯特正在埋首创作一首给钢琴、小提琴和大提琴的三重奏，但是除非几近完成，否则他不会让我知道任何细节，我知道的就只有乐曲是G小调这样而已」克拉拉在日记上如此写道。
这张录音计画是我们（佛斯特、梅尼可夫、奎拉斯）在巡迴演奏舒曼的三重奏作品80时所讨论而诞生，身为舒曼的热情拥护者，我们一直很希望能将他写给钢琴、小提琴和大提琴的作品放置在更宽广的曲目中，让它们彼此之间能够互相闪耀映衬，进而让听眾能对舒曼的音乐有更深一层的瞭解。我们很快就决定要使用古钢琴和搭配羊肠弦的弦乐器，同时连管弦乐团也一并使用好让效果更合。多亏这一点，我们期待演出会取得更好的平衡、更佳的发声，同时也让我们打开心胸看到更多。 帕布罗．艾拉斯-卡萨多和佛莱堡巴洛克管弦乐团发自内心的演出更让他们成为这次录音的理想伙伴。当然了，他们对我们的想法无不感到兴趣昂然，摩拳擦掌跃跃欲试，也是在舒曼的音乐世界中最不可或缺的好伙伴。这趟一探舒曼魔幻世界的共享旅程，将会留给我们异常强烈、快乐并且充实的体验。
乐团音準採用440Hz。
佛斯特、梅尼可夫、奎拉斯目前已经儼然是HM公司旗下的王牌，最近的贝多芬钢琴三重奏专辑拿下BBC音乐杂誌大奖的最佳室内乐专辑，这张专辑预料又会成为乐迷最津津乐道的讨论话题。
Robert Schumann
Violin Concerto WoO 1in D minor / re mineur / d-Moll
1 I. In kraftigem, nicht zu schnellem Tempo 15'11
2 II. Langsam 5'23
3 III. Lebhaft, doch nicht schnell 11'38
Piano Trio no.3 op.110in G minor / sol mineur / g-Moll
4 I. Bewegt, doch nicht zu rasch 11'11
5 II. Ziemlich langsam 5'56
6 III. Rasch 4'33
7 IV. Kraftig, mit Humor 7'33
引用This first volume in a trilogy comprising the complete concertos and piano trios of Schumann brings together two late and unjustly neglected works. The instigators of the project, Isabelle Faust, Alexandre Melnikov and Jean-Guihen Queyras, champion their cause with a force of conviction and a choice of instruments that restore the delicate transparency and subtlety of their textures. From start to finish of this recording, the poet speaks . . .
Robert SCHUMANN (Compositeur)
Isabelle FAUST (Interprete Principal)
Jean-Guihen QUEYRAS (Interprete Secondaire)
Alexander MELNIKOV (Interprete Secondaire)
Freiburger Barockorchester (Interprete Principal)
Pablo HERAS-CASADO (Interprete Principal)
In the autumn of 1851 Schumann composed, in rapid succession, the two violin sonatas and, in the space of just seven days from 2 to 9 October, the Piano Trio no.3, Op.110. As always during his work, Schumann was oblivious to everything around him, neglected social obligations, and isolated himself – even from Clara. ‘Robert is working very assiduously on a trio for piano, violin, and cello,’ she confided to her diary, ‘but he won’t let me hear anything of it until he has quite finished it – all I know is that it’s in G minor.’
This trio, like all his other chamber works with piano, was tailor-made for Clara to play and right from the first rehearsal session in the domestic circle she went into a veritable frenzy of delight: ‘It is original, absolutely full of passion, especially the scherzo, which sweeps one away to the wildest depths’, Just a little bit of that same enthusiasm would probably have spared the Violin Concerto a great deal of opprobrium: Clara witheld the score, as did the dedicatee, Joachim. It was finally premiered in Berlin on 26 November 1937, more than 80 years after it was composed, with the Berlin Philharmonic conducted by Karl Böhm and the violinist Georg Kulenkampff. Yehudi Menuhin had the privilege of making the first commercial recording, produced in the following year, 1938, with the New York Philharmonic under its British principal conductor John Barbirolli.
This first volume in a trilogy comprising the complete concertos and piano trios of Schumann brings together two late and unjustly neglected works. The instigators of the project, Isabelle Faust, Alexandre Melnikov and Jean-Guihen Queyras, champion their cause with a force of conviction and a choice of instruments that restore the delicate transparency and subtlety of their textures. The next release will be of the Piano Concerto and Piano Trio No. 2.
"The idea for this CD project arose during a tour on which we performed Robert Schumann’s Trio Op.80. As passionate admirers of the composer, we conceived the desire to place his works for piano, violin and cello in a broader context and to illuminate them mutually in order to allow listeners to gain a deeper understanding of his music. We soon agreed to play the pieces for this recording on a historical piano and stringed instruments with gut strings, using orchestral forces to match. Pablo Heras-Casado and the Freiburger Barockorchester sprang spontaneously to mind as the ideal partners for a project of this kind. Our shared journey into the magical world of this incomparable composer will remain with us as an exceptionally intense, happy, and fulfilling experience." Isabelle Faust, Alexander Melnikov, Jean-Guihen Queyras.
Performer: Isabelle Faust, Jean-Guihen Queyras, Alexander Melnikov
Orchestra: Freiburger Barockorchester
Conductor: Pablo Heras-Casado
Composer: Robert Schumann
Audio CD (March 10, 2015)
Number of Discs: 1
Format: Import
Label: HARMONIA MUNDI
ASIN: B00QMTDBFY
5.0 out of 5 starsRevelatory Schumann Violin Concerto
By J. F. Laurson on May 24, 2016
Format: Audio CD
As mentioned above; this CD was part of the (admittedly very personal, 1-person-committee) Forbes Best Classical Recordings of 2015 list, titled "Ghosts of Greatness": Here's an excerpt from it:
...the faint, otherworldly touches of Isabelle Faust in the middle movement of the Violin Concerto. They are breathtaking as the theme of Schumann’s Ghost-Variations flits through the picture. And just as stunning is the emergence out of this gorgeous but troubled netherworld of Schumann’s mind when the main theme comes back and is all the more invigorating and sunny-optimistic.
And that of a concerto that Clara Schumann, following violinist Joseph Joachim’s advice, suppressed. “Unplayable. Drab. Tiresomely repetitive. Awkward.” was their judgment. It’s half a miracle she didn’t burn it. Still performances remain rare. This disc might be the concerto’s best chance to change this! ...
专辑曲目: 
01. Robert Schumann: Violin Concerto in D Minor - In kräftigem, nicht zu schnellem Tempo 15:11
02. Robert Schumann: Violin Concerto in D Minor - Langsam 5:24
03. Robert Schumann: Violin Concerto in D Minor - Lebhaft, doch nicht schnell 11:46
04. Robert Schumann: Piano Trio No. 3 in G Minor, Op. 110 - Bewegt, doch nicht zu rasch 11:12
05. Robert Schumann: Piano Trio No. 3 in G Minor, Op. 110 - Ziemlich langsam 5:57
06. Robert Schumann: Piano Trio No. 3 in G Minor, Op. 110 - Rasch 4:33
07. Robert Schumann: Piano Trio No. 3 in G Minor, Op. 110 - Kräftig, mit Humor 7:34
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专辑英文名: Bach: Matthaus-Passion
专辑中文名: 巴哈：马太受难曲
艺术家: Nikolaus Harnoncourt
古典类型: 全集作品
资源格式: FLAC
版本: [3 CD]
发行时间: 1994年04月05日
地区: 美国
语言: 英语
简介: 
专辑介绍:
Nikolaus Harnoncourt (哈农库特) - 巴哈：马太受难曲 (Bach：Matthaus Passion)
巴哈：马太受难曲／指挥：哈农库特／女高音：薛弗／男中音：葛纳／维也纳古乐团／TELDEC出版（3 CD）
尼可拉斯‧哈农库特（Nikolaus Harnoncourt，1929～2016年）演绎以历史考据见长，曾在维也纳交响乐团担任大提琴手，无论是乐器选择或乐句处理，都有独到见解。相较李希特严谨近乎严肃的乐风，他的詮释较质朴且直率，清新爽朗又不失庄严。近期更主张求新求变，使他的演绎风格不再侷限原有的「复古」作风。
这张专辑於2000年录制，速度明显较多数版本快，是实验性质强的演出，喜欢多样化詮释者不妨一试。
巴赫《马太受难曲》　生动的信仰情感与福音信息　上篇
A- A+| share
宗教改革氛围下的德意志地区，教会音乐逐渐脱离长期由罗马教廷掌控的封闭，走向抒情多变、逸趣横生、华彩多姿……
◎李文腾
当音乐从晦暗之处响起，在管弦乐团绵延不绝、悲伤哀戚的旋律陪衬下，似乎在诉说著一部史诗级的悲剧故事。沉重的三连音如同缓慢前行的队伍，也多少暗示著这是一种变相的送葬。轮番交织的合唱代表著世人对不公义的哀嘆折磨，天使般的童声则突显出这场受难有异於往常的刑罚，更是一场非比寻常的牺牲献祭。
音乐随著叙事的进展变得宏伟，内容也随著圣诗唱词的出现逐渐有了轮廓：音乐开场描绘一群士兵押著主耶穌基督，背负十字架前往各各他受刑的场面，围绕追随主耶穌基督的锡安妇女们为此啜泣哀鸣。观望行刑的群眾，不知原因而好奇追问著：背负十架的人是谁？究竟要做啥？为何要如此遭刑？他将要前往何处？紧接著天使从天上歌咏在地上正受苦的那一位，向世人阐明受难的主角就是耶穌基督──上帝的独生子，那圣洁的羔羊为我们罪孽的缘故，坚定走向被钉十架受刑的路，成全上帝永恒救赎的计画。
巴赫（Johann Sebastian Bach，1685～1750年）举世闻名的《马太受难曲》（St. Matthew Passion, BWV244）便是在这种充满戏剧情感、训诲省思的信仰薰陶下，开啟了伟大的序幕。
伟大的信仰音乐作品
《马太受难曲》不仅仅是一齣杰出的教会音乐，更是结合巴赫在信仰、音乐、剧作多方面经验，经年累月熬练下转趋成熟的伟大成就。巴赫在莱比锡先后担任长达27年的教会音乐总监直至逝世（1723～1750年），他一生最重要的作品都是在莱比锡完成，包含《马太受难曲》《约翰受难曲》（St.Johannes Passion, BWV245）《B小调弥撒》（Messein h-moll, BWV232），以及庄严神圣的《圣诞神剧》（Weihnachts-Oratorium, BWV248）均是流传千古的音乐杰作。
《马太受难曲》顾名思义，是以马太福音为脚本，加上圣诗合唱及咏嘆调而成的巨型圣乐作品。整齣神剧宣叙调主要由男高音担任，相当於福音史家（Evangelist）兼剧情旁白的作用。其中经文内容取材自马太福音26～27章，141节经文成为剧情主要骨架，描绘主耶穌预言自己被出卖到被钉十架受难埋葬的故事。
巴赫是德国莱比锡人，长年受路德教派薰陶，因此宣叙调採用马丁路德翻译的德文圣经。咏嘆调与圣诗合唱的剧情脚本，主要出自德国诗人毕康得（Picander）之手（本名为Christian Friedrich Henrici，1700～1764年；Picander是笔名），将过往教会前辈创作的圣诗予以合适穿插排序而成。他曾与巴赫协同创作为数不少清唱剧（Cantata）。此外，巴赫也依圣经提及的人物像主耶穌基督、卖主的犹大、西门彼得、眾门徒们、本丢彼拉多、祭司与长老、闹事起鬨的兵丁，安排了对应的角色与声部。
死而复活的际遇
根据巴赫学者约书亚．里夫金（Joshua Rifkin，1944年～）1975年於牛津大学发表的〈巴赫《马太受难曲》年表〉（The Chronology of Bach's Saint Matthew Passion）一文指出，《马太受难曲》完成於1727年，并於受难日（4月11日）在莱比锡圣多马教堂（St. Thomas church）首演，较《约翰受难曲》大约晚3年的时间。1975年前的研究曾认为可能是在1729年，但现在较少人支持此说。巴赫后来在1736年稍微修改《马太受难曲》，但仍维持两部合唱团、两部管弦乐团、两台管风琴及童声合唱团的配置，演变成今日我们听到的版本。
另外，根据原稿封面，《马太受难曲》的曲名原本应为拉丁文所题（拉丁文：Passion unseres Herrn Jesu Christi nach dem Evangelisten Matthäus），意为「根据福音史家马太记述主耶穌基督的受难」。马太与约翰这两首受难曲也是巴赫唯二完整流传至今的受难曲，都在巴赫死后有很长一段时间几近为人遗忘，甚至在巴赫生前因为过於「歌剧化」的风格，引来不少虔信主义者的不满与抗议，认为巴赫把教会音乐玩过头，过於喧哗扰乱。
巴赫的音乐资产，儘管在他死后曾受到海顿（Joseph Haydn，1732～1809年）、莫札特（Wolfgang Amadeus Mozart，1756～1791年）、贝多芬（Ludwigvan Beethoven，1770～1827年）等人的推崇，却迟至1815年后才陆续由音乐学者重新发掘重视，孟德尔颂（JakobLudwig Felix Mendelssohn Bartholdy，1809～1847年）在老师策尔特（Johann Friedrich Zelter，1758～1832年）的指导支持下，并於1829年3月11日重新在莱比锡演出《马太受难曲》，此为巴赫音乐的复甦，受难曲逐渐为世人知晓。巴赫在西洋古典音乐的地位，如同耶穌基督从死里复活一般，最终得到应有的尊崇。
宏大丰富的规模
《马太受难曲》全曲分成两部分，当时两部分之间插入了讲道内容，由教会主牧阐释主耶穌受难的意义，接著再演奏接下来的内容。儘管两首受难曲皆取材自四福音书，由於涵盖经文略有不同，相较於《约翰受难曲》直接从耶穌在客西马尼被捕开始，《马太受难曲》多了耶穌被出卖前的细节，整齣神剧的音乐内容更为丰富。
事实上，整齣《约翰受难曲》的内容，仅仅是《马太受难曲》第一部分的尾段及第二部分而已，《马太受难曲》全曲演完大约需要3小时，由此可见规模之大。第一部分的内容依序是主耶穌预言自己被出卖（马太福音26章1～2节）、祭司长老用计杀主（26章3～5节）、耶穌在伯大尼受膏（26章6～13节）、犹大向祭司长出卖耶穌（26章14～16节）、门徒预备逾越节的筵席（26章16～19节）、耶穌预言犹大出卖祂（26章20～25节）、耶穌亲自设立圣餐礼（26章26～29节）、耶穌预言彼得三次不认祂（26章30～35节）、耶穌在客西马尼的祷告（26章36～39节）、门徒的软弱与耶穌的顺服（26章40～44节）、犹大出卖耶穌故作亲嘴（26章45～50节）、彼得出刀鞘被主阻止（26章51～54节）、耶穌被捕门徒散逃（26章55～56节）。
第一部分的开头与结尾均有一部大合唱作为呼应，其中结尾的大合唱〈啊，人们，悲嘆你的罪何其大〉（O Mensch, bewein’dein.Suendergross），是一首圣诗幻想曲的形式（Chorale fatasie），具有较为自由抒情的风格。起初巴赫在1725年打算将此曲替换为《约翰受难曲》（完成於1724年）的开头音乐，作为作品后续的修改，原本的结尾只打算用一首简短圣诗作结。后来他决定将这首圣诗幻想曲作为结尾音乐，《约翰受难曲》序乐则沿用至今，成为今日样貌。
悲壮安息的句号
《马太受难曲》第二部分，则是从女中音咏嘆调与四声部合唱的提问中，一群忠心跟随主锡安妇女们，得知耶穌遭逮而焦急的情绪开啟了序幕。接著依序是耶穌被押至该亚法的面前（马太福音26章57～58节）、耶穌遭祭司们诬陷受辱（26章59～68节）、彼得三次不认主（26章69～75节）、耶穌被交给彼拉多（27章1～2节）、犹大灭亡的结局（27章3～10节）、耶穌在彼拉多面前受审（27章11～22节）、耶穌被交给人钉十架（27章23～26节）、兵丁戏弄耶穌（27章27～31节）、耶穌与两强盗同被钉十架（27章32～38节）、耶穌被人讥笑不能救自己（27章39～44节）、耶穌之死（27章45～50节）、耶穌断气后的景象（27章51～56节），以及最后耶穌的埋葬与安息（27章57～66节）。
整齣《马太受难曲》结尾跟第一部分相同，照例由一首圣诗大合唱作为结束。结尾的圣诗为己罪自责的悲壮氛围如同曲名〈我们落泪、下跪〉（Wir setzen uns mit Tranen nieder），最终也替整齣神剧划下了安息的句号。
巴哈：马太受难曲 / 薛佛（女高音）/ 葛纳（男中音）/ 哈农库特（指挥）维也纳古乐合奏团
Bach : St Matthew Passion
唱片公司：warner music
作曲家：巴哈指挥：哈农库特
演出者：薛弗，葛纳
乐团：维也纳室内弦乐团
音乐类型：古典音乐
唱片编号：8573810362
高价版 / CD / 3 片装
艺人 Nikolaus Harnoncourt
发行月份 2005-Sep
类型 古典音乐
引用Release Date: 04/05/1994
Label: Teldec Das Alte Werk Catalog #: 42509 Spars Code: ADD
Composer: Johann Sebastian Bach
Performer: Paul Esswood, Tom Sutcliffe, James Bowman, Kurt Equiluz, ...
Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Vienna Concentus Musicus, Regensburg Cathedral Boys Choir, Cambridge King's College Choir, ...
Number of Discs: 3
Recorded in: Stereo
Length: 2 Hours 54 Mins.
Review by Jan Hanford:
Performance: gorgeous
Recording: perfect
Bach's St. Matthew Passion has long been considered by many to be one of the greatest musical works in history and Bach's largest, most successful and important work. Felix Mendelsohn revived the work in 1829 which resulted in a resurgence and rediscovery of Bach's music that is flourishing to this day.
In my opinion, this is the ultimate recording of Bach's St. Matthew Passion. Everything about it feels and sounds right, from the tempos to the consistently high quality of the soloists. It is a stunningly beautiful and emotionally moving interpretation. Spanning 3 discs, there is an enormous amount of music here. Breathtaking chorals, delightful arias and wonderful instrumentation. This is not only Bach at his best but a new triumph in the long career of Nikolaus Harnoncourt, one of our most important conductors.
The recording itself is perfect, with a rich echo and wonderful stereo placement of the choirs. Packaged as a book with sleeves for the cd's, illustrations, extensive notes and complete libretto (in 3 languages) makes this a superlative presentation. Teldec has not only brought us one of the most beautiful recordings ever made but the inclusion of the cd-rom makes this a must-have. It is an amazing experience to be able to page through the autograph score. Zooming in to view Bach's hand-written notes, the paper sadly deteriorating after centuries, was fascinating and emotionally moving for me. A piece of genius captured and digitized forever, instantly available on our cd players and computers; the new millenium Bach has arrived and it is gorgeous.
Performer: Johann Sebastian Bach, Nikolaus Harnoncourt, Christine Schäfer, Bernarda Fink, Arnold Schoenberg Choir, et al.
Audio CD (March 20, 2001)
SPARS Code: DDD
Number of Discs: 3
Format: Box set, Enhanced
Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
Label: Teldec
ASIN: B000050KFT
Average Customer Review: 4.1 out of 5 stars
专辑曲目: 
Disc: 1
01. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Kommt, ihr Töchter helft mir klagen"" [Chorus]"
02. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Da Jesus diese Rede vollendet hatte"" [Evangelist, Jesus]"
03. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Herzliebster Jesu, was hast du verbrochen"" [Chorus]"
04. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Da versammleten... Da das Jesus"" [Evangelist, Chorus, Jesus]"
05. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Du lieber Heiland du"" [Contralto]"
06. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Buss und Reu"" [Contralto]"
07. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Da ging hin der Zwölfen einer"" [Evangelist, Judas]"
08. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Blute nur, du liebes Herz"" [Soprano]"
09. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Aber am ersten... Herr, bin ich's?"" [Evangelist, Chorus,Jesus]"
10. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Ich bin's, ich sollte büssen"" [Chorus]"
11. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Er antwortete und sprach"" [Evangelist, Jesus, Judas]"
12. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Wiewohl mein Herz in Tränen schwimmt"" [Soprano]"
13. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Ich will dir mein Herze schenken"" [Soprano]"
14. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Und da sie den Lobgesang gesprochen hatten"" [Evangelist, Jesus]"
15. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Erkenne mich, mein Hüter"" [Chorus]"
16. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Petrus aber antwortete"" [Evangelist, Peter, Jesus]"
17. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Ich will hier bei dir stehen"" [Chorus]"
18. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Da kam Jesus mit ihnen zu einem Hofe"" [Evangelist, Jesus]"
19. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""O Schmerz!"" [Tenor, Chorus]"
20. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Ich will bei meinem Jesu wachen"" [Tenor, Chorus]"
21. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Und ging hin ein wenig"" [Evangelist, Jesus]"
22. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Der Heiland fällt vor seinem Vater nieder"" [Bass]"
23. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Gerne will ich mich bequemen"" [Bass]"
24. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Und er kam zu seinen Jüngern"" [Evangelist, Jesus]"
25. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Was mein Gott will"" [Chorus]"
26. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Und er kam und fand sie aber schlafend"" [Evangelist, Jesus, Judas]"
27. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""So ist mein Jesus... Sind Blitze"" [Soprano, Contralto, Chorus]"
28. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""Und siehe, einer aus denen"" [Evangelist, Jesus]"
29. "Bach, JS : St Matthew Passion BWV244 : Part 1 ""O Mensch, bewein' dein Sünde gross"" [Chorus]"
Disc: 2
01. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Ach! nun ist mein Jesus hin!"" [Contralto, Chorus]"
02. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Die aber Jesum gegriffen hatten"" [Evangelist]"
03. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Mir hat die Welt trüglich gericht't"" [Chorus]"
04. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Und wiewohl viel falsche Zeugen"" [Evangelist, Testis 1 & 2, Pontifex]"
05. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Mein Jesus schweigt zu falschen Lügen stille"" [Tenor]"
06. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Geduld! Geduld!"" [Tenor]"
07. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Und der Hohepriester... Weissage uns"" [Evangelist, Pontifex, Jesus, Chorus]"
08. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Wer hat dich so geschlagen"" [Chorus]"
09. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Petrus aber sass... Und alsbald krähete der Hahn"" [Evangelist, Ancilla 1 & 2, Petrus, Chorus]"
10. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Erbarme dich"" [Contralto]"
11. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Bin ich gleich von dir gewichen"" [Chorus]"
12. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Des Morgens aber... Und er warf"" [Evangelist, Judas, Pontifex 1 & 2, Chorus]"
13. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Gebt mir meinen Jesum wieder!"" [Bass]"
14. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Sie hielten aber einen Rat"" [Evangelist, Pilate, Jesus]"
15. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Befiehl du deine Wege"" [Chorus]"
16. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Auf das fest... Lass ihn"" [Evangelist, Pilate, Pilate's Wife, Chorus]"
17. "St Matthew Passion BWV244 : Part 2 ""Wie wunderbarlich ist doch diese Strafe!"" [Chorus]"
18. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Der Landpfleger sagte"" [Evangelist, Pilate]"
19. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Er hat uns allen wohlgetan"" [Soprano]"
20. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Aus Liebe will mein Heiland sterben"" [Soprano]"
21. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Sie schrieen... Da gab er ihnen"" [Evangelist, Pilate, Chorus]"
22. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Erbarm es Gott!"" [Contralto]"
23. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Können Tränen meiner Wangen!"" [Contralto]"
24. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Da nahmen die Kriegsknechte... Und speieten"" [Evangelist, Chorus]"
25. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""O Haupt voll Blut und Wunden"" [Chorus]"
26. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Und da sie ihn verspottet hatten"" [Evangelist]"
27. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Ja! freilich will in uns das Fleisch"" [Bass]"
28. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Komm, süsses Kreuz"" [Bass]"
Disc: 3
01. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Und da sie... Desgleichen schmäheten"" [Evangelist, Chorus]"
02. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Ach, Golgatha, unsel'ges Golgotha!"" [Contralto]"
03. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Sehet, Jesus hat die Hand"" [Contralto, Chorus]"
04. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Und von der sechsten Stunde... Aber Jesus schriee"" [Evangelist, Jesus, Chorus]"
05. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Wenn ich einmal soll scheiden"" [Chorus]"
06. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Und siehe da, der Vorhang"" [Evangelist, Chorus]"
07. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Am Abend da es kühle war"" [Bass]"
08. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Mache dich, mein Herze, rein"" [Bass]"
09. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Und Joseph nahm... Pilatus sprach"" [Evangelist, Chorus, Pilate]"
10. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Nun ist der Herr zur Ruh gebracht"" [Soprano, Contralto, Tenor, Bass, Chorus]"
11. "Bach, JS : St Matthew Passion BWV244 : Part 2 ""Wir setzen uns mit Tränen niedert"" [Chorus]"
12. Matthäus-Passion Enhanced CD : Full Autograph Score
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专辑英文名: Mercury Living Presence The Collector's Edtion 3
专辑中文名: 水星Living Presence发烧名盘60周年珍藏套装3（53CDs）
别名: 水星套装3
艺术家: Various Artist
古典类型: 全集作品
资源格式: FLAC
版本: 欧版整轨（更新中）
发行时间: 2015年
地区: 德国
语言: 英语
简介: 
水星 4787896 Mercury水星经典合集 第三集 53CDs 原装德国头版
不朽传奇，永恒延续！
Mercury水星发烧天碟合集第三集（完结篇）！
——原始母带处理，原版LP封面
——终极收录10张首次CD化录音
全球限量发行！原装欧洲进口！53碟超值套装！
即使是出现在上个世纪的五十年代，强调身历其境的Mercury Living Presence系列录音，依旧是唱片史上无法取代的经典之作。在与制作人法恩共同创立Mercury奇迹的威玛·柯札特·法恩监督下，Mercury珍贵的一百多张录音曾经在一九九〇年代重获新生命。不过，当时磁带转录的技术还没有完全成熟。由于现代能做到的磁带转录成CD的采样率解析度已经远高于一九九〇年代，在伦敦艾比路录音室工程师安德鲁·华尔特与威玛·柯札特·法恩的儿子汤玛斯·法恩密切合作下，这些磁带全程以96kHz / 24bit的格式转换，并且去除杂音与磁带之间的声波差异，大大提高以单声道录音的管弦乐专辑可听性，让它的听觉效果更接近Mercury后来的立体声录音；原有的立体声录音则透露出前所未有的深度与真实感。
值得注意的是，这一套专辑包含了十张过去从未发行CD的专辑。由于这十张专辑原有母带的磁带已经非常脆弱，因此没有被列入1990年代的重新发行系列中。在新技术的帮助下，这些珍贵的声音得以消除后来出现的声音变质，找回原本明亮清晰的面貌。
【抓轨说明】
使用驱动器 ：PLEXTOR DVDR PX-L890SA
抓轨软件：Exact Audio Copy V1.0 beta 3
编码器：FLAC 1.3.1
CUE文件内嵌
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【当前更新】
专辑曲目: 
CD1: 勃拉姆斯：第1、3交响曲
多拉蒂指挥伦敦交响乐团
CD2: 勃拉姆斯：第2、4交响曲
多拉蒂指挥伦敦交响乐团
CD3: 维也纳华尔兹
多拉蒂指挥明尼亚波利斯交响乐团
CD4: 亨德尔：水上音乐，焰火音乐
莫扎特：弦乐小夜曲
多拉蒂指挥伦敦交响乐团
CD5: 门德尔松：第三“苏格兰”、第四“意大利”交响曲
多拉蒂指挥伦敦交响乐团
CD6: 里姆斯基-科萨科夫：天方夜谭
西贝柳斯：忧郁圆舞曲
李斯特：前奏曲
斯美塔那：伏尔塔瓦河
多拉蒂指挥伦敦交响乐团、明尼亚波利斯交响乐团
CD7: 里姆斯基-科萨科夫：西班牙随想曲，金鸡组曲
鲍罗丁：波罗维茨舞曲
多拉蒂指挥伦敦交响乐团
CD8: 罗西尼、威尔第的歌剧序曲集
多拉蒂指挥伦敦交响乐团、明尼亚波利斯交响乐团
CD9: 理查.施特劳斯：玫瑰骑士组曲，唐璜
多拉蒂指挥明尼亚波利斯交响乐团
CD10-11: 柴可夫斯基：第1-3交响曲
阿连斯基：柴可夫斯基主题变奏曲
多拉蒂指挥伦敦交响乐团
CD12: 柴可夫斯基：第五交响曲，斯拉夫进行曲
多拉蒂指挥伦敦交响乐团
CD13: 瓦格纳：序曲与前奏曲集
多拉蒂指挥伦敦交响乐团
CD14: 芬尼尔指挥格什温作品
CD15: 芬尼尔指挥Victor Herbert作品
CD16: 芬尼尔指挥Cole Porter作品
CD17: 芬尼尔指挥旋转木马圆舞曲等轻音乐
CD18: 苏利文：剪菠萝树梢的人组曲
罗西尼-雷斯庇基：魔法玩具店
古诺：浮士德中的芭蕾音乐
瓦格纳：罗恩格林、莱茵的黄金片段
芬尼尔指挥伊斯特曼管乐团
CD19: 著名进行曲集
芬尼尔指挥伊斯特曼管乐团
CD20-21: 亚当：吉赛尔
奥芬巴赫：愉快的巴黎人
约翰.施特劳斯：毕业舞会
费斯图拉里指挥伦敦交响乐团
CD22: 布洛克：两首大协奏曲，所罗门
汉森指挥伊斯特曼-罗切斯特管弦乐团
CD23: 格什温：蓝色狂想曲，钢琴协奏曲，古巴组曲
汉森指挥伊斯特曼-罗切斯特管弦乐团
CD24-25: 汉森指挥自己的作品
CD26: 麦克拉斯指挥伦敦交响乐团演奏管弦乐名曲集
斯美塔那《被出卖的新嫁娘》、尼古拉《温莎的风流娘们》
韦伯《邀舞》，托马斯《迷娘》等等
CD27: 柏辽兹：幻想即兴曲，匈牙利进行曲
帕雷指挥底特律交响乐团
CD28: 德沃夏克：第九交响曲
西贝柳斯：第二交响曲
帕雷指挥底特律交响乐团
CD29: 弗朗克：D小调交响曲
拉赫玛尼诺夫：第二交响曲
帕雷指挥底特律交响乐团
CD30: 拉罗：南姆纳
肖松：交响曲
帕雷指挥底特律交响乐团
CD31: 门德尔松：仲夏夜之梦，第五交响曲
海顿：第96交响曲
帕雷指挥底特律交响乐团
CD32-33: 舒曼：交响曲全集
帕雷指挥底特律交响乐团
CD34: 法国序曲与进行曲集
帕雷指挥底特律交响乐团
CD35: 瓦格纳：名歌手、漂泊的荷兰人、黎恩济序曲
帕雷指挥底特律交响乐团
CD36: 舒伯特：第5、8交响曲，罗莎蒙德
斯克洛瓦切夫斯基指挥明尼亚波利斯交响乐团
CD37: 舒伯特：第6、9交响曲
斯克洛瓦切夫斯基指挥明尼亚波利斯交响乐团
CD38: Ginastera: Variaciones Concertantes
布里顿：青少年管弦乐队指南
多拉蒂指挥明尼亚波利斯交响乐团
CD39: 科普兰：第三交响曲
多拉蒂指挥明尼亚波利斯交响乐团
CD40: 雷斯庇基：教堂之窗，罗马节日
多拉蒂指挥明尼亚波利斯交响乐团
CD41-42: 柴可夫斯基：四首管弦乐队镀组
多拉蒂指挥新爱乐乐团
CD43: 贝多芬：第三交响曲
多拉蒂指挥明尼亚波利斯交响乐团
CD44: 李斯特：两首钢琴协奏曲
钢琴：李赫特
康德拉辛指挥伦敦交响乐团
CD45-46: 贝多芬：大提琴奏鸣曲全集
大提琴：罗斯特洛波维奇
钢琴：李赫特
CD47: 穆索尔斯基、柴可夫斯基、普罗科菲耶夫的歌曲集
演唱：维什涅夫斯卡娅
钢琴：罗斯特洛波维奇
CD48: 弗拉明戈的世界
罗梅罗家族
CD49: 巴洛克竖笛协奏曲
马里纳指挥伦敦弦乐团
CD50: 欣德米特：交响曲
勋伯格：主题与变奏
斯特拉文斯基：管乐交响曲
芬尼尔指挥伊斯特曼管乐团
CD51: 索勒：羽管键琴作品
Puyana演奏
CD52: 柴可夫斯基：1812序曲，意大利随想曲
多拉蒂指挥明尼亚波利斯交响乐团
CD53: 肖斯塔科维奇：第4、8弦乐四重奏
鲍罗丁四重奏组
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专辑英文名: The fam'd Italian masters Music for trumpets and strings from the Italian Baroque
专辑中文名: 义大利巴洛克时期之双小号音乐作品
艺术家: Alison Balsom, Crispian Steele-Perkins
古典类型: 全集作品
资源格式: MP3
发行时间: 2003年05月13日
地区: 美国
语言: 英语
简介: 
压缩码率: 320Kbps
专辑介绍:
兼具美貌与才华，来自英国的小号天后演奏家艾莉森．鲍尔珊（Alison Balsom）在国际上已享有高度的讚誉。曾两度获得英国Brits古典音乐大奖「年度女音乐家」奖项，及《留声机》Gramophone杂誌、古典音乐电台（Classic FM）等多项古典音乐权威奖肯定。本月她将与苏格兰合奏团（Scottish Ensemble）联袂应邀访台，风格迥然与高难度的曲目，将为观眾展现她惊人的舞台魅力。
◎ 曾於英国伦敦市政厅音乐及戏剧学院（Guildhall School of Music）、巴黎音乐院学习小号演奏
◎ 两度获得英国Brits古典音乐大奖「年度女音乐家」奖项、《留声机》杂誌、古典音乐电台等多项古典音乐大奖。
◎ 2009年领衔於BBC年度音乐会演出，以两亿观眾创下该音乐会全球转播最多观眾收看纪录。
◎ 2010年以自行编曲灌录的《义大利协奏曲》Italian Concertos创下EMI唱片当年度古典类唱片销售冠军
◎ 去年於美国电视网首度与圣路克交响乐团在著名的大卫．赖特曼脱口秀节目中演出，创下古典音乐家在电视节目演出的罕见纪录。
商品条码 : 0034571173597
商品编号 : CDA67359
演奏者 : 伯金斯＆艾莉森鲍尔珊 Crispian Steele-Perkins ＆ Alison Balsom (Trumpet) - 查看所有专辑
指挥家 :
乐团 :
作曲家 :
专辑名称 : 义大利巴洛克时期之双小号音乐作品
The Fam`d Italian Masters : Music For 2 Trumpet From The Ita
音乐类型 : 古典音乐 [CD ]
发行公司/日期 : 上扬　
制作公司 :
内含片数 : 1
斯蒂尔 - 帕金斯住在多尔金，萨里,也是艾玛，凯特和盖伊的父亲。他也是 威廉，Ben Mitchell，伊莎贝尔和Zoe Jinadu 的祖父。1961年，他娶了安吉拉海伦厅（1991），并于1995年，他娶了伊丽莎白珍玛斯蒂尔 - 帕金斯。
Steele-Perkins lives in Dorking, Surrey and is the father of Emma, Kate and Guy. He is also grandfather to William and Ben Mitchell and Isabelle and Zoe Jinadu. In 1961, he married Angela Helen Hall (d. 1991), and in 1995 he married Jane Elizabeth Mary Steele-Perkins.
Career
Steele-Perkins picked up his first trumpet at the age of ten and progressed so quickly that just 6 years later he was playing with the English National Youth Orchestra. On graduating from the Guildhall School of Music, Steele-Perkins began his professional career with the Sadler's Wells Theatre (ENO) 1966-73, before performing with the London Gabrielli Brass Ensemble 1974-84, Royal Philharmonic Orchestra 1976-80, English Baroque Soloists 1980-91, Amsterdam Baroque Orchestra, The King's Consort, 1985–2009, and Retrospect Ensemble, 2009–present. Steele-Perkins's purity of tone and artistic subtlety have received critical acclaim for more than four decades now. Throughout the 1980s and 1990s, he played a key role in the growth of historically-aware trumpet playing, using a collection of more than 100 pre-1900 mechanised and 'natural' trumpets to bring a brighter, clearer sound to baroque performances. In 2004, Steele-Perkins received the Monk Award[2] for his significant and lifelong contribution to the field of early brass music.
In addition to his work with classical orchestras and period instruments, Steele-Perkins has developed a body of television and film work which is universally recognisable today - most famously he played the theme tune to the popular British television programme Antiques Roadshow, the James Bond film For Your Eyes Only and the The Lord of the Rings: The Two Towers.
Steele-Perkins has also accompanied some of the world's greatest singers, recording Handel's "Let the bright Seraphim" with Dame Kiri Te Kanawa and "Eternal Source of Light Divine" with James Bowman. His more recent performances alongside Emma Kirkby, Lynn Dawson, Carolyn Sampson, Bryn Terfel and Lesley Garrett have cemented his international reputation as one of classical music's great ambassadors.
Well known for his enthusiasm and wit, Steele-Perkins is also a popular presenter giving recitals, lectures and masterclasses at schools, colleges and music venues around the world. He also provides advice and guidance when called upon by today's up-and-coming trumpeting talent.
引用一九九八年，一位金髮高挑的女孩，在英国BBC青年音乐家大赛决选节目中受到高度瞩目。有别於一般女性演奏家的形象，艾莉森．鲍尔珊（Alison Balsom）以独特的小号音色改变了听眾的既有成见，从那时起，她的知名度不断上升，一座座的唱片大奖被她拿下，也一步步地说服了古典权威杂誌挑剔的耳朵。
为什么选小号？这大概是大多数人对她的疑问。原来，这个开始，居然不是古典，而是爵士。鲍尔珊在她七岁的时候，无意间听到爵士小号大师葛莱斯比（Dizzy Gillespie）的录音便深深著迷。当时年纪还小，根本不知道这项乐器在一般人眼中是属於男生演奏的，却执意要学。到了快九岁时，她的父亲带她到巴比肯中心，听了瑞典演奏家哈登伯格（Håkan Hardenberger）演奏胡迈尔（J. N. Hummel）的作品之后，她就下定决心要成为一个小号演奏家。有趣的是，小小的心灵从此真的这个梦想努力不懈，长大之后，她不但找到机会跟随哈登伯格学习，为她树立起小号界天后地位的专辑主打作曲家之一，竟然也是胡迈尔。
拥有人人称羡的美貌，让鲍尔珊在专业外，总多了一份被讨论的话题。然而这对她来说却是反而一个困扰，虽然时尚的打扮、修长的身材在舞台上很容易吸引眾人的目光，但她却不容易被严肃对待。事实上，当初BBC的那场比赛是透过广播放送，观眾只听得到音乐并无法看到本人，因此不可能因为外表而左右专业的判断。至於人们喜欢强调她是「女性」小号手的议题，她也十分不以为然，因为在她的观念里，音乐世界没有男女之分，只有演奏家的好坏区别而已。相对於这些外在的因素，鲍尔珊更希望人们以严格的艺术水準要求她。
的确，如果希望持续在艺术的舞台上占有一席之地，就必须要拿出能令人信服的表现来。因此鲍尔珊最擅长的，就是以小号作为与观眾沟通的工具，让乐器保留金属的色彩，又发出歌唱般的温暖。舞台下的她喜欢游艇出海，也爱滑雪，更喜欢改编经典作品、挑战年轻作曲家的新创意。作为一位小号手，她永远付出忠诚与热情，为了这美丽的声音，她会「用后半辈子大力捍卫」，并且让人们认识到小号的真正魅力！
第二篇
越洋专访 鲍尔珊：我们不该让压力凌驾在音乐本质之上
文字 邓诗屏 小号演奏家
四月中的早晨，笔者拨通了鲍尔珊的手机。彼时她在美国佛罗里达，刚结束一场夜间演出，且正与经纪人驾车奔驰在返回下榻饭店的途中。她的声音虽略显疲惫，但是不减甜美与清脆。虽然访谈在不甚稳定的通讯状态中进行，但是，鲍尔珊与笔者对谈的情绪始终十分高昂！她时而严肃、时而纯真地畅谈著音乐、作品与生活，更多次表达对台北的喜爱与期待。
Q：今年五月是妳第二次造访台北吗？
A：没错，很高兴有机会再次访问台北，上一次我演奏整场的独奏会，并没有太多时间好好地探究这漂亮城市的细节，然而，儘管如此，我所领略的人事物已使我留下了非常美好的印象。台北的风光与人情一直令我难忘，很高兴能再度前往那迷人的城市，还有美丽的国家音乐厅，真的很让人怀念！
Q：此间的爱乐者仍不时谈论到数年前妳在台北演出的独奏会中，令人动容地呈现优雅与美好的小号音乐。本次妳应邀与苏格兰合奏团一起同台献艺，请问你如何看待这次与苏格兰合奏团的合作？
A：我一直认为小号与絃乐团，是一种最富逻辑与艺术美感的组合！尤其是对於早期音乐更是效果完美。
苏格兰合奏团的每一位演奏家除了具有卓越的音乐能力与经验之外，在音乐内在力量的寻求上更有惊人的一致性。非常荣幸与这么杰出的团体合作，相信我们在台北的演出一定会充满乐趣与惊喜，这种火花也是我衷心盼望的。
Q：在公布的曲目里，我注意到妳亲自动手改编了两首巴洛克时期的协奏曲。是否有著特殊的音乐讯息与我们分享？
A：巴洛克时期是小号音乐的黄金年代，身为小号演奏者，可不能等閒视之！因为其中有发掘不尽的音乐宝藏。
此次我选择阿比诺尼（T. Albinoni）《双簧管协奏曲》与韦瓦第《小提琴协奏曲》作为音乐意念的平台，藉由小号音色的元素，试图在原本的音乐织度里增添一些不同的色彩与歌唱性。以小号取代小提琴或双簧管这一件事情并不是最重要的，重要的是音乐的内涵是否依然丰富！
我对於早期乐器自然小号有一份特殊的爱好，花了许多功夫去研究与演奏仿古自然小号，也录制了不少早期音乐作品。其实，我觉得今日的小号演奏者应该多关注一些两、三百年前的乐器与作品风格，因为那些是古典音乐的土壤，许多风格的基本议题，还是要回到它生长的土壤里寻找答案。巴洛克音乐的研究并未随著时代退潮，反而有愈来愈多的新思维。我愈是探究它，就愈是发现小号的音色质地与这些作品惊人的契合，可以完全不困难地表达出巴洛克音乐辉煌与自由的精神！
Q：请问这次妳是选择高音小号来演奏这些作品吗？
A：是的。
Q：那么，妳对现代高音小号演奏内涵上最主要的理念与追求是什么呢？
A：甜美、丰富与充满歌唱性的音色和旋律线一直是我的核心理念。小号是颇为困难的独奏乐器，但若能适当平衡吹奏的压力，你就可以展现出几乎如双簧管一般抒情又甜美的音色，这也是演奏巴洛克音乐很重要的品质。
就如同在刚才提到的观点中所说，我事实上是在演奏自然小号当中，学习到更多抒情的音乐性与吹奏方式。因为自然小号的管身很长，所以它的泛音非常丰富，以现代小号而言，尤其是现代高音小号，就失去了这个优点，因为现代小号的管身相对自然小号而言短了许多。因此，即使现代小号拥有移动快速、音準明确等等诸多优点，我们还是必须儘量试著去寻找那源於自然小号音色传统的丰富泛音，以免失去小号最纯粹、最甜美的音色。
Q：能否谈一谈麦克米伦（J. Macmillan）《六翼天使》Seraph这个作品？据我所知，这是一部题献给妳的作品。
A：这实在是一件非常荣耀且不可思议的事情！麦克米伦大师是英国当代重量级的作曲家，他是一个极为友好而且极有智慧的谦谦君子。而每当我想到，即使有一天我已不存在於这世界上了，然而《六翼天使》却仍能长存於音乐史册之时，我就能重温这奇妙的荣耀感。
Q：是否可谈一谈这部作品的挑战性与其音乐诉求？
A：这个议题很难一语道尽，你必须要亲临现场、用心聆赏之后方能做出独立的艺术判断。但请先容我简单地介绍这首乐曲。首先，在结构上，它仍然维持很传统的三乐章形式。第一乐章是对於古典风格的回顾与展望，例如小号独奏一开始的部分就与海顿《小号协奏曲》有些神似。第二乐章的音乐极为动人，我认为这个乐章是全曲的情感核心之所繫。而第三乐章的音符如舞蹈般飞扬而跳跃，尽情展现小号吹奏技巧。
其次，在实验精神上，这首作品的音乐语法是崭新而不落俗套的，听眾可以一窥大师绝佳的创意。这是一首无论在创作技巧或音乐上都极为出色的作品。
Q：请问在妳繁忙的演奏行程中，要如何让自己保持在巔峰状态？
A：啊！这是一个困难的议题！如果你有好主意请立刻告诉我！我也正在学习之中。但我认为持续不断的呼吸练习确实能帮助我放鬆。
另外一个值得分享的方式是做瑜珈。我在瑜珈课程里得到很多啟发，做瑜珈可以有效地帮助我放鬆情绪与伸展肢体，并且让自己的呼吸更深更稳。
Q：那么，压力问题呢？小号独奏家的工作充满压力，不是吗？
A：你知、我知，追求完美的过程确实充满压力，对小号演奏者或许更是如此。
从某些层面来说，压力也是迈向成功的动力之一，但是你不应该让自己被压垮。因此我也慢慢学著调适自己，对於挫折淡然处之。我想，人生很长，而人生有多长，音乐的道路就有多长！我们不应该让压力凌驾在音乐本质之上。而且，请容我提醒你，瑜珈在紓解压力方面也很有帮助喔！
Q：我相信，音乐不仅是妳的工作更是兴趣吧！但在音乐之外，妳有什么其他的爱好或休閒活动？
A：就像邻家女孩一样，其实我的假日也没什么特别啦，在閒暇的时候，我喜欢和朋友一起跳舞，毕竟，我还年轻嘛！哈哈……另外，我还喜欢到海上驾风帆，我很爱那种天高地阔、投身於大自然的感觉！
Q：若是妳在台北停留期间，有任何空档的话，有哪些台北特色是你最想体验的？
A：这次造访台北，我绝对不能错过品嚐道地台湾美食的机会！太多的朋友告诉我，台湾是美食的天堂，我上次没有很多时间出门探险，这一次一定要努力把握机会！另外，也请告诉所有的朋友，我非常期待台北的演出！
This disc combines the talents of internationally-renowned Crispian Steele-Perkins, and Alison Balsom, a recent graduate currently taking the musical world by storm. Both are in radiant form in a collection of works from that era of Italian baroque music celebrated and loved for its vibrancy and spirit.
Audio CD (May 13, 2003)
SPARS Code: DDD
Number of Discs: 1
Format: Import
Label: Hyperion UK
ASIN: B00008IHWF
Average Customer Review: 5.0 out of 5 stars
Until the middle of the seventeenth century, the trumpet was essentially a ceremonial instrument, played by soldiers and courtly attendants rather than musicians; it was normally used in trumpet-and-drum bands, in which fanfares and popular tunes were clothed in improvised drone accompaniments. However, German composers such as Michael Praetorius and Heinrich Schütz began to experiment with using trumpets in composed art music around 1620, and soon after 1650 composers began to write concerted sonatas for one or two trumpets with strings and continuo—the repertory that is explored in this disc.
It is normally thought that the first trumpet sonatas were written in Bologna. The earliest printed trumpet sonatas were certainly published in 1665 by Maurizio Cazzati, maestro di capella at San Petronio in Bologna between 1657 and 1671, and the archives at San Petronio contain a large repertory of sonatas, sinfonias and concertos with trumpets, some of which are included on this CD. However, there are trumpet sonatas surviving in manuscripts in northern European libraries that may be just as early or even earlier. A case in point is the sonata by the Roman composer and singer Alessandro Melani. It is found in manuscript at Uppsala in Sweden, probably copied in the 1680s or ’90s though a shorter version for a single trumpet in an Oxford manuscript may go back to the middle of the century. The piece is in an early style and is in C major rather than D major, the standard key for later Italian trumpet music. The piece is also unusual in that the violin parts are in scordatura (using violins tuned b-e'-b'-e'' instead of g-d'-a'-e''). It is not clear whether that was part of Melani’s original conception, though it certainly creates an unusual and attractive sonority.
Alessandro Stradella was another important early composer of trumpet music. Like Melani, he worked in Rome for much of his career, though by 1681, when he wrote the wedding cantata Il barcheggio, he was living in Genoa; he was murdered in a Genoese street the following February and Il barcheggio is said to have been his last work. Its self-contained sinfonia sounds remarkably modern, partly because it uses a bright scoring with three equal treble parts, and partly because it has a clear four-movement structure, with logical harmonic patterns.
Another early trumpet work is the sonata by Andrea Grossi, published in his Op 3 of 1682. It has a some archaic features—for instance, the trumpet tends to alternate rather than combine with the upper strings—though the central adagio, featuring the trumpet in an expressive rather than virtuosic role, is unusual for the time. Little is known about Grossi, though he is known to have been a violinist in the service of the Duke of Mantua around 1680.
The three trumpet works in this programme by Bologna composers offer a sample of forms and styles around 1700. The sonata by Giuseppe Maria Jacchini has the same three-treble scoring as the Stradella sinfonia, though it is more old-fashioned in its structure and musical language: it is relatively short-winded and is a patchwork of six short, contrasted sections. Jacchini was a cellist in the musical establishment at San Petronio from 1680 until his death in 1727, and may have been partly responsible for developing the cello as a solo instrument in concerted sonatas; in the present sonata the central trumpet solo has a soloistic bass part that is clearly intended for his instrument.
In the sonatas by Lazzari and Torelli the cello is given a proper solo accompanied by a separate continuo part; in the Lazzari it has an expressive duet with the first violin, while in the Torelli it has a duet with the trumpet. Both works illustrate the trend around 1700 to more virtuosic and idiomatic writing, and for longer, more logically organized separate movements instead of the old ‘patchwork’ structures. Lazzari was a Franciscan monk who worked in his native Bologna throughout his life, with the exception of two periods spent in Venice. Torelli was also a native of Bologna and worked there until 1696, though he spent most of his later career in Germany.
We do not know where and when Vivaldi wrote his well-known concerto, his only work for trumpets and strings. It is similar in idiom to some Bologna works, though it is in C major rather than D major—a distinctive feature found in other works by Vivaldi with trumpet.
As a contrast to the major-key and generally lively trumpet works, we have included some contemporary examples of four-part string sonatas. The sonata à quattro was less popular at the time than the ubiquitous trio sonata, and is rather neglected today, though it contains a wealth of fine music with a preponderance of introspective, minor-key works—as this CD demonstrates. It is also of interest in that the genre is the true ancestor of the Classical string quartet. The sonatas by Cazzati and Vitali are typical examples of Bolognese four-part sonatas: they are relatively brief, are full of dense counterpoint and have chromatic sections. Vitali was born in Bologna and studied with Cazzati, though he spent most of his career at the Modenese court.
The sonatas by Legrenzi and Scarlatti are also densely contrapuntal, though they are quite different in style. Legrenzi was working in Venice in 1673, when he published his Op 10, and dedicated the collection to the Austrian emperor Leopold I, which is presumably why it includes two sonatas for four viols and continuo. Viols were largely obsolete in Italy at the time, but were still cultivated a good deal in Austria. This is probably why the sonata recorded here was printed in a double-clef format, allowing it to be played in C minor on viols and in E minor by a string quartet. In the work Legrenzi achieves a remarkable synthesis between the contrapuntal idiom of the Renaissance and the chromatic harmony of his own time. We do not know anything about the origins of Alessandro Scarlatti’s work, except that it is found in manuscripts in Paris and Münster as a sonata for string quartet ‘senza cembalo’, but as a concerto with continuo and additional ripieno string parts as the first of a set of Six Concertos published in London around 1740. It is likely, however, that the concerto version is not Scarlatti’s work, and was cobbled together in eighteenth-century England; the additional parts certainly do not add anything to the original.
Two features of this recording are worthy of comment. First, all the works are played one to a part. There is no doubt that the sonata à quattro was essentially thought of as chamber music rather than orchestral music around 1700, even though the genre was often used in church. Furthermore, Richard Maunder has recently argued that the concerto was normally a one-to-a-part genre during the Baroque period; the vast majority of all Baroque concertos survive only in single sets of parts, even in places such as San Petronio in Bologna, where other genres were performed with large forces. Second, it has become fashionable in recent years to use large continuo groups of plucked instruments in all sort of Baroque music. However, the printed and manuscript sources of the repertory recorded here normally only have a single continuo part, most commonly labelled ‘organo’. For this reason we have used a fine Italian-style organ by Goetze and Gwynn for this recording. It is typical of the single-manual instruments used in Italian Baroque churches, and is much more powerful than the small portable chest instruments usually heard in modern performances and recordings.
The lesser-known composers presented here (Melani, Cazzati, Jacchini, Lazzari, Grossi etc) sit happily beside the ‘greats’ of the era (Vivaldi, Scarlatti, Torelli). Before mid-seventeenth century the trumpet was essentially a ceremonial instrument until German composers such as Praetorius and Schütz began to incorporate it into concert works. This idea was soon adopted elsewhere, and Italian sonatas and concertos form much of the baroque repertoire for trumpet.
The accomplished Parley of Instruments play ‘one to a part’, reflecting the combination of forces most likely to have been used at the time these works were first performed.
专辑曲目: 
01. Sonata a 6, for 2 trumpets, strings & continuo in D major: Presto e spicco
02. Sonata a 6, for 2 trumpets, strings & continuo in D major: Grave
03. Sonata a 6, for 2 trumpets, strings & continuo in D major: Canzona
04. Sonata a 6, for 2 trumpets, strings & continuo in D major: Grave
05. Sonata a 6, for 2 trumpets, strings & continuo in D major: Presto
06. Sonata for trumpet, strings & continuo, Op 3/10: Vivace
07. Sonata for trumpet, strings & continuo, Op 3/10: Adagio
08. Sonata for trumpet, strings & continuo, Op 3/10: Grave
09. Sonata for trumpet, strings & continuo, Op 3/10: Presto
10. Sonata for trumpet & strings, D12/6: Grave - Allegro
11. Sonata for trumpet & strings, D12/6: Grave
12. Sonata for trumpet & strings, D12/6: Allegro
13. Sonata for trumpet & strings, D12/6: Grave - Allegro
14. Sonata for strings & continuo in A minor ('La Sassatelli'), Op. 5/10
15. Sonata for 2 violins, viola, cello & continuo in E minor, Op. 10/17
16. Il Barcheggio, for 3 voices, trumpet, 2 violins & continuo: Sinfonia in D major: [Allegro]
17. Il Barcheggio, for 3 voices, trumpet, 2 violins & continuo: Sinfonia in D major: Andante
18. Il Barcheggio, for 3 voices, trumpet, 2 violins & continuo: Sinfonia in D major: Allegro ma non troppo
19. Il Barcheggio, for 3 voices, trumpet, 2 violins & continuo: Sinfonia in D major: Allegro
20. Sonata a 5, for trumpet, strings & continuo in D major, G. 7: Grave - Allegro
21. Sonata a 5, for trumpet, strings & continuo in D major, G. 7: Adagio
22. Sonata a 5, for trumpet, strings & continuo in D major, G. 7: Allegro
23. Sonata a 5, for trumpet, strings & continuo in D major, G. 7: Grave - Allegro
24. Concerto grosso No. 1 in F minor: Grave
25. Concerto grosso No. 1 in F minor: Allegro
26. Concerto grosso No. 1 in F minor: Larghetto
27. Concerto grosso No. 1 in F minor: Allemanda
28. Double Trumpet Concerto for 2 trumpets, strings & continuo in C major, RV 537: Vivace
29. Double Trumpet Concerto for 2 trumpets, strings & continuo in C major, RV 537: Largo
30. Double Trumpet Concerto for 2 trumpets, strings & continuo in C major, RV 537: Allegro
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专辑英文名: Collection (1969-2008)
专辑中文名: 皇家爱乐管絃乐团 历史典藏
艺术家: The Royal Philharmonic Orchestra
古典类型: 全集作品
资源格式: FLAC
版本: [27 CD]
发行时间: 1969年
地区: 英国
语言: 英语
简介: 
专辑介绍:
【皇家爱乐管弦乐团】乐团
Royal Philharmonic Orchestra
国籍：英国
　　由著名指挥家汤玛士 ‧ 毕勤爵士 (Sir Thomas Beecham) 於 1946 年创立的皇家爱乐管弦乐团，成立初期活动主要以格林朋音乐节 (Glyndebourne Festival Opera) 与皇家爱乐协会 (Royal Philharmonic Society) 为主。毕勤过世后，获得政府补贴的乐团度过财务危机，在历任首席指挥肯培 (Rudolf Kempe)、杜拉第 (Antal Dorati)、普列汶 (Andre Previn) 与阿胥肯纳吉 (Vladimir Ashkenazy) 等经营下，皇家爱乐已经成为英格兰最顶级的管弦乐团之一，乐团不仅在正统古典乐的詮演上有其独到之处，在电影配乐和流行音乐的演出上也广为乐迷所喜爱。
皇家爱乐乐团（英语：Royal Philharmonic Orchestra，简称英语：RPO）是以伦敦为据点的管弦乐团，英格兰最顶级的管弦乐团之一。皇家爱乐乐团由汤玛士·毕勤成立於1946年，并在这一年举办了首场音乐会。1950年，皇家爱乐乐团前往美国进行巡迴演出，是其首度海外巡演。皇家爱乐乐团不仅在古典音乐上享誉盛名，在电影配乐和流行音乐流域也有贡献。
1969 - Canducted by Malcolm Arnold
1982 - Hooked on Classics
1982 - Hooked on Classics 2
1982 - Hooked on Classics 3
1983 The Royal Philharmonic Orchestra & Friends-The Music Of The Police - Arrested
1985 - The Classic Touch
1990 - Hooked On Classics The Complete Collection (2CD)
1991 - Plays ABBA Classic
1991 - You Must Remember This
1992 - Plays Beatles Classic
1992 - Plays Queen Classic
1992 - Strauss Collection
1992 The Royal Philharmonic Orchestra - Genesis Hits
1992 The Royal Philharmonic plays Hits Of Elton John - The Ballads
1994 - Hits Of Pink Floyd
1994 - Music Of Pink Floyd
1994 - Symphonic Bossa Nova
1995 - Collection
1995 - Strauss
1995 The Royal Philharmonic Orchestra - Plays The Music Of Prince
1996 - Plays The Music Of Pink Floyd
1996 - The Music Of ABBA
1996 - The Music of Police
1997 - Plays The Music Of OASIS
1998 The Royal Philharmonic Orchestra - Performs The Hits Of George Michael
1998 The Royal Philharmonic Orchestra - Symphonic Sounds Music Of Beach Boys
1998 The Royal Philharmonic Orchestra plays the music of Madonna - Material Girl
1999 The Royal Philharmonic Orchestra - Plays The Music Of R.E.M
1999 The Royal Philharmonic Orchestra -Pride RPO Plays U2
2000 - Flamenco Fantasy
2000 The Royal Philharmonic Orchestra - Plays Phil Collins
2003 - Шедевры классической музыки в рок обработке (2CD)
2003 The Royal Philharmonic Orchestra - The Greatest Hits Of Simon & Garfunkel
2005 - Berlioz Overtures
2005 - Hector Berlioz
2008 - Mamma Mia - The Songs of Abba
引用Royal Philharmonic Orchestra
From Wikipedia, the free encyclopedia
Royal Philharmonic Orchestra (RPO)
The RPO at Cadogan Hall, its home since 2004
Founded 1946
Location London, UK
Concert hall Cadogan Hall
Principal conductor Charles Dutoit
The Royal Philharmonic Orchestra (RPO), based in London, was formed by Sir Thomas Beecham in 1946. In its early days the orchestra secured profitable recording contracts and important engagements including the Glyndebourne Festival Opera and the concerts of the Royal Philharmonic Society. After Beecham's death in 1961 the orchestra's fortunes declined steeply; it battled for survival until the mid-1960s, when its future was secured after an Arts Council report recommended that it should receive public subsidy; a further crisis arose in the same era when it seemed that the orchestra's right to call itself "Royal" could be withdrawn.
Since Beecham's death the RPO has had seven chief conductors, including Rudolf Kempe, Antal Doráti, André Previn and Vladimir Ashkenazy; from 2009 to the present (at 2016) the incumbent has been Charles Dutoit. Others closely associated with the orchestra have included Sir Charles Groves, Sir Charles Mackerras, Peter Maxwell Davies, Yehudi Menuhin and Leopold Stokowski.
In 2004 the orchestra acquired its first permanent London base, at the new Cadogan Hall in Chelsea. The RPO also gives concerts at the Royal Festival Hall, the Royal Albert Hall and venues around the UK and other countries. From its earliest days the orchestra has been active in the recording studios, making film soundtracks and numerous gramophone recordings; many of the LP recordings conducted by Beecham and others have been reissued on compact disc.
ARTIST: The Royal Philharmonic Orchestra
ALBUM / TITLE: Collection
RELEASE YEAR / DATE: 2014
COUNTRY: UK
STYLE: Instrumental
DURATION: 61:27:08
Artist: The Royal Philharmonic Orchestra
Title Of Album: Collection
Year Of Release:1969-2008
Genre: Classic, instrumental
专辑曲目: 
1969 - Canducted by Malcolm Arnold CD 1
01. First Movement a. Moderato b. Allegro c. Vivace
02. Second Movement a. Part One Andante
03. Second Movement a. Part Two
04. Third Movement
1982 - Hooked on Classics 2 CD 2
01. Can't Stop The Classics
02. Hooked On America
03. Hooked On Romance (Part 2)
04. Can't Stop The Classics (Part 2)
05. A Night At The Opera
06. Tales Of The Vienna Waltz
07. Hooked On Baroque
08. If You Knew Sousa
09. If You Knew Sousa (And Friends)
1982 - Hooked on classics 3 CD 3
01. Strauss, Richard / Also sprach zarathustra
02. Jorney through the classics
03. Haydn, Joseph / Hooked on Haydn - Tumpet concerto in E flat 3rd movement
04. Hooked on romance (Opus 3)
05. Vivaldi, Antonio / Viva Vivaldi
06. Dance of the furies
07. Scotland the bravo
08. Jorney through classics (part 2)
09. Jorney through America
10. Hooked on marching
11. Symphony of the seas
12. Rogers & Hammerstein / Hooked on Rogers & Hammerstein
1982 - Hooked On Classics CD 4
01. Hooked On Classics Parts 1 & 2
02. Hooked On Romance
03. Hooked On Classics Part 3
04. Hooked On Bach
05. Hooked On Tchaikovsky
06. Hooked On A Song
07. Hooked On Mozart
08. Hooked On Mendelssohn
09. Hooked On Can Can
1985 - The Classic Touch CD 5
01. Piano Concerto No. 1 In B Flat Minor, Op. 23 (The First And Last Movements)
02. Piano Concerto No. 21 In C Major (Theme From 'Elvira Madigan')
03. Cornish Rhapsody (from 'Love Story')
04. Liebestraum
05. Piano Concerto No. 2, Op. 18 (Opening And Last Movements)
06. Pathetique: Adagio Cantabile
07. The Dream Of Olwen
08. Arabesque
09. Warsaw Concerto
10. Moonlight Sonata (First Movement)
11. Rhapsody in Blue
12. Clair de Lune
13. Concerto In A Minor, OP. 16
14. 18th Variation on a Theme of Paganini
15. Gymnopedie No. 1
16. Badinerie From The Suite In B Minor
1990 - Hooked On Classics The Complete Collection CD 6
CD 1:
01. Hooked on Classics (Part 1 + 2)
02. Hooked on Mozart
03. Hooked on Romance (Part 2)
04. Journey Through America
05. Hooked on Haydn
06. Viva Vivaldi
07. Scotland and the Brave (Hookery Jiggery Joc's)
08. Tales of the Vienna Waltz
09. Hooked on Bach
10. Can't stop the Classics
11. Hooked on Romance (Part 3)
12. Journey through the Classics
13. Symphony of the Seas
14. If you knew Sousa (and Friends)
CD 2: CD 7
01. Also Sprach Zarathustra
02. Hooked on Classics (Part 3)
03. Hooked on a Song
04. Can't stop the Classics (Part 2)
05. Hooked on Mendelssohn
06. Hooked on Baroque
07. Hooked on Marching
08. A Night at the Opera
09. Hooked on Tchaikovsky
10. Hooked on Romance
11. Hooked on America
12. Hooked on Rodgers & Hammerstein
13. Hooked on a Can Can
1991 - Plays ABBA Classic CD 8
01. Abbature
02. S.O.S.
03. Mamma Mia
04. Eagle
05. I Have A Dream
06. Does Your Mother Know
07. Money, Money, Money
08. Knowing Me, Knowing You
09. Gimme Gimme Gimme, Summer Night Sity
10. Chiquititta
11. Finale
1991 - You Must Remember This CD 9
01. As time goes by
02. Unchained melody
03. The time of my life
04. Send in the clowns
05. Speak softly love
06. Cavatina
07. Summertime
08. Moon River
09. Evergreen
10. Everything I do (I do it for you)
11. Theme from a summer place
12. Arthur's theme
13. True love
14. The sound of silence
1992 - Plays Beatles Classic CD 10
01. Yesterday
02. Eleanor Rigby
03. Sergeant Peppers Lonely Hearts Club Band
04. She's Leaving Home
05. All You Need Is Love
06. I Am the Walrus
07. Blackbird
08. Long & Winding Road
09. Beatlephonic Medley
10. Mull of Kintyre
11. She Loves You
12. Fool on the Hill
1992 - Plays Queen Classic CD 11
01. Killer Queen
02. Bohemian Rhapsody
03. You're My Best Friend
04. Somebody To Love
05. Bicycle Race
06. Don't Stop Me Now
07. Crazy Little Thing Called Love
08. Play The Game
09. Another One Bites The Dust
10. Flash
11. Under Pressure
12. Love Of My Life
13. We Will Rock You
14. We Are The Champions
1992 - Strauss Collection CD 12
01. Also sprach Zarathustra
02. Waltz, op. 314 'The blue danube'
03. Voices of spring, op. 410
04. Annen Polka, op. 117
05. Roses from the south, op. 388
06. Auf der Jagd, op. 373
07. Radetzky March, op. 228
08. Waltz, op. 354 'Viena Blood'
09. Windsor echoes, op. 104
10. Champagne-Polka, op. 211
11. Tritsch, Tratsch-Polka, op. 211
12. Die Fledermaus, Overture
1994 - Hits Of Pink Floyd CD 13
01. Shine On You Crazy Diamond
02. Money
03. Us & Them
04. Hey You
05. Another Brick In The Wall
06. Wish You Were Here
07. Time
08. The Great Gig In The Sky
09. In The Flesh
1994 - Music Of Pink Floyd CD 14
01. Run Like Hell
02. Another Brick In The Wall (Part 1)The Happiest Days Of Our LivesAnother Bri...
03. Goodbye Blue Sky
04. Money
05. Hey You
06. Wish You Were Here
07. On The Turning Away
08. Shine On You Crazy Diamond (Parts 1-5)
09. When The Tigers Broke FreeEclipse
1994 - Symphonic Bossa Nova CD 15
01. One Note Samba/ The Girl from Ipanema
02. Atras da Porta
03. Berimbau
04. Like a Lover
05. Curumin
06. If You Went Away
07. Wave
08. Magic Moments
09. The Island/ Daquilo Que Eu Sei
10. Brazil/ Bahia
11. How Insensitive
12. Manha de Carnaval
1995 - Collection CD 16
01. Giuseppe Verdi (1813-1901) / Verdi - Overture:The Force of Destiny (Andrea Li...
02. Giuseppe Verdi (1813-1901) / Verdi - Partita and Prelude: 'A Masked Ball' (An...
03. Umberto Giordano (1867-1948) / Giordano - Intermezzo: 'Fedora' (Andrea Licata...
04. Giuseppe Verdi (1813-1901) / Verdi - Overture: 'Luisa Miller' (Andrea Licata,...
05. Giuseppe Verdi (1813-1901) / Verdi - Prelude: 'Aida' (Andrea Licata, The Roya...
06. Giacomo Puccini (1858-1924) / Puccini - Intermezzo: 'Sister Angelica' (Andrea...
07. Giacomo Puccini (1858-1924) / Puccini - Intermezzo: Act III 'Manon Lescaut' (...
08. Giuseppe Verdi (1813-1901) / Verdi - Overture: 'Joan of Arc' (Andrea Licata, ...
09. Pietro Mascagni (1863-1945) / Mascagni - Intermezzo: 'Cavalleria Rusticana' (...
10. Ruggiero Leoncavallo (1858-1919) / Leoncavallo - Intermezzo: 'Pagliacci' (And...
11. Giuseppe Verdi (1813-1901) / Verdi - Overture: 'Sicilian Vespers' (Andrea Lic...
1995 - Strauss CD 17
01. The Emperor Waltz, Opus 437
02. Waltz On The Beautiful Blue Danube, Opus 314
03. Overture: Die Fledermaus, Opus 362
04. Feuerfest Polka, Opus 269
05. Tritsch-Tratsch Polka, Opus 214
06. Pizzicato Polka
07. Perpetuum Mobile, Opus 257
08. Bahn Frei Polka, Opus 45
09. Radetzky March, Opus 228
10. Tales From The Vienna Woods, Opus 325
11. Thunder & Lightning Polka, Opus 324
12. Waltz Roses From The South, Opus 388
1996 - Plays The Music Of Pink Floyd CD 18
01. Shine on you crazy diamond
02. Money
03. Us and them
04. Hey you
05. Another brick in the wall
06. Wish you were here
07. Time
08. The great gig in the sky
09. In the flesh
1996 - The Music Of ABBA CD 19
01. Abbature: Waterloo-Dancing Queen-Fernando
02. S.O.S.
03. Mamma Mia
04. Eagle
05. I Have a Dream
06. Does Your Mother Know
07. Money Money Money
08. Knowing Me Knowing You
09. Gimme Gimme Gimme/ Summer Night City
10. Chiquitita
11. Finale: Waterloo-Dancing Queen-Fernando
1996 - The Music of Police CD 20
01. Overture
02. De, Do, Do Do De Da Da Da
03. Released / Every Little Thing She Does Is Magic
04. Roxanne
05. Truth Hits Everybody
06. Arrested
07. Message In A Bottle
08. Invisible Sun
09. Walking On The Moon
10. Don't Stand So Close To Me / Finale
1997 - Plays The Music Of OASIS CD 21
01. Roll With It
02. Live Forever
03. Rock 'n' Roll Star
04. Cigarettes & Alcohol
05. Shakermaker
06. Up in the Sky
07. Don't Look Back In Anger
08. Wonderwall
09. Supersonic
10. She's Electric
11. Some Might Say
12. Champagne Supernova
2000 - Flamenco Fantasy CD 22
01. Tango Adagio (Albinoni: Adagio)
02. Rumba Claro de Luna (Beethoven: Sonata para piano n?4)
03. Solea Canon (Pachebel: Canon)
04. Rumba Allegro (Mozart Sym No 40)
05. Tango Aria (Bach: Aria para la cuerda Sol)
06. Tango Serenata (Schubert: Serenta)
07. Buleria Adagio (Mozart: Concierto para piano n.21)
08. Andante Rumba (Mendelssohn Sym No 5)
09. Fandango para Elisa (Beethoven: Para Elise)
10. Flamenco Bolero (Ravel: Bolero)
11. Primavera Tango (Vivaldi: Las cuatro estaciones)
2003 - Шедевры классической музыки в рок обработке CD 23
CD 1:
01. Hooked On Classics Part 1 & 2
02. If You Knew Sousa (And Friends)
03. Hooked On Classics Part 3
04. Hooked On Bach
05. Hooked On Tchaikovsky
06. Hooked On Mozart
07. Hooked On Mendelsson
08. Can't Stop The Classics
09. Hooked On Romance (Part 2)
10. Can't Stop The Classics (Part 2)
11. A Night At The Opera
12. Tales Of The Vienna Waltz
13. Hooked On Baroque
14. If You Knew Sousa
CD 2: CD 24
01. Hooked On America
02. Hooked On A Song
03. Hooked On Romance
04. Also Sprach Zarathustra
05. Journey Through The Classics
06. Hooked On Haydn
07. Hooked On Romance (Opus 3)
08. Viva Vivaldy
09. Dance Of The Furies
10. Journey Through America
11. Symphony Of The Seas
12. Hooked On Ravel
13. Hooked On Bach (Part 2)
14. Hooked On A Song (Part 2)
15. Hooked On Classics (Part 4)
16. Hooked On Strauss
17. Can't Stop The Classics (Part 3)
2005 - Berlioz Overtures CD 25
01. Benvenuto Cellini op 23
02. Les France-Juges op 3
03. Le Corsaire op 21
04. Beatrice et Benedict
05. Waverley op 1
06. King Lear op 4
2005 - Hector Berlioz CD 26
01. La Carneval Romain
02. Symphonie Fantastique - Reveries Passions
03. Symphonie Fantastique - Un Bal. Valse
04. Symphonie Fantastique - Scene aux Champs
05. Symphonie Fantastique - Marche au Supplice
06. Symphonie Fantastique - Songe D'une Nuit de Sabbat
2008 - Mamma Mia - The Songs of Abba CD 27
01. Money Money Money
02. Mamma Mia
03. Chiquitita
04. Dancing Queen
05. S.O.S.
06. Does Your Mother Know
07. Knowing Me Knowing You
08. I Have A Dream
09. Eagle
10. Medley: Gimme Gimme Gimme / Summer Night City
11. Medley: Waterloo / Dancing Queen / Fernando / Name of The Game / Take A Chanc...
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专辑英文名: Russian Music for Cello & Piano
专辑中文名: 俄罗斯音乐家作品 - 为大提琴和钢琴而作
艺术家: Wendy Warner and Irina Nuzova
古典类型: 全集作品
资源格式: FLAC
地区: 美国
语言: 英语
简介: 
专辑介绍:
俄罗斯钢琴家Irina Nuzova 、美国大提琴家Wendy Warner演奏米亚斯科夫斯基（Nikolay Myaskovsky）:《a小调第二大提琴奏鸣曲》 Op. 81 1. Allegro moderato KNikolay Myaskovsky: Sonata No. 2 in A mino... 2. Andante cantabile KNikolay Myaskovsky: Sonata No. 2 in A mino... 3. Allegro con spirito KNikolay Myaskovsky: Sonata No. 2 in A mino...
二战之后，格里埃尔(Gliere)和米亚斯科夫斯基率先把各自的《大提琴协奏曲》和《第二大提琴奏鸣曲》题献给年仅20岁的罗斯特罗波维奇，继而引爆了从普罗科菲耶夫、肖斯塔科维奇、哈恰图良到卡巴列夫斯基(Kabalevsky)、魏因贝格(Weinberg)、列维金(Levitin)等大批苏联作曲家竞相写出动人的大提琴作品。
Nikolai Miaskovsky (1881 - 1950), Sonata No. 2 in A minor for Cello and Piano, Op. 81 (23:11) 米亚斯科夫斯基: 第2大提琴奏鸣曲
1. I. Allegro moderato (9:42)
2. II. Andante cantabile (7:26)
3. III. Allegro con spirito (5:56)
4. Alexander Scriabin (1872 - 1915), Etude Op. 8, No. 11 (04:03) Transcription by Gregor Piatigorsky 斯克里亚宾: 练习曲
5. Alfred Schnittke (1934 - 1998), Musica Nostalgica, for Violoncello and Piano (03:22) 施尼特克: 思乡曲
6. Sergei Prokofiev (1891 - 1953), Adagio from Ten Pieces from Cinderella, Op. 97b (03:51) 普罗科菲耶夫: 柔板，取自“灰姑娘”中的“十首小品”
Sergei Rachmaninov (1873 - 1943), Sonata in G Minor for Cello and Piano, Op. 19 (34:05) 拉赫玛尼诺夫: g小调大提琴奏鸣曲
7. I. Lento - Allegro moderato (10:39)
8. II. Allegro scherzando (6:38)
9. III. Andante (5:59)
10. IV. Allegro mosso (10:34)
Total Time: (68:55)
引用Miaskovsky / Warner / Nuzona
Release Date: 08/31/2010
Label: Cedille Records Catalog #: 120 Spars Code: n/a
Composer: Alexander Scriabin, Alfred Schnittke, Sergei Prokofiev, Sergei Rachmaninov, ...
Performer: Wendy Warner, Irina Nuzova
Orchestra/Ensemble: Warner Nuzova Duo
Number of Discs: 1
Recorded in: Stereo
Length: 1 Hours 9 Mins.
Notes and Editorial Reviews
Wendy Warner is a magnificent cellist, and in Irina Nuzova she has found a keyboard partner who matches her in passion, elegance, and imagination. The result is as beautiful a chamber music recital as we have any right to expect, with the music intelligently organized to make an extremely satisfying full program. Miaskovsky's lovely sonata, written for Rostropovich in the late 1940s, can sound monotonous, with two moderately-paced movements preceding the lively finale. Not here. Warner and Nuzova time each movement perfectly and find so much variety of phrasing and timbre that there's never a dull moment. Instead, we focus on the music's abundance of soulful lyricism before the brilliant finale brings the piece to a virtuosic close.
Between this work and the Rachmaninov, Warner and Nuzova offer three charming short pieces: Scriabin's Etude Op. 8 No. 11, transcribed by Piatigorsky; Schnittke's Nostalgica; and the Adagio from Prokofiev's Ten Pieces from Cinderella. They make an arresting and highly varied assortment, but it's the Rachmaninov that's the real prize.
Just to hear the wonderful use of rubato at the opening is a treat. Warner has a real gift among cellists: a low register that never sounds like the proverbial dying cow, and a remarkable evenness of timbre throughout her range. Nuzova, for her part, glitters in the scherzo and finale, but never overpowers her colleague. Perfectly balanced engineering puts you in the same room as the players. A stunning release.
--David Hurwitz, ClassicsToday.com
Performer: Wendy Warner, Irina Nuzova
Composer: Nikolai Miaskovsky, Sergei Prokofiev, Alexander Scriabin, Sergei Rachmaninov, Alfred Schnittke
Audio CD (August 31, 2010)
Number of Discs: 1
Label: Cedille Records
ASIN: B003T68VKI
Average Customer Review: 4.4 out of 5 stars
5.0 out of 5 starsHaunting music, beautifully performed
By Alan A. Elsner VINE VOICE on September 5, 2010
Format: Audio CD
I'm generally suspicious of national stereotypes but this new CD recording of cello and piano works by Russian composers illuminates and gives life to the concept known as the "Russian soul." The recording by Chicago-based Cedille Records brings together cellist Wendy Warner and pianist Irina Nuzova in a collection by Rachmaninov, Prokofiev, Scriabin and Schnittke. But it's the opening work by a composer I had never heard of, Nikolai Miaskovsky (1881-1950) that was the real headliner for me.
Miaskovsky, who served on the faculty of the Moscow Conservatory from 1921 until his death, composed 27 symphonies, however he never won the fame of his contemporaries, Rachmaninov, Prokofiev and Shostakovich. His work is little performed today. But from the first notes of his Sonata No. 2 for Cello and Piano, Op 81, which opens this CD, one is struck by the lyrical beauty and deep melancholy of the piece which seems to express something quintessentially Russian. It's simply a gorgeous and moving piece of music that has never before been recorded on American soil by an American artist by an American label. How exciting to discover a new landmark of late Russian romanticism, which alone is worth the price of this recording!
The very useful program notes which accompany this CD includes an essay by the pianist, Nuzova who grew up in Russia but moved to the United States as a teenager to escape anti-Semitism. The sonata, she says, has a pervasive, nostalgic quality that is subtle and subdued in its expression. Nuzova says the music reminds her of a poem by Konstantin Balmont (1867-1942) called "Wordlessness" and she includes an English translation.
Let me just quotes one stanza:
"The reeds are unstirring, the sedge doesnn't quiver.
Deep quiet. And wordlessness, utterly peaceful.
The meadows spread out faraway and forever.
In everything - weariness, muteness and bleakness."
The poem is a perfect fit for the music.
Cellist Wendy Warner, also has a Russian connection. As a student at the Curtis Institute in Philadelphia, she had the rare opportunity to learn from the legendary Russian virtuoso and human rights activist Mstislav Rostropovich.
She and Nuzova, both strikingly attractive in the cover photo, meld together seamlessly in this CD. They also give us a witty, minor-key minuet by Schnittke, a Prokofiev transcription from "Cinderella," an encore piece by Scriabin and Rachmaninov's sprawling Cello Sonata, which to my mind is not one of his most inspired creations but which is delivered with utter conviction and intensity.
Cedille has been around for 20 years, devoted to showcasing classical artists from the Chicago area. We must be thankful to the company for bringing us two undiscovered gems - the Miaskovsky and the beautiful poem by Bal'mont.
Production Credits：
Producer James Ginsburg
Engineer Bill Maylone
Recorded October 27 - 30, 2008, in the Fay and Daniel Levin Performance Studio, WFMT, Chicago
Cello Pietro Guarneri II, Venice c .1739, "Beatrice Harrison"
Cello bow Francois Xavier Tourte, c. 1815, the "De Lamare" on extended loan through the Stradivari Society of Chicago Steinway Piano; Charles Terr, Technician
专辑曲目: 
01. Cello Sonata No. 2 in A minor, Op. 81: I. Allegro moderato, Miaskovsky
02. Cello Sonata No. 2 in A minor, Op. 81: II. Andante cantabile, Miaskovsky
03. Cello Sonata No. 2 in A minor, Op. 81: III. Allegro con spirito, Miaskovsky
04. 12 Etudes, Op. 8 (arr. for cello and piano), No. 11 in B flat minor, Scriabin
05. Musica nostalgica, Schnittke
06. Adagio, Op. 97b (from Cinderella, Op. 87), Prokofiev
07. Cello Sonata in G minor, Op. 19 : I. Lento - Allegro moderato, Rachmaninov
08. Cello Sonata in G minor, Op. 19 : II. Allegro scherzando, Rachmaninov
09. Cello Sonata in G minor, Op. 19 : III. Andante, Rachmaninov
10. Cello Sonata in G minor, Op. 19 : IV. Allegro mosso, Rachmaninov
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专辑英文名: Shostakovich & Glazunov - Violin Concerto
专辑中文名: 萧士塔高维契＆葛拉兹诺夫：小提琴协奏曲
艺术家: Nicola Benedetti
古典类型: 协奏曲
资源格式: FLAC
版本: [24bits 96KHz]
发行时间: 2016年07月06日
地区: 美国
语言: 英语
简介: 
专辑简介:
萧士塔高维契＆葛拉兹诺夫：小提琴协奏曲／SHOSTAKOVITCH & GLAZUNOV : Violin Concerto
「班乃德提拥有技巧、热情与精力，因而能够做到最好。
- 英国观察报（The Observer）
　　好评不断的小提琴家妮可拉‧班乃德提，无论是音乐会还是录音室都交出十分亮眼的成绩单，她选择在本专辑中演奏了对其别具意义的萧士塔高维契第一号小提琴协奏曲，因为她自小即开始接触俄国音乐，作品的严肃性与强度
其稚嫩的心灵衝击颇深。她表示：「我被迫进入不同的世界，有点可怕，也十分严苛，却带点可爱，又那么地温暖。
　　专辑录音由她与指挥卡拉毕兹及伯恩茅斯交响乐团共同演出，黑暗而内省的萧士塔高维契小提琴协奏曲，在令人信服的演奏中获得了生命，充满能量与磨难以及令人屏息的热情。恶魔般的第二乐章-詼谐曲，将乐曲的力度推向高峰。深情的第三乐章则表现出盛大的辉煌效果，最后就在令人惊嘆的滑稽曲中结束。
　　萧士塔高维契小提琴协奏曲之创作曾经历一段充满磨难的历史背景：一九四〇年代，俄国不公的审查制度，迫使萧士塔高维契选择在史达林死后才将乐谱出版。作品於1955年由小提琴家大卫・欧依史特拉夫（David Oistrakh）首演，并立即获得国际乐坛的高度重视。
　　除了萧士塔高维契坚毅不妥协的作品之外，本集另收录一首较少被录制，但却又是每个小提琴演奏者必须学习的葛拉兹诺夫协奏曲，此曲有著与柴可夫斯基小提琴协奏曲相仿又相异的俄国风格；它的曲风大胆，色彩豔丽，是一首具有后期浪漫主义色彩的作品，其中的抒情性特别值得注意。班乃德提的演奏可谓精雕细琢，且感染力十足。
　　出生於苏格兰的班乃德提，一直以苏格兰文化根源为荣，是有史以来古典全英音乐奖（Classic BRITs）获得提名最多的女性音乐家。因为其杰出的成就，2013年获颁「大英帝国最优秀勋章」（Most Excellent Order of the British Empire）之「员佐勋章」（Member，简称「MBE」）的肯定。
　　曾经有人形容班乃德提「让人忆起少年曼纽因」，事实上班乃德提音乐中的柔软、精练、一点点的冷漠更像是少年海飞兹。这些多元化的曲子充分证明了她充满激情、朝气与精湛熟练的技巧及兼具内涵的演奏特色。即使是较少为人知的作品，她仍能为它带来新颖且具说服力的样貌。
产品条码： 0028947887584
产品编号： 4788758
发行公司： DECCA [发行商品]
发行日期： 2016年07月06日
产品制造地： 欧美 .
发行类型： 乐团 . 小提琴 . 协奏曲 . 古典 . CD .
内装片数： 1片
引用Nicola Benedetti
Bournemouth Symphony Orchestra
Kirill Karabits
Int. Release 01 Jul. 2016
Sensational violinist Nicola Benedetti returns with a riveting recording of Shostakovich’s monumental Violin Concerto (No. 1). This new recording follows Benedetti’s chart-topping success with Bruch’s Scottish Fantasy (Homecoming, 2014) and Korngold’s Violin Concerto (Silver Violin, 2012).
Benedetti’s own encounter with Russian music-making began in her childhood, the seriousness and intensity making a powerful impact on the young violinist: “I was thrust into a different world” says Nicola, “a little terrifying, extremely demanding but so loving, so warm”.
Together with the Bournemouth Symphony Orchestra and conductor Kirill Karabits, the dark, introspective Shostakovich Violin Concerto is brought to life in a compelling performance packed full of energy, powerful torment, and breath-taking passion. The demonic scherzo notches up intensity; the passionate third movement – possibly one of the finest in the canon of violin concertos – has a grand magnificence; and the astonishing Burlesque rounds off this visceral recording.
A work with a tormented history itself – the hostile political environment of Russian state censorship at the time of composition in the 1940’s meant that Shostakovich kept the concerto unpublished until after Stalin’s death – it was first performed in 1955 by David Oistrakh, and immediately highly regarded internationally.
Programmed alongside Shostakovich’s assertive, uncompromising masterpiece, is Glazunov’s bold, colourful Violin Concerto. A late-Romantic work, the Glazunov is notable for its lyricism; Benedetti’s generous, radiant performance is uplifting and finely crafted.
专辑曲目: 
Shostakovich Violin Concerto No. 1, Op.99
[1] I. Nocturne: Moderato
[2] II. Scherzo: Allegro
[3] III. Passacaglia: Andante
[4] Cadenza
[5] IV. Burlesque: Allegro con brio – Presto
Glazunov Violin Concerto, Op.82
[6] Moderato
[7] Andante
[8] Animando - Allegro
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专辑英文名: Collection (1969-2008)
专辑中文名: 皇家爱乐管絃乐团 历史典藏
艺术家: The Royal Philharmonic Orchestra
古典类型: 全集作品
资源格式: FLAC
版本: [27 CD]
发行时间: 1969年
地区: 英国
语言: 英语
简介: 
专辑介绍:
【皇家爱乐管弦乐团】乐团
Royal Philharmonic Orchestra
国籍：英国
　　由著名指挥家汤玛士 ‧ 毕勤爵士 (Sir Thomas Beecham) 於 1946 年创立的皇家爱乐管弦乐团，成立初期活动主要以格林朋音乐节 (Glyndebourne Festival Opera) 与皇家爱乐协会 (Royal Philharmonic Society) 为主。毕勤过世后，获得政府补贴的乐团度过财务危机，在历任首席指挥肯培 (Rudolf Kempe)、杜拉第 (Antal Dorati)、普列汶 (Andre Previn) 与阿胥肯纳吉 (Vladimir Ashkenazy) 等经营下，皇家爱乐已经成为英格兰最顶级的管弦乐团之一，乐团不仅在正统古典乐的詮演上有其独到之处，在电影配乐和流行音乐的演出上也广为乐迷所喜爱。
皇家爱乐乐团（英语：Royal Philharmonic Orchestra，简称英语：RPO）是以伦敦为据点的管弦乐团，英格兰最顶级的管弦乐团之一。皇家爱乐乐团由汤玛士·毕勤成立於1946年，并在这一年举办了首场音乐会。1950年，皇家爱乐乐团前往美国进行巡迴演出，是其首度海外巡演。皇家爱乐乐团不仅在古典音乐上享誉盛名，在电影配乐和流行音乐流域也有贡献。
1969 - Canducted by Malcolm Arnold
1982 - Hooked on Classics
1982 - Hooked on Classics 2
1982 - Hooked on Classics 3
1983 The Royal Philharmonic Orchestra & Friends-The Music Of The Police - Arrested
1985 - The Classic Touch
1990 - Hooked On Classics The Complete Collection (2CD)
1991 - Plays ABBA Classic
1991 - You Must Remember This
1992 - Plays Beatles Classic
1992 - Plays Queen Classic
1992 - Strauss Collection
1992 The Royal Philharmonic Orchestra - Genesis Hits
1992 The Royal Philharmonic plays Hits Of Elton John - The Ballads
1994 - Hits Of Pink Floyd
1994 - Music Of Pink Floyd
1994 - Symphonic Bossa Nova
1995 - Collection
1995 - Strauss
1995 The Royal Philharmonic Orchestra - Plays The Music Of Prince
1996 - Plays The Music Of Pink Floyd
1996 - The Music Of ABBA
1996 - The Music of Police
1997 - Plays The Music Of OASIS
1998 The Royal Philharmonic Orchestra - Performs The Hits Of George Michael
1998 The Royal Philharmonic Orchestra - Symphonic Sounds Music Of Beach Boys
1998 The Royal Philharmonic Orchestra plays the music of Madonna - Material Girl
1999 The Royal Philharmonic Orchestra - Plays The Music Of R.E.M
1999 The Royal Philharmonic Orchestra -Pride RPO Plays U2
2000 - Flamenco Fantasy
2000 The Royal Philharmonic Orchestra - Plays Phil Collins
2003 - Шедевры классической музыки в рок обработке (2CD)
2003 The Royal Philharmonic Orchestra - The Greatest Hits Of Simon & Garfunkel
2005 - Berlioz Overtures
2005 - Hector Berlioz
2008 - Mamma Mia - The Songs of Abba
引用Royal Philharmonic Orchestra
From Wikipedia, the free encyclopedia
Royal Philharmonic Orchestra (RPO)
The RPO at Cadogan Hall, its home since 2004
Founded 1946
Location London, UK
Concert hall Cadogan Hall
Principal conductor Charles Dutoit
The Royal Philharmonic Orchestra (RPO), based in London, was formed by Sir Thomas Beecham in 1946. In its early days the orchestra secured profitable recording contracts and important engagements including the Glyndebourne Festival Opera and the concerts of the Royal Philharmonic Society. After Beecham's death in 1961 the orchestra's fortunes declined steeply; it battled for survival until the mid-1960s, when its future was secured after an Arts Council report recommended that it should receive public subsidy; a further crisis arose in the same era when it seemed that the orchestra's right to call itself "Royal" could be withdrawn.
Since Beecham's death the RPO has had seven chief conductors, including Rudolf Kempe, Antal Doráti, André Previn and Vladimir Ashkenazy; from 2009 to the present (at 2016) the incumbent has been Charles Dutoit. Others closely associated with the orchestra have included Sir Charles Groves, Sir Charles Mackerras, Peter Maxwell Davies, Yehudi Menuhin and Leopold Stokowski.
In 2004 the orchestra acquired its first permanent London base, at the new Cadogan Hall in Chelsea. The RPO also gives concerts at the Royal Festival Hall, the Royal Albert Hall and venues around the UK and other countries. From its earliest days the orchestra has been active in the recording studios, making film soundtracks and numerous gramophone recordings; many of the LP recordings conducted by Beecham and others have been reissued on compact disc.
ARTIST: The Royal Philharmonic Orchestra
ALBUM / TITLE: Collection
RELEASE YEAR / DATE: 2014
COUNTRY: UK
STYLE: Instrumental
DURATION: 61:27:08
Artist: The Royal Philharmonic Orchestra
Title Of Album: Collection
Year Of Release:1969-2008
Genre: Classic, instrumental
专辑曲目: 
1969 - Canducted by Malcolm Arnold CD 1
01. First Movement a. Moderato b. Allegro c. Vivace
02. Second Movement a. Part One Andante
03. Second Movement a. Part Two
04. Third Movement
1982 - Hooked on Classics 2 CD 2
01. Can't Stop The Classics
02. Hooked On America
03. Hooked On Romance (Part 2)
04. Can't Stop The Classics (Part 2)
05. A Night At The Opera
06. Tales Of The Vienna Waltz
07. Hooked On Baroque
08. If You Knew Sousa
09. If You Knew Sousa (And Friends)
1982 - Hooked on classics 3 CD 3
01. Strauss, Richard / Also sprach zarathustra
02. Jorney through the classics
03. Haydn, Joseph / Hooked on Haydn - Tumpet concerto in E flat 3rd movement
04. Hooked on romance (Opus 3)
05. Vivaldi, Antonio / Viva Vivaldi
06. Dance of the furies
07. Scotland the bravo
08. Jorney through classics (part 2)
09. Jorney through America
10. Hooked on marching
11. Symphony of the seas
12. Rogers & Hammerstein / Hooked on Rogers & Hammerstein
1982 - Hooked On Classics CD 4
01. Hooked On Classics Parts 1 & 2
02. Hooked On Romance
03. Hooked On Classics Part 3
04. Hooked On Bach
05. Hooked On Tchaikovsky
06. Hooked On A Song
07. Hooked On Mozart
08. Hooked On Mendelssohn
09. Hooked On Can Can
1985 - The Classic Touch CD 5
01. Piano Concerto No. 1 In B Flat Minor, Op. 23 (The First And Last Movements)
02. Piano Concerto No. 21 In C Major (Theme From 'Elvira Madigan')
03. Cornish Rhapsody (from 'Love Story')
04. Liebestraum
05. Piano Concerto No. 2, Op. 18 (Opening And Last Movements)
06. Pathetique: Adagio Cantabile
07. The Dream Of Olwen
08. Arabesque
09. Warsaw Concerto
10. Moonlight Sonata (First Movement)
11. Rhapsody in Blue
12. Clair de Lune
13. Concerto In A Minor, OP. 16
14. 18th Variation on a Theme of Paganini
15. Gymnopedie No. 1
16. Badinerie From The Suite In B Minor
1990 - Hooked On Classics The Complete Collection CD 6-7
CD 1:
01. Hooked on Classics (Part 1 + 2)
02. Hooked on Mozart
03. Hooked on Romance (Part 2)
04. Journey Through America
05. Hooked on Haydn
06. Viva Vivaldi
07. Scotland and the Brave (Hookery Jiggery Joc's)
08. Tales of the Vienna Waltz
09. Hooked on Bach
10. Can't stop the Classics
11. Hooked on Romance (Part 3)
12. Journey through the Classics
13. Symphony of the Seas
14. If you knew Sousa (and Friends)
CD 2:
01. Also Sprach Zarathustra
02. Hooked on Classics (Part 3)
03. Hooked on a Song
04. Can't stop the Classics (Part 2)
05. Hooked on Mendelssohn
06. Hooked on Baroque
07. Hooked on Marching
08. A Night at the Opera
09. Hooked on Tchaikovsky
10. Hooked on Romance
11. Hooked on America
12. Hooked on Rodgers & Hammerstein
13. Hooked on a Can Can
1991 - Plays ABBA Classic CD 8
01. Abbature
02. S.O.S.
03. Mamma Mia
04. Eagle
05. I Have A Dream
06. Does Your Mother Know
07. Money, Money, Money
08. Knowing Me, Knowing You
09. Gimme Gimme Gimme, Summer Night Sity
10. Chiquititta
11. Finale
1991 - You Must Remember This CD 9
01. As time goes by
02. Unchained melody
03. The time of my life
04. Send in the clowns
05. Speak softly love
06. Cavatina
07. Summertime
08. Moon River
09. Evergreen
10. Everything I do (I do it for you)
11. Theme from a summer place
12. Arthur's theme
13. True love
14. The sound of silence
1992 - Plays Beatles Classic CD 10
01. Yesterday
02. Eleanor Rigby
03. Sergeant Peppers Lonely Hearts Club Band
04. She's Leaving Home
05. All You Need Is Love
06. I Am the Walrus
07. Blackbird
08. Long & Winding Road
09. Beatlephonic Medley
10. Mull of Kintyre
11. She Loves You
12. Fool on the Hill
1992 - Plays Queen Classic CD 11
01. Killer Queen
02. Bohemian Rhapsody
03. You're My Best Friend
04. Somebody To Love
05. Bicycle Race
06. Don't Stop Me Now
07. Crazy Little Thing Called Love
08. Play The Game
09. Another One Bites The Dust
10. Flash
11. Under Pressure
12. Love Of My Life
13. We Will Rock You
14. We Are The Champions
1992 - Strauss Collection CD 12
01. Also sprach Zarathustra
02. Waltz, op. 314 'The blue danube'
03. Voices of spring, op. 410
04. Annen Polka, op. 117
05. Roses from the south, op. 388
06. Auf der Jagd, op. 373
07. Radetzky March, op. 228
08. Waltz, op. 354 'Viena Blood'
09. Windsor echoes, op. 104
10. Champagne-Polka, op. 211
11. Tritsch, Tratsch-Polka, op. 211
12. Die Fledermaus, Overture
1994 - Hits Of Pink Floyd CD 13
01. Shine On You Crazy Diamond
02. Money
03. Us & Them
04. Hey You
05. Another Brick In The Wall
06. Wish You Were Here
07. Time
08. The Great Gig In The Sky
09. In The Flesh
1994 - Music Of Pink Floyd CD 14
01. Run Like Hell
02. Another Brick In The Wall (Part 1)The Happiest Days Of Our LivesAnother Bri...
03. Goodbye Blue Sky
04. Money
05. Hey You
06. Wish You Were Here
07. On The Turning Away
08. Shine On You Crazy Diamond (Parts 1-5)
09. When The Tigers Broke FreeEclipse
1994 - Symphonic Bossa Nova CD 15
01. One Note Samba/ The Girl from Ipanema
02. Atras da Porta
03. Berimbau
04. Like a Lover
05. Curumin
06. If You Went Away
07. Wave
08. Magic Moments
09. The Island/ Daquilo Que Eu Sei
10. Brazil/ Bahia
11. How Insensitive
12. Manha de Carnaval
1995 - Collection CD 16
01. Giuseppe Verdi (1813-1901) / Verdi - Overture:The Force of Destiny (Andrea Li...
02. Giuseppe Verdi (1813-1901) / Verdi - Partita and Prelude: 'A Masked Ball' (An...
03. Umberto Giordano (1867-1948) / Giordano - Intermezzo: 'Fedora' (Andrea Licata...
04. Giuseppe Verdi (1813-1901) / Verdi - Overture: 'Luisa Miller' (Andrea Licata,...
05. Giuseppe Verdi (1813-1901) / Verdi - Prelude: 'Aida' (Andrea Licata, The Roya...
06. Giacomo Puccini (1858-1924) / Puccini - Intermezzo: 'Sister Angelica' (Andrea...
07. Giacomo Puccini (1858-1924) / Puccini - Intermezzo: Act III 'Manon Lescaut' (...
08. Giuseppe Verdi (1813-1901) / Verdi - Overture: 'Joan of Arc' (Andrea Licata, ...
09. Pietro Mascagni (1863-1945) / Mascagni - Intermezzo: 'Cavalleria Rusticana' (...
10. Ruggiero Leoncavallo (1858-1919) / Leoncavallo - Intermezzo: 'Pagliacci' (And...
11. Giuseppe Verdi (1813-1901) / Verdi - Overture: 'Sicilian Vespers' (Andrea Lic...
1995 - Strauss CD 17
01. The Emperor Waltz, Opus 437
02. Waltz On The Beautiful Blue Danube, Opus 314
03. Overture: Die Fledermaus, Opus 362
04. Feuerfest Polka, Opus 269
05. Tritsch-Tratsch Polka, Opus 214
06. Pizzicato Polka
07. Perpetuum Mobile, Opus 257
08. Bahn Frei Polka, Opus 45
09. Radetzky March, Opus 228
10. Tales From The Vienna Woods, Opus 325
11. Thunder & Lightning Polka, Opus 324
12. Waltz Roses From The South, Opus 388
1996 - Plays The Music Of Pink Floyd CD 18
01. Shine on you crazy diamond
02. Money
03. Us and them
04. Hey you
05. Another brick in the wall
06. Wish you were here
07. Time
08. The great gig in the sky
09. In the flesh
1996 - The Music Of ABBA CD 19
01. Abbature: Waterloo-Dancing Queen-Fernando
02. S.O.S.
03. Mamma Mia
04. Eagle
05. I Have a Dream
06. Does Your Mother Know
07. Money Money Money
08. Knowing Me Knowing You
09. Gimme Gimme Gimme/ Summer Night City
10. Chiquitita
11. Finale: Waterloo-Dancing Queen-Fernando
1996 - The Music of Police CD 20
01. Overture
02. De, Do, Do Do De Da Da Da
03. Released / Every Little Thing She Does Is Magic
04. Roxanne
05. Truth Hits Everybody
06. Arrested
07. Message In A Bottle
08. Invisible Sun
09. Walking On The Moon
10. Don't Stand So Close To Me / Finale
1997 - Plays The Music Of OASIS CD 21
01. Roll With It
02. Live Forever
03. Rock 'n' Roll Star
04. Cigarettes & Alcohol
05. Shakermaker
06. Up in the Sky
07. Don't Look Back In Anger
08. Wonderwall
09. Supersonic
10. She's Electric
11. Some Might Say
12. Champagne Supernova
2000 - Flamenco Fantasy CD 22
01. Tango Adagio (Albinoni: Adagio)
02. Rumba Claro de Luna (Beethoven: Sonata para piano n?4)
03. Solea Canon (Pachebel: Canon)
04. Rumba Allegro (Mozart Sym No 40)
05. Tango Aria (Bach: Aria para la cuerda Sol)
06. Tango Serenata (Schubert: Serenta)
07. Buleria Adagio (Mozart: Concierto para piano n.21)
08. Andante Rumba (Mendelssohn Sym No 5)
09. Fandango para Elisa (Beethoven: Para Elise)
10. Flamenco Bolero (Ravel: Bolero)
11. Primavera Tango (Vivaldi: Las cuatro estaciones)
2003 - Шедевры классической музыки в рок обработке CD 23-24
CD 1:
01. Hooked On Classics Part 1 & 2
02. If You Knew Sousa (And Friends)
03. Hooked On Classics Part 3
04. Hooked On Bach
05. Hooked On Tchaikovsky
06. Hooked On Mozart
07. Hooked On Mendelsson
08. Can't Stop The Classics
09. Hooked On Romance (Part 2)
10. Can't Stop The Classics (Part 2)
11. A Night At The Opera
12. Tales Of The Vienna Waltz
13. Hooked On Baroque
14. If You Knew Sousa
CD 2:
01. Hooked On America
02. Hooked On A Song
03. Hooked On Romance
04. Also Sprach Zarathustra
05. Journey Through The Classics
06. Hooked On Haydn
07. Hooked On Romance (Opus 3)
08. Viva Vivaldy
09. Dance Of The Furies
10. Journey Through America
11. Symphony Of The Seas
12. Hooked On Ravel
13. Hooked On Bach (Part 2)
14. Hooked On A Song (Part 2)
15. Hooked On Classics (Part 4)
16. Hooked On Strauss
17. Can't Stop The Classics (Part 3)
2005 - Berlioz Overtures CD 25
01. Benvenuto Cellini op 23
02. Les France-Juges op 3
03. Le Corsaire op 21
04. Beatrice et Benedict
05. Waverley op 1
06. King Lear op 4
2005 - Hector Berlioz CD 26
01. La Carneval Romain
02. Symphonie Fantastique - Reveries Passions
03. Symphonie Fantastique - Un Bal. Valse
04. Symphonie Fantastique - Scene aux Champs
05. Symphonie Fantastique - Marche au Supplice
06. Symphonie Fantastique - Songe D'une Nuit de Sabbat
2008 - Mamma Mia - The Songs of Abba CD 27
01. Money Money Money
02. Mamma Mia
03. Chiquitita
04. Dancing Queen
05. S.O.S.
06. Does Your Mother Know
07. Knowing Me Knowing You
08. I Have A Dream
09. Eagle
10. Medley: Gimme Gimme Gimme / Summer Night City
11. Medley: Waterloo / Dancing Queen / Fernando / Name of The Game / Take A Chanc...
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专辑英文名: Telemann: Flute Concertos
专辑中文名: 泰雷曼: 长笛协奏曲
艺术家: Jean-Pierre Rampal
古典类型: 协奏曲
资源格式: FLAC
发行时间: 1987年
地区: 美国
语言: 英语
简介: 
专辑介绍:
尚-皮尔·路易·雷波尔(Jean-Pierre Louis Rampal，1922年1月7日－2000年5月20日)，是20世纪著名的法国长笛演奏家。他被华盛顿邮报评为「重新把长笛由18世纪起变为现今受欢迎独奏乐器的演奏者」
Georg Philipp Telemann; 泰雷曼是德国巴洛克时代后期声势和地位最显赫的作曲家,在他坐镇的莱比锡等地,其他作曲家莫不退避三舍,其地位之高,连巴哈和韩德尔也不得不拱手让贤,而巴哈更让自己的儿子拜泰雷曼为教父,期许将来孩子长大能在泰雷曼的庇荫下获得提拔。如果说巴哈一生所留下一千多首作品足以傲视浪漫派和古典乐派的作曲家,那泰雷曼的作品数量更是当巴洛克时代之首,其数量之大,到今天也还未能清点完毕,这多少也显示了他在世时受到重视的程度,因为声名、地位崇高,才有那么多人委託他创作、也才有更多人以保存他的作品为荣。
引用Release Date 1987
Duration 49:58
Genre Classical
Styles Concerto Orchestral
Label:CBS Masterworks ‎– M 42362
Format:Vinyl, LP, Promo
Country:US
Released:1987
Genre:Classical
Style:Classical
Georg Philipp Telemann was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg,Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Credits
Composed By – Georg Philipp Telemann
Conductor – János Rolla
Engineer – Ferenc Pécsi, Georges Kisselhoff
Mastered By – Vlado Meller
Producer – Georges Kadar
We can appreciate today that the Baroque era contained many geniuses, each of whose worth did not preclude the value of the others. During his lifetime, however, Telemann shone as the most prolific (over 6,000 works!) and highly regarded German composer, even surpassing his friends J.S. Bach and Handel in renown.
Telemann was, for the most part, musically self-taught. He played a host of instruments, learned the writer's art by studying the scores of other composers, and worked in almost every genre of the day, including operas, oratorios and passions, cantatas, sonatas, songs, motets, quartets and quintets. Though knowledgeable about the "learned" style of Baroque music, Telemann embraced and assisted in developing the style galant, where melody and simpler textures predominated.
A leading force in Germany's musical life, Telemann helped found three colegia musica (forerunners of the modern concert societies) and instigated public concerts in churches and sacred music performances in secular environments. He always held several posts concurrently. When he settled in Hamburg (1721), he was Town Cantor (responsible for supervising grammar school music and the directorship of five churches) and director of the Opera. Constantly endeavoring to bring music to a wider audience, Telemann engraved his own compositions at a time when publishing in Germany was in its infancy. his fights with the Hamburg municipal press (he was also a lawyer) led to the development of German copyright laws. At the same time, he was Kapellmeister at Large for both the Margrave of Bayreuth and the Duke of Saxe-Eisenach, whom he also served as an economic and political correspondent. He was a poet, who wrote texts for some of his own works; a botanist, who shared his enthusiasms with Handel, and a three-time autobiographer, who also wrote treatises on theory and ornamentation. He founded the first music journal in Germany.
An innovator and voracious assimilator, Telemann commanded a wealth of styles ranging from French, Italian and German Baroque to Rococo and, in some instances, early Classical practice. Not shackled by rigid formulas, his variety in form and orchestration, spirited rhythms (with inspired touches of syncopation) and constant development of ideas are the hallmarks of his originality and freshness.
The french influence predominates in the Suite in E Minor (whose first chord is E Major) with its Lullian French overture, stylized dance movements and use of an extra-musical title, the Carillon.
Telemann employed a variety of forms, number of movements and styles in his concertos, and his themes usually evince a remarkable evolutionary use of motives. For example, in the three-movement Flute Concerto in G Major, the opening nine measures of the da capo Allegro ma non troppo contain all the motivic fragments, that, rearranged, altered, extended and reorchestrated, make up the whole movement - a perfect complement of contrast and cohesiveness. Not without humor, Telemann signed this work "Signore Melante," an anagram for his name.
In the four-movement D-Major Concerto (beginning with a lilting minuet) and in the five-movement E-Minor Concerto, there is increased interplay between the flute and violin(s). In the latter Concerto, the orchestra shines alone in the scampering Presto.
The seemingly endless inventiveness found in Telemann's spirited fast movements is mirrored in his supremely lyrical slow movement,s eacha gem in its own right. Thus, it is easy to explain Telemann's popularity in the eighteenth (and twentieth) century: His works are extremely beautiful and exceptionally well-crafted -- masterpieces that stand with the best of his era and that can be admired and loved by everyone from amateurs to astute musicians.
专辑曲目: 
Ouvertüre (Suite) for Flute, Strings & Basso Continuo (E Minor / e-moll / mi mineur)
01. Ouvertüre 6:02
02. II-Rigaudon 2:33
03. III-Carillon 1:22
04. IV-Air, Tendrement 2:41
05. V-Menuet I, Menuet II 2:19
06. VI-Gigue 2:20
Concerto in G Major for Flute with Violins and Basso Continuo
07. I-Allegro ma non troppo 5:00
08. II-Adagio 2:28
09. III-Allegro 3:12
Concerto in D Major for Flute and Strings
10. I-Moderato 2:30
11. II-Allegro 3:14
12. III-Largo 3:18
13. IV-Vivace 3:15
Concerto in E Minor for Flute and Strings (Concerto á sei)
14. I-Allegro 2:34
15. II-Adagio 2:04
16. III-Presto 1:12
17. IV-Adagio V-Allegro 3:12
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专辑英文名: Mercury Living Presence The Collector's Edtion 3
专辑中文名: 水星Living Presence发烧名盘60周年珍藏套装3（53CDs）
别名: 水星套装3
艺术家: Various Artist
古典类型: 全集作品
资源格式: FLAC
版本: 欧版整轨（更新中）
发行时间: 2015年
地区: 德国
语言: 英语
简介: 
水星 4787896 Mercury水星经典合集 第三集 53CDs 原装德国头版
不朽传奇，永恒延续！
Mercury水星发烧天碟合集第三集（完结篇）！
——原始母带处理，原版LP封面
——终极收录10张首次CD化录音
全球限量发行！原装欧洲进口！53碟超值套装！
即使是出现在上个世纪的五十年代，强调身历其境的Mercury Living Presence系列录音，依旧是唱片史上无法取代的经典之作。在与制作人法恩共同创立Mercury奇迹的威玛·柯札特·法恩监督下，Mercury珍贵的一百多张录音曾经在一九九〇年代重获新生命。不过，当时磁带转录的技术还没有完全成熟。由于现代能做到的磁带转录成CD的采样率解析度已经远高于一九九〇年代，在伦敦艾比路录音室工程师安德鲁·华尔特与威玛·柯札特·法恩的儿子汤玛斯·法恩密切合作下，这些磁带全程以96kHz / 24bit的格式转换，并且去除杂音与磁带之间的声波差异，大大提高以单声道录音的管弦乐专辑可听性，让它的听觉效果更接近Mercury后来的立体声录音；原有的立体声录音则透露出前所未有的深度与真实感。
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【当前更新】
专辑曲目: 
CD1: 勃拉姆斯：第1、3交响曲
多拉蒂指挥伦敦交响乐团
CD2: 勃拉姆斯：第2、4交响曲
多拉蒂指挥伦敦交响乐团
CD3: 维也纳华尔兹
多拉蒂指挥明尼亚波利斯交响乐团
CD4: 亨德尔：水上音乐，焰火音乐
莫扎特：弦乐小夜曲
多拉蒂指挥伦敦交响乐团
CD5: 门德尔松：第三“苏格兰”、第四“意大利”交响曲
多拉蒂指挥伦敦交响乐团
CD6: 里姆斯基-科萨科夫：天方夜谭
西贝柳斯：忧郁圆舞曲
李斯特：前奏曲
斯美塔那：伏尔塔瓦河
多拉蒂指挥伦敦交响乐团、明尼亚波利斯交响乐团
CD7: 里姆斯基-科萨科夫：西班牙随想曲，金鸡组曲
鲍罗丁：波罗维茨舞曲
多拉蒂指挥伦敦交响乐团
CD8: 罗西尼、威尔第的歌剧序曲集
多拉蒂指挥伦敦交响乐团、明尼亚波利斯交响乐团
CD9: 理查.施特劳斯：玫瑰骑士组曲，唐璜
多拉蒂指挥明尼亚波利斯交响乐团
CD10-11: 柴可夫斯基：第1-3交响曲
阿连斯基：柴可夫斯基主题变奏曲
多拉蒂指挥伦敦交响乐团
CD12: 柴可夫斯基：第五交响曲，斯拉夫进行曲
多拉蒂指挥伦敦交响乐团
CD13: 瓦格纳：序曲与前奏曲集
多拉蒂指挥伦敦交响乐团
CD14: 芬尼尔指挥格什温作品
CD15: 芬尼尔指挥Victor Herbert作品
CD16: 芬尼尔指挥Cole Porter作品
CD17: 芬尼尔指挥旋转木马圆舞曲等轻音乐
CD18: 苏利文：剪菠萝树梢的人组曲
罗西尼-雷斯庇基：魔法玩具店
古诺：浮士德中的芭蕾音乐
瓦格纳：罗恩格林、莱茵的黄金片段
芬尼尔指挥伊斯特曼管乐团
CD19: 著名进行曲集
芬尼尔指挥伊斯特曼管乐团
CD20-21: 亚当：吉赛尔
奥芬巴赫：愉快的巴黎人
约翰.施特劳斯：毕业舞会
费斯图拉里指挥伦敦交响乐团
CD22: 布洛克：两首大协奏曲，所罗门
汉森指挥伊斯特曼-罗切斯特管弦乐团
CD23: 格什温：蓝色狂想曲，钢琴协奏曲，古巴组曲
汉森指挥伊斯特曼-罗切斯特管弦乐团
CD24-25: 汉森指挥自己的作品
CD26: 麦克拉斯指挥伦敦交响乐团演奏管弦乐名曲集
斯美塔那《被出卖的新嫁娘》、尼古拉《温莎的风流娘们》
韦伯《邀舞》，托马斯《迷娘》等等
CD27: 柏辽兹：幻想即兴曲，匈牙利进行曲
帕雷指挥底特律交响乐团
CD28: 德沃夏克：第九交响曲
西贝柳斯：第二交响曲
帕雷指挥底特律交响乐团
CD29: 弗朗克：D小调交响曲
拉赫玛尼诺夫：第二交响曲
帕雷指挥底特律交响乐团
CD30: 拉罗：南姆纳
肖松：交响曲
帕雷指挥底特律交响乐团
CD31: 门德尔松：仲夏夜之梦，第五交响曲
海顿：第96交响曲
帕雷指挥底特律交响乐团
CD32-33: 舒曼：交响曲全集
帕雷指挥底特律交响乐团
CD34: 法国序曲与进行曲集
帕雷指挥底特律交响乐团
CD35: 瓦格纳：名歌手、漂泊的荷兰人、黎恩济序曲
帕雷指挥底特律交响乐团
CD36: 舒伯特：第5、8交响曲，罗莎蒙德
斯克洛瓦切夫斯基指挥明尼亚波利斯交响乐团
CD37: 舒伯特：第6、9交响曲
斯克洛瓦切夫斯基指挥明尼亚波利斯交响乐团
CD38: Ginastera: Variaciones Concertantes
布里顿：青少年管弦乐队指南
多拉蒂指挥明尼亚波利斯交响乐团
CD39: 科普兰：第三交响曲
多拉蒂指挥明尼亚波利斯交响乐团
CD40: 雷斯庇基：教堂之窗，罗马节日
多拉蒂指挥明尼亚波利斯交响乐团
CD41-42: 柴可夫斯基：四首管弦乐队镀组
多拉蒂指挥新爱乐乐团
CD43: 贝多芬：第三交响曲
多拉蒂指挥明尼亚波利斯交响乐团
CD44: 李斯特：两首钢琴协奏曲
钢琴：李赫特
康德拉辛指挥伦敦交响乐团
CD45-46: 贝多芬：大提琴奏鸣曲全集
大提琴：罗斯特洛波维奇
钢琴：李赫特
CD47: 穆索尔斯基、柴可夫斯基、普罗科菲耶夫的歌曲集
演唱：维什涅夫斯卡娅
钢琴：罗斯特洛波维奇
CD48: 弗拉明戈的世界
罗梅罗家族
CD49: 巴洛克竖笛协奏曲
马里纳指挥伦敦弦乐团
CD50: 欣德米特：交响曲
勋伯格：主题与变奏
斯特拉文斯基：管乐交响曲
芬尼尔指挥伊斯特曼管乐团
CD51: 索勒：羽管键琴作品
Puyana演奏
CD52: 柴可夫斯基：1812序曲，意大利随想曲
多拉蒂指挥明尼亚波利斯交响乐团
CD53: 肖斯塔科维奇：第4、8弦乐四重奏
鲍罗丁四重奏组
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专辑英文名: Shostakovich & Glazunov - Violin Concerto
专辑中文名: 萧士塔高维契＆葛拉兹诺夫：小提琴协奏曲
艺术家: Nicola Benedetti
古典类型: 协奏曲
资源格式: FLAC
版本: [24bits 96KHz]
发行时间: 2016年07月06日
地区: 美国
语言: 英语
简介: 
专辑简介:
萧士塔高维契＆葛拉兹诺夫：小提琴协奏曲／SHOSTAKOVITCH & GLAZUNOV : Violin Concerto
「班乃德提拥有技巧、热情与精力，因而能够做到最好。
- 英国观察报（The Observer）
　　好评不断的小提琴家妮可拉‧班乃德提，无论是音乐会还是录音室都交出十分亮眼的成绩单，她选择在本专辑中演奏了对其别具意义的萧士塔高维契第一号小提琴协奏曲，因为她自小即开始接触俄国音乐，作品的严肃性与强度
其稚嫩的心灵衝击颇深。她表示：「我被迫进入不同的世界，有点可怕，也十分严苛，却带点可爱，又那么地温暖。
　　专辑录音由她与指挥卡拉毕兹及伯恩茅斯交响乐团共同演出，黑暗而内省的萧士塔高维契小提琴协奏曲，在令人信服的演奏中获得了生命，充满能量与磨难以及令人屏息的热情。恶魔般的第二乐章-詼谐曲，将乐曲的力度推向高峰。深情的第三乐章则表现出盛大的辉煌效果，最后就在令人惊嘆的滑稽曲中结束。
　　萧士塔高维契小提琴协奏曲之创作曾经历一段充满磨难的历史背景：一九四〇年代，俄国不公的审查制度，迫使萧士塔高维契选择在史达林死后才将乐谱出版。作品於1955年由小提琴家大卫・欧依史特拉夫（David Oistrakh）首演，并立即获得国际乐坛的高度重视。
　　除了萧士塔高维契坚毅不妥协的作品之外，本集另收录一首较少被录制，但却又是每个小提琴演奏者必须学习的葛拉兹诺夫协奏曲，此曲有著与柴可夫斯基小提琴协奏曲相仿又相异的俄国风格；它的曲风大胆，色彩豔丽，是一首具有后期浪漫主义色彩的作品，其中的抒情性特别值得注意。班乃德提的演奏可谓精雕细琢，且感染力十足。
　　出生於苏格兰的班乃德提，一直以苏格兰文化根源为荣，是有史以来古典全英音乐奖（Classic BRITs）获得提名最多的女性音乐家。因为其杰出的成就，2013年获颁「大英帝国最优秀勋章」（Most Excellent Order of the British Empire）之「员佐勋章」（Member，简称「MBE」）的肯定。
　　曾经有人形容班乃德提「让人忆起少年曼纽因」，事实上班乃德提音乐中的柔软、精练、一点点的冷漠更像是少年海飞兹。这些多元化的曲子充分证明了她充满激情、朝气与精湛熟练的技巧及兼具内涵的演奏特色。即使是较少为人知的作品，她仍能为它带来新颖且具说服力的样貌。
产品条码： 0028947887584
产品编号： 4788758
发行公司： DECCA [发行商品]
发行日期： 2016年07月06日
产品制造地： 欧美 .
发行类型： 乐团 . 小提琴 . 协奏曲 . 古典 . CD .
内装片数： 1片
引用Nicola Benedetti
Bournemouth Symphony Orchestra
Kirill Karabits
Int. Release 01 Jul. 2016
Sensational violinist Nicola Benedetti returns with a riveting recording of Shostakovich’s monumental Violin Concerto (No. 1). This new recording follows Benedetti’s chart-topping success with Bruch’s Scottish Fantasy (Homecoming, 2014) and Korngold’s Violin Concerto (Silver Violin, 2012).
Benedetti’s own encounter with Russian music-making began in her childhood, the seriousness and intensity making a powerful impact on the young violinist: “I was thrust into a different world” says Nicola, “a little terrifying, extremely demanding but so loving, so warm”.
Together with the Bournemouth Symphony Orchestra and conductor Kirill Karabits, the dark, introspective Shostakovich Violin Concerto is brought to life in a compelling performance packed full of energy, powerful torment, and breath-taking passion. The demonic scherzo notches up intensity; the passionate third movement – possibly one of the finest in the canon of violin concertos – has a grand magnificence; and the astonishing Burlesque rounds off this visceral recording.
A work with a tormented history itself – the hostile political environment of Russian state censorship at the time of composition in the 1940’s meant that Shostakovich kept the concerto unpublished until after Stalin’s death – it was first performed in 1955 by David Oistrakh, and immediately highly regarded internationally.
Programmed alongside Shostakovich’s assertive, uncompromising masterpiece, is Glazunov’s bold, colourful Violin Concerto. A late-Romantic work, the Glazunov is notable for its lyricism; Benedetti’s generous, radiant performance is uplifting and finely crafted.
专辑曲目: 
Shostakovich Violin Concerto No. 1, Op.99
[1] I. Nocturne: Moderato
[2] II. Scherzo: Allegro
[3] III. Passacaglia: Andante
[4] Cadenza
[5] IV. Burlesque: Allegro con brio – Presto
Glazunov Violin Concerto, Op.82
[6] Moderato
[7] Andante
[8] Animando - Allegro
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